A Bit of This and a Bit of That About Poetry
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August 24 Online Auction
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Galaxy: International Multidisciplinary Research Journal the Criterion: an International Journal in English ISSN: 0976-8165
About Us: http://www.the-criterion.com/about/ Archive: http://www.the-criterion.com/archive/ Contact Us: http://www.the-criterion.com/contact/ Editorial Board: http://www.the-criterion.com/editorial-board/ Submission: http://www.the-criterion.com/submission/ FAQ: http://www.the-criterion.com/fa/ ISSN 2278-9529 Galaxy: International Multidisciplinary Research Journal www.galaxyimrj.com www.the-criterion.com The Criterion: An International Journal in English ISSN: 0976-8165 The Creative Dominance: Probing the Presence of Black Colour as the Condition for Imaginative Activity in Wallace Stevens’Harmonium Sruthi B Peet Memorial Training College Mavelikara, Kerala The raging ocean that covered everything was engulfed in total darkness, and the power of God was moving over the water. Then God commanded “Let there be light” –and light appeared. God was pleased with what he saw. Then he separated the light from darkness, and he named the day “light” and the darkness “night”. (Genesis 1:1-5) In the biblical account of creation, black preceded the creation of light. Even the big bang theory won’t prove the precedence of darkness wrong. This primordial colour in mythologies is related to fertility.In Black: The History of a Color, Pastoureau mentions that: This originary black is also found in other mythologies, not only in Europe but also in Asia and Africa. It is often fertile and fecund, as the Egyptian black that symbolizes the silt deposited by the waters of the Nile, with its beneficial floods that are anticipated hopefully each year, it is opposite of the sterile red of the desert sand. -
Wallace Stevens
Classic Poetry Series Wallace Stevens - poems - Publication Date: 2004 Publisher: PoemHunter.Com - The World's Poetry Archive A High-Toned Old Christian Woman Poetry is the supreme fiction, madame. Take the moral law and make a nave of it And from the nave build haunted heaven. Thus, The conscience is converted into palms, Like windy citherns hankering for hymns. We agree in principle. That's clear. But take The opposing law and make a peristyle, And from the peristyle project a masque Beyond the planets. Thus, our bawdiness, Unpurged by epitaph, indulged at last, Is equally converted into palms, Squiggling like saxophones. And palm for palm, Madame, we are where we began. Allow, Therefore, that in the planetary scene Your disaffected flagellants, well-stuffed, Smacking their muzzy bellies in parade, Proud of such novelties of the sublime, Such tink and tank and tunk-a-tunk-tunk, May, merely may, madame, whip from themselves A jovial hullabaloo among the spheres. This will make widows wince. But fictive things Wink as they will. Wink most when widows wince. Wallace Stevens www.PoemHunter.com - The World's Poetry Archive 2 Anecdote of the Jar I placed a jar in Tennessee, And round it was, upon a hill. It made the slovenly wilderness Surround that hill. The wilderness rose up to it, And sprawled around, no longer wild. The jar was round upon the ground And tall and of a port in air. It took dominion everywhere. The jar was gray and bare. It did not give of bird or bush, Like nothing else in Tennessee. -
Drama Co- Productions at the BBC and the Trade Relationship with America from the 1970S to the 1990S
ORBIT - Online Repository of Birkbeck Institutional Theses Enabling Open Access to Birkbecks Research Degree output ’Running a brothel from inside a monastery’: drama co- productions at the BBC and the trade relationship with America from the 1970s to the 1990s http://bbktheses.da.ulcc.ac.uk/56/ Version: Full Version Citation: Das Neves, Sheron Helena Martins (2013) ’Running a brothel from inside a monastery’: drama co-productions at the BBC and the trade relationship with America from the 1970s to the 1990s. MPhil thesis, Birkbeck, University of Lon- don. c 2013 The Author(s) All material available through ORBIT is protected by intellectual property law, including copyright law. Any use made of the contents should comply with the relevant law. Deposit guide Contact: email BIRKBECK, UNIVERSITY OF LONDON SCHOOL OF ARTS DEPARTMENT OF HISTORY OF ART AND SCREEN MEDIA MPHIL VISUAL ARTS AND MEDIA ‘RUNNING A BROTHEL FROM INSIDE A MONASTERY’: DRAMA CO-PRODUCTIONS AT THE BBC AND THE TRADE RELATIONSHIP WITH AMERICA FROM THE 1970s TO THE 1990s SHERON HELENA MARTINS DAS NEVES I hereby declare that this is my own original work. August 2013 ABSTRACT From the late 1970s on, as competition intensified, British broadcasters searched for new ways to cover the escalating budgets for top-end drama. A common industry practice, overseas co-productions seems the fitting answer for most broadcasters; for the BBC, however, creating programmes that appeal to both national and international markets could mean being in conflict with its public service ethos. Paradoxes will always be at the heart of an institution that, while pressured to be profitable, also carries a deep-rooted disapproval of commercialism. -
THE BIRTHDAY PARTY by Harold Pinter Directed by Ian Rickson
PRESS RELEASE – Tuesday 6th March 2018 IMAGES CAN BE DOWNLOADED HERE @BdayPartyLDN / TheBirthdayParty.London Sonia Friedman Productions in association with Rupert Gavin, Tulchin Bartner Productions, 1001 Nights Productions, Scott M. Delman present THE BIRTHDAY PARTY By Harold Pinter Directed by Ian Rickson CRITICALLY ACCLAIMED 60th ANNIVERSARY REVIVAL OF THE BIRTHDAY PARTY ENTERS FINAL WEEKS AT THE HAROLD PINTER THEATRE STRICTLY LIMITED WEST END RUN STARRING TOBY JONES, STEPHEN MANGAN, ZOË WANAMAKER AND PEARL MACKIE MUST COME TO AN END ON 14TH APRIL Audiences now have just five weeks left to see the critically acclaimed West End production of playwright Harold Pinter’s The Birthday Party. The company for the major revival, which runs 60 years since the play’s debut, includes Toby Jones, Stephen Mangan, Zoë Wanamaker, Pearl Mackie, Tom Vaughan-Lawlor and Peter Wight, and is directed by Ian Rickson. Stanley Webber (Toby Jones) is the only lodger at Meg (Zoë Wanamaker) and Petey Boles’ (Peter Wight) sleepy seaside boarding house. The unsettling arrival of enigmatic strangers Goldberg (Stephen Mangan) and McCann (Tom Vaughan-Lawlor) disrupts the humdrum lives of the inhabitants and their friend Lulu (Pearl Mackie), and mundanity soon becomes menace when a seemingly innocent birthday party turns into a disturbing nightmare. Truth and alliances hastily shift in Pinter's brilliantly mysterious dark-comic masterpiece about the absurd terrors of the everyday. The production is designed by the Quay Brothers, with lighting by Hugh Vanstone, music by Stephen Warbeck, sound by Simon Baker, and casting by Amy Ball. For more information visit TheBirthdayParty.London -ENDS- For further information please contact The Corner Shop PR on 020 7831 7657 Maisie Lawrence [email protected] / Ben Chamberlain [email protected] LISTINGS Sonia Friedman Productions in association with Rupert Gavin, Tulchin Bartner Productions, 1001 Nights Productions, Scott M. -
Cinematography for a Single-Camera Series (Half-Hour)
2018 Primetime Emmy® Awards Ballot Outstanding Cinematography For A Multi-Camera Series Alexa & Katie Ungroundable March 23, 2018 Alexa goes out of her way to prove she can't be punished. Jennifer surprises Jack with a backyard campout, but has a hard time getting him to unplug. Christian La Fountaine, ASC, Director of Photography The Big Bang Theory The Explosion Implosion October 16, 2017 Howard and Sheldon bond when they drive to the desert to shoot off a model rocket; When Leonard’s Mom finds a new best friend in Penny, it rubs Leonard the wrong way. Steven V. Silver, ASC, Director of Photography The Carmichael Show Support The Troops June 01, 2017 Jerrod gets into a fight with a soldier in front of Joe and Bobby. Joe tries to make it up to the soldier, but complications result. George Mooradian, ASC, Director of Photography Disjointed 4/20 Fantasy January 12, 2018 While the gang celebrates 4/20, Ruth helps Olivia with a contract, Pete loses confidence in his growing abilities, and Jenny and Carter share a secret. Peter Smokler, Director of Photography Fuller House My Best Friend's Japanese Wedding December 22, 2017 In Japan, Steve and CJ's wedding dishes up one disaster after another - from a maid of honor who's MIA to a talking toilet with an alarming appetite. Gregg Heschong, Director of Photography K.C. Undercover Coopers On The Run, Parts 1 & 2 July 15, 2017 - July 15, 2017 K.C. and the Cooper family of spies, along with K.C.'s Best Friend for Life, Marisa, are on the run from their arch enemy Zane in Rio de Janeiro, when they must take on - the fierce and slightly bizarre enemy agent Sheena, after capturing Passaro Grande, an exotic bird smuggler. -
Showtime Goes to the Dark Side of Stand-Up Comedy
Looking for a way to keep up with local news, school happenings, sports events and more? 2 x 2" ad 2 x 2" ad We’ve got you covered! waxahachietx.com V A D E S R A N N D E H A M C 2 x 3" ad A R N O E T G A T U L M Y C O Your Key June 2 - 8, 2017 H E A G V Y U R I K C A D A M To Buying P A S O E V M S A E N E O S E 2 x 3.5" ad Q U S S N L E D U Y I H A X D and Selling! Melissa Leo stars in R O N P T I E W P D N R F U Y “I’m Dying Up Here,” D A C A I J K S D Q U O C W I I N D W E D D E S U P S R A M premiering Sunday V G A O S Q J P A G K Y O M S on Showtime. L A N G R L U Z V R O S S B A E R E N A D O C O S B L Z I G K A J H N A K U Y I M A D T Y A N C A S S I E C L K L J I X Z O T Y O P L D V E E B W O E Y S X Z F C Y L G O M R A N D “I’m Dying Up Here” on Showtime (Words in parentheses not in puzzle) Goldie (Melissa) Leo Stand-ups Place your classified Solution on page 13 Cassie (Feder) (Ari) Graynor Comedy (Club) ad in the Waxahachie Daily 2 x 3" ad Ron (Shack) (Clark) Duke Seventies Light, Midlothian1 xMirror 4" ad and Eddie (Zeidel) (Michael) Angarano (Los) Angeles Ellis County Trading Post! Word Search Adam (Proteau) (RJ) Cyler Ambition Call (972) 937-3310 © Zap2it Showtime goes to the dark side of stand-up 2 x 3.5" ad comedy 2 x 4" ad 4 x 4" ad 6 x 3" ad 16 Waxahachie Daily Light 3:00 p.m. -
UNCLE VANYA by Anton Chekhov
PRESS RELEASE – 18 OCTOBER 2019 IMAGES CAN BE DOWNLOADED HERE Facebook/Twitter/Instagram: @UncleVanyaPlay www.unclevanyaplay.com Sonia Friedman Productions Gavin Kalin Productions, Rupert Gavin, Patrick Gracey/Scott M. Delman, 1001 Nights Productions, Tulchin Bartner Productions in association with Len Blavatnik, Eilene Davidson Productions, Louise & Brad Edgerton present UNCLE VANYA By Anton Chekhov In a new adaptation by Conor McPherson Directed by Ian Rickson Rosalind Eleazar, Aimee Lou Wood, Anna Calder-Marshall, Dearbhla Molloy, Peter Wight and Ciarán Hinds will join Toby Jones and Richard Armitage in a major new production of Anton Chekhov’s Uncle Vanya. Sonia Friedman Productions today announced further casting for Conor McPherson’s (The Weir, Girl from the North Country), new adaptation of Uncle Vanya directed by Ian Rickson (Jerusalem, The Seagull). Rosalind Eleazar (The Personal History of David Copperfield, Deep Water, The Starry Messenger), Aimee Lou Wood (Sex Education, Downstate), the Emmy Award-winning Anna Calder-Marshall (LOVE, Evening at the Talk House, Male of the Species), the Olivier and Tony-award nominated Dearbhla Molloy (The Ferryman, Dancing at Lughnasa, Juno and the Paycock), Peter Wight (The Birthday Party, Hamlet, The Red Lion) and Olivier Award-nominated Ciarán Hinds (Translations, Game of Thrones, Girl from the North Country) will perform alongside the previously announced Toby Jones and Richard Armitage. The production will run for sixteen weeks at the Harold Pinter Theatre from 14th January 2020 with Opening Night on Thursday 23rd January 2020. Tickets are on sale now. In the heat of summer, Sonya (Aimee Lou Wood) and her Uncle Vanya (Toby Jones) while away their days on a crumbling estate deep in the countryside, visited occasionally only by the local doctor Astrov (Richard Armitage). -
Celebrated Crimes
•«''" if'"'"" ii! IliiiiiiifSi SWIil liPlHI'II :i lilliiiilm iiii mm i i Jli ill]! 11 lillli ''''''ill li'ilMlfi mm 'ir UNIVERSITY OF CALIFORNIA N TH RTIK ^;i<) ) V..'. viaJiiJ Taax^i-? aHT lAioaqaa lUTBoa anx aviA 3^;r.'>s'l Y(S x^m%mv>(^ sAS iwot'^ " HE WAS SUPPLIED WITH EVERYTHING HE ASKED FOR^ ESPECIALLY WITH THE FINEST LINEN AND THE COSTLIEST LACE." —p. 1973 From the 'painting by Vierge JOAN OF NAPLES THE MAN IN THE IRON MASK MARTIN GUERRE VOLUME VI ILLCSTRATED P F COLLIER & SON NEW YORK Copyright igio By p. F. Collier & Son A JOAN OF NAPLES 1343-1382 CHAPTER I IX the night of the 15th of January 1343, while the inhabitants of Naples lay wrapped in peaceful slumber, they were suddenly awakened by the bells of the three hundred churches that this thrice blessed capital contains. In the midst of the disturbance caused by so rude a call the first thought in the mind of all was that the town was on fire, or that the army of some enemy had mysteriously landed under cover of night and would put the citizens to the edge of the sword. But the doleful, intermittent sounds of all these bells, which disturbed the silence at regular and distant intervals, were an invitation to the faithful to pray for a passing soul, and it was soon evident that no disaster threatened the town, but that the king alone was in danger. Indeed, it had been plain for several days past that the greatest uneasiness prevailed in Castel 1785 Dumas—Vul. -
Gotham Episode Guide Episodes 001–100
Gotham Episode Guide Episodes 001–100 Last episode aired Thursday April 25, 2019 www.fox.com c c 2019 www.tv.com c 2019 www.fox.com The summaries and recaps of all the Gotham episodes were downloaded from http://www.tv.com and http://www. fox.com and processed through a perl program to transform them in a LATEX file, for pretty printing. So, do not blame me for errors in the text ! This booklet was LATEXed on May 2, 2019 by footstep11 with create_eps_guide v0.61 Contents Season 1 1 1 Pilot ...............................................3 2 Selina Kyle . .7 3 The Balloonman . 11 4 Arkham . 15 5 Viper............................................... 19 6 Spirit of the Goat . 23 7 Penguin’s Umbrella . 27 8 The Mask . 31 9 Harvey Dent . 35 10 LoveCraft . 39 11 Rogues’ Gallery . 43 12 What the Little Bird Told Him . 47 13 Welcome Back, Jim Gordon . 51 14 The Fearsome Dr. Crane . 55 15 The Scarecrow . 59 16 The Blind Fortune Teller . 63 17 Red Hood . 67 18 Everyone Has a Cobblepot . 71 19 Beasts of Prey . 75 20 Under the Knife . 79 21 The Anvil or the Hammer . 83 22 All Happy Families Are Alike . 87 Season 2 91 1 Rise of the Villains: Damned If You Do... 93 2 Rise of the Villains: Knock, Knock . 97 3 Rise of the Villains: The Last Laugh . 101 4 Rise of the Villains: Strike Force . 105 5 Rise of the Villains: Scarification . 109 6 Rise of the Villains: By Fire . 113 7 Rise of the Villains: Mommy’s Little Monster . -
Coleridge and Wordsworth
Durham E-Theses Inescapable choice: Wallace Stevens's new Romanticism and English romantic poetry Tomioka, Noriko How to cite: Tomioka, Noriko (2006) Inescapable choice: Wallace Stevens's new Romanticism and English romantic poetry, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/2607/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk 2 Inescapable Choice: Wallace Stevens's New Romanticism and English Romantic Poetry The copyright of this thesis rests with the author or the university to which It was submitted. No quotation from It, or lnfonnatlon derived from It may be published without the prior written consent of the author or university, and any lnfonnatlon derived from It should be acknowledged. Noriko Tomioka A thesis submitted to the University of Durham in accordance with the regulations for admittance to the Degree of Doctor of Philosophy Department of English Studies University of Durham September 2006 1 7 APR 2007 To my mother Out of this same light, out of the central mind, We make a dwelling in the evening air, In which being there together is enough. -
Postprint : Author's Final Peer-Reviewed Version
This item is the archived peer-reviewed author-version of: Windblown ceremonies in search of Vocalissimus: an interview with Matt Barber on his composition To the roaring wind Reference: Eeckhout Bart.- Windblow n ceremonies in search of Vocalissimus: an interview w ith Matt Barber on his composition To the roaring w ind The Wallace Stevens journal - ISSN 0148-7132 - Baltimore, Johns hopkins univ press, 43:2(2019), p. 152-167 Full text (Publisher's DOI): https://doi.org/10.1353/WSJ.2019.0019 To cite this reference: https://hdl.handle.net/10067/1642630151162165141 Institutional repository IRUA WSJ 43.2 Interview - 1 Windblown Ceremonies in Search of Vocalissimus: An Interview with Matt Barber on His Composition To the Roaring Wind BART EECKHOUT MATT BARBER is a composer, performer, and teacher who studied at the Juilliard School in New York and the University of Rochester’s Eastman School of Music. He plays the bassoon and the recorder, is a conductor with a repertoire ranging from Bach to Xenakis, and has taught composition and computer music courses at various institutions. In 2011, Matt published a 22- minute song cycle for soprano and percussion ensemble entitled To the Roaring Wind. Curious to find out more, we decided to get in touch with him in the context of this special issue. He embraced our suggestion of an interview, which was conducted by e-mail in the spring of 2019. To allow us to prepare for the conversation, Matt sent us the musical score as well as a weblink to a recording with scrolling score.1 For those readers who find score-gazing unhelpful or distracting, a stage recording of a 2011 performance, on the occasion of the work’s premiere, is also available online.2 Bart Eeckhout: Because the readers of this journal can’t be expected to be knowledgeable about contemporary composers, let’s start with a few questions about yourself.