Culturas Juveniles En Guadalajara
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The Politics of Timothy Leary
THINK FOR YOURSELF; QUESTION AUTHORITY CONTENTS INTRODUCTION 2 1. BIOGRAPHY 11 2. THE POLITICS OF ECSTASY/THE SEVEN LEVELS OF CONSCIOUSNESS (THE 60S) 18 2.1. Ancient models are good but not enough 18 2.2. “The Seven Tongues of God” 19 2.3. Leary’s model of the Seven Levels of Consciousness 23 2.4. The importance of “set” and “setting” 27 2.5. The political and ethical aspects of Leary’s “Politics of Ecstasy” 29 2.6. Leary’s impact on the young generation of the 60s 31 2.6.1. “ACID IS NOT FOR EVERYBODY” 34 3. EXO-PSYCHOLOGY (THE 70S) 37 3.1. S.M.I.²L.E. to fuse with the Higher Intelligence 39 3.2. Imprinting and conditioning 42 3.3. The Eight Circuits of Consciousness 43 3.4. Neuropolitics: Representative government replaced by an “electronic nervous system” 52 3.5. Better living through technology/ The impact of Leary’s Exo-Psychology theory 55 4. CHAOS & CYBERCULTURE (THE 80S AND 90S) 61 4.1. Quantum Psychology 64 4.1.1. The Philosophy of Chaos 65 4.1.2. Quantum physics and the “user-friendly” Quantum universe 66 4.1.3. The info-starved “tri-brain amphibian” 69 4.2. Countercultures (the Beat Generation, the hippies, the cyberpunks/ the New Breed) 72 4.2.1. The cyberpunk 76 4.2.2. The organizational principles of the “cyber-society” 80 4.3. The observer-created universe 84 4.4. The Sociology of LSD 88 4.5. Designer Dying/The postbiological options of the Information Species 91 4.6. -
Proquest Dissertations
"A REVOLUTION WE CREATE DAILY": FREEGAN ALTERNATIVES TO CAPITALIST CONSUMPTION IN NEW YORK CITY BY Kelly Ernst Submitted to the Faculty of the College of Arts and Sciences of American University in Partial Fulfillment of the Requirements for the Degree of Doctorate of Philosophy In Anthropology Chair: Dr. David Vine Dean of the College of Arts and Sciences ~ ~ ?J-, [\)\~ Date 2010 American University Washington, D.C. 20016 AMERICAN UNIVERSITY UBAARV q :5 f; b UMI Number: 3406836 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. UMI 3406836 Copyright 201 O by ProQuest LLC. All rights reserved. This edition of the work is protected against unauthorized copying under Title 17, United States Code. Pro uesr --- --- ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 ©COPYRIGHT by Kelly Ernst 2010 ALL RIGHTS RESERVED To Mom and Dad. You have sacrificed for me, celebrated with me, maybe not always agreed with me, but you have always, always supported me. "A REVOLUTION WE CREATE DAILY": FREEGAN ALTERNATIVES TO CAPIT AUST CONSUMPTION IN NEW YORK CITY BY Kelly Ernst ABSTRACT New York City freegans are a group of critical consumption activists dedicated to limiting their impact on the environment, consumption of resources, and participation in what they argue is an exploitive capitalist economy. -
The Joyful Sounds of Being Your Own Black Self
THE JOYFUL SOUNDS OF BEING YOUR OWN BLACK SELF By AMIR ASIM GILMORE A dissertation submitted in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY WASHINGTON STATE UNIVERSITY Department of Teaching & Learning MAY 2019 © Copyright by AMIR ASIM GILMORE, 2019 All Rights Reserved © Copyright by AMIR ASIM GILMORE, 2019 All Rights Reserved To the Faculty of Washington State University: The members of the Committee appointed to examine the dissertation of AMIR ASIM GILMORE find it satisfactory and recommend that it be accepted. Pamela Jean Bettis, Ph.D., Chair Paula Groves Price, Ph.D. John Joseph Lupinacci, Ph.D. Anthony Gordon Rud Jr., Ph.D. Francene T. Watson, Ph.D. ii ACKNOWLEDGMENT This project has truly been a labor of love, as it takes a village to write a dissertation. I would first like to thank my parents. Without them, none of this would be possible. I would like to thank my dad, Cleveland Gilmore for inviting me into the Black Study through jazz. It is through jazz, I developed the identity of being an Edtiste. I would like to thank my mom, Rosita Faulkner, for showing me how to refuse and what mundane refusal looks like as a daily practice. It was her refusal that helped guide me away from doing traditional social science research. How dope is it to say that your parents made the dissertation? Very dope! While the academy might recognize and acknowledge me as the first Ph.D. in my family, my mom and dad will always be the first doctors in my eyes. -
Sex and the Radical Imagination in the Berkeley Barb and the San Francisco Oracle Sinead Mceneaney
Radical Americas Special issue: Radical Periodicals Article Sex and the radical imagination in the Berkeley Barb and the San Francisco Oracle Sinead McEneaney St Mary’s University, Twickenham; [email protected] How to Cite: McEneaney, S. ‘Sex and the radical imagination in the Berkeley Barb and the San Francisco Oracle.’ Radical Americas 3, 1 (2018): 16. DOI: https://doi.org/10.14324/111.444.ra.2018.v3.1.016. Submission date: 28 September 2017; Acceptance date: 20 December 2017; Publication date: 29 November 2018 Peer review: This article has been peer reviewed through the journal’s standard double blind peer-review, where both the reviewers and authors are anonymised during review. Copyright: c 2018, Sinead McEneaney. This is an open access article distributed under the terms of the Creative Commons Attribution License (CC BY) 4.0 https://creativecommons.org/licenses/by/4.0/, which permits unrestricted use, distribution and reproduction in any medium, provided the original author and source are credited • DOI: https://doi.org/10.14324/111.444.ra.2018.v3.1.016. Open access: Radical Americas is a peer-reviewed open access journal. Abstract This paper looks specifically at two influential newspapers of the American underground press during the 1960s. Using the Berkeley Barb and the San Francisco Oracle, the paper proposes two arguments: first, that the inability of the countercultural press to envisage real alternatives to sexuality and sex roles stifled any wider attempt within the countercultural movement to address concerns around gender relations; and second, the limitation of the ‘radical’ imagination invites us to question the extent to which these papers can be considered radical or countercultural. -
De Darwin À La Littérature : Un Regard Évolutionniste Sur Cinq Romans D'ian
UNIVERSITÉ DE NANTES _____ ÉCOLE DOCTORALE SOCIÉTÉS, CULTURES, ÉCHANGES (SCE) ) Année 2015 N° attribué par la bibliothèque De Darwin à la littérature : un regard évolutionniste sur cinq romans d'Ian McEwan et de Margaret Drabble (Enduring Love, The Peppered Moth, Saturday, The Sea Lady, Solar ___________ THÈSE DE DOCTORAT Discipline : ANGLAIS Spécialité : LITTÉRATURE Présentée et soutenue publiquement par Bruno ARQUIÉ Le 4 décembre 2015, devant le jury ci-dessous Président Mme Catherine LANONE (Université Paris 3) Rapporteurs Mme Laurence TALAIRACH-VIELMAS (Université Toulouse Jean-Jaurès) Mme Nicole TERRIEN (Université Rennes 2) Examinateurs M. Stéphane TIRARD ( Université de Nantes) Directeur de thèse M. Georges LETISSIER (Université de Nantes) 1 REMERCIEMENTS Je remercie Georges Letissier. Sans sa direction infaillible, sans sa lucide bienveillance, sans sa patience inentamable, ni sans sa chaleureuse humanité, ce travail serait resté un fouillis « inextricable » de mots et d'idées. Je remercie Laëtitia d'avoir tenu la barre du quotidien, notamment pendant que j’exprimais des idées indispensables sur l’investissement parental. Nos conversations quotidiennes ont inspiré une bonne part de ce travail. Ce travail est tout particulièrement dédié à Gabrielle et Aloys, qui, bientôt, écriront et penseront mieux et plus vite que leur vieil étudiant de père. Qu'ils veuillent trouver ici ses plates excuses pour ce qui va suivre. 2 Dans les citations nous utiliserons les abréviations suivantes : EL pour Enduring Love SA pour Saturday SO pour Solar PM pour The Peppered Moth SL pour The Sea Lady 3 TABLE DES MATIÈRES INTRODUCTION.......................................................................................................9 PREMIÈRE PARTIE................................................................................................23 1. Première partie : Circonscrire le moment romanesque.....................................25 1.1.