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Birth and Evolution of Korean Reality Show Formats
Georgia State University ScholarWorks @ Georgia State University Film, Media & Theatre Dissertations School of Film, Media & Theatre Spring 5-6-2019 Dynamics of a Periphery TV Industry: Birth and Evolution of Korean Reality Show Formats Soo keung Jung [email protected] Follow this and additional works at: https://scholarworks.gsu.edu/fmt_dissertations Recommended Citation Jung, Soo keung, "Dynamics of a Periphery TV Industry: Birth and Evolution of Korean Reality Show Formats." Dissertation, Georgia State University, 2019. https://scholarworks.gsu.edu/fmt_dissertations/7 This Dissertation is brought to you for free and open access by the School of Film, Media & Theatre at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Film, Media & Theatre Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. DYNAMICS OF A PERIPHERY TV INDUSTRY: BIRTH AND EVOLUTION OF KOREAN REALITY SHOW FORMATS by SOOKEUNG JUNG Under the Direction of Ethan Tussey and Sharon Shahaf, PhD ABSTRACT Television format, a tradable program package, has allowed Korean television the new opportunity to be recognized globally. The booming transnational production of Korean reality formats have transformed the production culture, aesthetics and structure of the local television. This study, using a historical and practical approach to the evolution of the Korean reality formats, examines the dynamic relations between producer, industry and text in the -
Unrealistic Weeds of Love and Romance: the Korean Drama and the "Flower Boy" Genre
UNLV Theses, Dissertations, Professional Papers, and Capstones 5-1-2015 Unrealistic Weeds of Love and Romance: The Korean Drama and the "Flower Boy" Genre Colby Y. Miyose University of Nevada, Las Vegas Follow this and additional works at: https://digitalscholarship.unlv.edu/thesesdissertations Part of the Feminist, Gender, and Sexuality Studies Commons, Gender and Sexuality Commons, Korean Studies Commons, and the Mass Communication Commons Repository Citation Miyose, Colby Y., "Unrealistic Weeds of Love and Romance: The Korean Drama and the "Flower Boy" Genre" (2015). UNLV Theses, Dissertations, Professional Papers, and Capstones. 2390. http://dx.doi.org/10.34917/7645975 This Thesis is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Thesis has been accepted for inclusion in UNLV Theses, Dissertations, Professional Papers, and Capstones by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. UNREALISTIC WEEDS OF LOVE AND ROMANCE: THE KOREAN DRAMA AND THE “FLOWER BOY” GENRE By Colby Y. Miyose Bachelor of Arts in Communication Studies and Sociology University of Nevada, Las Vegas 2013 A thesis submitted in partial fulfillment of the requirements for the Master of Arts -- Communication Studies Department of Communication Studies Greenspun College of Urban Affairs The Graduate College University of Nevada, Las Vegas May 2015 Copyright by Colby Y. -
Reality Television Production As Dirty Work
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2016 Good Character: Reality Television Production as Dirty Work Junhow Wei University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the Communication Commons, Organizational Behavior and Theory Commons, and the Sociology Commons Recommended Citation Wei, Junhow, "Good Character: Reality Television Production as Dirty Work" (2016). Publicly Accessible Penn Dissertations. 2094. https://repository.upenn.edu/edissertations/2094 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/2094 For more information, please contact [email protected]. Good Character: Reality Television Production as Dirty Work Abstract Audiences, critics, and academics have raised significant moral concerns about reality television. The genre is commonly criticized for being exploitative, harmful, and fake. By extension, reality TV workers are morally tainted, seen as dirty workers of questionable character. This dissertation describes the sources of moral taint in reality television production and how production workers dispel this taint—making their work acceptable and even glorious to themselves and others—through everyday micro-level interaction. The data for this study comes from approximately 2 years of ethnographic observation at 2 reality TV production companies, attendance at 2 reality TV industry conferences, and interviews with 83 respondents, including reality TV production workers, television network executives, and people who auditioned to be on reality shows. Findings focus on the development process, during which production companies generate ideas for new television shows and pitch those ideas to television networks. First, I describe the development process and three significant moral dilemmas that workers face at this initial stage of production: creating negative representations (e.g. -
The Transnational Asian Studio System: Cinema, Nation-State, and Globalization In
The Transnational Asian Studio System: Cinema, Nation-State, and Globalization in Cold War Asia by Sangjoon Lee A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy Department of Cinema Studies New York University May, 2011 _______________________ Zhang Zhen UMI Number: 3464660 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent on the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. UMI 3464660 Copyright 2011 by ProQuest LLC. All rights reserved. This edition of the work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, MI 48106 - 1346 ⓒ Sangjoon Lee All Right Reserved, 2011 DEDICATION This dissertation is dedicated to my father, Lee Eui-choon, and my mother, Kim Sung-ki, for their love and support. iii ACKNOWLEDGEMENTS This dissertation would not have been possible without the generous support and encouragement of my committee members and fellow colleagues at NYU. My deepest debts are to my dissertation advisor; Professor Zhang Zhen has provided me through intellectual inspirations and guidance, a debt that can never be repaid. Professor Zhang is the best advisor anyone could ask for and her influence on me and this project cannot be measured. This dissertation owes the most to her. I have been extremely fortunate to have the support of another distinguished film scholar, Professor Yoshimoto Mitsuhiro, who has influenced my graduate studies since the first seminar I took at NYU. -
Tracing the Korean Orphan and Adoptee Through South Korean and American National Narratives
Orphan, Adoptee, Nation: Tracing the Korean Orphan and Adoptee through South Korean and American National Narratives By Kira Ann Donnell A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Ethnic Studies in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Elaine H. Kim, Chair Professor Catherine Ceniza Choy Professor Jinsoo An Professor Grace J. Yoo Fall 2019 Abstract Orphan, Adoptee, Nation: Tracing the Korean Orphan and Adoptee through South Korean and American National Narratives by Kira Ann Donnell Doctor of Philosophy in Ethnic Studies University of California, Berkeley Professor Elaine H. Kim, Chair The transnational adoption industrial complex established between South Korea and the United States following the Korean War initiated what is sometimes called the “Quiet Migration.” Since then, over 200,000 Korean children have been sent abroad, and the transnational, transracial adoption industry has operations set up in dozens of developing countries worldwide which takes thousands of children annually from their natal homes and places them in adoptive families in Western countries. For the past seventy years, the figures of the Korean orphan and adoptee have held significant meaning in the imaginations of by South Korean and American citizens. The sentimental figure of the Korean orphan became the conduit through which both South Koreans and Americans defined their experiences in the Korean War. The transnational Korean adoptee has become an icon of the United States’ commitment to humanitarianism and diversity and South Korea’s modern branding as a sophisticated and internationally-networked nation. This dissertation explores how United States and South Korean culture and society have used the figures of the Korean orphan and Korean adoptee to construct national identities that reflect its citizens as virtuous, cosmopolitan, and unified. -
How the Media Shapes South Korean Concepts of Beauty
RIDING THE WAVE: HOW THE MEDIA SHAPES SOUTH KOREAN CONCEPTS OF BEAUTY Catherine Ann Streng, B.A. Thesis Prepared for the Degree of MASTER OF ARTS UNIVERSITY OF NORTH TEXAS May 2018 APPROVED: Tracy Everbach, Committee Chair Gwen Nisbett, Committee Member Gabe Ignatow, Committee Member Dorothy Bland, Director of the Frank W. Mayborn Graduate Institute of Journalism and Dean of the Frank W. and Sue Mayborn School of Journalism Victor Prybutok, Dean of the Toulouse Graduate School Streng, Catherine Ann. Riding the Wave: How the Media Shapes South Korean Concepts of Beauty. Master of Arts (Journalism), May 2018, 60 pp., references, 67 titles. This thesis features a qualitative analysis of eight Korean media products — both fiction and nonfiction. For many years, South Korea (hereafter also called Korea) has been called the “world’s plastic surgery capital” by many publications, such as Business Insider and The New Yorker. Although Business Insider considers the United States the “vainest country in the world,” the numbers of cosmetic surgeries, percentage wise, per person in Korea still outnumber those in the United States, with 20 procedures per 1,000 persons. In this thesis, I argue by using the cultivation theory that Korean television, such as K-Dramas, talk shows and films, which celebrate transformations and feature makeovers and thus normalize cosmetic surgery, create a fantastic space for viewers where the viewers are compelled to act on a media-generated desire to undergo cosmetic surgery in the belief that doing so will also transform or better their lives in the same way it does for the characters in these Korean television productions. -
Korean TV Dramas and the Selling of Place by Youjeong
Spectacular Cities, Speculative Storytelling: Korean TV Dramas and the Selling of Place By Youjeong Oh A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Geography in the Graduate Division of the University of California, Berkeley Committee in charge: Professor You-tien Hsing, Chair Professor Richard A. Walker Professor Barrie Thorne Professor Paul E. Groth Fall 2013 Abstract Spectacular Cities, Speculative Storytelling: Korean TV Dramas and the Selling of Place By Youjeong Oh Doctor of Philosophy in Geography University of California, Berkeley Professor You-tien Hsing, Chair This dissertation examines the relationships between popular culture, cities, and gendered social discourses, with a focus on contemporary Korean television dramas. Existing studies about Korean dramas have relied upon economic and cultural analysis to, in effect, celebrate their vibrant export to overseas markets and identify why they are popular in other East Asian countries. This study expands the scope into spatial and social realms by examining cities’ drama-sponsorship and drama-driven social activities. Deploying popular culture as an analytical category directly shaping and transforming material, urban and social conditions, I argue that the cultural industry of Korean television dramas not only functions as its own, dynamic economic sector, but also constitutes urban processes and social discourses of contemporary South Korea. Drawing upon interdisciplinary methods including ethnography and content analysis, I examine Korean television dramas from the multiple vantage points of producers, audience, storytelling, and city-sponsorship, and elucidate why and how these four arenas are deeply intertwined. Their mutual entanglement, in turn, requires us to see Korean television dramas as more than just commercial entertainment; they become a medium through which we can contemplate labor conditions in the cultural industry, the political economies of development in regional cities, and gender politics in Korea. -
USHMM Finding
http://collections.ushmm.org Contact [email protected] for further information about this collection United States Holocaust Memorial Museum Interview with Rosalie (Chris) Laks Lerman December 1, 1998 and January 13, 1999 RG-50.030*0396 This is a verbatim transcript of spoken word. It is not the primary source, and it has not been checked for spelling or accuracy. http://collections.ushmm.org Contact [email protected] for further information about this collection PREFACE The following oral history testimony is the result of a videotaped interview with Rosalie (Chris) Laks Lerman, conducted by Joan Ringelheim on December 1, 1998 and January 13, 1999 on behalf of the United States Holocaust Memorial Museum. The interview took place in Washington, DC and is part of the United States Holocaust Memorial Museum's collection of oral testimonies. Rights to the interview are held by the United States Holocaust Memorial Museum. The reader should bear in mind that this is a verbatim transcript of spoken, rather than written prose. This transcript has been neither checked for spelling nor verified for accuracy, and therefore, it is possible that there are errors. As a result, nothing should be quoted or used from this transcript without first checking it against the taped interview. This is a verbatim transcript of spoken word. It is not the primary source, and it has not been checked for spelling or accuracy. http://collections.ushmm.org Contact [email protected] for further information about this collection ROSALIE (CHRIS) LAKS LERMAN December 1, 1998 and January 13, 1999 Q: Good morning, Chris. -
Fiction & Documentary
Slovenian Film Guide 2019 FICTION & DOCUMENTARY Films From the Heart the Of Europe From Films P11 DOCU- P19 MINORITY MENTA- CO-PRODUCTION P16 FICTION RY GOD EXISTS, HER NAME P2 HOW MUCH DO YOU IN PRO- IS PETRUNYA LOVE YOURSELF? by Teona Strugar Mitevska P23 by Nina Blažin FICTION DUCTION STITCHES SING ME A SONG by Miroslav Terzić FILM MY LAST YEAR AS A by Miran Zupanič LET HIM BE A BASKET- LOSER BALL PLAYER 2 MY GRANDPA IS AN by Urša Menart DAUGHTER OF by Boris Bezić / Gustav film ALIEN IN SLO- CAMORRA by Dražen Žarković, Marina ERASED by Siniša Gačić FALL GENERATION Andree Škop by Miha Mazzini & Dušan by Igor Šterk / AAC production Joksimović THE BUSINESS OF KALOGHERO – THE VENIA REVENGE THE BODY SECOND LIFE STORIES FROM THE by Petra Seliškar / Petra Pan by Davide Del Degan CHESTNUT WOODS by Marija Zidar Film by Gregor Božič FATHER ANTIGONE by Srdan Golubović DON’T FORGET TO by Jani Sever / Sever & Sever BREATHE ROSA by Martin Turk RIDERS by Katja Colja by Dominik Mencej / Staragara ALL AGAINST ALL by Andrej Košak NOCTURNAL QUARTET P15 by Vinko Möderndorfer / Forum OROSLAN Ljubljana P22 by Matjaž Ivanišin ONCE WERE HUMANS MINORITY EVERYTHING IS EXPERI- by Goran Vojnović / Arsmedia CO-PRODUCTION DIFFERENT by Metod Pevec INVENTORY DOCUMENTARY MENTAL by Darko Sinko / December THE DIARY OF DIANA B. HALF-SISTER MAN WITH THE by Dana Budisavljević by Damjan Kozole SHADOW GANJA WILL SET YOU by Ema Kugler FREE WONDER WHEN YOU’LL CORPORATION by Miha Čelar / Astral film MISS ME by Matej Nahtigal SANREMO by Francesco Fei by Miroslav Mandić / Filmostovje ORCHESTRA by Matevž Luzar / Gustav film EVA [WORKING TITLE] by Tijana Zinajić / December “It seems like the Špela graduated in art history, which means that majority of young, she has never had a steady job. -
Global Imagination and the Production of Locality Among Korean Americans in Philadelphia
THE RISE OF THE KOREAN WAVE IN THE UNITED STATES: GLOBAL IMAGINATION AND THE PRODUCTION OF LOCALITY AMONG KOREAN AMERICANS IN PHILADELPHIA A Dissertation Submitted to the Temple University Graduate Board In Partial Fulfillment of the Requirements for the Degree DOCTOR OF PHILOSOPHY by HaeLim Suh August 2018 Examining Committee Members: Thomas Jacobson, Advisory Co-Chair, Department of Media Studies and Production Fabienne Darling-Wolf, Advisory Co-Chair, Department of Journalism Patrick Murphy, Department of Media Studies and Production DongSook Park, External Member, Ewha Womans University © Copyright 2018 by HaeLim Suh All Rights Reserved ii ABSTRACT This dissertation illustrates the cultural dimension of globalization by examining how the ascendance of South Korean popular culture, i.e., the Korean Wave, reshapes the global imagination and transforms the locality of Korean Americans in Philadelphia. As an ethnographic global media study, I conducted in-depth interviews and participated in Korean cultural events/meetings, as well as visited the sites of living for Korean Americans in the Philadelphia metropolitan area. My research finds that advances in the digitalized media environment made my informants consume copious transnational Korean media every day and individualized their media consumption. Accordingly, their perceptions of Korea/Asia/U.S.’s places in the world are complicated and their ethnic identity has become significant. Their global imaginations also intersect with negotiating gender roles, perceiving attractiveness, and planning future paths. This shift contributes to construction of the in- between identities of Korean Americans by denaturalizing ideas and cultural elements in both Korea and the U.S. Most distinctively, the rise of the Korean Wave stimulates global imagination among young second generation Korean Americans to aspire to and operate their agency in a transnational context that their parents’ generation barely anticipated.