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Latomus and Luther. the Debate: Is Every Good Deed a Sin?
Anna Vind Latomus and Luther The Debate: R5AS 26 Is every Good Deed a Sin? Academic Studies 26 Latomus and Luther Vind Anna Vind: Latomus and Luther © 2019, Vandenhoeck & Ruprecht GmbH & Co. KG, Göttingen ISBN Print: 9783525552513 — ISBN E-Book: 9783647552514 Anna Vind: Latomus and Luther Refo500 Academic Studies Edited by Herman J. Selderhuis In co-operation with Christopher B. Brown(Boston), Günter Frank (Bretten), Bruce Gordon(NewHaven), Barbara Mahlmann-Bauer (Bern), Tarald Rasmussen (Oslo), Violet Soen (Leuven), Zsombor Tóth (Budapest), Günther Wassilowsky (Frankfurt), SiegridWestphal (Osnabrück). Volume 26 © 2019, Vandenhoeck & Ruprecht GmbH & Co. KG, Göttingen ISBN Print: 9783525552513 — ISBN E-Book: 9783647552514 Anna Vind: Latomus and Luther Anna Vind Latomusand Luther The Debate: Is everyGoodDeed aSin? Vandenhoeck & Ruprecht © 2019, Vandenhoeck & Ruprecht GmbH & Co. KG, Göttingen ISBN Print: 9783525552513 — ISBN E-Book: 9783647552514 Anna Vind: Latomus and Luther Bibliographic information published by the Deutsche Nationalbibliothek: The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data available online: https://dnb.de. 2019, Vandenhoeck & Ruprecht GmbH & Co. KG, Theaterstraûe 13, D-37073 Gçttingen All rights reserved. No part of this work may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage and retrieval system, without prior written permission from the publisher. Typesetting: 3w+p, Rimpar Printed and bound: Hubert & Co. BuchPartner, Gçttingen Printed in the EU Vandenhoeck & Ruprecht Verlage www.vandenhoeck-ruprecht-verlage.com j ISSN 2197-0165 ISBN 978-3-647-55251-4 © 2019, Vandenhoeck & Ruprecht GmbH & Co. KG, Göttingen ISBN Print: 9783525552513 — ISBN E-Book: 9783647552514 Anna Vind: Latomus and Luther Contents 1. -
Greek Philosophy and Mystery Cults
Greek Philosophy and Mystery Cults Greek Philosophy and Mystery Cults Edited by María José Martín-Velasco and María José García Blanco Greek Philosophy and Mystery Cults Edited by María José Martín-Velasco and María José García Blanco This book first published 2016 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2016 by María José Martín-Velasco, María José García Blanco and contributors All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-8830-3 ISBN (13): 978-1-4438-8830-1 TABLE OF CONTENTS Preface..................................................................................................... vii María José Martín Velasco and María José García Blanco The Transformation of the Initiation Language of Mystery religions into Philosophical Terminology........................................................................ 1 Francesc Casadesús Aristotle and the Mysteries ..................................................................... 27 Alberto Bernabé Escathological Myth in Plato’s Gorgias.................................................. 43 António De Castro Caeiro The Echoes of Eleusis: Love and Initiation in the Platonic Philosophy -
Spotlights Patrons from the Clergy
Spotlight on the Middle Ages Patrons 2: clergy When manuscripts were custom made, patrons enjoyed adding their ownership marks, such as their image, coat of arms or motto. We continue our selection of manuscripts made for patrons, this time members of the clergy. Most books are currently available, though two have returned ‘home’. To serve God is to reign is the motto of cardinal Pierre of Foix (1386-1464), who played a decisive role in ending the Great Schism (1417). The Franciscan cardinal had a taste for expensive books and acquired many manuscripts from the papal library in Avignon. This Gospel Lectionary made for Franciscan use in Avignon, c. 1325-1350, came into Pierre de Foix’s hands in the 15th century when his motto was added. 345 x 235 mm, 172 leaves, 82 pages with ‘puzzle’ initials Breviary made for Hermann von Hessen, archbishop of Cologne (d. 1508) Elected archbishop of Cologne in 1480, Hermann received the pallium in 1481 and was invested with the regalia by the emperor in 1485. His solemn entry in Cologne was postponed until 1488, his breviary dates therefore c. 1480-1488. The manuscript returns to Cologne as it was recently acquired by the Historisches Archiv Köln. The bishop’s special devotion to St. Elisabeth is the better explained by the fact she was the ‘Stammmutter’ of the counts of Hesse. Breviary, 182 x 132 mm, 261 leaves, 11 large painted initials on gold, 9 of which historiated. “Wolt ihr zum Bisschof von Köln gehen, so sehet, wo die Armen stehen” points at Hermann’s works of mercy and his generous support of the poor. -
Coptic Church Review
ISSN 0273-3269 COPTIC CHURCH REVIEW Volume 20, Number 4 . Winter 1999 •The Impact of Copts on Civilization •The Brotherhood of Ps-Macarius •Ecumenical Desert Monasticism •Priesthood Between St. Gregory and St. Chrysostom Society of Coptic Church Studies EDITORIAL BOARD COPTIC CHURCH REVIEW Bishop Wissa (Al-Balyana, Egypt) A Quarterly of Contemporary Patristic Studies Bishop Antonious Markos ISSN 0273-3269 (Coptic Church, African Affairs) Volume 20, Number 4 . .Winter 1999 Bishop Isaac (Quesna, Egypt) Bishop Dioscorus 98 The Impact of Copts on (Coptic Church, Egypt) Civilization* Fr. Tadros Malaty Amin Makram Ebeid (Alexandria, Egypt) Professor Fayek Ishak (Ontario, Canada) 119 The Brotherhood of Ps-Macarius William El-Meiry, Ph.D. Stuart Burns (N.J., U.S.A.) Girgis A. Ibrahim, Ph.D. (Florida, U.S.A.) 127 Previous Issues of CCR Esmat Gabriel, Ed.D. (PA., U.S.A.) 128 Ecumenical Desert Monasticism EDITOR Otto Meinardus Rodolph Yanney, M.D. CIRCULATION MANAGER Ralph Yanney 135 Priesthood between St. Gregory © Copyright 1999 and St. Chrysostom by Coptic Church Review Rodolph Yanney E. Brunswick, NJ Subscription and Business Address: Society of Coptic Church Studies 142 Book Reviews P.0. Box 714, E. Brunswick, NJ 08816 • Ancient Israel: Life and email: [email protected] Institutions Editorial Address: Coptic Church Review •The Hidden Life of the P.O. Box 1113, Lebanon, PA 17042 Carthusians email: [email protected] Subscription Price (1 Year) U.S.A. $10.00 143 Index of Volume 20, 1999 Canada $12.00 (U.S. dollars) Overseas $13.00 Articles are indexed in Religion Index Back Calendar of Fasts and Feasts One: Periodicals; book reviews are Cover indexed in Index to Book Reviews in Religion. -
VU Research Portal
VU Research Portal Philips Galle (1537-1612): engraver and print publisher in Haarlem and Antwerp Sellink, M.S. 1997 document version Publisher's PDF, also known as Version of record Link to publication in VU Research Portal citation for published version (APA) Sellink, M. S. (1997). Philips Galle (1537-1612): engraver and print publisher in Haarlem and Antwerp. General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal ? Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. E-mail address: [email protected] Download date: 08. Oct. 2021 MANFRED SELLINK PHILIPS GALLE (1537-1612) ENGRAVER AND PRINT PUBLISHER IN HAARLEM AND ANTWERP li NOTES/APPENDICES Notes Introduction 1. &igg5 1971, For further references on our knowledge of Netherlandish printmaking m general and Philips Galle in particular, see chapter 1, notes 32-33 and chapter 4, note 1. 2. Van den Bemden 1863. My research of a print acquired by the Rijksprentenkabinet in 1985 resulted in ail article on the collaboration between the Galle family and Johannes Stradanus on an abortive attempt to pro• duce a series of engraved illustrations for Dante's Divina Commedia (Seliink 1987) 3. -
Download The
THE SIBYLLINE BOOKS by LANCE WALLACE CAMP B.A., University of Calgary, 1966 A THESIS SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in the Department of Classics We accept this thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA May, 1968. In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and Study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the Head of my Department or by hits representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Lance W. Camp Department of Classics The University of British Columbia Vancouver 8, Canada Date May 28th, 1968 ABSTRACT The sibylline books, though dismissed by J. G. Frazer* as a "convenient farrago of nonsense"1, were nevertheless one of the most significant influences in the political and religious life of Rome during the Republic. This study has, as its1 objective, a discussion of the history of ithese books during the Republic between 753 and 12 B. G. It is; based, for the most part, on a discussion of all consultations recorded dur• ing this period; emphasis is placed on the reasons for con• sultation, and, in particular, the nature and influence of the sibylline recommendations. Special importance is attached to consultations whose nature and results reveal the sibylline books as a political instrument manipulated by those who con• trolled them. -
The Sundered Eagle Contains Full Details of the Tribunal of Thebes
Once-proud Constantinople has been ravaged by bloodthirsty Crusaders, and has sunken into depravity and ruin. With the fall of the blessed city, ancient magical bindings maintained by Roman relics of the defeated Empire are now shattered and broken, releasing beasts and demons to roam the land. Tales of unseasonal happenings draw eager hunters and curious Seekers alike. Meanwhile, the magi of the Theban Tribunal and their supernatural patrons devote their efforts to maintaining the peace. They struggle against divisions that mirror the age-old battles of the Titans and Olympian gods, who even now stir among their ancient temples and sanctuaries. The Sundered Eagle contains full details of the Tribunal of Thebes. The lands of ancient Greece and Asia Minor are the home of epic legends and mighty gods of both Faerie and Magic, while the Byzantine Empire has its own myths. The Theban Tribunal’s magi and covenants, who govern themselves according to the democratic institutions of ancient Athens, live among plentiful sites of power. Both mundane and supernatural struggles for supremacy over these lands challenge characters to negotiate a maze of Byzantine schemes. Each faction will have AG0295 • ISBN 1-58978-116-3 the chance to restore peace and unity to the eastern Empire, under its own banner! AG0295 • ISBN 1-58978-116-3 • $29.95 52995 9 781589 781160 WWW.ATLAS-GAMES.COM ©2010 Trident, Inc. All rights reserved. The Sundered Eagle Credits AUTHORS: Christian Jensen-Romer, Matt Ryan, Mark Shirley, AUTHOR BIOS & Andrew Smith DEVELOPMENT, EDITING, & PROJECT MANAGEMENT: David Chart LAYOUT: Roberta A. Olson & Michelle Nephew Chris Jensen-Romer knows little Latin, and less Greek. -
6 X 10 Long.P65
Cambridge University Press 978-0-521-84153-5 - Ritual in Early Modern Europe, Second Edition Edward Muir Index More information Index Absalon, Anna Pedersdotter, 245 Aumont, Duke of, 136 adolescence, 33; see also youth-abbeys Austin, J. L., 272 Advent: liturgical season of, 65, 67–68; auto de fe, 228–30 ceremonial entry form of, 262, Avignon, 9, 55 265–66 Aztec rituals, 6, 191–92 Agatha’s day, St., 70 Aiguillette, 46–47 Bacon, Francis, 275 Alba, 231 Bakhtin, Mikhail, 98–99, 115 Albania, 105, 113 Balandier, Georges, 253 Albertus Magnus, 46 Balkans, 24, 217 Alcal`a,University of, 177–78 Bamberg, 72 Alenquer, 104 banquets, wedding, 42–45 Alexander III, Pope, 258 baptism, 24–27, 163, 178; sacramental Aleksei, Tsar, 148, 221 debates about, 185–86, 204 Alfonso, King of Naples, 269 Barcelona, 95 All Fool’s day. See Feast of Fools Bari, 257 All Saints’ day, 78 Bartholomew’s day, St., 103 All Souls’ day, 52, 57, 78 Bavaria, 147, 244 Ambrose, St., 82, 256–57 Becker, Carl, 11 Amsterdam, 117 Behn, Aphra, 46 Anabaptists, 22, 186, 223 Benandanti, 28 Angelico, Fra, 109 Benedict of Nursia, St., 85; order of, 64; animals in rituals, 95, 113–15, 117–18, rule of, 85 135, 145 Benedict XIV, Pope, 196 anointment, 273–74, 295 Bergen, 245 Aquinas, Thomas, St., 156, 209 Bernard of Clairvaux, St., 127 Arianism, 223 Bernardino of Siena, St., 28, 81–82 Ari`es,Philippe, 51 Bertran de Born, 144 Arles, 34 Bible and sacraments, 167–68, 177–78, art of dying (ars moriendi ), 52–55, 57 186 Asag, 142 Bielski, Joachim, 275 Ascension day, 65, 72–74, 204–5, birth, rituals associated -
Erasmus As Reformer: Humanism and Piety—Scholarship and Tolerance
Article Erasmus as Reformer: Humanism and Piety—Scholarship and Tolerance Paul Bernard Decock University of KwaZulu-Natal [email protected] Abstract Erasmus was an older contemporary of Luther, who agreed with Luther that reform was most necessary for the church, but he did not take the side of Luther because his approach to reform was very different from the one of Luther. This paper will consider some important aspects of Erasmus’s approach in comparison with Luther’s positions. Central in Erasmus’s view of reform was a return to the Scriptures: a return to the original texts (not the Vulgate), a return to the philosophy of Christ (not the scholastic speculations of his time), and a return to the Fathers as models of Bible readers (particularly the Greek Fathers, Origen). Erasmus did not see the core of the Gospel so much in particular doctrines (orthodoxy) but rather in the practice of Christian life (orthopraxis). In this perspective, Erasmus could tolerate theological errors in Origen as well as in Luther, as long as the basic commitment to the Gospel and the church was assured. Therefore, Erasmus blamed those Catholic theologians who were keen and quick to condemn Luther rather than to enter into serious theological dialogue with him. Erasmus’s De Libero Arbitrio was an attempt to model such a dialogue, but the times were not favourable for it. Keywords: Erasmus; Luther; Reformation; Humanism; tolerance Studia Historiae Ecclesiasticae https://doi.org/10.25159/2412-4265/6735 https://upjournals.co.za/index.php/SHE/index ISSN 2412-4265 (Online) Volume 45 | Number 2 | 2019 | #6735 | 21 pages © The Author(s) 2019 Published by the Church History Society of Southern Africa and Unisa Press. -
Christianity Comes Over the Alps
A JOURNAL OF ORTHODOX FAITH AND CULTURE ROAD TO EMMAUS Help support Road to Emmaus Journal. The Road to Emmaus staff hopes that you find our journal inspiring and useful. While we offer our past articles on-line free of charge, we would warmly appreciate your help in covering the costs of producing this non-profit journal, so that we may continue to bring you quality articles on Orthodox Christianity, past and present, around the world. Thank you for your support. Please consider a donation to Road to Emmaus by visiting the Donate page on our website. Ruins of ancient Roman road in Valais, Switzerland. I CHRISTIANITY COMES OVER THE ALPS A SHORT HISTORY OF EARLY CHRISTIANITY IN SWITZERLAND An Orthodox convert of German-Swiss heritage, Popadia Margaret Bauman speaks with Road to Emmaus about Switzerland’s early Christian history. ROAD TO EMMAUS: Popadia Margaret, can you give us an overview of the conversion of Switzerland to Christianity? PDA. MARGARET: We know that after the prehistoric period, parts of Switzerland and western Europe were occupied by Celtic peoples, and in 15 BC this territory became part of the Roman Empire after a massive military campaign that entered the region over the Alpine passes from Italy. After arriving on the Swiss Plateau, the Romans continued northward, con- quering territory to the Danube, including most of present-day Switzerland and into Germany.1 As everywhere, the Romans built their famous roads, towns, and military outposts, as well as bringing in army veterans as settlers, which made it easier for merchants and civil officials to follow them into new areas. -
Romanesque Architecture and Its Artistry in Central Europe, 900-1300
Romanesque Architecture and its Artistry in Central Europe, 900-1300 Romanesque Architecture and its Artistry in Central Europe, 900-1300: A Descriptive, Illustrated Analysis of the Style as it Pertains to Castle and Church Architecture By Herbert Schutz Romanesque Architecture and its Artistry in Central Europe, 900-1300: A Descriptive, Illustrated Analysis of the Style as it Pertains to Castle and Church Architecture, by Herbert Schutz This book first published 2011 Cambridge Scholars Publishing 12 Back Chapman Street, Newcastle upon Tyne, NE6 2XX, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2011 by Herbert Schutz All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-2658-8, ISBN (13): 978-1-4438-2658-7 To Barbara TABLE OF CONTENTS List of Illustrations ..................................................................................... ix List of Maps........................................................................................... xxxv Acknowledgements ............................................................................. xxxvii Introduction ................................................................................................. 1 Chapter One................................................................................................ -
In VENETIAN BAROQUE PAINTING
in VENETIAN BAROQUE PAINTING WORKING TITLE in VENETIAN BAROQUE PAINTING WORKING TITLE Organized by Contemporanea Progetti S.r.l. Via del Campofiore 106 50136 Florence tel +39 055 6802474 fax +39 055 6580200 www.contemporaneaprogetti.it Linda Carioni [email protected] In collaboration with Museo Querini Stampalia, Venice, Italy Copyright © 2019 Contemporanea Progetti. All rights reserved; intellectual and moral property of Contemporanea Progetti. No part of this book can be reproduced. The images are only included for illustrative purposes and in any case are not liable to article no. 1522 of current Italian regulation (Codice Civile art. 1522). ABOUT THE exhibition in brief It can be said that beginning in the 17th century, the sun began to set on the ‘Serenissima.’ The mighty Republic of Venice that had once dominated the seas and trade routes of the Eastern Mediterranean and beyond, now faced decline. A new rich world to the west had been discovered. Yet the myths of Venice – complex, compelling and pervasive - continued to influence the artistic currents of Venice. This is the Venice of artists such as Padovanino, Federico Cervelli, Pietro Liberi, Giulio Carpioni, Luca Giordano and Sebastiano Ricci to name but a few. In this transitional period, through a repertoire of classical mythology, Venetian painting expresses ethical and philosophical messages that exalt Venice as the ideal republic. Through myth and allegory, Venice had always identified itself with high ideals, as a place where justice prevailed, and had elected to present itself as such to the wider world. It is an artistic season defined by a stylistic revival inV enetian painting which was stalled in a phase of creative fatigue.