PETER CARROLL |Actor
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Robert Lepage's Scenographic Dramaturgy: the Aesthetic Signature at Work
1 Robert Lepage’s Scenographic Dramaturgy: The Aesthetic Signature at Work Melissa Poll Abstract Heir to the écriture scénique introduced by theatre’s modern movement, director Robert Lepage’s scenography is his entry point when re-envisioning an extant text. Due to widespread interest in the Québécois auteur’s devised offerings, however, Lepage’s highly visual interpretations of canonical works remain largely neglected in current scholarship. My paper seeks to address this gap, theorizing Lepage’s approach as a three-pronged ‘scenographic dramaturgy’, composed of historical-spatial mapping, metamorphous space and kinetic bodies. By referencing a range of Lepage’s extant text productions and aligning elements of his work to historical and contemporary models of scenography-driven performance, this project will detail how the three components of Lepage’s scenographic dramaturgy ‘write’ meaning-making performance texts. Historical-Spatial Mapping as the foundation for Lepage’s Scenographic Dramaturgy In itself, Lepage’s reliance on evocative scenography is inline with the aesthetics of various theatre-makers. Examples range from Appia and Craig’s early experiments summoning atmosphere through lighting and minimalist sets to Penny Woolcock’s English National Opera production of John Adams’s Dr. Atomic1 which uses digital projections and film clips to revisit the circumstances leading up to Little Boy’s release on Hiroshima in 1945. Other artists known for a signature visual approach to locating narrative include Simon McBurney, who incorporates digital projections to present Moscow via a Google Maps perspective in Complicité’s The Master and Margarita and auteur Benedict Andrews, whose recent production of Three Sisters sees Chekhov’s heroines stranded on a mound of dirt at the play’s conclusion, an apt metaphor for their dreary futures in provincial Russia. -
Issue 17 Ausact: the Australian Actor Training Conference 2019
www.fusion-journal.com Fusion Journal is an international, online scholarly journal for the communication, creative industries and media arts disciplines. Co-founded by the Faculty of Arts and Education, Charles Sturt University (Australia) and the College of Arts, University of Lincoln (United Kingdom), Fusion Journal publishes refereed articles, creative works and other practice-led forms of output. Issue 17 AusAct: The Australian Actor Training Conference 2019 Editors Robert Lewis (Charles Sturt University) Dominique Sweeney (Charles Sturt University) Soseh Yekanians (Charles Sturt University) Contents Editorial: AusAct 2019 – Being Relevant .......................................................................... 1 Robert Lewis, Dominique Sweeney and Soseh Yekanians Vulnerability in a crisis: Pedagogy, critical reflection and positionality in actor training ................................................................................................................ 6 Jessica Hartley Brisbane Junior Theatre’s Abridged Method Acting System ......................................... 20 Jack Bradford Haunted by irrelevance? ................................................................................................. 39 Kim Durban Encouraging actors to see themselves as agents of change: The role of dramaturgs, critics, commentators, academics and activists in actor training in Australia .............. 49 Bree Hadley and Kathryn Kelly ISSN 2201-7208 | Published under Creative Commons License (CC BY-NC-ND 3.0) From ‘methods’ to ‘approaches’: -
A STUDY GUIDE by Katy Marriner
© ATOM 2012 A STUDY GUIDE BY KATY MARRINER http://www.metromagazine.com.au ISBN 978-1-74295-267-3 http://www.theeducationshop.com.au Raising the Curtain is a three-part television series celebrating the history of Australian theatre. ANDREW SAW, DIRECTOR ANDREW UPTON Commissioned by Studio, the series tells the story of how Australia has entertained and been entertained. From the entrepreneurial risk-takers that brought the first Australian plays to life, to the struggle to define an Australian voice on the worldwide stage, Raising the Curtain is an in-depth exploration of all that has JULIA PETERS, EXECUTIVE PRODUCER ALINE JACQUES, SERIES PRODUCER made Australian theatre what it is today. students undertaking Drama, English, » NEIL ARMFIELD is a director of Curriculum links History, Media and Theatre Studies. theatre, film and opera. He was appointed an Officer of the Order Studying theatre history and current In completing the tasks, students will of Australia for service to the arts, trends, allows students to engage have demonstrated the ability to: nationally and internationally, as a with theatre culture and develop an - discuss the historical, social and director of theatre, opera and film, appreciation for theatre as an art form. cultural significance of Australian and as a promoter of innovative Raising the Curtain offers students theatre; Australian productions including an opportunity to study: the nature, - observe, experience and write Australian Indigenous drama. diversity and characteristics of theatre about Australian theatre in an » MICHELLE ARROW is a historian, as an art form; how a country’s theatre analytical, critical and reflective writer, teacher and television pre- reflects and shape a sense of na- manner; senter. -
The Australian Theatre Family
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Sydney eScholarship A Chance Gathering of Strays: the Australian theatre family C. Sobb Ah Kin MA (Research) University of Sydney 2010 Contents: Epigraph: 3 Prologue: 4 Introduction: 7 Revealing Family 7 Finding Ease 10 Being an Actor 10 Tribe 15 Defining Family 17 Accidental Culture 20 Chapter One: What makes Theatre Family? 22 Story One: Uncle Nick’s Vanya 24 Interview with actor Glenn Hazeldine 29 Interview with actor Vanessa Downing 31 Interview with actor Robert Alexander 33 Chapter Two: It’s Personal - Functioning Dysfunction 39 Story Two: “Happiness is having a large close-knit family. In another city!” 39 Interview with actor Kerry Walker 46 Interview with actor Christopher Stollery 49 Interview with actor Marco Chiappi 55 Chapter Three: Community −The Indigenous Family 61 Story Three: Who’s Your Auntie? 61 Interview with actor Noel Tovey 66 Interview with actor Kyas Sheriff 70 Interview with actor Ursula Yovich 73 Chapter Four: Director’s Perspectives 82 Interview with director Marion Potts 84 Interview with director Neil Armfield 86 Conclusion: A Temporary Unity 97 What Remains 97 Coming and Going 98 The Family Inheritance 100 Bibliography: 103 Special Thanks: 107 Appendix 1: Interview Information and Ethics Protocols: 108 Interview subjects and dates: 108 • Sample Participant Information Statement: 109 • Sample Participant Consent From: 111 • Sample Interview Questions 112 2 Epigraph: “Happy families are all alike; every unhappy family is unhappy in its own way. Everything was in confusion in the Oblonsky’s house. The wife had discovered that the husband was carrying on an intrigue with a French girl, who had been a governess in their family, and she had announced to her husband that she could not go on living in the same house with him. -
Teacher's Notes 2007
Sydney Theatre Company and Sydney Festival in association with Perth International Festival present the STC Actors Company in The War of the Roses by William Shakespeare Teacher's Resource Kit Part One written and compiled by Jeffrey Dawson Acknowledgements Thank you to the following for their invaluable material for these Teachers' Notes: Laura Scrivano, Publications Manager,STC; Tom Wright, Associate Director, STC Copyright Copyright protects this Teacher’s Resource Kit. Except for purposes permitted by the Copyright Act, reproduction by whatever means is prohibited. However, limited photocopying for classroom use only is permitted by educational institutions. Sydney Theatre Company The Wars of the Roses Teachers Notes © 2009 1 Contents Production Credits 3 Background information on the production 4 Part One, Act One Backstory & Synopsis 5 Part One, Act Two Backstory & Synopsis 5 Notes from the Rehearsal Room 7 Shakespeare’s History plays as a genre 8 Women in Drama and Performance 9 The Director – Benedict Andrews 10 Review Links 11 Set Design 12 Costume Design 12 Sound Design 12 Questions and Activities Before viewing the Play 14 Questions and Activities After viewing the Play 20 Bibliography 24 Background on Part Two of The War of the Roses 27 Sydney Theatre Company The Wars of the Roses Teachers Notes © 2009 2 Sydney Theatre Company and Sydney Festival in association with Perth International Festival present the STC Actors Company in The War of the Roses by William Shakespeare Cast Act One King Richard II Cate Blanchett Production -
Darkemu-Program.Pdf
1 Bringing the connection to the arts “Broadcast Australia is proud to partner with one of Australia’s most recognised and iconic performing arts companies, Bangarra Dance Theatre. We are committed to supporting the Bangarra community on their journey to create inspiring experiences that change society and bring cultures together. The strength of our partnership is defined by our shared passion of Photo: Daniel Boud Photo: SYDNEY | Sydney Opera House, 14 June – 14 July connecting people across Australia’s CANBERRA | Canberra Theatre Centre, 26 – 28 July vast landscape in metropolitan, PERTH | State Theatre Centre of WA, 2 – 5 August regional and remote communities.” BRISBANE | QPAC, 24 August – 1 September PETER LAMBOURNE MELBOURNE | Arts Centre Melbourne, 6 – 15 September CEO, BROADCAST AUSTRALIA broadcastaustralia.com.au Led by Artistic Director Stephen Page, we are Bangarra’s annual program includes a national in our 29th year, but our dance technique is tour of a world premiere work, performed in forged from more than 65,000 years of culture, Australia’s most iconic venues; a regional tour embodied with contemporary movement. The allowing audiences outside of capital cities company’s dancers are dynamic artists who the opportunity to experience Bangarra; and represent the pinnacle of Australian dance. an international tour to maintain our global WE ARE BANGARRA Each has a proud Aboriginal and/or Torres reputation for excellence. Strait Islander background, from various BANGARRA DANCE THEATRE IS AN ABORIGINAL Complementing Bangarra’s touring roster are locations across the country. AND TORRES STRAIT ISLANDER ORGANISATION AND ONE OF education programs, workshops and special AUSTRALIA’S LEADING PERFORMING ARTS COMPANIES, WIDELY Our relationships with Aboriginal and Torres performances and projects, planting the seeds for ACCLAIMED NATIONALLY AND AROUND THE WORLD FOR OUR Strait Islander communities are the heart of the next generation of performers and storytellers. -
Neil Armfield
Mr Neil Armfield The honorary degree of Doctor of Letters was conferred upon Neil Armfield at the Faculty of Arts graduation ceremony held at 4.00pm on 21 April 2006. Neil Armfield, photo, courtesy UniNews. Citation Professor Masters, I have the honour to present Neil Armfield for admission to the degree of Doctor of Letters (honoris causa). While Neil Armfield is still only at the midpoint of his brilliant career, he has already made a distinctive contribution to the Arts and Humanities, especially through his work as a director of plays, operas and films, both within Australia and overseas. Neil was born in Sydney and is a graduate of this University, completing his Bachelor of Arts with Honours in English in 1977. While at university he began directing plays for Sydney University Dramatic Society, with such success that he was invited to direct his first professional production for the Nimrod Theatre Company in 1979. This production of David Allen’s Upside Down at the Bottom of the World, a new play about D H Lawrence in Australia, was also a great success and the production was subsequently invited to the 1980 Edinburgh Festival. Neil Armfield became artistic co-director of the Nimrod Theatre Company from 1980-82, confirming his special affinity for new Australian plays with landmark productions of Stephen Sewell’s Traitors and Welcome the Bright World and Louis Nowra’s Inside the Island. In 1983 he was appointed associate director of the Lighthouse Company in Adelaide. He is, however, most strongly associated with the work of Sydney’s Belvoir Street Theatre, having been a member of Company B since its inception in 1984. -
Chloe Armstrong
JOSH MCCONVILLE | Actor FILM Year Production / Character Director Company 2017 1% Stephen McCallum Head Gear Films Skink 2016 WAR MACHINE David Michôd Porchlight Films Payne 2015 JOE CINQUE'S CONSOLATION Sotiris Dounoukos Consolation Productions Chris 2014 DOWN UNDER Abe Forsythe Riot Films Gav 2013 THE INFINITE MAN Hugh Sullivan Infinite Man Productions P/L Dean Trilby 2012 THE TURNING “COMMISSION” David Wenham ArenaMedia Vic Lang TELEVISION Year Production/Character Director Company 2017 HOME & AWAY Various Seven Network Caleb 2015 CLEVERMAN Wayne Blair ABCTV Dickson 2013 THE KILLING FIELD Samantha Lang Seven Network Operations Jackson 2012 REDFERN NOW Various ABC TV/Blackfella Films Photographer Shanahan Management Pty Ltd Level 3 | Berman House | 91 Campbell Street | Surry Hills NSW 2010 PO Box 1509 | Darlinghurst NSW 1300 Australia | ABN 46 001 117 728 Telephone 61 2 8202 1800 | Facsimile 61 2 8202 1801 | [email protected] 2011 WILD BOYS Various Southern Star Productions No. 8 Ben 2009 UNDERBELLY II: Various Screentime A TALE OF TWO CITIES Hurley THEATRE Year Production/Character Director Company 2017 CLOUD 9 Kip Williams Sydney Theatre Company Clive/Cathy 2016 A MIDSUMMER NIGHT’S DREAM Kip Williams Sydney Theatre Company Bottom 2016 ALL MY SONS Kip Williams Sydney Theatre Company George Deever 2016 HAY FEVER Imara Savage Sydney Theatre Company Sandy Tyrell 2016 ARCADIA Richard Cottrell Sydney Theatre Company Bernard Nightingale 2015 HAMLET Damien Ryan Bell Shakespeare Hamlet 2015 AFTER DINNER Imara Savage Sydney Theatre Company -
Annual Report 2015 LETTER to MINISTER
Annual Report 2015 LETTER TO MINISTER 23 February 2016 The Honourable Annastacia Palaszczuk MP Premier and Minister for the Arts Level 15, Executive Building 100 George Street BRISBANE QLD 4000 Dear Premier I am pleased to present the Annual Report 2015 and audited financial statements for the Queensland Theatre Company. I certify that this annual report complies with: > the prescribed requirements of the Financial Accountability Act 2009 and the Financial and Performance Management Standard 2009, and > the detailed requirements set out in the Annual report requirements for Queensland Government agencies. A checklist outlining the annual reporting requirements can be found on page 90 of this Annual Report or accessed at http://www.queenslandtheatre.com.au/About-Us/Publications Yours sincerely Cover photographs, Top – Bottom: 1. Boston Marriage, Amanda Muggleton, Rachel Gordon. Photography by Rob Maccoll. Emeritus Professor Richard Fotheringham FAHA 2. Ladies in Black, Kate Cole, Christen O’Leary, Naomi Price, Lucy Maunder, Deidre Rubenstein. Photography by Rob Maccall. Chair, Queensland Theatre Company 3. Happy Days, Carol Burns. Photography by Aaron Tait. 4. Oedipus Doesn’t Live Here Anymore, Ellen Bailey. Photography by Stephen Henry. 5. Rumour Has It, Naomi Price. Photography by Dylan Evans. 6. Grounded, Libby Munro. Photography by Stephen Henry. 7. Argus, Lauren Hayne, Nathan Booth, Matthew Seery, Anna Straker. 8. Oedipus Doesn’t Live Here Anymore, Emily Burton, Toby Martin, Ellen Bailey. 9. Brisbane, Lucy Coleby, Dash Kruck. 10. Home, Margi Brown-Ash. Photography by Aaron Tait. 11. The Odd Couple, Jason Klarwein. Photography by Rob Maccoll. 12. The 7 Stages of Grieving, Chenoa Deemal. Photography by Justin Harrison. -
Annual Report 2014 1
Annual Report 2014 1 2 3 4 6 5 7 Cover photographs 1 Paul Bishop in Australia Day 2 Candy Bowers in The Mountaintop 3 Jason Klarwein and Veronica Neave in Macbeth 4 Anna McGahan in The Effect 5 Christen O’Leary in Gloria 6 Promotional photograph for Black Diggers 7 Steven Rooke in Gasp! Photography: Aaron Tait, Branco Gaica (Black Diggers) Illustration: Lauren Marriott (The Mountaintop) Letter to Minister 27 March 2015 The Honourable Annastacia Palaszczuk MP Premier and Minister for the Arts Level 15, Executive Building 100 George Street BRISBANE QLD 4000 Dear Premier I am pleased to present the Annual Report 2014 and audited financial statements for the Queensland Theatre Company. I certify that this annual report complies with: the prescribed requirements of the Financial Accountability Act 2009 and the Financial and Performance Management Standard 2009, and the detailed requirements set out in the Annual report requirements for Queensland Government agencies. A checklist outlining the annual reporting requirements can be found on page 90 of this annual report or accessed at http://www.queenslandtheatre.com.au/About-Us/Publications Yours sincerely, Professor Richard Fotheringham Chair Queensland Theatre Company Queensland Theatre Company Annual Report 1 2 Queensland Theatre Company Annual Report Contents Contents .......................................................................................................................................................... 3 Introduction .................................................................................................................................................... -
Js Battye Library of West Australian History Ephemera – Collection Listing
JS BATTYE LIBRARY OF WEST AUSTRALIAN HISTORY EPHEMERA – COLLECTION LISTING FESTIVAL OF PERTH PROGRAMMES (FROM 200O KNOWN AS PERTH INTERNATIONAL ARTS FESTIVAL) Date Venue Title & Author Director Producer 1953 January 2 - March 14 University of W.A. Various Adult Education Board Grounds January 3 - 17 The Sunken Garden Dark of the Moon David Lopian David Lopian by Henry Richardson & William Berney January 15 Somerville Auditorium An Evening of Ballet and Adult Education Board W.G.James, Director of Dance Music January 17 Somerville Auditorium Open Air Concert of the Festival of Perth 1953 Conductor - Beethoven Festival Joseph Post January 20-23 - Somerville Auditorium King Richard III Michael Langham January 27 - February 7 by Wm. Shakespeare January 24 Somerville Auditorium Beethoven Festival W.G.James Director of Music February 18 - 28 The Sunken Garden Twelfth Night Jeana Tweedie by Wm. Shakespeare March 3 –14 Somerville Auditorium Born Yesterday David Lopian by Garson Kanin March 12 The Sunken Garden Psyche - based on Fairy Tale Frank Ponton - Meta Russcher, Director by Louis Couperus Stage Director of Music March 20 – 21 The Repertory Club The Brookhampton Bellringers & The Ukrainian Choir & Dancing Group PR 10960 © Copyright LISWA 2001 1 JS BATTYE LIBRARY OF WEST AUSTRALIAN HISTORY PRIVATE ARCHIVES – COLLECTION LISTING March 25 The Repertory Theatre The Picture of Dorian Gray Sydney Davis by Oscar Wilde Undated His Majesty's Theatre When We are Married Frank Ponton - Michael Langham by J.B.Priestley Stage Director 1954.00 December 30 - March 20 Various Various Flyer January The Sunken Garden Peer Gynt Adult Education Board David Lopian by Henrik Ibsen January 7 - 31 Art Gallery of W.A. -
Josh Mcconville
JOSH MCCONVILLE Training: NIDA and Griffith University Film: Lone Wolf Conrad Jonathan Ogilvie Future Pictures Fantasy Island Sarge Jeff Wadlow Columbia Pictures Top End Wedding Officer Kent Wayne Blair Goalpost M4M Ice Man Paul Ireland Toothless Pictures Escape and Evasion Seth Storm Ashwood Bronte Pictures The Merger Snapper Mark Grentell Umbrella Entertainment 1% Skink Stephen McCallum Head Gear Films War Machine Payne David Michod Netflix Down Under Gav Abe Wild Eddie Joe Cinque's Consolation Chris Sotiris Dounoukos Consolation Productions The Infinite Man Dean Trilby Hugh Sullivan Infinite man Productions The Turning "Commission" Vic lang David Wenham ArenaMedia TV: Wakefield Scott Jocelyn Moorhouse & Kim Morduant Jungle Ent. Mr Inbetween S2 Alex Nash Edgerton Blue-Tongue Films Home and Away Caleb Snow Alan Bateman 7 Network Cleverman Dickson Leah Purcell Goalpost Pictures Redfern Now Photographer Various ABC TV / Blackfella Films Wild Boys Ben Barratt Southern Star Ent. Shirley Barratt Underbelly II Michael Hurley C9 Network Tony Tilse Theatre: Cloud 9 Clive/Cathy Kip Williams Sydney Theatre Company A Midsummer Night's Dream Bottom Kip Williams Sydney Theatre Company All My Sons George Deever Kip Williams Sydney Theatre Company Hay Fever Sandy Tyrell Imara Savage Sydney Theatre Company Arcadia Bernard Nightingale Richard Cottrell Sydney Theatre Company Hamlet Hamlet Damien Ryan Bell Shakespeare Tour Death of A Salesman Biff Adam Mitchell Black Swan Theatre Company The Boys Brett Sprague Sam Strong Griffin Theatre Company Josh McConville