Heirs to World Culture DEF1.Indd 1 22-11-11 09:04 HEIRS to WORLD CULTURE

Total Page:16

File Type:pdf, Size:1020Kb

Heirs to World Culture DEF1.Indd 1 22-11-11 09:04 HEIRS to WORLD CULTURE Being Indonesian 1950-1965 Heirs to world culture Heirs to world culture Heirs to world culture Being Indonesian 1950-1965 This volume brings together new scholarship by Indonesian and non-Indonesian scholars on Indonesia’s cultural history from 1950-1965. During the new nation’s first decade and a half, Indonesia’s links with the world and its sense of nationhood were vigorously negotiated on the cultural front. Indonesia used cultural networks of the time, including those of the Cold War, to announce itself on the world stage. International links, post-colonial aspirations and nationalistic fervour interacted to produce a thriving cultural and intellectual life at home. Essays discuss the exchange of artists, intellectuals, writing and ideas between Indonesia and various countries; the development of cultural networks; and ways these networks interacted with and influenced cultural expression and discourse in Indonesia. Liem and Maya H.T. Edited by Jennifer Lindsay With contributions by Keith Foulcher, Liesbeth Dolk, Hairus Salim HS, Tony Day, Budiawan, Maya H.T. Liem, Jennifer Lindsay, Els Bogaerts, Melani Budianta, Choirotun Chisaan, I Nyoman Darma Putra, Barbara Hatley, Marije Plomp, Irawati Durban Ardjo, Rhoma Dwi Aria Yuliantri and Michael Bodden. From the reviews: ‘This book will become a founding publication of research on the cultural and social history of Soekarno’s Old Order. It will stimulate new research [...] and begins to fill in the gaps that have existed for the past half a century’, Laurie Sears. ‘[...] reveals the highly charged debates and conflicts over artistic practice in the newly independent Indonesian state during the Soekarno era in their infinite complexities’, Frances Gouda. Edited by Jennifer Lindsay and Maya H.T. Liem Heirs to world culture_DEF1.indd 1 22-11-11 09:04 HEIRS TO WORLD CULTURE VERHANDELINGEN VAN HET KONINKLIJK INSTITUUT VOOR TAAL-, LAND- EN VOLKENKUNDE 274 HEIRS TO WORLD CULTURE Being Indonesian 1950-1965 Edited by jennifer lindsay and maya h.t. liem KITLV Press Leiden 2012 Published by: KITLV Press Koninklijk Instituut voor Taal-, Land- en Volkenkunde (Royal Netherlands Institute of Southeast Asian and Caribbean Studies) P.O. Box 9515 2300 RA Leiden The Netherlands website: www.kitlv.nl e-mail: [email protected] KITLV is an institute of the Royal Netherlands Academy of Arts and Sciences (KNAW) Cover: Creja ontwerpen, Leiderdorp Cover photograph (front): Trisno Sumardjo 1952. Collection Pusat Dokumentasi H.B. Jassin. Cover photograph (back): Cultural Mission to Pakistan 1964. Col- lection Bulantrisna Djelantik. ISBN 978 90 6718 379 6 © 2012 Koninklijk Instituut voor Taal-, Land- en Volkenkunde KITLV Press applies the Creative Commons Attribution-NonCom- mercial-NoDerivs 3.0 Unported License (http://creativecommons. org/licenses/by-nc-nd/3.0/) to selected books, published in or after January 2011. Authors retain ownership of the copyright for their articles, but they permit anyone unrestricted use and distribution within the terms of this license. Printed editions manufactured in the Netherlands Contents contributors vii acknowledgements xiii notes on spelling xvii 1 heirs to world culture 1950-1965 an introduction 1 Jennifer Lindsay part 1 cultural traffic abroad 2 bringing the world back home cultural traffic in konfrontasi, 1954-1960 31 Keith Foulcher 3 an entangled affair sticusa and indonesia, 1948-1956 57 Liesbeth Dolk 4 indonesian muslims and cultural networks 75 Hairus Salim HS 5 honoured guests indonesian-american cultural traffic, 1953-1957 119 Tony Day 6 sibling tension and negotiation malay(sian) writer-political activists’ links and orientation to indonesia 143 Budiawan 7 a bridge to the outside world literary translation in indonesia, 1950-1965 163 Maya H.T. Liem 8 performing indonesia abroad 191 Jennifer Lindsay part 2 culture and the nation 9 ‘whither indonesian culture?’ rethinking ‘culture’ in indonesia in a time of decolonization 223 Els Bogaerts 10 malang mignon cultural expressions of the chinese, 1940-1960 255 Melani Budianta 11 in search of an indonesian islamic cultural identity, 1956-1965 283 Choirotun Chisaan 12 getting organized culture and nationalism in bali, 1959-1965 315 I Nyoman Darma Putra 13 creating culture for the new nation south sulawesi, 1950-1965 343 Barbara Hatley 14 the capital of pulp fiction and other capitals cultural life in medan, 1950-1958 371 Marije Plomp 15 new sundanese dance for new stages 397 Irawati Durban Ardjo 16 lekra and ensembles tracing the indonesian musical stage 421 Rhoma Dwi Aria Yuliantri 17 dynamics and tensions of lekra’s modern national theatre, 1959-1965 453 Michael Bodden notes on glossary 485 glossary 487 important dates 495 notes on indonesian journals and newspapers cited in this volume 501 index 507 Contributors Michael Bodden obtained his PhD at the University of Wisconsin- Madison Department of Comparative Literature in 1993. He has taught at the University of Wisconsin-Madison and at the Ateneo de Manila (Philippines), and since 1992 at the University of Victoria (Canada). He was Chair of the Department of Pacific and Asian Studies, University of Victoria, from 2002-2005. He has published widely on Indonesian and Philippine theatre, Indonesian litera- ture, and more recently, Indonesian popular culture. Els Bogaerts obtained MAs in Germanic Philology and Theatre Science (University of Antwerp, Belgium) and in Languages and Cultures of Southeast Asia and Oceania (Leiden University, the Netherlands). From 2002-2008 she co-ordinated the research pro- gramme ‘Indonesia across Orders; The reorganisation of Indo- nesian society, 1930-1960’, at the Netherlands Institute for War Documentation (NIOD). She is particularly interested in perform- ing arts, the effects of cultural encounters and in the interface between art and science. Currently she is conducting research into the representation of Javanese culture on Indonesian television. Melani Budianta is Professor of literature and cultural studies at the Faculty of Humanities, University of Indonesia, teaching multicul- turalism, literary theory and cultural studies. She has done research and published work on literature, gender and cultural identity. In 2010, she spent three months as a Visiting Senior Research Fel- low at the Asia Research Institute, NUS, during which she began to develop her chapter on Malang in this volume into a book cur- rently in the making entitled Transiting in Malang; Chinese Indone- sians (1940-1960). Budiawan is currently a member of the teaching staff at the Gradu- ate School in Media and Cultural Studies, Gadjah Mada University, Yogyakarta. Between 2004-2010 he taught at the Graduate Program in Cultural and Religious Studies, Sanata Dharma University, Yogya- | Contributors karta. He obtained his PhD at the National University of Singapore in 2003. Choirotun Chisaan completed her undergraduate degree in 1997 at the Faculty of Syaria’ah, IAIN Sunan Kalijaga, and obtained her master’s in 2008 from the Department of Religious and Cultural Studies at Sanata Dharma University, Yogyakarta. Currently, she is a researcher at the LKPSM-NU (Lembaga Kajian dan Pengemban- gan Sumberdaya Manusia-Nahdlatul Ulama or Institute for Study and Development of Human Resources of the Nahdlatul Ulama) in Yogyakarta and is Executive Director of LKP2 (Lembaga Kon- sultasi Pemberdayaan Perempuan or Institute for Consultation on Women’s Empowerment) at Pimpinan Wilayah Fatayat NU, Yogya- karta. From 2001-2005 she was Chair of Pimpinan Wilayah Fatayat of the Nahdatul Ulama in Yogyakarta. In 2005, she participated in the ASEAN Research Scholars Programme of the Asia Research Institute in Singapore. One of her recent publications is entitled Lesbumi, strategi politik kebudayaan (Yogyakarta: LKIS, 2008). I Nyoman Darma Putra teaches Indonesian literature at the Faculty of Arts at Udayana University in Bali. He is the author of several books in Indonesian on a variety of literary and cultural topics, including Tonggak baru sastra Bali modern (2000), Wanita Bali tempo doeloe perspektif masa kini (2003), and Bali dalam kuasa politik (2008). He was a postdoctoral research fellow at the School of Languages and Comparative Cultural Studies, University of Queensland, 2007- 2010, during which he published a number of journal articles. His dissertation, titled A literary mirror; Balinese reflections on modernity and identity in the twentieth century has been accepted for publication by KITLV. Tony Day taught Southeast Asian and Performance Studies at the University of Sydney, Australia, from 1978 to 1998. He has been a visiting fellow at the Humanities Research Centre of the Austra- lian National University and a fellow of the National Humanities Center, Research Triangle Park, North Carolina. Since moving to New Haven, CT, in 2005, he has been a visiting professor of history at Wesleyan University (2006-2010). His publications include Fluid iron; State formation in Southeast Asia (2002); Clearing a space; Postco- lonial readings of modern Indonesian literature (2002), co-edited with Keith Foulcher; and Identifying with freedom; Indonesia after Suharto, an edited collection of essays (2007). His edited volume with Maya H.T. Liem, Cultures at war; The Cold War and cultural expression in viii | Contributors  Southeast Asia was published by SEAP Publications, Cornell Univer- sity Press in 2010. Liesbeth Dolk obtained her PhD from Leiden University in 1993 with a thesis on Dutch-Indonesian cultural relations in the pre- and post-war period. She taught Dutch and Dutch
Recommended publications
  • Guide to the Asian Collections at the International Institute of Social History
    Guide to the Asian Collections at the International Institute of Social History Emile Schwidder & Eef Vermeij (eds) Guide to the Asian Collections at the International Institute of Social History Emile Schwidder Eef Vermeij (eds) Guide to the Asian Collections at the International Institute of Social History Stichting beheer IISG Amsterdam 2012 2012 Stichting beheer IISG, Amsterdam. Creative Commons License: The texts in this guide are licensed under the terms of the Creative Commons Attribution-Noncommercial 3.0 license. This means, everyone is free to use, share, or remix the pages so licensed, under certain conditions. The conditions are: you must attribute the International Institute of Social History for the used material and mention the source url. You may not use it for commercial purposes. Exceptions: All audiovisual material. Use is subjected to copyright law. Typesetting: Eef Vermeij All photos & illustrations from the Collections of IISH. Photos on front/backcover, page 6, 20, 94, 120, 92, 139, 185 by Eef Vermeij. Coverphoto: Informal labour in the streets of Bangkok (2011). Contents Introduction 7 Survey of the Asian archives and collections at the IISH 1. Persons 19 2. Organizations 93 3. Documentation Collections 171 4. Image and Sound Section 177 Index 203 Office of the Socialist Party (Lahore, Pakistan) GUIDE TO THE ASIAN COLLECTIONS AT THE IISH / 7 Introduction Which Asian collections are at the International Institute of Social History (IISH) in Amsterdam? This guide offers a preliminary answer to that question. It presents a rough survey of all collections with a substantial Asian interest and aims to direct researchers toward historical material on Asia, both in ostensibly Asian collections and in many others.
    [Show full text]
  • Discourses Exploring the Space Between Tradition and Modernity in Indonesia
    In the 8th International Indonesia Forum Conference DISCOURSES EXPLORING THE SPACE BETWEEN TRADITION AND MODERNITY IN INDONESIA i Sanksi Pelanggaran Pasal 72 Undang-undang Nomor 19 Tahun 2002 Perubahan atas Undang-undang Nomor 7 Tahun 1987 Perubahan atas Undang-undang Nomor 6 Tahun 1982 Tentang Hak Cipta 1. Barang siapa dengan sengaja dan tanpa hak melakukan perbuatan sebagaimana dimaksud dalam Pasal 2 ayat (1) atau Pasal 49 ayat (1) dan ayat (2) dipidana dengan pidana penjara masing-masing paling singkat 1 (satu) bulan dan/atau denda paling sedikit Rp. 1.000.000,00 (satu juta rupiah), atau pidana penjara paling lama 7 (tujuh) tahun dan/atau denda paling banyak Rp. 5.000.000.000,00 (lima miliar rupiah). 2. Barang siapa dengan sengaja menyiarkan, memamerkan, mengedarkan atau menjual kepada umum suatu ciptaan atau barang hasil pelanggaran Hak Cipta atau Hak Terkait sebagaimana dimaksud dalam ayat (1), dipidana dengan pidana penjara paling lama 5 (lima) tahun dan/atau denda paling banyak Rp. 500.000.000,00 (lima ratus juta rupiah). ii In the 8th International Indonesia Forum Conference DISCOURSES EXPLORING THE SPACE BETWEEN TRADITION AND MODERNITY IN INDONESIA Editorial Board: Hermanu Joebagio, Frank Dhont Pramudita Press iii In the 8th International Indonesia Forum Conference Sebelas Maret University, Solo, Indonesia 29 – 30 July 2015 Organized by: Sebelas Maret University and International Indonesia Forum DISCOURSES EXPLORING THE SPACE BETWEEN TRADITION AND MODERNITY IN INDONESIA Editorial Board: Hermanu Joebagio, Frank Dhont Paper Contributor:
    [Show full text]
  • Katalog-Lontar-2019 Prev.Pdf
    2019 LONTAR CATALOGUE 2019 THE LONTAR FOUNDATION Since its establishment in 1987, the Lontar Foundation of Jakarta has carried on its shoulders the mission of improving international awareness of Indonesian literature and culture, primarily throught the publication of Indonesian literary translations. Lontar’s Publications Division, the backbone of the organization, has the significant task of determining which literary works are to be translated so as to reflect Indonesia’s cultural wealth. The Lontar Foundation publishes books under four imprints: Lontar, BTW, Amanah, and Godown. All titles released prior to 2002 (when Godown and Amanah were established) carried the Lontar imprint. TABLE OF CONTENTS Titles released under the Lontar imprint are primarily translations of Indonesian literature. (Exceptions include large-format books that embody Lontar’s mission of enhancing international knowledge of Indonesian culture.) Most Lontar titles are intended for general THE LONTAR FOUNDATION AND ITS IMPRINTS i reading pleasure and for use in teaching courses on Indonesian literature and culture. Lontar TITLES 2 The Modern Library of Indonesia 2 Historical Anthologies 11 Titles in the BTW series—with “BTW” standing for “by the way,” as Other Literary Translations 13 in “by the way, have you heard about such and such an author?”— Special Publications 15 feature work by new and emerging Indonesian writers. This series of Wayang Educational Package 16 mini-books is aimed at publishers, editors, and literary critics. BTW BOOKS SERIES #1 18 Under its Amanah imprint, Lontar publishes Indonesian-language BTW BOOKS SERIES #2 23 titles that Lontar itself has put together in the course of developing an English-language publication.
    [Show full text]
  • NILAI-NILAI PENDIDIKAN ISLAM DALAM OTOBIOGRAFI KENANG-KENANGAN HIDUP BUYA HAMKA” Benar Karya Asli Saya, Kecuali Kutipan-Kutipan Yang Disebut Sumbernya
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Repository UIN Sumatera Utara NILAI-NILAI PENDIDIKAN ISLAM DALAM OTOBIOGRAFI KENANG-KENANGAN HIDUP BUYA HAMKA Oleh: Mahlil Harahap NIM: 91214033226 Program Studi PENDIDIKAN ISLAM PASCASARJANA UNIVERSITAS ISLAM NEGERI SUMATERA UTARA MEDAN 2016 SURAT PERNYATAAN Yang bertanda tangan di bawah ini: Nama : Mahlil Harahap Nim : 91214033226 Tampat/tgl. Lahir : Sialagundi, 07 Juli 1989 Pekerjaan : Mahasiswa Pascasarjana UIN-SU Medan Alamat : Jl. Sutomo Ujung, No 1 UIN-SU Medan Menyatakan dengan sebenarnya bahwa tesis yang berjudul “NILAI-NILAI PENDIDIKAN ISLAM DALAM OTOBIOGRAFI KENANG-KENANGAN HIDUP BUYA HAMKA” benar karya asli saya, kecuali kutipan-kutipan yang disebut sumbernya. Apabila terdapat kesalahan dan kekeliruan di dalamnya, sepenuhnya menjadi tanggungjawab saya. Demikian surat pernyataan ini saya buat dengan sesungguhnya. Medan, 19 Juni 2016 Mahlil Harahap NIM. 91214033226 ii PERSETUJUAN Tesis Berjudul: NILAI-NILAI PENDIDIKAN ISLAM DALAM OTOBIOGRAFI KENANG-KENANGAN HIDUP BUYA HAMKA Oleh: Mahlil Harahap Nim. 91214033226 Dapat disetujui dan disahkan sebagai persyaratan untuk memperoleh gelar Magister Pendidikan (M.Pd) pada Program Studi Pendidikan Islam Pascasarjana UIN Sumatera Utara Medan, Juni 2016 Pembimbing I Pembimbing II Prof. Dr. Hasan Asari, MA Prof. Dr. Amroeni Drajat, M. Ag NIP.19641102 199003 1 007 NIP.19650212 199403 1 001 iii PENGESAHAN Tesis berjudul “NILAI-NILAI PENDIDIKAN ISLAM DALAM OTOBIOGRAFI KENANG-KENANGAN HIDUP BUYA HAMKA” an. Mahlil Harahap NIM 91214033226 Program Studi Pendidikan Islam telah dimunaqasyahkan dalam Sidang Munaqasyah Pascasarjana UIN-SU Medan pada tanggal 19 Agustus 2016. Tesis ini telah diterima untuk memenuhi syarat memperoleh gelar Master Pendidikan (M.Pd) pada Program Studi Pendidikan Islam.
    [Show full text]
  • INDO 7 0 1107139648 67 76.Pdf (387.5Kb)
    THE THORNY ROSE: THE AVOIDANCE OF PASSION IN MODERN INDONESIAN LITERATURE1 Harry Aveling One of the important shortcomings of modern Indonesian literature is the failure of its authors, on the whole young, well-educated men of the upper and more modernized strata of society, to deal in a convincing manner with the topic of adult heterosexual passion. This problem includes, and partly arises from, an inadequacy in portraying realistic female char­ acters which verges, at times, on something which might be considered sadism. What is involved here is not merely an inability to come to terms with Western concepts of romantic love, as explicated, for example, by the late C. S. Lewis in his book The Allegory of Love. The failure to depict adult heterosexual passion on the part of modern Indonesian authors also stands in strange contrast to the frankness and gusto with which the writers of the various branches of traditional Indonesian and Malay litera­ ture dealt with this topic. Indeed it stands in almost as great a contrast with the practice of Peninsular Malay literature today. In Javanese literature, as Pigeaud notes in his history, The Literature of Java, "Poems and tales describing erotic situations are very much in evidence . descriptions of this kind are to be found in almost every important mythic, epic, historical and romantic Javanese text."^ In Sundanese literature, there is not only the open violence of Sang Kuriang's incestuous desires towards his mother (who conceived him through inter­ course with a dog), and a further wide range of openly sexual, indeed often heavily Oedipal stories, but also the crude direct­ ness of the trickster Si-Kabajan tales, which so embarrassed one commentator, Dr.
    [Show full text]
  • Negotiating Polygamy in Indonesia
    Negotiating Polygamy in Indonesia. Between Muslim Discourse and Women’s Lived Experiences Nina Nurmila Dra (Bandung, Indonesia), Grad.Dip.Arts (Murdoch University, Western Australia), MA (Murdoch University) Submitted in total fulfilment of the requirements of the degree of Doctor of Philosophy February 2007 Gender Studies - Faculty of Arts The University of Melbourne ABSTRACT Unlike most of the literature on polygamy, which mainly uses theological and normative approaches, this thesis is a work of social research which explores both Indonesian Muslim discourses on polygamy and women’s lived experiences in polygamous marriages in the post-Soeharto period (after 1998). The thesis discusses the interpretations of the Qur’anic verses which became the root of Muslim controversies over polygamy. Indonesian Muslim interpretations of polygamy can be divided into three groups based on Saeed’s categorisation of the Muslim approaches to the Qur’an (2006b: 3). First, the group he refers to as the ‘Textualists’ believe that polygamy is permitted in Islam, and regard it as a male right. Second, the group he refers to as ‘Semi-textualists’ believe that Islam discourages polygamy and prefers monogamy; therefore, polygamy can only be permitted under certain circumstances such as when a wife is barren, sick and unable to fulfil her duties, including ‘serving’ her husband’s needs. Third, the group he calls ‘Contextualists’ believe that Islam implicitly prohibits polygamy because just treatment of more than one woman, the main requirement for polygamy, is impossible to achieve. This thesis argues that since the early twentieth century it was widely admitted that polygamy had caused social problems involving neglect of wives and their children.
    [Show full text]
  • Phd Thesis Tamara Aberle
    Socially-engaged theatre performances in contemporary Indonesia Tamara Alexandra Aberle Royal Holloway, University of London PhD Thesis 1 Declaration of Authorship I, Tamara Alexandra Aberle, hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. Signed: ______________________ Date: ________________________ 2 Abstract This thesis argues that performances of contemporary theatre in Indonesia are socially- engaged, actively creating, defining and challenging the socio-political environment, and that theatre practitioners are important members of a vibrant civil society who contribute and feel actively committed to democratic processes. Following an initial chapter about the history of modern theatre from the late 19th century until the fall of President Suharto in 1998, the four core chapters centre on four different aspects of contemporary Indonesian socio-politics: historical memory and trauma, violence and human rights, environmentalism, and social transition. Each of these chapters is preceded by an introduction about the wider historical and socio-political context of its respective discourse and is followed by an analysis of selected plays. Chapter 2 focuses on historical trauma and memory, and relates the work of two theatre artists, Papermoon Puppet Theatre and Agus Nur Amal (a.k.a. PM Toh), to processes seeking truth and reconciliation in Indonesia in the post-Suharto era. Chapter 3, on violence and human rights, discusses the works of Ratna Sarumpaet and B. Verry Handayani, with a specific focus on human trafficking, sexual exploitation, and labour migration. Chapter 4 discusses environmentalism on the contemporary stage. It investigates the nature of environmental art festivals in Indonesia, taking Teater Payung Hitam’s 2008 International Water Festival as an example.
    [Show full text]
  • Figurative Language in Amir Hamzah's Poems
    Novia Khairunnisa, I Wy Dirgeyasa, Citra Anggia Putri Linguistica Vol. 09, No. 01, March 2020, (258-266) FIGURATIVE LANGUAGE IN AMIR HAMZAH’S POEMS 1 2 3 NOVIA KHAIRUNISA . I WY DIRGEYASA , CITRA ANGGIA PUTRI 123 UNIVERSITAS NEGERI MEDAN Abstract This study dealt with figurative language in Amir Hamzah’s selected poems. The objective of this study were to investigate the types of figurative language found in Amir Hamzah’s selected poems and to find out the literal meaning of figurative language found. This study was conducted by using qualitative method to solve the problems. The data of this study were phrases and sentences contained figurative language in the poems. The sources of data were six poems poems which had multiple series taken from Amir Hamzah’s Poetry Anthology of Buah Rindu. The data were selected by using random sampling technique. For collecting the data, this study used documentary technique, and the instruments of data were documentary sheets. The data were analyzed by using descriptive qualitative method. The findings of this study are there twenty two figurative languages found as follows, three figurative language of metaphor (13.63%), seven figurative language of hyperbole (31.81%), five figurative language of personification (22.72%) and seven figurative language of simile (31.83%). The literal meaning of figurative language found in Amir Hamzah’s poems were basically was about the love story of Amir himself and also talking about his longing to his mother. Keywords : Figurative Language, Figure of Speech, Poem INTRODUCTION Poem is a literary work in patterned language. It can also be said as the art of rhythmical composition.
    [Show full text]
  • Indonesian Authors in Geneeskundige Tijdschrift Voor Nederlands Indie As Constructors of Medical Science
    Volume 16 Number 2 ISSN 2314-1234 (Print) Page October 2020 ISSN 2620-5882 (Online) 123—142 Indonesian Authors in Geneeskundige Tijdschrift voor Nederlands Indie as Constructors of Medical Science WAHYU SURI YANI Alumny History Department, Universitas Gadjah Mada Email: [email protected] or [email protected] Abstract Access to the publication Geneeskundig Tijdschrift voor Nederlandsch-Indië (GTNI), Keywords: a Dutch Indies medical journal, was limited to European doctors. Although Stovia Bahder Djohan; (School ter Opleiding van Inlandsche Artsen) was established to produce indigenous Constructor; (Bumiputra) doctors, its students and graduates were not given access to GTNI. In GTNI; response, educators at Stovia founded the Tijdschrift Voor Inlandsche Geneeskundigen Leimena; (TVIG) as a special journal for indigenous doctors. Due to limited funds, TVIG – Stovia; Pribumi the only scientific medical publication for indigenous doctors – ceased publication Doctors; TVIG in 1922. The physicians formed Vereeniging van Inlandsche Geneeskundigen (VIG) an association for pribumi (native) doctors to express various demands for equal rights, one of which was the right to access GTNI. The protests and demands of the bumiputra doctors resulted not only in being granted reading access rights but also being able to become writers for GTNI. Bumiputra doctors who contributed to GTNI included Bahder Djohan and Johannes Leimena. However, they were not the only authors who contributed to GTNI during the Dutch East Indies era. After Indonesia became independent, both doctors played major roles in laying the foundation for Indonesia’s health education system and implementing village-based health policies. This article is part of a research project on Indonesia’s health history using the archives of the GTNI, TVIG and books written by doctors who contributed to GTNI which were published from the early twentieth century onwards.
    [Show full text]
  • D.R.Y. President Ho Chi Minh of the Whole Country"
    PE 30 July 22" 196/6 Ghairman Mao ls the Red $un in the lI Hearts of the People of the llorld An occount of the visits of friends from five continents to Choirmon Moo's birthploce ot Shooshoq 4 D.R.Y. President Ho Chi Minh lssues " An Appeol to the People A Of the Whole Country" A New Stsge of the Sociolist -{L Revolution in Chino Benmin Riboo editoriol. July 22, 1966 Vol. 9, No. 30 PEKING REVIEW ), i Published in English, French, Sponish, I I Joponese Germon editions ond 1 I i i I IHE UEEK Choiryncn Moo Receires Delegotes orrd Obrerrer to Afro-Asion lVriters'Emer- gEilcy Heeting; Choirmoo !'loo Recefoes ltleplese Crorvn Pnnce; Chen Yi Condemns U.S.-Soviet-lndion Piot to 'Force Peoce Tolks Through Bombing" {p. 3) ARTICLES AND DOCUMENTS t*'TT in the Hecrts or the Peopre or the worrd f;:"':,1ff.fii',i'J, A New Stcge of the Sociolist Revolution in Chins - Renntin Riboo Eciitoriol {P'11} President Flo Chi Minh's Appeo! io the ?eople of the Whole Country (p. 13) Order of the President ol the Democrotic Republic of Vietncm (p. 14) Decision of the Stsnding Committee of the D.R.V. N,:tionol F.ssembly (p. 15) Communique of the D.R.V. Supreme Notionol Defence Council (p. l5) Chino Reody ot Any Time to Tske All Necessary Actions to Aid Vietnomese People's Struggle Agoinst U.5. lmperiolism to the End (p. 17) - The 700 Million Chinese People Pledge to Bock the Vletnomese People RenmLn Siboo Editoriol (p.
    [Show full text]
  • Words: Education; Opuses; Behind the Story of Merah-Putih; Si Tou Timou Tumou Tou
    STAINU Purworejo: Jurnal As Sibyan Vol 3 No 2, Desember 2020 Jurnal Kajian Kritis Pendidikan Islam dan Manajemen Pendidikan Dasar Homepage: https://ejournal.stainupwr.ac.id/ Email: [email protected] E-ISSN: : 2599-2732 PENGENALAN PAHLAWAN SAM RATULANGI PADA SISWA MI/SD Hilda Zuhri Khairunnisa Universitas Islam Negeri (UIN) Syarif Hidayatullah Jakarta Email: [email protected] Orcid Id: Anis Fuadah Z Universitas Islam Negeri (UIN) Syarif Hidayatullah Jakarta Email: [email protected] Orcid Id: 0000-0002-5935-030X Abstract (in English; 12 pt Cambria) This article moots about a struggle of a famous and an influenced figure ever in that time, coming from Minahasa, North Sulawesi. He fought for Indonesia in his own way and got his thoughts gone viral even until now. His name is Gerungan Saul Samuel Jacob Ratulangi or usually called Sam Ratulangi. He also had the biggest role why Indonesia nowadays is called “Indonesia”. This article was made to 1) acquaint a biography of a patriot that is Gerungan Saul Samuel Jacob Ratulangi to learners, especially in elementary school. 2) acquaint the values in Sam Ratulangi. 3) know how Sam Ratulangi fought for his beloved country and what was his role in defending Indonesia. 4) acquaint his thoughts that is going viral even in nowadays. All of the data are gotten from books, literature, and journals that are related to the topic. Keywords: education; opuses; behind the story of Merah-Putih; Si Tou Timou Tumou Tou. Abstrak Artikel ini membahas tentang perjuangan seorang pahlawan terkenal dan paling berpengaruh pada masanya dari Minahasa, Sulawesi Utara.
    [Show full text]
  • Guerrilla Warfare and the Indonesian Strategic Psyche
    Small Wars Journal www.smallwarsjournal.com Guerrilla Warfare and the Indonesian Strategic Psyche Emmet McElhatton “While this sultan was sitting in audience, I saw a man with a knife in his hand resembling a book-binders’ tool. He put this knife to his own neck, and delivered a long speech which I did not understand, then gripped it with both hands and cut his own throat. So sharp was the knife and so strong his grip that his head fell to the ground. I was amazed at his action. The sultan said to me, ‘Does anyone do this in your country?’ I replied ‘I have never seen such a thing.’ Then he laughed and said ‘These are our slaves, who kill themselves for love of us’… One of those present at this audience told me that the speech made by the man was a declaration of his affection for the sultan, and that he was slaying himself for love of him, as his father had slain himself for love of the sultan’s father, and his grandfather for the love of the sultan’s grandfather. Thereafter I withdrew from the audience.” -Ibn Battuta, A Declaration of Affection for the Sultan of Mul-Jawa, 1349.1 To Ibn Battuta, the great Islamic traveller and, to borrow an idea from Isaiah Berlin, one of the most civilised men of his or any other age, the evident culture of Java was a highly perplexing thing indeed demanding much long, and preferably distant, rumination. Throughout the ages of exploration, colonialism and internationalism, the Spice Islands, that archipelagic peppering of lands that sweeps from the Malay Peninsula to the lip of the Pacific basin, have always appeared that bit more oriental – obscurer, darker, more esoteric – to Western2 eyes than the other civilisations of the Far Eastern world.
    [Show full text]