1522560109478.Pdf

Total Page:16

File Type:pdf, Size:1020Kb

1522560109478.Pdf INTRODUCTION Harry Potter and the Cursed Child is a two-part stage play written by Jack Thorne based on an original new story by Thorne, J. K. Rowling and John Tiffany.[1] Previews of the play began at the Palace Theatre, London on 7 June 2016,[2] and it officially premiered on 30 July 2016. The play will officially open on Broadway on 25 April 2018 at the Lyric Theatre in New York, although previews began on 16 March 2018. Its cast will be similar to that of the first year on West End, with returning actors Sam Clemmett, Jamie Parker, Anthony Boyle, Noma Dumezweni, and Paul Thornley. The rehearsal script, which was not a novelisation of the play,[3] was published. The story begins nineteen years after the events of Harry Potter and the Deathly Hallows and follows Harry Potter, now a Ministry of Magic employee, and his younger son Albus Severus Potter, who is about to attend Hogwarts School of Witchcraft and Wizardry. At the 2017 Laurence Olivier Awards, the London production received a record-breaking eleven nominations and an again record-breaking nine awards, including Best New Play, Best Actor, Best Actor in a Supporting Role, Best Actress in a Supporting Role and Best Director. ORIGINS In the opening scene, set during the final chapter of Harry Potter and the Deathly Hallows in the year 2017, Harry Potter and Ginny Weasley send their second son, Albus Severus Potter, on the Hogwarts Express to begin his first year at Hogwarts. Harry is now working in a desk job as the Head of Magical Law Enforcement at the Ministry of Magic, while Ginny is the editor of the sports section of the Daily Prophet. Ron Weasley and Hermione Granger also send their daughter Rose Granger-Weasley on the train. Hermione is now Minister for Magic, while Ron manages Weasley's Wizard Wheezes in Diagon Alley. Albus makes an unlikely friend in Slytherin with Scorpius Malfoy, the son of Harry's former nemesis Draco Malfoy and Astoria Greengrass. The school is stunned when, in a break with the tradition of Potters being sorted into Gryffindor, Albus is sorted into Slytherin house alongside Scorpius. Both boys are bullied by other students over the next few years, Albus due to his perceived failure to live up to his parents, Scorpius due to unproven rumours that he is the son of Lord Voldemort. In addition, Albus and Harry begin to drift apart, owing to Albus's struggles with his father's shadow and Harry's uncertainty on how to deal with his son's issues. Albus also drifts apart from Rose, with whom he was friends before meeting Scorpius. Prior to Albus and Scorpius's fourth year, Albus gets into a fight with his father after he is given Harry's baby blanket and a love potion from Ron. During the fight, Harry accidentally says that he sometimes wishes Albus was not his son, and Albus spills potion on the blanket. Harry obtains a prototype of a more powerful version of the Time Turner that allows one to travel back several years into the past and change history. Simultaneously, Harry's scar begins to hurt again, causing him to become concerned that Voldemort may somehow be returning. Amos Diggory, who has become old and is cared for by his niece, Delphi Diggory, asks Harry to use the Time Turner to prevent Cedric Diggory's death. After overhearing Harry refuse to help the Diggorys, Albus is inspired to do so himself, and convinces Scorpius to help him. The two escape from the Hogwarts Express and the trolley operator, who is revealed to be a monster placed on the train to prevent students from escaping. The two arrive at St. Oswald's Home for Old Witches and Wizards in Yorkshire, where Amos lives, and team up with Delphi to steal the Time Turner from Hermione's office while disguised with Polyjuice Potion. PERKS Knowing that Cedric's death was the result of him winning the Triwizard Tournament alongside Harry, the boys use the Time Turner to travel back to the first challenge of the Triwizard Tournament in 1994, and sabotage Cedric during the tournament's first task in the hope of preventing his victory. Instead, they only succeed in creating an alternate reality in which Ron and Hermione never married, and thus Rose was never born, and Albus was sorted into Gryffindor. Albus discovers that this was because they chose to disguise themselves as Durmstrang students, causing Hermione to become suspicious of Viktor Krum and go to the Yule Ball with Ron instead of Viktor. As a result, Ron never experienced the jealousy fundamental to his relationship with Hermione, fell in love with Padma Patil at the Ball, and eventually became married to her, having a son named Panju. Hermione, in turn, became a frustrated and mean professor at Hogwarts. At around the same time, Harry's fear that Voldemort may return increases as his scar continues to hurt and as he has Voldemort-related nightmares. After speaking with a portrait of Dumbledore, he becomes convinced that Scorpius is a threat to Albus and tries to have the boys kept apart at Hogwarts by forcing McGonagall to keep tabs on Albus using the Marauders' Map. Albus and Scorpius's friendship is destroyed, but the two eventually reconcile after Albus steals Harry's old Invisibility Cloak from James Sirius Potter (Albus’ older brother), and after McGonagall refuses to enforce Harry's request. Harry himself is persuaded to relent after a conversation with Draco and Ginny. Meanwhile, Albus and Scorpius decide to make another attempt to use the Time Turner to change Cedric's fate, this time by humiliating him during the Triwizard Tournament's second task. When Scorpius returns to the present day however, Albus is not with him, and Scorpius finds himself in a reality in which Harry is dead and Voldemort rules the wizarding world. VEHICLES Scorpius discovers that - as a result of his actions - an embittered Cedric joined the Death Eaters and killed Neville Longbottom during the events of Deathly Hallows, preventing him from killing Nagini and allowing Voldemort to win the Battle of Hogwarts. With Harry now dead, Albus subsequently never existed, while Voldemort was able to completely consolidate power and transform the Ministry of Magic into a dictatorial regime. In the new timeline, Scorpius became a popular Head Boy and Quidditch star, helping the staff and students torment Muggle-borns. Dolores Umbridge became the new Headmistress of Hogwarts, and patrols the school with Dementors and a revived Inquisitorial Squad led by Scorpius. Draco Malfoy occupies Harry's old position as the Head of Magical Law Enforcement, using his post to encourage routine attacks on Muggles and bribe the Prime Minister to remain silent on the actions of the Death Eaters. With help from Ron, Hermione, and Severus Snape, now the final members of a dwindling anti-Voldemort resistance movement, Scorpius is able to use the Time Turner to prevent the interference of Albus and his past self and restore the events of the original timeline, the alternate Ron, Hermione, and Snape sacrificing themselves to the Dementors in order to allow him to do so. Scorpius reunites with Albus, and the two boys are eventually found by their parents, as well as Ron and Hermione. Following these events, Harry scolds Albus for his actions, but the two nevertheless begin to reconcile. Realising the danger the Time Turner poses, and deciding their parents will continue to keep it, Scorpius and Albus attempt to destroy it themselves, but they are joined by Delphi. Scorpius realizes Delphi was in charge of the Ministry of Magic in the alternate timeline, and she takes them captive, later revealing her intention of restoring the alternate timeline. After the adults learn Albus and Scorpius were seen disappearing with Delphi, they confront Amos, only to discover Delphi is not his niece, but the daughter of Voldemort and Bellatrix Lestrange. Searching her room, they discover she is following a prophecy that, if fulfilled, would lead to Voldemort's return. Delphi takes the boys to the final challenge of the Triwizard Tournament, but Albus and Scorpius prevent her from acting, and Delphi uses the Time Turner to travel further back in time. She inadvertently takes the boys with her, and destroys the Time Turner to leave them stranded in time. MISC. ITEMS Abandoned by Delphi, Albus and Scorpius discover they have been taken back to the night Harry's parents were killed, and assume Delphi is planning to kill Harry before Voldemort can do so. Albus and Scorpius write an invisible message on Harry's baby blanket, knowing in the present, the blanket would become stained with love potion and expose the message to Harry. Meanwhile, Draco reveals the Time-Turner was actually a prototype for a perfected model owned by him, but they remain unable to rescue the boys due to their uncertainty over which time period they have entered. After Harry receives the message from the boys, he and his allies use Draco's Time Turner to travel back in time to save them and stop Delphi. While waiting for Delphi, they deduce she intends to convince Voldemort to abandon his doomed attempt to kill Harry, ensuring her father's survival and allowing her to be with him. Harry disguises himself as Voldemort using Transfiguration to distract Delphi, and the group subdues her. They allow the murder of Harry's parents to play out, unwilling to risk the consequences of altering the past. After returning to the present day, Delphi is sent to Azkaban Prison.
Recommended publications
  • 2019 Silent Auction List
    September 22, 2019 ………………...... 10 am - 10:30 am S-1 2018 Broadway Flea Market & Grand Auction poster, signed by Ariana DeBose, Jay Armstrong Johnson, Chita Rivera and others S-2 True West opening night Playbill, signed by Paul Dano, Ethan Hawk and the company S-3 Jigsaw puzzle completed by Euan Morton backstage at Hamilton during performances, signed by Euan Morton S-4 "So Big/So Small" musical phrase from Dear Evan Hansen , handwritten and signed by Rachel Bay Jones, Benj Pasek and Justin Paul S-5 Mean Girls poster, signed by Erika Henningsen, Taylor Louderman, Ashley Park, Kate Rockwell, Barrett Wilbert Weed and the original company S-6 Williamstown Theatre Festival 1987 season poster, signed by Harry Groener, Christopher Reeve, Ann Reinking and others S-7 Love! Valour! Compassion! poster, signed by Stephen Bogardus, John Glover, John Benjamin Hickey, Nathan Lane, Joe Mantello, Terrence McNally and the company S-8 One-of-a-kind The Phantom of the Opera mask from the 30th anniversary celebration with the Council of Fashion Designers of America, designed by Christian Roth S-9 The Waverly Gallery Playbill, signed by Joan Allen, Michael Cera, Lucas Hedges, Elaine May and the company S-10 Pretty Woman poster, signed by Samantha Barks, Jason Danieley, Andy Karl, Orfeh and the company S-11 Rug used in the set of Aladdin , 103"x72" (1 of 3) Disney Theatricals requires the winner sign a release at checkout S-12 "Copacabana" musical phrase, handwritten and signed by Barry Manilow 10:30 am - 11 am S-13 2018 Red Bucket Follies poster and DVD,
    [Show full text]
  • Black Girl Magic: the (Re)Imagining of Hermione Granger: an Analysis and Autoethnography
    DePaul University Via Sapientiae College of Liberal Arts & Social Sciences Theses and Dissertations College of Liberal Arts and Social Sciences 6-2021 Black girl magic: the (re)imagining of Hermione Granger: an analysis and autoethnography Kandice Rose DePaul University, [email protected] Follow this and additional works at: https://via.library.depaul.edu/etd Recommended Citation Rose, Kandice, "Black girl magic: the (re)imagining of Hermione Granger: an analysis and autoethnography" (2021). College of Liberal Arts & Social Sciences Theses and Dissertations. 306. https://via.library.depaul.edu/etd/306 This Thesis is brought to you for free and open access by the College of Liberal Arts and Social Sciences at Via Sapientiae. It has been accepted for inclusion in College of Liberal Arts & Social Sciences Theses and Dissertations by an authorized administrator of Via Sapientiae. For more information, please contact [email protected]. DePaul University Black Girl Magic: The (re)Imagining of Hermione Granger An Analysis and Autoethnography Kandice Rose Critical Ethnic Studies Graduate Candidate June 2021 1 INTRODUCTION I'd very much like to say that I've always loved to read, but that would be patently false. At the age of 6, when I was in the first grade, the grade where Americans generally learn to read, I absolutely hated it. My teacher, Mrs. Johnson, would call on students to stand up and read passages to the class. I would stare in awe as other kids would read their sentences flawlessly, even as butterflies rattled in my stomach, as I waited in dread for her to call on either myself or my twin sister.
    [Show full text]
  • Harry Potter and the Order of the Phoenix
    FADE IN EXT. - LITTLE WHINGING - NIGHT It is sunset. We drift through the clouds, approaching NUMBER FOUR, PRIVET DRIVE. We sail over the roof of NUMBER FOUR and continue on past it into the street. We drift down into an abandoned playground. A lone figure sits on the only unbroken swing.. It is HARRY POTTER. He appears deep in thought. Had he been watching more carefully, he would have seen the old MRS. FIGG watching him from her front porch. MRS. FIGG adjusts her porch chair in order to watch Harry better. The sound of harsh laughter reaches Harry's ears. He looks up. Dudley and his gang of followers are walking down the street, telling crude jokes and laughing. They ignore Harry and continue on out of sight. Harry gets to his feet and follows them. EXT. STREET - NIGHT Harry rounds the corner, only to find himself surrounded by Dudley's gang. DUDLEY Oh, it's you. GANG THUG #1 What should we do with him, Big D? Harry laughs. HARRY Big D? Cool name, but to me, you'll always be Ikkle Duddicums. DUDLEY Shut up! One of Dudley's gang steps in as if to punch Harry. Harry glares at him. The gang member pauses, then steps back again. DUDLEY Ooo, tough guy. Not so tough in your bed, are you? 2. HARRY What? MRS. FIGG stands up and goes to the edge of her porch. MRS. FIGG You boys go home now, or I'll be calling your parents! They pause and edge away from Harry.
    [Show full text]
  • 0844 800 1110
    www.rsc.org.uk 0844 800 1110 The RSC Ensemble is generously supported by THE GATSBY CHARITABLE FOUNDATION TICKETS and THE KOVNER FOUNDATION from Charles Aitken Joseph Arkley Adam Burton David Carr Brian Doherty Darrell D’Silva This is where the company’s work really begins to cook. By the time we return to Stratford in 2010 these actors will have been working together for over a year, and equipped to bring you a rich repertoire of eight Shakespeare productions as well as our new dramatisation of Morte D’Arthur, directed by Gregory Doran. As last year’s work grows and deepens with the investment of time, so new productions arrive from our exciting new Noma Dumezweni Dyfan Dwyfor Associate Directors David Farr and Rupert Goold, who open the Phillip Edgerley Christine Entwisle season with King Lear and Romeo and Juliet. Later, our new Artistic Associate Kathryn Hunter plays her first Shakespearean title role with the RSC in my production of Antony and Cleopatra, and we follow the success of our Young People’s The Comedy of Errors with a Hamlet conceived and directed by our award winning playwright in residence, Tarell Alvin McCraney. I hope that you will come and see our work as we continue to explore just how potent a long term community of wonderfully talented artists can be. Michael Boyd Artistic Director Geoffrey Freshwater James Gale Mariah Gale Gruffudd Glyn Paul Hamilton Greg Hicks James Howard Kathryn Hunter Kelly Hunter Ansu Kabia Tunji Kasim Richard Katz Debbie Korley John Mackay Forbes Masson Sandy Neilson Jonjo O’Neill Dharmesh Patel Peter Peverley Patrick Romer David Rubin Sophie Russell Oliver Ryan Simone Saunders Peter Shorey Clarence Smith Katy Stephens James Traherne Sam Troughton James Tucker Larrington Walker Kirsty Woodward Hannah Young Samantha Young TOPPLED BY PRIDE AND STRIPPED OF ALL STATUS, King Lear heads into the wilderness with a fool and a madman for company.
    [Show full text]
  • Amaka Okafor
    Amaka Okafor Theatre Title Role Director Producer Nora: A Doll's House Nora 3, Christine 2 Elizabeth Freestone The Young Vic The Son Sofia Michael Longhurst Duke Of York's The Son Sofia Michael Longhurst The Kiln Theatre Macbeth Lady Macduff Rufus Norris National Theatre I'm Not Running Meredith Ikeji Neil Armfield National Theatre Grimly Handsome Natalia/Nelly/Nally/Noplop Sam Pritchard & Chloe Lamford Royal Court Saint George and the Dragon Elsa Lyndsey Turner National Theatre Hamlet Guildenstern Robert Icke Almeida Theatre Peter Pan Nibs/Jane Sally Cookson National Theatre I See You DJ Mavovo Noma Dumezweni Royal Court Theatre Hamlet Palace Official Lyndsey Turner Sonia Freidman Productions Mermaid Mermaid Polly Teale Shared Experience Bird Leah Jane Fallowfield Tour Glasgow Girls Amal Cora Bissett Citizens Theatre Glasgow Girls Amal Cora Bissett NTS/Citizens Theatre Glasgow/Stratford East Dr Korczak's Example Stephanie Amy Leach Manchester Royal Exchange/Arcola The Bacchae The Bacchae John Tiffany & Steven Hoggett National Theatre of Scotland Branded Rox Matt Wilde Old Vic The Artists Partnership 21-22 Warwick Street, Soho, London W1B 5NE (020) 7439 1456 Old Vic 24 Hour Plays Sally Abigail Graham Old Vic Television Title Role Director Producer The Responder DI Debbie Barnes Fien Troch Dancing Ledge / BBC Grace DC Emma Jane Boutwood John Alexander ITV Des Emily Lewis Arnold ITV / New Pictures Vera 10 Laura Whitelock Paul Gay ITV The Split 2 Chloe Paula van Der Oest BBC The Artists Partnership 21-22 Warwick Street, Soho, London W1B 5NE (020) 7439 1456.
    [Show full text]
  • Wands & Witches
    Wands & Witches Version 0.42 by @Great_Chicken_Studio Guide by @Manfegor Wands & Witches v0.42 guide @Manfegor Guide Introduction ................................................................................................................................................................. 4 Prologue .................................................................................................................................................................................. 4 Interface ................................................................................................................................................................................... 5 Courses .................................................................................................................................................................................... 7 - Defend Against the Dark Arts lesson ............................................................................................................................... 8 - Potions lesson ..................................................................................................................................................................... 8 - Transfiguration lesson ........................................................................................................................................................ 8 - Charms lesson ....................................................................................................................................................................
    [Show full text]
  • Issues with Racism, Classism, and Ideology in Harry Potter Tiffany L
    Northern Michigan University NMU Commons All NMU Master's Theses Student Works 5-2015 Not So Magical: Issues with Racism, Classism, and Ideology in Harry Potter Tiffany L. Walters [email protected] Follow this and additional works at: https://commons.nmu.edu/theses Part of the Children's and Young Adult Literature Commons Recommended Citation Walters, Tiffany L., "Not So Magical: Issues with Racism, Classism, and Ideology in Harry Potter" (2015). All NMU Master's Theses. 42. https://commons.nmu.edu/theses/42 This Open Access is brought to you for free and open access by the Student Works at NMU Commons. It has been accepted for inclusion in All NMU Master's Theses by an authorized administrator of NMU Commons. For more information, please contact [email protected],[email protected]. NOT SO MAGICAL: ISSUES WITH RACISM, CLASSISM, AND IDEOLOGY IN HARRY POTTER By Tiffany Walters THESIS Submitted to Northern Michigan University In partial fulfillment of the requirements For the degree of MASTER OF ARTS Office of Graduate Education and Research May 2015 SIGNATURE APPROVAL FORM Not So Magical: Issues with Racism, Classism and Ideology in Harry Potter This thesis by Tiffany Walters is recommended for approval by the student’s thesis committee in the Department of English and by the Assistant Provost of Graduate Education and Research. Committee Chair: Dr. Kia Jane Richmond Date First Reader: Dr. Ruth Ann Watry Date Second Reader: N/A Date Department Head: Dr. Robert Whalen Date Dr. Brian D. Cherry Assistant Provost of Graduate Education and Research ABSTRACT NOT SO MAGICAL: ISSUES WITH RACISM, CLASSISM, AND IDEOLOGY IN HARRY POTTER By Tiffany Walters Although it is primarily a young adult fantasy series, the Harry Potter books are also focused on the battle against racial purification and the threat of a strictly homogenous magical society.
    [Show full text]
  • Linda by Penelope Skinner and the Wasp by Morgan Lloyd Malcolm Performance Reviews
    Miranda Revue pluridisciplinaire du monde anglophone / Multidisciplinary peer-reviewed journal on the English- speaking world 13 | 2016 Thomas Spence and his Legacy: Bicentennial Perspectives Linda by Penelope Skinner and The Wasp by Morgan Lloyd Malcolm Performance reviews William C. Boles Electronic version URL: http://journals.openedition.org/miranda/9420 DOI: 10.4000/miranda.9420 ISSN: 2108-6559 Publisher Université Toulouse - Jean Jaurès Electronic reference William C. Boles, “Linda by Penelope Skinner and The Wasp by Morgan Lloyd Malcolm ”, Miranda [Online], 13 | 2016, Online since 23 November 2016, connection on 16 February 2021. URL: http:// journals.openedition.org/miranda/9420 ; DOI: https://doi.org/10.4000/miranda.9420 This text was automatically generated on 16 February 2021. Miranda is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. Linda by Penelope Skinner and The Wasp by Morgan Lloyd Malcolm 1 Linda by Penelope Skinner and The Wasp by Morgan Lloyd Malcolm Performance reviews William C. Boles Factual information about the shows 1 Play : Linda by Penelope Skinner Place : Royal Court Theatre Downstairs (London) Running time : November, 29th, 2015-January, 9th, 2016 Director : Michael Longhurst Set Designer : Es Devlin Costume Designer : Alex Lowde Lighting Designer : Lee Curran Composer and Sound Designer : Richard Hammarton Video Designer : Luke Halls Movement Director : Imogen Knight Cast : Imogen Byron, Karla Crome, Jaz Deol, NomaDumezweni, Amy Beth Hayes, Dominic Mafham,
    [Show full text]
  • Download Talent List
    www.hamiltonhodell.co.uk Talent list Naomi Ackie Raphael Acloque Jimmy Akingbola Jude Akuwudike Ben Aldridge India Amarteifio Isaac Andrews Ross Armstrong William Ash Ben Ashenden Taj Atwal Hayley Atwell Tobi King Bakare Mathew Baynton Georgina Beedle Leonie Benesch David Berry Mo Bhaier Georgia Blizzard Edward Bluemel Callum Booth-Ford Anthony Boyle Ruth Bradley Lucy Briers Susan Brown Shalom Brune-Franklin Harry Cadby Milo Callaghan Robert Carlyle Clive Carter Bertie Carvel Raquel Cassidy Navin Chowdhry Katie Clarkson-Hill Emily Coates Martin Compston Christian Cooke Sophie Cookson Liana Cornell Laia Costa Camille Cottin Brendan Cowell Marcello Cruz Jude Cudjoe Ben Daniels Jack Davenport Wallis Day Iain De Caestecker Giuseppe De Domenico Jessica De Gouw Nia Deacon Maeve Dermody Sophia Di Martino Juan Pablo Di Pace Michelle Dockery Franz Drameh Daisy Edgar-Jones Tom Ellis Alice Englert Daniel Evans Shaun Evans Emily Fairn Spike Fearn Fred Fergus America Ferrera Pam Ferris Gregory Fitoussi James Frain Stephen Fry Vivian Full Bronagh Gallagher Ruth Gemmell Ojan Genc Joseph Gilgun Burn Gorman Sofie Gråbøl Jonny Green Lucy Griffiths Rupert Grint Tallulah Haddon Michael C Hall Marina Hands Simon Harrison Kerrie Hayes Sam Haygarth Shirley Henderson Georgie Henley Frankie Hervey Tom Hiddleston Edward Hogg Ryan Hunter Merch Husey Anjelica Huston Jacob Ifan Hope Ikpoku Jnr Oliver Jackson-Cohen Joel Jackson Zainab Jah Mia Jenkins Sam John Paterson Joseph Sammy Kamara Vanessa Kirby Lee Knight Hugh Laurie Harry Lawtey Matthew Le Nevez Abbey Lee
    [Show full text]
  • MFCO Working Paper Series: Harry Potter and the Ur-Fan
    Working Paper Series SPECIAL ISSUE: REVISITING AUDIENCES: RECEPTION, IDENTITY, TECHNOLOGY The Ghost of J.K. Rowling: Harry Potter and the Ur-Fan Dion McLeod University of Wollongong Travis Holland Charles Sturt University Abstract: THis paper is a speculative engagement with the Harry Potter fan community, wHicH includes author J.K. Rowling as an active participant. We reconsider Rowling’s post-textual interventions into (re)interpretations of Her work in ligHt of Roland Barthes’ rHetorical questioning of the death of the author and suggest a conceptual framework to consider authors wHo enact this type of fannisH beHaviour. By participating in these communities, sucH authors repudiate Barthes’ supposed “death of the author”. In Rowling’s case, the authorial interventions occur primarily on Twitter, and it is the immediacy of social media cHannels that facilitates their impact. We draw on the concept of the “ur-text” to develop a description of the “ur-fan” to account for this fannisH practice, suggesting that Rowling is the arcHetypal ur-fan. Ur-fans straddle two roles that are often artificially demarcated: expert and fan. WHile fans Have immersed themselves in their respective storyworlds for decades, Rowling’s Hyper-active media presences (especially on Twitter) position Her in this role and sets the Harry Potter fandom apart from many other fan communities. ISSN2253-4423 © MFCO Working Paper Series 3 MFCO Working Paper Series 2017 Introduction In December 2015, the producers of the then-forthcoming West End play Harry Potter and the Cursed Child announced via Twitter (HPPlayLDN 2015) the three actors wHo would play the eponymous Harry Potter, and His friends Ron Weasley and Hermione Granger.
    [Show full text]
  • Harry Potter and the Adolescent Reader: Representations of Empowered Female Characters and Their Implications on the Lives of Adolescents
    HARRY POTTER AND THE ADOLESCENT READER: REPRESENTATIONS OF EMPOWERED FEMALE CHARACTERS AND THEIR IMPLICATIONS ON THE LIVES OF ADOLESCENTS Caitlin Michele McTaggart A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF EDUCATION May 2011 Committee: Dr. Tim Murnen Dr. Cindy Hendricks Dr. Raymond Schuck ii AKNOWLEDGEMENTS This thesis is dedicated to my mother, who took me to the library when I was a child and instilled in me a love of reading. And to my father, who bought me my first Harry Potter book. I would also like to acknowledge all of the support and guidance provided by those members who served on my committee: Dr. Tim Murnen, Dr. Cindy Hendricks, and Dr. Raymond Schuck. Each of you offered help, advice, direction, and encouragement in your own unique way, which I thank you very much for. I want to especially acknowledge my chair, Dr. Tim Murnen. Thank you for inspiring me in class to write about these young adolescent women, and for never giving up faith in me. iii TABLE OF CONTENTS Page CHAPTER I. INTRODUCTION .......................................................................................... 1 Introduction.... ........................................................................................................... 1 Statement of Problem ................................................................................................ 4 Research Question ....................................................................................................
    [Show full text]
  • Broadway's New Class
    SCENE : ENTERTAINMENT Jelani Alladin in Frozen: The Broadway Musical CLOCKWISE FROM TOP LEFT: DEEN MEER/DISNEY VAN THEATRICAL PRODUCTIONS; NURU KIMONDO DORSEY @NURUKIMONDO1; KEVIN BERNE; MANUEL HARLAN. THE VETERAN: LACHANZE Her résumé: This Tony Award– winning actress has stolen scenes and hearts in various productions, includ- BROADWAY’S ing The Color Purple Musical, Once on This Island, If/Then and Ragtime. LaChanze shines once again as the lead in Summer: The Donna Summer NEW CLASS Musical this spring. ONCE THESE THESPIANS STEP ONSTAGE, THEY HAVE When it’s showtime: “I tell everyone I OUR FULL ATTENTION BY TAIIA SMART YOUNG love that I’ll see you in a year because the show becomes my life. Everything THE NEWBIE: The secret to kissing a princess: “Ice Breakers in spearmint. The princess is is tailored around the amount of rest, JELANI ALLADIN nutrition and exercise needed to From regional theater to the Great allergic to apples, carrots and pears, maintain my instrument, which is my White Way: The New York University so I can’t eat those. I play a sweaty, body, for eight performances a week.” Tisch School of the Arts graduate smelly mountain man, but I’m not has enjoyed rave reviews for his per- going onstage smelling bad. Tom Ford formances in shows like Don’t Bother Black Orchid is my scent. My lips have Me, I Can’t Cope. After attending an to be moisturized with a little Vaseline, audition for Frozen: The Broadway then I’m good to go.” Musical on a whim, this immense tal- ent powered through several rounds On being #MadeinBrooklyn: “It’s of callbacks to make his debut—in a taught me grit.
    [Show full text]