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2019 Silent Auction List
September 22, 2019 ………………...... 10 am - 10:30 am S-1 2018 Broadway Flea Market & Grand Auction poster, signed by Ariana DeBose, Jay Armstrong Johnson, Chita Rivera and others S-2 True West opening night Playbill, signed by Paul Dano, Ethan Hawk and the company S-3 Jigsaw puzzle completed by Euan Morton backstage at Hamilton during performances, signed by Euan Morton S-4 "So Big/So Small" musical phrase from Dear Evan Hansen , handwritten and signed by Rachel Bay Jones, Benj Pasek and Justin Paul S-5 Mean Girls poster, signed by Erika Henningsen, Taylor Louderman, Ashley Park, Kate Rockwell, Barrett Wilbert Weed and the original company S-6 Williamstown Theatre Festival 1987 season poster, signed by Harry Groener, Christopher Reeve, Ann Reinking and others S-7 Love! Valour! Compassion! poster, signed by Stephen Bogardus, John Glover, John Benjamin Hickey, Nathan Lane, Joe Mantello, Terrence McNally and the company S-8 One-of-a-kind The Phantom of the Opera mask from the 30th anniversary celebration with the Council of Fashion Designers of America, designed by Christian Roth S-9 The Waverly Gallery Playbill, signed by Joan Allen, Michael Cera, Lucas Hedges, Elaine May and the company S-10 Pretty Woman poster, signed by Samantha Barks, Jason Danieley, Andy Karl, Orfeh and the company S-11 Rug used in the set of Aladdin , 103"x72" (1 of 3) Disney Theatricals requires the winner sign a release at checkout S-12 "Copacabana" musical phrase, handwritten and signed by Barry Manilow 10:30 am - 11 am S-13 2018 Red Bucket Follies poster and DVD, -
Black Girl Magic: the (Re)Imagining of Hermione Granger: an Analysis and Autoethnography
DePaul University Via Sapientiae College of Liberal Arts & Social Sciences Theses and Dissertations College of Liberal Arts and Social Sciences 6-2021 Black girl magic: the (re)imagining of Hermione Granger: an analysis and autoethnography Kandice Rose DePaul University, [email protected] Follow this and additional works at: https://via.library.depaul.edu/etd Recommended Citation Rose, Kandice, "Black girl magic: the (re)imagining of Hermione Granger: an analysis and autoethnography" (2021). College of Liberal Arts & Social Sciences Theses and Dissertations. 306. https://via.library.depaul.edu/etd/306 This Thesis is brought to you for free and open access by the College of Liberal Arts and Social Sciences at Via Sapientiae. It has been accepted for inclusion in College of Liberal Arts & Social Sciences Theses and Dissertations by an authorized administrator of Via Sapientiae. For more information, please contact [email protected]. DePaul University Black Girl Magic: The (re)Imagining of Hermione Granger An Analysis and Autoethnography Kandice Rose Critical Ethnic Studies Graduate Candidate June 2021 1 INTRODUCTION I'd very much like to say that I've always loved to read, but that would be patently false. At the age of 6, when I was in the first grade, the grade where Americans generally learn to read, I absolutely hated it. My teacher, Mrs. Johnson, would call on students to stand up and read passages to the class. I would stare in awe as other kids would read their sentences flawlessly, even as butterflies rattled in my stomach, as I waited in dread for her to call on either myself or my twin sister. -
Harry Potter and the Order of the Phoenix
FADE IN EXT. - LITTLE WHINGING - NIGHT It is sunset. We drift through the clouds, approaching NUMBER FOUR, PRIVET DRIVE. We sail over the roof of NUMBER FOUR and continue on past it into the street. We drift down into an abandoned playground. A lone figure sits on the only unbroken swing.. It is HARRY POTTER. He appears deep in thought. Had he been watching more carefully, he would have seen the old MRS. FIGG watching him from her front porch. MRS. FIGG adjusts her porch chair in order to watch Harry better. The sound of harsh laughter reaches Harry's ears. He looks up. Dudley and his gang of followers are walking down the street, telling crude jokes and laughing. They ignore Harry and continue on out of sight. Harry gets to his feet and follows them. EXT. STREET - NIGHT Harry rounds the corner, only to find himself surrounded by Dudley's gang. DUDLEY Oh, it's you. GANG THUG #1 What should we do with him, Big D? Harry laughs. HARRY Big D? Cool name, but to me, you'll always be Ikkle Duddicums. DUDLEY Shut up! One of Dudley's gang steps in as if to punch Harry. Harry glares at him. The gang member pauses, then steps back again. DUDLEY Ooo, tough guy. Not so tough in your bed, are you? 2. HARRY What? MRS. FIGG stands up and goes to the edge of her porch. MRS. FIGG You boys go home now, or I'll be calling your parents! They pause and edge away from Harry. -
0844 800 1110
www.rsc.org.uk 0844 800 1110 The RSC Ensemble is generously supported by THE GATSBY CHARITABLE FOUNDATION TICKETS and THE KOVNER FOUNDATION from Charles Aitken Joseph Arkley Adam Burton David Carr Brian Doherty Darrell D’Silva This is where the company’s work really begins to cook. By the time we return to Stratford in 2010 these actors will have been working together for over a year, and equipped to bring you a rich repertoire of eight Shakespeare productions as well as our new dramatisation of Morte D’Arthur, directed by Gregory Doran. As last year’s work grows and deepens with the investment of time, so new productions arrive from our exciting new Noma Dumezweni Dyfan Dwyfor Associate Directors David Farr and Rupert Goold, who open the Phillip Edgerley Christine Entwisle season with King Lear and Romeo and Juliet. Later, our new Artistic Associate Kathryn Hunter plays her first Shakespearean title role with the RSC in my production of Antony and Cleopatra, and we follow the success of our Young People’s The Comedy of Errors with a Hamlet conceived and directed by our award winning playwright in residence, Tarell Alvin McCraney. I hope that you will come and see our work as we continue to explore just how potent a long term community of wonderfully talented artists can be. Michael Boyd Artistic Director Geoffrey Freshwater James Gale Mariah Gale Gruffudd Glyn Paul Hamilton Greg Hicks James Howard Kathryn Hunter Kelly Hunter Ansu Kabia Tunji Kasim Richard Katz Debbie Korley John Mackay Forbes Masson Sandy Neilson Jonjo O’Neill Dharmesh Patel Peter Peverley Patrick Romer David Rubin Sophie Russell Oliver Ryan Simone Saunders Peter Shorey Clarence Smith Katy Stephens James Traherne Sam Troughton James Tucker Larrington Walker Kirsty Woodward Hannah Young Samantha Young TOPPLED BY PRIDE AND STRIPPED OF ALL STATUS, King Lear heads into the wilderness with a fool and a madman for company. -
Amaka Okafor
Amaka Okafor Theatre Title Role Director Producer Nora: A Doll's House Nora 3, Christine 2 Elizabeth Freestone The Young Vic The Son Sofia Michael Longhurst Duke Of York's The Son Sofia Michael Longhurst The Kiln Theatre Macbeth Lady Macduff Rufus Norris National Theatre I'm Not Running Meredith Ikeji Neil Armfield National Theatre Grimly Handsome Natalia/Nelly/Nally/Noplop Sam Pritchard & Chloe Lamford Royal Court Saint George and the Dragon Elsa Lyndsey Turner National Theatre Hamlet Guildenstern Robert Icke Almeida Theatre Peter Pan Nibs/Jane Sally Cookson National Theatre I See You DJ Mavovo Noma Dumezweni Royal Court Theatre Hamlet Palace Official Lyndsey Turner Sonia Freidman Productions Mermaid Mermaid Polly Teale Shared Experience Bird Leah Jane Fallowfield Tour Glasgow Girls Amal Cora Bissett Citizens Theatre Glasgow Girls Amal Cora Bissett NTS/Citizens Theatre Glasgow/Stratford East Dr Korczak's Example Stephanie Amy Leach Manchester Royal Exchange/Arcola The Bacchae The Bacchae John Tiffany & Steven Hoggett National Theatre of Scotland Branded Rox Matt Wilde Old Vic The Artists Partnership 21-22 Warwick Street, Soho, London W1B 5NE (020) 7439 1456 Old Vic 24 Hour Plays Sally Abigail Graham Old Vic Television Title Role Director Producer The Responder DI Debbie Barnes Fien Troch Dancing Ledge / BBC Grace DC Emma Jane Boutwood John Alexander ITV Des Emily Lewis Arnold ITV / New Pictures Vera 10 Laura Whitelock Paul Gay ITV The Split 2 Chloe Paula van Der Oest BBC The Artists Partnership 21-22 Warwick Street, Soho, London W1B 5NE (020) 7439 1456. -
Wands & Witches
Wands & Witches Version 0.42 by @Great_Chicken_Studio Guide by @Manfegor Wands & Witches v0.42 guide @Manfegor Guide Introduction ................................................................................................................................................................. 4 Prologue .................................................................................................................................................................................. 4 Interface ................................................................................................................................................................................... 5 Courses .................................................................................................................................................................................... 7 - Defend Against the Dark Arts lesson ............................................................................................................................... 8 - Potions lesson ..................................................................................................................................................................... 8 - Transfiguration lesson ........................................................................................................................................................ 8 - Charms lesson .................................................................................................................................................................... -
Issues with Racism, Classism, and Ideology in Harry Potter Tiffany L
Northern Michigan University NMU Commons All NMU Master's Theses Student Works 5-2015 Not So Magical: Issues with Racism, Classism, and Ideology in Harry Potter Tiffany L. Walters [email protected] Follow this and additional works at: https://commons.nmu.edu/theses Part of the Children's and Young Adult Literature Commons Recommended Citation Walters, Tiffany L., "Not So Magical: Issues with Racism, Classism, and Ideology in Harry Potter" (2015). All NMU Master's Theses. 42. https://commons.nmu.edu/theses/42 This Open Access is brought to you for free and open access by the Student Works at NMU Commons. It has been accepted for inclusion in All NMU Master's Theses by an authorized administrator of NMU Commons. For more information, please contact [email protected],[email protected]. NOT SO MAGICAL: ISSUES WITH RACISM, CLASSISM, AND IDEOLOGY IN HARRY POTTER By Tiffany Walters THESIS Submitted to Northern Michigan University In partial fulfillment of the requirements For the degree of MASTER OF ARTS Office of Graduate Education and Research May 2015 SIGNATURE APPROVAL FORM Not So Magical: Issues with Racism, Classism and Ideology in Harry Potter This thesis by Tiffany Walters is recommended for approval by the student’s thesis committee in the Department of English and by the Assistant Provost of Graduate Education and Research. Committee Chair: Dr. Kia Jane Richmond Date First Reader: Dr. Ruth Ann Watry Date Second Reader: N/A Date Department Head: Dr. Robert Whalen Date Dr. Brian D. Cherry Assistant Provost of Graduate Education and Research ABSTRACT NOT SO MAGICAL: ISSUES WITH RACISM, CLASSISM, AND IDEOLOGY IN HARRY POTTER By Tiffany Walters Although it is primarily a young adult fantasy series, the Harry Potter books are also focused on the battle against racial purification and the threat of a strictly homogenous magical society. -
Linda by Penelope Skinner and the Wasp by Morgan Lloyd Malcolm Performance Reviews
Miranda Revue pluridisciplinaire du monde anglophone / Multidisciplinary peer-reviewed journal on the English- speaking world 13 | 2016 Thomas Spence and his Legacy: Bicentennial Perspectives Linda by Penelope Skinner and The Wasp by Morgan Lloyd Malcolm Performance reviews William C. Boles Electronic version URL: http://journals.openedition.org/miranda/9420 DOI: 10.4000/miranda.9420 ISSN: 2108-6559 Publisher Université Toulouse - Jean Jaurès Electronic reference William C. Boles, “Linda by Penelope Skinner and The Wasp by Morgan Lloyd Malcolm ”, Miranda [Online], 13 | 2016, Online since 23 November 2016, connection on 16 February 2021. URL: http:// journals.openedition.org/miranda/9420 ; DOI: https://doi.org/10.4000/miranda.9420 This text was automatically generated on 16 February 2021. Miranda is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. Linda by Penelope Skinner and The Wasp by Morgan Lloyd Malcolm 1 Linda by Penelope Skinner and The Wasp by Morgan Lloyd Malcolm Performance reviews William C. Boles Factual information about the shows 1 Play : Linda by Penelope Skinner Place : Royal Court Theatre Downstairs (London) Running time : November, 29th, 2015-January, 9th, 2016 Director : Michael Longhurst Set Designer : Es Devlin Costume Designer : Alex Lowde Lighting Designer : Lee Curran Composer and Sound Designer : Richard Hammarton Video Designer : Luke Halls Movement Director : Imogen Knight Cast : Imogen Byron, Karla Crome, Jaz Deol, NomaDumezweni, Amy Beth Hayes, Dominic Mafham, -
Download Talent List
www.hamiltonhodell.co.uk Talent list Naomi Ackie Raphael Acloque Jimmy Akingbola Jude Akuwudike Ben Aldridge India Amarteifio Isaac Andrews Ross Armstrong William Ash Ben Ashenden Taj Atwal Hayley Atwell Tobi King Bakare Mathew Baynton Georgina Beedle Leonie Benesch David Berry Mo Bhaier Georgia Blizzard Edward Bluemel Callum Booth-Ford Anthony Boyle Ruth Bradley Lucy Briers Susan Brown Shalom Brune-Franklin Harry Cadby Milo Callaghan Robert Carlyle Clive Carter Bertie Carvel Raquel Cassidy Navin Chowdhry Katie Clarkson-Hill Emily Coates Martin Compston Christian Cooke Sophie Cookson Liana Cornell Laia Costa Camille Cottin Brendan Cowell Marcello Cruz Jude Cudjoe Ben Daniels Jack Davenport Wallis Day Iain De Caestecker Giuseppe De Domenico Jessica De Gouw Nia Deacon Maeve Dermody Sophia Di Martino Juan Pablo Di Pace Michelle Dockery Franz Drameh Daisy Edgar-Jones Tom Ellis Alice Englert Daniel Evans Shaun Evans Emily Fairn Spike Fearn Fred Fergus America Ferrera Pam Ferris Gregory Fitoussi James Frain Stephen Fry Vivian Full Bronagh Gallagher Ruth Gemmell Ojan Genc Joseph Gilgun Burn Gorman Sofie Gråbøl Jonny Green Lucy Griffiths Rupert Grint Tallulah Haddon Michael C Hall Marina Hands Simon Harrison Kerrie Hayes Sam Haygarth Shirley Henderson Georgie Henley Frankie Hervey Tom Hiddleston Edward Hogg Ryan Hunter Merch Husey Anjelica Huston Jacob Ifan Hope Ikpoku Jnr Oliver Jackson-Cohen Joel Jackson Zainab Jah Mia Jenkins Sam John Paterson Joseph Sammy Kamara Vanessa Kirby Lee Knight Hugh Laurie Harry Lawtey Matthew Le Nevez Abbey Lee -
MFCO Working Paper Series: Harry Potter and the Ur-Fan
Working Paper Series SPECIAL ISSUE: REVISITING AUDIENCES: RECEPTION, IDENTITY, TECHNOLOGY The Ghost of J.K. Rowling: Harry Potter and the Ur-Fan Dion McLeod University of Wollongong Travis Holland Charles Sturt University Abstract: THis paper is a speculative engagement with the Harry Potter fan community, wHicH includes author J.K. Rowling as an active participant. We reconsider Rowling’s post-textual interventions into (re)interpretations of Her work in ligHt of Roland Barthes’ rHetorical questioning of the death of the author and suggest a conceptual framework to consider authors wHo enact this type of fannisH beHaviour. By participating in these communities, sucH authors repudiate Barthes’ supposed “death of the author”. In Rowling’s case, the authorial interventions occur primarily on Twitter, and it is the immediacy of social media cHannels that facilitates their impact. We draw on the concept of the “ur-text” to develop a description of the “ur-fan” to account for this fannisH practice, suggesting that Rowling is the arcHetypal ur-fan. Ur-fans straddle two roles that are often artificially demarcated: expert and fan. WHile fans Have immersed themselves in their respective storyworlds for decades, Rowling’s Hyper-active media presences (especially on Twitter) position Her in this role and sets the Harry Potter fandom apart from many other fan communities. ISSN2253-4423 © MFCO Working Paper Series 3 MFCO Working Paper Series 2017 Introduction In December 2015, the producers of the then-forthcoming West End play Harry Potter and the Cursed Child announced via Twitter (HPPlayLDN 2015) the three actors wHo would play the eponymous Harry Potter, and His friends Ron Weasley and Hermione Granger. -
Harry Potter and the Adolescent Reader: Representations of Empowered Female Characters and Their Implications on the Lives of Adolescents
HARRY POTTER AND THE ADOLESCENT READER: REPRESENTATIONS OF EMPOWERED FEMALE CHARACTERS AND THEIR IMPLICATIONS ON THE LIVES OF ADOLESCENTS Caitlin Michele McTaggart A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF EDUCATION May 2011 Committee: Dr. Tim Murnen Dr. Cindy Hendricks Dr. Raymond Schuck ii AKNOWLEDGEMENTS This thesis is dedicated to my mother, who took me to the library when I was a child and instilled in me a love of reading. And to my father, who bought me my first Harry Potter book. I would also like to acknowledge all of the support and guidance provided by those members who served on my committee: Dr. Tim Murnen, Dr. Cindy Hendricks, and Dr. Raymond Schuck. Each of you offered help, advice, direction, and encouragement in your own unique way, which I thank you very much for. I want to especially acknowledge my chair, Dr. Tim Murnen. Thank you for inspiring me in class to write about these young adolescent women, and for never giving up faith in me. iii TABLE OF CONTENTS Page CHAPTER I. INTRODUCTION .......................................................................................... 1 Introduction.... ........................................................................................................... 1 Statement of Problem ................................................................................................ 4 Research Question .................................................................................................... -
Broadway's New Class
SCENE : ENTERTAINMENT Jelani Alladin in Frozen: The Broadway Musical CLOCKWISE FROM TOP LEFT: DEEN MEER/DISNEY VAN THEATRICAL PRODUCTIONS; NURU KIMONDO DORSEY @NURUKIMONDO1; KEVIN BERNE; MANUEL HARLAN. THE VETERAN: LACHANZE Her résumé: This Tony Award– winning actress has stolen scenes and hearts in various productions, includ- BROADWAY’S ing The Color Purple Musical, Once on This Island, If/Then and Ragtime. LaChanze shines once again as the lead in Summer: The Donna Summer NEW CLASS Musical this spring. ONCE THESE THESPIANS STEP ONSTAGE, THEY HAVE When it’s showtime: “I tell everyone I OUR FULL ATTENTION BY TAIIA SMART YOUNG love that I’ll see you in a year because the show becomes my life. Everything THE NEWBIE: The secret to kissing a princess: “Ice Breakers in spearmint. The princess is is tailored around the amount of rest, JELANI ALLADIN nutrition and exercise needed to From regional theater to the Great allergic to apples, carrots and pears, maintain my instrument, which is my White Way: The New York University so I can’t eat those. I play a sweaty, body, for eight performances a week.” Tisch School of the Arts graduate smelly mountain man, but I’m not has enjoyed rave reviews for his per- going onstage smelling bad. Tom Ford formances in shows like Don’t Bother Black Orchid is my scent. My lips have Me, I Can’t Cope. After attending an to be moisturized with a little Vaseline, audition for Frozen: The Broadway then I’m good to go.” Musical on a whim, this immense tal- ent powered through several rounds On being #MadeinBrooklyn: “It’s of callbacks to make his debut—in a taught me grit.