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www.hamiltonhodell.co.uk Talent list Naomi Ackie Raphael Acloque Jimmy Akingbola Jude Akuwudike Ben Aldridge India Amarteifio Isaac Andrews Ross Armstrong William Ash Ben Ashenden Taj Atwal Hayley Atwell Tobi King Bakare Mathew Baynton Georgina Beedle Leonie Benesch David Berry Mo Bhaier Georgia Blizzard Edward Bluemel Callum Booth-Ford Anthony Boyle Ruth Bradley Lucy Briers Susan Brown Shalom Brune-Franklin Harry Cadby Milo Callaghan Robert Carlyle Clive Carter Bertie Carvel Raquel Cassidy Navin Chowdhry Katie Clarkson-Hill Emily Coates Martin Compston Christian Cooke Sophie Cookson Liana Cornell Laia Costa Camille Cottin Brendan Cowell Marcello Cruz Jude Cudjoe Ben Daniels Jack Davenport Wallis Day Iain De Caestecker Giuseppe De Domenico Jessica De Gouw Nia Deacon Maeve Dermody Sophia Di Martino Juan Pablo Di Pace Michelle Dockery Franz Drameh Daisy Edgar-Jones Tom Ellis Alice Englert Daniel Evans Shaun Evans Emily Fairn Spike Fearn Fred Fergus America Ferrera Pam Ferris Gregory Fitoussi James Frain Stephen Fry Vivian Full Bronagh Gallagher Ruth Gemmell Ojan Genc Joseph Gilgun Burn Gorman Sofie Gråbøl Jonny Green Lucy Griffiths Rupert Grint Tallulah Haddon Michael C Hall Marina Hands Simon Harrison Kerrie Hayes Sam Haygarth Shirley Henderson Georgie Henley Frankie Hervey Tom Hiddleston Edward Hogg Ryan Hunter Merch Husey Anjelica Huston Jacob Ifan Hope Ikpoku Jnr Oliver Jackson-Cohen Joel Jackson Zainab Jah Mia Jenkins Sam John Paterson Joseph Sammy Kamara Vanessa Kirby Lee Knight Hugh Laurie Harry Lawtey Matthew Le Nevez Abbey Lee Gwilym Lee Adelle Leonce Rose Leslie Andrew Leung Nigel Lindsay Robert Lindsay Natasha Little Dylan Llewellyn Matthew Macfadyen Doon Mackichan Rina Mahoney Kevin Mains Sylvie Marinkovic Nadine Marshall Sinéad Matthews Freya Mavor Katie McGrath Alice McMillan Stuart McQuarrie Nicola Millbank Ezra Miller Janet Montgomery Laura Morgan India Mullen Joseph Mydell Sennia Nanua Lisa O'Hare Sophie Okonedo Nneka Okoye Alexander Owen David Oyelowo Jessica Oyelowo Freya Parks Lara Peake Clare Perkins Sean Pertwee Lola Petticrew Kristy Philipps Aaron Pierre Olivia Popica Bo Poraj Will Poulter Sagar Radia Harry Richardson Daniel Rigby Adam Rothenberg Mark Rowley Juliet Rylance Danusia Samal Ryan Sampson Pallavi Sharda Kyle Soller Samantha Spiro Taurean Steele Connor Swindells Honor Swinton-Byrne Tilda Swinton Josh Tedeku Parth Thakerar Emma Thompson Alfie Todd Luke Treadaway Gaspard Ulliel Tracey Ullman Jack Veal Dwane Walcott Alex Walkinshaw Harriet Walter Gemma Whelan Ben Whishaw Olivia Wilde Sophie Wilde David Wilmot Lambert Wilson Ruth Wilson Francesca Wilson Waterworth Gaia Wise Tom Wlaschiha Niall Wright Eleanor Wyld Rhys Yates Lincoln Younes [email protected] +44 ((0)) 20 7636 1221.

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Theatre in England 2011-2012 Harlingford Hotel Phone: 011-442
English 252: Theatre in England 2011-2012 Harlingford Hotel Phone: 011-442-07-387-1551 61/63 Cartwright Gardens London, UK WC1H 9EL [*Optional events — seen by some] Wednesday December 28 *1:00 p.m. Beauties and Beasts. Retold by Carol Ann Duffy (Poet Laureate). Adapted by Tim Supple. Dir Melly Still. Design by Melly Still and Anna Fleischle. Lighting by Chris Davey. Composer and Music Director, Chris Davey. Sound design by Matt McKenzie. Cast: Justin Avoth, Michelle Bonnard, Jake Harders, Rhiannon Harper- Rafferty, Jack Tarlton, Jason Thorpe, Kelly Williams. Hampstead Theatre *7.30 p.m. Little Women: The Musical (2005). Dir. Nicola Samer. Musical Director Sarah Latto. Produced by Samuel Julyan. Book by Peter Layton. Music and Lyrics by Lionel Siegal. Design: Natalie Moggridge. Lighting: Mark Summers. Choreography Abigail Rosser. Music Arranger: Steve Edis. Dialect Coach: Maeve Diamond. Costume supervisor: Tori Jennings. Based on the book by Louisa May Alcott (1868). Cast: Charlotte Newton John (Jo March), Nicola Delaney (Marmee, Mrs. March), Claire Chambers (Meg), Laura Hope London (Beth), Caroline Rodgers (Amy), Anton Tweedale (Laurie [Teddy] Laurence), Liam Redican (Professor Bhaer), Glenn Lloyd (Seamus & Publisher’s Assistant), Jane Quinn (Miss Crocker), Myra Sands (Aunt March), Tom Feary-Campbell (John Brooke & Publisher). The Lost Theatre (Wandsworth, South London) Thursday December 29 *3:00 p.m. Ariel Dorfman. Death and the Maiden (1990). Dir. Peter McKintosh. Produced by Creative Management & Lyndi Adler. Cast: Thandie Newton (Paulina Salas), Tom Goodman-Hill (her husband Geraldo), Anthony Calf (the doctor who tortured her). [Dorfman is a Chilean playwright who writes about torture under General Pinochet and its aftermath.
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Shakespeare on Film, Video & Stage
William Shakespeare on Film, Video and Stage Titles in bold red font with an asterisk (*) represent the crème de la crème – first choice titles in each category. These are the titles you’ll probably want to explore first. Titles in bold black font are the second- tier – outstanding films that are the next level of artistry and craftsmanship. Once you have experienced the top tier, these are where you should go next. They may not represent the highest achievement in each genre, but they are definitely a cut above the rest. Finally, the titles which are in a regular black font constitute the rest of the films within the genre. I would be the first to admit that some of these may actually be worthy of being “ranked” more highly, but it is a ridiculously subjective matter. Bibliography Shakespeare on Silent Film Robert Hamilton Ball, Theatre Arts Books, 1968. (Reissued by Routledge, 2016.) Shakespeare and the Film Roger Manvell, Praeger, 1971. Shakespeare on Film Jack J. Jorgens, Indiana University Press, 1977. Shakespeare on Television: An Anthology of Essays and Reviews J.C. Bulman, H.R. Coursen, eds., UPNE, 1988. The BBC Shakespeare Plays: Making the Televised Canon Susan Willis, The University of North Carolina Press, 1991. Shakespeare on Screen: An International Filmography and Videography Kenneth S. Rothwell, Neil Schuman Pub., 1991. Still in Movement: Shakespeare on Screen Lorne M. Buchman, Oxford University Press, 1991. Shakespeare Observed: Studies in Performance on Stage and Screen Samuel Crowl, Ohio University Press, 1992. Shakespeare and the Moving Image: The Plays on Film and Television Anthony Davies & Stanley Wells, eds., Cambridge University Press, 1994.
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ANNUAL REPORT and ACCOUNTS the Courtyard Theatre Southern Lane Stratford-Upon-Avon Warwickshire CV37 6BH
www.rsc.org.uk +44 1789 294810 Fax: +44 1789 296655 Tel: 6BH CV37 Warwickshire Stratford-upon-Avon Southern Lane Theatre The Courtyard Company Shakespeare Royal ANNUAL REPORT AND ACCOUNTS 2006 2007 2006 2007 131st REPORT CHAIRMAN’S REPORT 03 OF THE BOARD To be submitted to the Annual ARTISTIC DIRECTOR’S REPORT 04 General Meeting of the Governors convened for Friday 14 December EXECUTIVE DIRECTOR’S REPORT 07 2007. To the Governors of the Royal Shakespeare Company, Stratford-upon-Avon, notice is ACHIEVEMENTS 08 – 09 hereby given that the Annual General Meeting of the Governors will be held in The Courtyard VOICES 10 – 33 Theatre, Stratford-upon-Avon on Friday 14 December 2007 FINANCIAL REVIEW OF THE YEAR 34 – 37 commencing at 2.00pm, to consider the report of the Board and the Statement of Financial SUMMARY ACCOUNTS 38 – 41 Activities and the Balance Sheet of the Corporation at 31 March 2007, to elect the Board for the SUPPORTING OUR WORK 42 – 43 ensuing year, and to transact such business as may be trans- AUDIENCE REACH 44 – 45 acted at the Annual General Meetings of the Royal Shakespeare Company. YEAR IN PERFORMANCE 46 – 51 By order of the Board ACTING COMPANIES 52 – 55 Vikki Heywood Secretary to the Governors THE COMPANY 56 – 57 CORPORATE GOVERNANCE 58 ASSOCIATES/ADVISORS 59 CONSTITUTION 60 Right: Kneehigh Theatre perform Cymbeline photo: xxxxxxxxxxxxx Harriet Walter plays Cleopatra This has been a glorious year, which brought together the epic and the personal in ways we never anticipated when we set out to stage every one of Shakespeare’s plays, sonnets and long poems between April 2006 and April 2007.
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Annual Review
ROYAL SHAKESPEARE COMPANY WATERSIDE STRATFORD-UPON-AVON WARWICKSHIRE CV37 6BB Registered Charity No. 212481 TEL: +44 1789 296655 www.rsc.org.uk Find us on Facebook www.facebook.com/theRSC ANNUAL Follow us on Twitter www.twitter.com/theRSC REVIEW Cover image: Paterson Joseph and Cyril Nri in Julius Caesar. 2012-13 Our job is to give the best possible experience of Shakespeare and live theatre to the widest possible audience, and to inspire a lifelong love PEOPLE EXPERIENCED OUR of his work and theatrical performance. Everything we create is made in Stratford-upon-Avon, WORK WORLDWIDE IN 2012/13 Shakespeare’s home town, where we’ve trained generations of actors, directors and crafts people and continue to develop talent for the future. 2012/13 has been a very successful year for the Company. This Review highlights just some of the work we have shared with more than 1.5 million people worldwide this year, and it illustrates the ways in which we have given young people a great first experience of Shakespeare and shared skills with amateur theatre makers. Our commitment to excellence continues more strongly than ever, with a determination to keep Shakespeare at the centre of what we do, both in a historical and contemporary context. We have a new strategy to take us forward into the next decade. At its heart is the entire First Folio. We will stage every one of Shakespeare’s 36 plays on the stage of the Royal Shakespeare Theatre over the next six years, return the Swan Theatre to the work of Shakespeare’s contemporaries and other writers, and reopen our studio theatre, The Other Place, as a creative hub for new work, experimentation INTRODUCTION and artist development, led by Deputy Artistic Director, Erica Whyman.
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Newsletter 16/10 DIGITAL EDITION Nr
ISSN 1610-2606 ISSN 1610-2606 newsletter 16/10 DIGITAL EDITION Nr. 279 - Oktober 2010 Michael J. Fox Christopher Lloyd LASER HOTLINE - Inh. Dipl.-Ing. (FH) Wolfram Hannemann, MBKS - Talstr. 11 - 70825 K o r n t a l Fon: 0711-832188 - Fax: 0711-8380518 - E-Mail: [email protected] - Web: www.laserhotline.de Newsletter 16/10 (Nr. 279) Oktober 2010 editorial Hallo Laserdisc- und DVD-Fans, chertes Angebot an konventionellen angeht, ist hier immer Vorsicht geboten liebe Filmfreunde! DVDs erfreuen. Das Angebot im Blu- und Skepsis angebracht. Gegenüber Herzlich willkommen zur aktuellen Aus- ray Sektor ist zwar in den letzten Mo- DVD-Zeiten hat sich diesbezüglich gabe unseres Newsletters, der Sie wie naten etwas besser geworden, doch leider nichts geändert. Wurden seiner- immer über alle wichtigen Neuerschei- längst nicht alles, was die Hersteller zeit beispielsweise aus Mono-Signalen nungen in Sachen DVD und Blu-ray auf DVD veröffentlichen wird auch im per Elektronik grässliche 5.1-Mischun- Disc informiert. Ja, Sie haben richtig Blu-ray Regal zu finden sein. Und dar- gen generiert, so werden jetzt 5.1-Mi- gelesen: wir führen weiterhin auch an wird sich vermutlich auch nichts schungen (wenn nicht sogar Mono- DVDs in unseren Übersichtslisten. ändern. Natürlich ist es schön, eine Quellen!) auf 7.1 hochgezogen. Das Manch Einen mag das stets überra- perfekt gemasterte Blu-ray auf einem hilft zwar bestimmte Blu-ray Releases schen. Und wundern tut uns das nicht. hochauflösenden TV-Monitor oder dem unwissenden Konsumenten ge- Denn glaubt man diversen Heimkino- einem High-End-Projektor anzuschau- genüber attraktiver zu machen, dient fachzeitschriften, dann gibt es keine en, doch nicht immer wo High-Def auf jedoch den künstlerischen Absichten DVDs mehr weil die ganze Welt inzwi- der Packung steht ist auch tatsächlich der Filmemacher keineswegs.
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Hybridity in John Wyver's Bbc Shakespeare
TESIS DOCTORAL 2016-2017 HYBRIDITY IN JOHN WYVER’S BBC SHAKESPEARE FILMS: A STUDY OF GREGORY DORAN’S MACBETH (2001), HAMLET (2009) AND JULIUS CAESAR (2012) AND RUPERT GOOLD’S MACBETH (2010) Autor: Víctor Huertas Martín PROGRAMA DE DOCTORADO EN FILOLOGÍA. ESTUDIOS LINGÜÍSTICOS Y LITERARIOS: TEORÍA Y APLICACIONES DIRECTORA: MARTA CEREZO MORENO 1 ACKNOWLEDGEMENTS I wish to thank John Wyver, whose contribution to the development of TV theatre has been the main inspiration for this doctoral dissertation. His generosity has been outstanding for having granted me two interviews where many clarifications and useful answers were offered to carry out this research. My heartiest acknowledgements belong to Dr. Marta Cerezo Moreno for her great supervising task, enthusiasm, optimism and energy; for her rigor at correction together with all the methodological and theoretical suggestions she has been making over these last three years. My acknowledgements should be extended to the teachers at the English Studies Department and other Humanities Departments at the UNED. Over a series of seminars, I have had the chance to meet some of them and their advice and contributions have been highly beneficial for my work. Also, I need to thank my partner Olga Escobar Feito for her unconditional support, for her kind words, her frequent smiles and her infinite patience over three years of coexistence with a frequently absent-minded PhD student buried in books and paper. It only remains to dedicate this work to my family, friends, colleagues and students. February 17, 2017 2 Table of Contents 0. INTRODUCTION .............................................................................................................7 0.1. Research Statement ........................................................................................................... 8 0.2.
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Reminder List for Distinguished Achievements During 2012 Reminder List of Productions Eligible for Awards
REMINDER LIST FOR DISTINGUISHED ACHIEVEMENTS DURING 2012 REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR AWARDS All films that have qualified for consideration for 2012 Academy Awards in the non-specialized categories are listed alphabetically by title. Voters making selections in their own branch categories list only film titles on their ballots, not the individuals responsible for the various achievements. For that reason, as well as for reasons of printing time and convenience of using this pamphlet, full credit rosters are not provided for the listed films. An exception to the above exists in the four Acting categories, where simply listing titles would not provide enough voting information. Actors Branch members filling out their Nominations ballots must indicate both titles and the particular performers they are voting for. For that reason, the Reminder List provides a listing of up to fifty cast members for each film. Pictures eligible in the Animated Feature Film, Documentary Feature and Foreign Language Film categories are also eligible in the Best Picture category, provided they meet the qualifications for the category. Foreign Language films are eligible for awards in other categories provided they meet the requirements of Awards Rules Two and Three. The reminder list is also available online at www.oscars.org/awards/academyawards/rules/reminderlist.html A Notes ABRAHAM LINCOLN: VAMPIRE HUNTER Benjamin Walker. Dominic Cooper. Anthony Mackie. Mary Elizabeth Winstead. Rufus Sewell. Marton Csokas. Jimmi Simpson. Joseph Mawle. Robin McLeavy. Erin Wasson. John Rothman. Cameron M. Brown. Frank Brennan. Lux Haney-Jardine. Curtis Harris. Bill Martin Williams. Alex Lombard. Raevin Stinson. Jaqueline Fleming. John Neisler.
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Tolkien-Press-Release.Pdf
FOX SEARCHLIGHT PICTURES présente Une production Chernin Entertainment Un film de Dome Karukoski Nicholas Hoult Lily Collins Colm Meaney et Derek Jacobi Scénario : David Gleeson et Stephen Beresford Image : Lasse Frank, DFF Décors : Grant Montgomery Montage : Harri Ylönen Costumes : Colleen Kelsall Musique : Thomas Newman Un film produit par Peter Chernin, p.g.a., Jenno Topping, p.g.a. David Ready, p.g.a., Kris Thykier, p.g.a. Sortie nationale le 19 juin 2019 Durée : 1 h 51 min Photos et dossier de presse téléchargeables sur : www.foxpresse.fr Site officiel : www.searchlight-tolkien.fr Presse Online Distribution Presse CARTEL TWENTIETH CENTURY FOX MOONFLEET Constance Fontaine 241, Boulevard Péreire Matthieu Rey Tél. : 01 82 83 44 65 75017 Paris Tél. : 01 53 20 01 20 [email protected] Tél. : 01 58 05 57 00 [email protected] Charline Meriguet Tél. : 01 82 83 44 69 charline.meriguet @cartel-com.com 01 L’Histoire OLKIEN revient sur la jeunesse et les années d’apprentissage du célèbre Tauteur. Orphelin, il trouve l’amitié, l’amour et l’inspiration au sein d’un groupe de camarades de son école. Mais la Première Guerre Mondiale éclate et menace de détruire cette « communauté ». Ce sont toutes ces expériences qui vont inspirer Tolkien dans l’écriture de ses romans de la Terre du Milieu. 02 Notes de production omme une étincelle embrasant l’ima- Il y noue des amitiés indéfectibles qui l’aideront Cgination mondiale, le roman Le Hobbit à traverser les heures sombres de la guerre et lui de J.R.R.
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2018 Tony Awards Ballot
2018 TONY AWARDS BALLOT BEST PLAY BEST PERFORMANCE BY AN ACTOR IN A FEATURED BEST LIGHTING DESIGN OF A PLAY The Children, by Lucy Kirkwood ROLE IN A PLAY Neil Austin, Harry Potter and the Cursed Child, Parts Farinelli and The King, by Claire van Kampen Anthony Boyle, Harry Potter and the Cursed Child, Parts One and Two Harry Potter and the Cursed Child, Parts One and Two, One and Two Paule Constable, Angels in America by Jack Thorne Michael Cera, Lobby Hero Jules Fisher + Peggy Eisenhauer, Eugene O’Neill’s The Junk, by Ayad Akhtar Brian Tyree Henry, Lobby Hero Iceman Cometh Latin History for Morons, by John Leguizamo Nathan Lane, Angels in America Paul Russell, Farinelli and The King BEST MUSICAL David Morse, Eugene O’Neill’s The Iceman Cometh Ben Stanton, Junk The Band’s Visit BEST PERFORMANCE BY AN ACTRESS IN A BEST LIGHTING DESIGN OF A MUSICAL Frozen FEATURED ROLE IN A PLAY Kevin Adams, SpongeBob SquarePants: The Musical Jules Fisher + Peggy Eisenhauer, Once On This Island Mean Girls Susan Brown, Angels in America Donald Holder, My Fair Lady SpongeBob SquarePants: The Musical Noma Dumezweni, Harry Potter and the Cursed Child, Brian MacDevitt, Rodgers & Hammerstein’s Carousel BEST REVIVAL OF A PLAY Parts One and Two Tyler Micoleau, The Band’s Visit Angels in America Deborah Findlay, The Children Edward Albee’s Three Tall Women Denise Gough, Angels in America BEST SOUND DESIGN OF A PLAY Adam Cork, Travesties Eugene O’Neill’s The Iceman Cometh Laurie Metcalf, Edward Albee’s Three Tall Women Ian Dickinson for Autograph, Angels in America
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Annual Report 2011–2012 Annual Theatre National Report
National Theatre Annual ReportAnnual 2011–2012 Annual Report 2011–2012 1 National Theatre Annual Report 2010–2011 National Theatre Annual Report 2010–2011 2 ‘ …the National Theatre must… bulk large in the social Annual Report and intellectual life of London... It must not even have For the 53 weeks ended 1 April 2012 the air of appealing to a specially literary and cultured class. It must be visibly and unmistakably a popular institution, making a large appeal to the whole community. 02 Board and Advisers It will be seen that the Theatre we propose would be 05 Purpose, Vision and Objectives a National Theatre in this sense, that it would be from 06 John Makinson, Chairman the first conditionally – and, in the event of success, 09 Nicholas Hytner, Director would become absolutely – the property of the nation.’ 10 The Year in Review 12 Artists and Audiences Preface (1904) to A National Theatre: Scheme and Estimates 19 National Theatre Productions by William Archer and Harley Granville Barker, London 1907 23 Awards 24 Digital, Learning and Public Engagement ‘What we’ve sought to do with our work is to be ambitious 34 National Theatre Future and very popular, not because we want to be commercial but 38 NT Studio because those were the goals of [Shakespeare’s] theatre that 41 Leadership sprung from the south bank of this river 400 years ago. 42 Sustainability I’ve always had an impresario’s interest in developing 49 Fundraising 50 Supporters productions – whether new or old – that would be as 60 Performers interesting as possible to as many people as possible.’ 62 NT Associates and Committee Membership Nicholas Hytner, New York Times, September 2011 63 NT Heads of Department; photograph captions In this document, The Royal National Theatre is referred to as If you would like to receive it in large print, “the NT”, “the National”, and “the National Theatre”.
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Harry Potter Und Das Verwunschene Kind Eine Riesige Und Komplexe Produktion Geworden
PRESSKIT TM & © HPTP. Harry Potter ™ WB PRESSKIT GRUSSWORT PRESSETEXT PRESSESTIMMEN AUSZEICHNUNGEN KREATIVTEAM & PRODUZENTEN ZAHLEN, DATEN, FAKTEN DIE CHARAKTERE RÜCKBLICK: WAS DAVOR GESCHAH MEHR! THEATER AM GROSSMARKT HAMBURG BIOGRAFIEN CAST FOTOS ZUM DOWNLOAD VIDEOS ZUM DOWNLOAD AUDIODATEIEN ZUM DOWNLOAD ANSPRECHPARTNER Sarah Gorski FON +49 (0) 40 377 072-245 E-MAIL [email protected] PRESSEFOTOS/AUDIO- UND VIDEOMATERIAL presse.mehr.de EIN WILLKOMMENSGRUSS VON J.K. ROWLING, JACK THORNE UND JOHN TIFFANY Wir drei hatten unser erstes folgenreiches Treffen kurz nachdem Sonia Friedman und Colin Callender vorgeschlagen hatten, Harry Potter auf die Bühne zu bringen, etwa fünf Jahre vor der Weltpremiere in London. Die beiden gelten hier und jenseits des Atlantiks als renommierte Produzenten und sie wollten weder ein Musical noch eine Adaption der Filme oder Bücher herausbringen. Vielmehr sahen sie in einem Theaterstück eine wunderbare Möglichkeit, zu zeigen, was aus dem „Jungen, der unter der Treppe lebte”, geworden ist. Jo hatte bereits einige Ideen für Harrys Leben nach Hogwarts, als Erwachsener und Vater. Sie war fasziniert von der Vorstellung, wie das Theater diese Geschichte auf ganz andere Art und Weise zum Leben erwecken könnte. Seit Beginn unserer Zusammenarbeit waren wir begeistert davon, eine neue Geschichte zu entwickeln, die dort anfängt, wo das letzte Buch aufgehört hatte. Als wir uns an die Arbeit machten, wurde uns schnell klar, dass dieses neue Abenteuer größer werden würde als ursprünglich gedacht. Also schlugen wir vorsichtig vor, das Stück in zwei Teilen zu erzählen. Wir konnten unser Glück kaum fassen, als Sonia und Colin die Idee unterstützten – und ebenfalls der Meinung waren, dass wir nur so Harry gerecht werden könnten.
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Entered Films List 2011/12
ENTERED FILMS LIST 2011/12 THE FILMS LISTED ARE THOSE WHICH HAVE BEEN ENTERED BY FILM DISTRIBUTORS, PRODUCERS AND ACADEMY FILM VOTING MEMBERS. CREDITS HAVE BEEN PROVIDED BY FILM DISTRIBUTORS, INDUSTRY PUBLICATIONS AND OTHER SOURCES. EVERY ENDEAVOUR HAS BEEN MADE TO ENSURE THESE LISTINGS ARE AS ACCURATE AS POSSIBLE. 13 Assassins Screenplay: Adapted Language: Non-English British Film: No Animation: No Documentary: No Original Music: No Actors: Koji Yakusho (Shinzaemon Shimada) Takayuki Yamada (Shinrokuro) Yusuke Ieya (Koyata) Goro Inagaki (Lord Naritsugu Matsudaira) Masachika Ichimura (Hanbei Kitou) Mikijiro Hira (Sir Doi) Hiroki Matsukata (Kuranaga) Ikki Sawamura (Mitsuhashi) Arata Furuta (Sahara) Tsuyoshi Ihara (Hirayama) Masataka Kubota (Ogura) Sousuke Takaoka (Hioki) Actresses: Kazue Fukiishi (Tsuya/Upashi) Mitsuki Tanimura (Chise Makino) 30 Minutes or Less Screenplay: Original Language: English British Film: No Animation: No Documentary: No Original Music: No Actors: Jesse Eisenberg (Nick) Danny McBride (Dwayne) Aziz Ansari (Chet) Nick Swardson (Travis) Michael Pena (Chango) Fred Ward (The Major) Actresses: Bianca Kajlich (Juicy) 4 Days Inside Guantanamo Screenplay: Original Language: English British Film: No Animation: No Documentary: Yes Original Music: No 50/50 Screenplay: Original Language: English British Film: No Animation: No Documentary: No Original Music: No Actors: Joseph Gordon-Levitt (Adam) Seth Rogen (Kyle) Serge Houde (Richard) Philip Baker Hall (Alan) Andrew Airlie (Dr Ross) Matt Frewer (Mitch) Actresses: Anna Kendrick
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