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Cinema Invisibile 2014-The Killing-Flyer
cinema LUX cinema invisibile febbraio > maggio 2014 martedì ore 21.00 giovedì ore 18.30 The Killing - Linden, Holder e il caso Larsen The Killing serie tv - USA stagione 1 (2011) + stagione 2 (2012) 13 episodi + 13 episodi Seattle. Una giovane ragazza, Rosie Larsen, viene uccisa. La detective Sarah Linden, nel suo ultimo giorno di lavoro alla omicidi, si ritrova per le mani un caso complicato che non si sente di lasciare al nuovo collega Stephen Holder, incaricato di sostituirla. Nei 26 giorni delle indagini (e nei 26 episodi dell'avvincente serie tv) la città mostra insospettate zone d'ombra: truci rivelazioni e insinuanti sospetti rimbalzano su tutto il contesto cittadino, lacerano la famiglia Larsen (memorabile lo struggimento progressivo di padre, madre e zia) e sconvolgono l'intera comunità non trascurando politici, insegnanti, imprenditori, responsabili di polizia... The Killing vive di atmosfere tese e incombenti e di un ritmo pacato, dal passo implacabile e animato dai continui contraccolpi dell'investigazione, dall'affollarsi di protagonisti saturi di ambiguità con responsabilità sempre più difficili da dissipare. Seattle, con il suo grigiore morale e la sua fitta trama di pioggia, accompagna un'indagine di sofferto coinvolgimento emotivo per il pubblico e per i due detective: lei taciturna e introversa, “incapsulata” nei suoi sgraziati maglioni di lana grossa; lui, dal fascino tenebroso, con un passato di marginalità sociale e un presente tutt’altro che rassicurante. Il tempo dell'indagine lento e prolungato di The Killing sa avvincere e crescere in partecipazione ed angoscia. Linden e Holder (sempre i cognomi nella narrazione!) faticheranno a dipanare il caso e i propri rapporti interpersonali, ma l'alchimia tra una regia impeccabile e un calibrato intreccio sa tenere sempre alta la tensione; fino alla sconvolgente soluzione del giallo, in cui alla beffa del destino, che esalta il cinismo dei singoli e scardina ogni acquiescenza familiare, può far da contraltare solo la toccante compassione per la tragica fine di Rosie. -
Sunday Morning Grid 3/25/12
SUNDAY MORNING GRID 3/25/12 LATIMES.COM/TV TIMES 7 am 7:30 8 am 8:30 9 am 9:30 10 am 10:30 11 am 11:30 12 pm 12:30 2 CBS CBS News Sunday Morning Å Face/Nation Doodlebops Doodlebops College Basket. 2012 NCAA Basketball Tournament 4 NBC News Å Meet the Press (N) Å Conference Wall Street Golf Digest Special Golf Central PGA Tour Golf 5 CW News (N) Å In Touch Paid Program 7 ABC News (N) Å This Week News (N) IndyCar Racing Honda Grand Prix of St. Petersburg. (N) XTERRA World Champ. 9 KCAL News (N) Prince Mike Webb Joel Osteen Shook Best Deals Paid Program 11 FOX D. Jeremiah Joel Osteen Fox News Sunday Midday Paid Program NASCAR Racing 13 MyNet Paid Tomorrow’s Paid Program Best Buys Paid Program Doubt ››› (2008) 18 KSCI Paid Hope Hr. Church Paid Program Iranian TV Paid Program 22 KWHY Paid Program Paid Program 24 KVCR Sid Science Quest Thomas Bob Builder Joy of Paint Joseph Campbell and the Power of Myth Death, sacrifice and rebirth. Å 28 KCET Hands On Raggs Busytown Peep Pancakes Pufnstuf Land/Lost Hey Kids Taste Simply Ming Moyers & Company 30 ION Turning Pnt. Discovery In Touch Mark Jeske Beyond Paid Program Inspiration Today Camp Meeting 34 KMEX Paid Program Noticias Univision Santa Misa Desde Guanajuato, México. República Deportiva 40 KTBN Rhema Win Walk Miracle-You Redemption Love In Touch PowerPoint It Is Written B. Conley From Heart King Is J. Franklin 46 KFTR Misión S.O.S. Toonturama Presenta Karate Kid ›› (1984, Drama) Ralph Macchio. -
University of Florida Thesis Or Dissertation Formatting
“ANOTHER KIND OF KNIGHTHOOD”: THE HONOR OF LETRADOS IN EARLY MODERN SPANISH LITERATURE By MATTHEW PAUL MICHEL A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2016 © 2016 Matthew Paul Michel To my friends, family, and colleagues in the Gator Nation ACKNOWLEDGMENTS “This tale grew in the telling,” Tolkien tells his readers in the foreword of The Fellowship of the Ring (1954). For me, what began as little more than a lexical curiosity—“Why is letrado used inconsistently by scholars confronting early modern Spanish literature?”—grew in scope until it became the present dissertation. I am greatly indebted to my steadfast advisor Shifra Armon for guiding me through the long and winding road of graduate school. I would also like to acknowledge a debt of gratitude to the late Carol Denise Harllee (1959-2012), Assistant Professor of Spanish at James Madison University, whose research on Pedro de Madariaga rescued that worthy author from obscurity and partially inspired my own efforts. 4 TABLE OF CONTENTS page ACKNOWLEDGMENTS ...............................................................................................................4 ABSTRACT .....................................................................................................................................7 CHAPTER 1 GATEWAY TO THE LETRADO SOCIOTYPE IN EARLY MODERN SPANISH LITERATURE ..........................................................................................................................9 -
UC Riverside UC Riverside Electronic Theses and Dissertations
UC Riverside UC Riverside Electronic Theses and Dissertations Title On Both Sides of the Atlantic: Re-Visioning Don Juan and Don Quixote in Modern Literature and Film Permalink https://escholarship.org/uc/item/66v5k0qs Author Perez, Karen Patricia Publication Date 2013 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA RIVERSIDE On Both Sides of the Atlantic: Re-Visioning Don Juan and Don Quixote in Modern Literature and Film A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Spanish by Karen Patricia Pérez December 2013 Dissertation Committee: Dr. James A. Parr, Chairperson Dr. David K. Herzberger Dr. Sabine Doran Copyright by Karen Patricia Pérez 2013 The Dissertation of Karen Patricia Pérez is approved: Committee Chairperson University of California, Riverside Acknowledgments I would like to express my deepest appreciation to my committer Chair, Distinguished Professor James A. Parr, an exemplary scholar and researcher, a dedicated mentor, and the most caring and humble individual in this profession whom I have ever met; someone who at our very first meeting showed faith in me, gave me a copy of his edition of the Quixote and welcomed me to UC Riverside. Since that day, with the most sincere interest and unmatched devotedness he has shared his knowledge and wisdom and guided me throughout these years. Without his dedication and guidance, this dissertation would not have been possible. For all of what he has done, I cannot thank him enough. Words fall short to express my deepest feelings of gratitude and affection, Dr. -
Sunday Morning Grid 4/22/12 Latimes.Com/Tv Times
SUNDAY MORNING GRID 4/22/12 LATIMES.COM/TV TIMES 7 am 7:30 8 am 8:30 9 am 9:30 10 am 10:30 11 am 11:30 12 pm 12:30 2 CBS CBS News Sunday Morning (N) Å Face the Nation (N) Paid PGA Tour Golf PGA Tour Golf 4 NBC News Å Meet the Press (N) Å Hockey Conference Quarterfinal: Teams TBA. (N) Å Hockey 5 CW News (N) Å In Touch Paid Program 7 ABC News (N) Å This Week News (N) Å News (N) Å News Å Vista L.A. NBA Basketball 9 KCAL News (N) Prince Mike Webb Joel Osteen Shook Baseball Dodgers at Houston Astros. (N) 11 FOX D. Jeremiah Joel Osteen Fox News Sunday Midday NASCAR Racing Sprint Cup: STP 400. From Kansas Speedway in Kansas City, Kan. (N) 13 MyNet Paid Tomorrow’s Paid Program 18 KSCI Paid Hope Hr. Church Paid Program Iranian TV Paid Program 22 KWHY Paid Program 22 Niños 24 KVCR Sid Science Curios -ity Thomas Bob Builder Joy of Paint Paint This Dewberry Wyland’s Sara’s Kitchen Kitchen Mexican 28 KCET Hands On Raggs Busytown Peep Pancakes Pufnstuf Land/Lost Hey Kids Taste Simply Ming Moyers & Company 30 ION Turning Pnt. Discovery In Touch Mark Jeske Paid Program Inspiration Today Camp Meeting 34 KMEX Paid Program Muchachitas Como Tú Al Punto (N) Fútbol de la Liga Mexicana República Deportiva 40 KTBN Rhema Win Walk Miracle-You Redemption Love In Touch PowerPoint It Is Written B. Conley From Heart King Is J. Franklin 46 KFTR Paid Program Toonturama Presenta El Campamento de Papá › (2007, Comedia) (PG) Blankman ›› (1994) Damon Wayans. -
Chief Keef Aston Martin Download
Chief keef aston martin download Continue Zdarma Texty pro šéfa Keef píseň. Jestli chceš zpívat ♥♥♥ hlavní keef ♥♥♥ písni. Shromáždil jsem všechny texty tohoto umělce šéf keef a všechna alba lze nalézt v této aplikaci také píseň, která top hity na hit nebo top hit v rádiu. Nemůžete najít vyzvánění, hudební video nebo stáhnout mp3 v této aplikaci. mixtape: Bang (2011)mixtape: Back From The Dead (2012)album: Finally Rich (2012)mixtape: Bang Part Two (2013)mixtape: Všemohoucí So (2013)• Všemohoucí So Intro• Sucka• Ape Shit• Hunchoz• In Love With The Gwop• Young Rambos• Blew My High• Me• Self• Nice• Salty• would could've• I Kno• Baby Whats Wrong With You• Yesterdaymixtape : Back From The Dead 2 (2014)• Homie• Sets• Dear• Stupid• Cuz• Who Is That• Who Is That• Smack DVD• Cashin• Moral• Swag• Wayne• B's• Feds Intro• Paper• Whole Crowd• Faneto• Blurry• Cops• Where Is Waldo• Farmalbum: Nobody (2014)• Ain't Just Me • Oh Lawd• Již• Rychle n zběsile• Fishin• Funny• Gooey• Hard• Nikdo• Pit Stop• Dvanáct barů• Ano Nowmixtape: Sorry 4 The Weight (2015)• On Don't Know• On My Momma• Don't Want None• Yours• Win• I Want Some Money• Ain'thin' • Himalayas• Sosa Chamberlain• Získejte peníze• Hot Shit• F 'em• Vet Lungs• Ten prsty dolů• To je co• Hádejte , co boy• Prosím• Co až • 5 AM• Pošlete to nahoru• Hidingalbum: Všemohoucí DP (2015)• Don't Love Her• Hot• Runnin• Asap Rocky• Sleepy• Wet• TEC• On The Corner• MCM• Haten• Fool Ya• Need It• 10 Toes Down• Všechny Inmixtape: Pórek, Vol. 1 (2015)• Granny's• Aston Martin• Colors• Kdo by si někdy pomyslel• Jak to půjde• Slam Dunkin• Stovky• Zavřete dveře• Zatáhněte• Zachraňte mě• Ať tak či onak• Válka• Make It Countmixtape : Pórek, vol. -
Eva Evdokimova (Western Germany), Atilio Labis
i THE CUBAN BALLET: ITS RATIONALE, AESTHETICS AND ARTISTIC IDENTITY AS FORMULATED BY ALICIA ALONSO A Dissertation Submitted to the Temple University Graduate Board in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY by Lester Tomé January, 2011 Examining Committee Members: Joellen Meglin, Advisory Chair, Dance Karen Bond, Dance Michael Klein, Music Theory Heather Levi, External Member, Anthropology ii © Copyright 2011 by Lester Tomé All Rights Reserved iii ABSTRACT In the 1940s, Alicia Alonso became the first Latin American dancer to achieve international prominence in the field of ballet, until then dominated by Europeans. Promoted by Alonso, ballet took firm roots in Cuba in the following decades, particularly after the Cuban Revolution (1959). This dissertation integrates the methods of historical research, postcolonial critique and discourse analysis to explore the performative and discursive strategies through which Alonso defined her artistic identity and the collective identity of the Cuban ballet. The present study also examines the historical context of the development of ballet in Cuba, Alonso’s rationale for the practice of ballet on the Island, and the relationship between the Cuban ballet and the European ballet. Alonso defended the legitimacy of Cuban dancers to practice ballet and, in specific, perform European classics such as Giselle and Swan Lake. She opposed the notion that ballet was the exclusive patrimony of Europeans. She also insisted that the cultivation of this dance form on the Island was not an act of cultural colonialism. In her view, the development of ballet in Cuba consisted, instead, of an exploration of a distinctive Cuban voice within this dance form, a reformulation of a European legacy from a postcolonial perspective. -
Viewers in the Audience
ABSTRACT In my project, I analyze the star text of María Félix (1914-2002). In spite of her prolific film career of 47 films and her memorable image in the media, the scholarly treatment of her films and larger star text has been limited. As vintage film magazines and Mexican melodramatic comics attest, Félix was very visible and her personal life was scrutinized as her “real-life” self played out characteristics from her mala mujer film persona—her multiple husbands and lovers, her relationship with her son, and even her wardrobe choices. I analyze many of her films and her image in other forms of media such as fotonovelas, trade magazines, and her biographical sources in the following chapters. Her star image is powerful and far-reaching and presents an alternative model of Mexican womanhood from the beginning of her film career in the 1940s through (and even beyond) her last film in 1970. The star text of María Félix is a site that registered tensions between modernity and the traditional at a particular moment in Mexican history. The Mexican Revolution of 1910 brought many changes to society as warfare destabilized the family and disrupted the region. After the war, the Revolution became institutionalized as the government attempted to put into practice the goals of the Revolution. From the 1940s and throughout 1950s and 1960s it was a time of increased ii industrialization and urbanization as people migrated to the cities to find employment, as it became increasingly difficult to support a family through farming. These social tensions registered in her films and star text are in relation to women’s changing roles as Mexican women gained more political freedoms, including national suffrage in 1953, and began working outside the home as the nation became more industrialized and urbanized throughout the 1940s and subsequent decades. -
The Black Pearl Copyright © 1967 by Scott O'dell Copyright © Renewed 1995 by Elizabeth Hall
Table of Contents Title Page Table of Contents Books by Copyright Epigraph 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 Books by SCOTT O'DELL Island of the Blue Dolphins The King's Fifth The Black Pearl Copyright © 1967 by Scott O'Dell Copyright © renewed 1995 by Elizabeth Hall All rights reserved. For information about permission to reproduce selections from this book, write to Permissions, Houghton Mifflin Company, 215 Park Avenue South, New York, New York 10003. Library of Congress Catalog Card Number: 67-23311 Printed in the United States of America MP 30 29 28 27 26 25 ISBN: 0395069610 In that day, the Lord shall punish the piercing serpent ... and he shall slay the dragon that is in the sea. ISAIAH 1 EVERYONE who lives in our town of La Paz, or along the far coasts or among the high mountains of Baja California, has heard of the Manta Diablo. There are many who live in the great world outside who have heard of him also, I am told. But of these thousands only two have really seen him. And of the two, only one is alive — I, Ramón Salazar. There are many people in the town of La Paz and in Baja California who say they have seen the Manta Diablo. Old men around the fires at night tell their grandsons of the meetings they have had with him. Mothers seek to frighten bad children by threatening to call from the deeps of the sea this fearsome giant. -
Two Tongues for a Dream: a Hermeneutic Study Marta Bachino
Duquesne University Duquesne Scholarship Collection Electronic Theses and Dissertations Fall 2009 Two Tongues for a Dream: A Hermeneutic Study Marta Bachino Follow this and additional works at: https://dsc.duq.edu/etd Recommended Citation Bachino, M. (2009). Two Tongues for a Dream: A Hermeneutic Study (Doctoral dissertation, Duquesne University). Retrieved from https://dsc.duq.edu/etd/255 This Immediate Access is brought to you for free and open access by Duquesne Scholarship Collection. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Duquesne Scholarship Collection. For more information, please contact [email protected]. TWO TONGUES FOR A DREAM: A HERMENEUTIC STUDY A Dissertation Submitted to the McAnulty College and Graduate School of Liberal Arts Duquesne University In partial fulfillment of the requirements for the degree of Doctor of Philosophy By Marta Bachino December 2009 Copyright by Marta Bachino 2009 TWO TONGUES FOR A DREAM: A HERMENEUTIC STUDY By Marta Bachino Approved October 16, 2009 ________________________________ ________________________________ Roger Brooke, Ph.D., ABPP Eva Simms, Ph.D. Professor of Psychology Professor of Psychology (Committee Chair) (Committee Member) ________________________________ Ronald Jalbert, Ph.D. Jungian Analyst (Committee Member) ________________________________ ________________________________ Francesco Cesareo, Ph.D., Dean Daniel Burston, Ph.D. McAnulty College and Graduate School of Chair, Department of Psychology Liberal Arts Professor of Psychology Professor of History iii ABSTRACT TWO TONGUES FOR A DREAM: A HERMENEUTIC STUDY By Marta Bachino December 2009 Dissertation supervised by Professor Roger Brooke, Ph.D., ABPP. Although bilingualism is a common feature of clinical work with patients, the specific aspects of working with the dreams of the bilingual patient have not been much discussed. -
Halloween Reviews
THE MEXICAN FILM BULLETIN VOL. 25 #3 Sept-Oct 2019 The Mexican Film Bulletin Volume 25 Number 3 O Sept-Oct 2019 frenetic performance by Fernando Fernández, but HHaalllloowweeeenn RReevviieewwss some may actually find his over-acting entertaining rather than off-putting. Fernando is a life insurance salesman whose clients always fall ill (and die?) after he sells them a policy; this does not endear him to his boss. But Fernando has bigger problems: he’s visited by La DDeeaatthh TTaakkeess aa HHoolliiddaayy Muerte, in the person of a beautiful woman. She says his habit of repeatedly saying things like “I’d give 5 years of my life for a new bicycle” has reduced his assigned life-span. He pleads for a postponement, and La Muerte gives him 15 days, saying she needs a holiday anyway, and wants to understand why humans cling to life and fear death. After all, they invent weapons of mass destruction such as the atomic and hydrogen bombs that threaten their lives, and life after death is peaceful and pleasant. La Muerte insists she must live with Fernando for the 15 days, and he’s forced to introduce her to his family--his suspicious wife Minerva, lazy brother-in- law Jorge, cynical maid María, and young daughter La Muerte enamorada [Death in Love] Lulú--as Tasia, his Greek cousin. Minerva wonders how Fernando can have a cousin from Greece “with (Prods. Yazbek, 1950) Exec Prod: Alberto Zacarías that Indio…Fernández face” [an in-joke, referring to & José Yazbek; Dir: Ernesto Cortázar; Adapt: Emilio “Indio” Fernández, Fernando’s real-life half- Ernesto Cortázar, Jaime Contreras; Story: Ernesto brother]. -
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