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Journal of the TEXAS SUPREME COURT HISTORICAL SOCIETY
Journal of the TEXAS SUPREME COURT HISTORICAL SOCIETY Spring 2014 Vol. 3, No. 3 General Editor Lynne Liberato Executive Editor David Furlow Columns Setting the Record Straight: Event Announcement: “Must-See” Colbert Coldwell’s Quest for Justice Session at TSHA Annual Meeting President’s Page The Society will join with By Colbert N. Coldwell By Douglas W. Alexander Coldwell’s status as an the Texas State Historical Over the course of the Associate Justice of the Association to present last few months, there Texas Supreme Court “Murder and Mayhem have been a number of could not shield him from a on the Texas Supreme exciting developments. Court” at the Wyndham Douglas W. bullet, his enemies warned. Read more... Riverwalk in San The Wyndham Alexander Read more... Justice Coldwell Antonio. Read more... Riverwalk Fellows Column Interview with Former By David J. Beck Chief Justice Hecht: This summer the Fellows Supreme Court Chief Justice A Record for Texas will present their second Wallace B. Jefferson, Part 2 reenactment of the oral On January 26, the ByWilliam J. Chriss argument of a historic Chief Justice became the The recently-retired Chief longest-serving justice case. Read more... David J. Beck Justice reflects on various in Texas Supreme Court subjects, including his Chief Justice history. Read more... Hecht accomplishments during Features his tenure on the Court. Read more... Chief Justice Jefferson Benson Wins Southwestern Historical The Enduring Legacies of Quarterly Award for Best Article Judge R.E.B Baylor, Part 1 Megan Benson has By Thomas R. Phillips Non-Trivial Pursuits: Little-Known won the 2013 H. -
The Kennebecker : September 10, 1829
THE KENNEBECKER. BY HENRY KNOX BAKER. N O . 1 2 . LADIES’ DEPARTMENT. j In the morning we again met— mt>re fl.nv- -------- ------------------------------------------- - ~ ers ! the little Provence rose had not been Flowers.— I do love flowers ! They are the spurned ; she had returned to seek it, and it very poetry of nature; we read on their glow- had replaced the myrtle. What exchange o f ing leaves every sympathy of the human heart, vows ever breathed such delicacy of passion, The natives of the sunny east have been their and such tenderness o f soul, as that simple interpreters, and a more beautiful language transfer of nature’s own cherished pledges ?— never found translation. How delightful the I saw her at an assembly— art hnd mimicked tales which the modest violet and the tintless nature to adorn her, and her flaxen tt esses lily tell to the soul! Where is the heart so were confined by a slight chaplet of Provence dead as not to read volumes of feeling in the roses ! She blushed as my eye rested on bell of the spring crocus, and on the more them, and we were mutually silent: it was a beautiful bosom of the summer rose ? I never theme too sacred to be touched on amid revelry loved Angela until I saw her gathering flowers, and heartlessness. The soul o f Angela was as and smiling at their beauty, as she shook the pure as the blossoms in which she delighted: dewy moisture from their glistening leaves! I have seen her weep over a faded flower, It was early in the morning; and although the and sigh upon the leaves of a declining one. -
Be a Balladeer
Footsteps for Freedom tm Student lessons along the Overmountain Victory National Historic Trail Be a Balladeer ongs record stories. Sometimes they are history. Sometimes they are just tales worth remembering. S In either case they are made more memorable by putting them to a tune. Long before people in any culture developed writing as a way of Another Memorable Song recording stories, they used songs and ballads as a way of remembering ongs make it easy to remember what is said. events and passing them along. Singing SFind someone in your family or neighborhood the story helped people remember the who would have been your age in the 1960’s. Ask details. The Ballad of Davy Crockett them to sing the theme song from the hit TV show, and the Ballad of John Henry are two “The Beverly Hillbillies.” See if they get all the well-known American stories words. Then ask them how they can remember it remembered in song. The epic tales after all these years. Chances are they’ll say it’s Iliad and Odyssey by the ancient Greek because of the tune, the cadence (that is the beat poet Homer are two of the oldest and pattern of emphasized syllables) and the ballads or poems in Western culture. rhyming that help make it a song. You may know this song yourself if you happen to watch re-runs on A Time to Rhyme television. Sing along! The lyrics to many songs are actually poems. The last words in each line Theme from “The Beverly Hillbillies” often rhyme, though the rhyming Come ‘n listen to my story about a man named Jed, pattern can be different. -
Aylana- Tennessee
Tennessee Aylana B. Introduction Do you know what my state is? It is Tennessee. Did you know the state is very big? It has lots of places to go and learn about new things! My state has a state capital. It is Nashville. The largest city is Memphis. It also has 3 major cities. They are Knoxville, Nashville, and Clarkville. Do you want to know the population? It is 6,346,105 people. I also have counties. Guess how many counties my state has? I have 95 counties. My state has several surrounding states. They are Georgia,Kentucky,Alabama,Mississippi, Missouri ,and Illinois. Did you like it what I told you for now. Physical Description My state's area is 42,146 square miles. My state has several large rivers. The large rivers are the Tennessee River, Mississippi River, Duck River, Clinch River, and Cumberland River. I also have large lakes. The large lakes are Kentucky Lake, Norris Lake, Cherokee Lake, and Chickamauga Lake. My state's highest point is Clingmans dome at 6,643 feet. I have national park. It's the great Smoky mountains. The state came from a Cherokee village. I have more things to tell you about just wait it is coming. State Symbols and Emblems My state has a state flag. My state flag came from the great smoky mountain and the east side of Tennessee. Tennessee has lots of interesting things to learn about. My state nickname is the volunteer state. It also has a state bird. My state bird is the mocking bird. -
David Crocketts Visit to the Red River Valley
East Texas Historical Journal Volume 37 Issue 1 Article 7 3-1999 David Crocketts visit to the Red River Valley Skipper Steely Follow this and additional works at: https://scholarworks.sfasu.edu/ethj Part of the United States History Commons Tell us how this article helped you. Recommended Citation Steely, Skipper (1999) "David Crocketts visit to the Red River Valley," East Texas Historical Journal: Vol. 37 : Iss. 1 , Article 7. Available at: https://scholarworks.sfasu.edu/ethj/vol37/iss1/7 This Article is brought to you for free and open access by the History at SFA ScholarWorks. It has been accepted for inclusion in East Texas Historical Journal by an authorized editor of SFA ScholarWorks. For more information, please contact [email protected]. 16 EAST TEXAS HISTORICAL ASSOCIATION DAVID CROCKETT'S VISIT TO THE RED RIVER VALLEY by Skipper Steely The Red River Valley west of the Great Bend saw basically three waves ofAmerican Anglo settlers arriving between 1815 and 1836. Those who came during the five years before the Mississippi Choctaw Treaty of Doak's Stand (1820) were the first. Many of this group moved to southeast Texas. About eighty other families joined Stephen F. Austin when their land claims north of the Red River were given to the incoming Indians. The second wave of Americans arrived at the American settlements during the next decade, joining relatives and former friends who remained in what was called Miller County, Arkansas Territory. This governmental entity, once a part ofthe large Hempstead County, was after 1828 located south of the Red River, stretching from the Great Bend as far west as civilization expanded, or basically to what is now Fannin County. -
Filson's Boone: Frontier Narrative in the New Republic
143 Paula Kopacz Filson’s Boone: Frontier Narrative in the New Republic by Paula Kopacz In the Preface to his largely forgotten work Kentucke, published in 1784, John Filson claims he writes to “inform the world of the happy climate, and plentiful soil of this favored region” (5-6). Denying “lucrative motives” (5), Filson, following conventions of the day, argues his truthfulness by virtue of both his personal acquaintance with Kentucky and his own principles. He seeks “to avoid every species of falsehood,” and he challenges travelers to Kentucky that there is “nothing mentioned or described but what they will find true” (6). Preceding Filson’s Preface is a testimonial signed by Daniel Boon [sic], Levi Todd, and James Harrod, commending the volume as “exceeding good performances, containing as accurate a description of our country as we think can possibly be given” (3). Undoubtedly, these authenticating statements pertain as well to the items Filson lists on the title page as the Appendix to his essay on the topography and natural history of Kentucky. First listed in the Appendix is “The Adventures of Col. Daniel Boon,” which Filson presents as Boone’s autobiography; in keeping with the claim of truthfulness, using the conventional first-person of autobiography is itself a self-authenticating ploy. The Appendix also includes Filson’s map of Kentucky, his great pride in the map evidenced in its public dedication to President George Washington, who, as every schoolchild knows, could not tell a lie.1 From this context of authenticating strategies of truth emerges today in the popular mind a firm picture of Daniel Boone, long rifle in hand, coonskin cap on head, confident, fearless, alone, blissfully wandering the forests in search of game. -
Letters M-026 – Crockett, David (Davy)
Saint Louis Mercantile Library Special Collections - Letters M-026 – Crockett, David (Davy) Extended History of Collection M-026 – Crockett, David (Davy) Special Thanks to Roman Beuc, Library Docent, for researching and compiling this document 1.0 David (Davy) Crockett (1786-1836) was a 19th century American folk hero, frontiersman, soldier and politician. He is commonly referred to in popular culture by the epithet "King of the Wild Frontier". Crockett grew up in East Tennessee, where he gained a reputation for hunting and storytelling. After being made a colonel in the militia, In 1821 he was elected to the Tennessee state legislature. He was known for using folksy rhetoric and personal narratives that appealed to the voters. One such claim was his ability to “whip his weight in wildcats, jump up higher, fall down lower, and drink more liquors than any man in the state” to the delight of most of his audience. In 1826, Crockett was elected to the U.S. Congress as a Jacksonian although he had opposed the Jackson party on many occasions in Tennessee. As a Congressman, Crockett supported the rights of squatters, who were barred from buying land in the West without already owning property. He also joined in opposition to President Andrew Jackson's Indian Removal Act. His opposition caused his defeat when he ran for re-election in 1830, however, he won when he ran again in 1832. His anti-Jackson opposition again led to defeat in 1834. This caused him to depart for Texas shortly thereafter. In early 1836, Crockett took part in the Texas Revolution and was killed at the Battle of the Alamo in March of that year. -
Disney, the Comic Code, and the Rise of Underground Comix While
Reimagining the Alamo: Disney, the Comic Code, and the Rise of Underground Comix While the popularity of comic books for children had grown throughout the 1940’s, by 1954 certain factions of American culture were questioning the books’ influence and subject matter. The publication of Frederick Wertham’s The Seduction of the Innocent cemented this anxiety in the minds of parents across the country and in turn brought about the Comic Code Authority, an industry organization overseeing strict rules of decency and morality. Due to the Code, comic books moved away from the crime and violence of earlier stories and towards narratives seen as wholesome family fun. At the same time, Walt Disney was producing the first three episodes of the “Davy Crockett” mini-series for his Walt Disney’s Disneyland television series. Before Elvis and the Beatles, the popularity of Davy Crockett throughout 1955 brought about a new youth culture for Eisenhower’s America. These two developments, the Comic Code and the Crockett Craze, gave rise to a thirty-year series of misinformation presented to American youth. Just as the Code regulated what children were allowed to read, Disney began rewriting history, beaming jingoistic tales of great American heroes into the American living room every Wednesday evening. Within ten years of the Comic Code’s institution, however, the very people who were raised on it began poking subtle holes through its seemingly impregnable armor. By 1964, Jack “Jaxon” Johnson was publishing God Nose, perhaps the first in a series of 60’s era “Underground Comix,” and by the end of the decade there were hundreds being published across the country. -
DEMOCRATIC MANHOOD Become Metaphors Fo R the Dangers of Allowing Male Sexual Energies and Violent Impulses to Rage out of Control
128 DELIVERANCE the river's rapids and the encounter with the mountain men DEMOCRATIC MANHOOD become metaphors fo r the dangers of allowing male sexual energies and violent impulses to rage out of control. Denied an Between 1815 and the 1840s, a concept of democratic man outlet fo r displaying affection toward other men, sexual and hood emerged in the United States, marking a conscious emotional feelings between men must be repressed. By the rejection of European (especially British) notions of ascribed film's end D.rew drowns, and two mountain men have been social status. Strongly associated with Democratic president murdered, their bodies buried beneath the river. In a final Andrew Jackson, democratic manhood was defined as politi dream sequence, Ed sees a gun clutched by an outstretched cal equality and broadened political participation among arm resurface from its watery grave. Symbolizing the return of white men-and by the exclusion of women and nonwhites the repressed, his nightmare suggests that men's attempts to from the privileges of citizenship. It emphasized physical sublimate primitive male desire are ultimately problematic. prowess and boisterous patriotism, expressed by the popular Notable fo r its morally ambiguous and flawed characters, ity of such frontiersmen as Daniel Boone and Davy Crockett. Deliverance departs from the genre conventions associated Furthermore, the concept informed a developing urban with the buddy film. By leaving the film without a powerful, counterculture that resisted the aristocratic pretensions and male hero, Deliverance perfectly reflects the early 1970s call to bourgeois morality of an emerging middle class. re-examine traditional gender roles. -
Adam Q. Stauffer
Adam Q. Stauffer University of Rochester, Writing, Speaking, & Argument Program G-122 Rush Rhees Library, Rochester, NY 14627 [email protected] EMPLOYMENT 2018- Assistant Professor, Writing, Speaking, & Argument Program, University of Rochester 2017-2018 Lecturer, Writing, Speaking, & Argument Program, University of Rochester 2016-2017 Postdoctoral Fellow, Writing, Speaking, & Argument Program, University of Rochester EDUCATION University of Rochester, Ph.D. in History 2018, M.A. in History 2012 Elizabethtown College, B.A. in History, Magna Cum Laude, Full Honors in History, 2010 PUBLICATIONS Book Chapters “Consuming the South Pacific: Charles Warren Stoddard, Foreign Travel, and the Limits of American Cosmopolitanism,” in Culture and Civilization, Vol. 5, Cosmopolitanism and the Global Polity, ed. Gabriel R. Ricci (New Brunswick, NJ: Transaction Publishers, 2013), 209-224. “‘Something as Yet Unfinished’: Carl Becker and the Liberal Paradox,” in Religion and Public Life, Vol. 38, Politics in Theology, ed. Gabriel R. Ricci (New Brunswick, NJ: Transaction Publishers, 2012), 1-14. Reference Works “Mexican-American War (1846-1848),” in Race and Ethnicity in the United States: Pre-Contact to the Present, 4 vols., ed. Russell Lawson and Ben Lawson (Westport, CT: Greenwood Press, 2019), 2: 141-144. “Fake News,” in Conspiracies and Conspiracy Theories in American History, 2 vols., ed. Jeffrey B. Webb and Christopher Fee (Santa Barbara: ABC-CLIO, 2019), 257-260. “Bohemian Grove,” in Conspiracies and Conspiracy Theories in American History, 2 vols., ed. Jeffrey B. Webb and Christopher Fee (Santa Barbara: ABC-CLIO, 2019), 150-153. Stauffer 1 “San Francisco,” in The Oxford Encyclopedia of American Cultural and Intellectual History, 2 vols., ed. -
The Rise and Fall of the Hillbilly Music Genre, a History, 1922-1939. Ryan Carlson Bernard East Tennessee State University
East Tennessee State University Digital Commons @ East Tennessee State University Electronic Theses and Dissertations Student Works 12-2007 The Rise and Fall of the Hillbilly Music Genre, A History, 1922-1939. Ryan Carlson Bernard East Tennessee State University Follow this and additional works at: https://dc.etsu.edu/etd Part of the Musicology Commons Recommended Citation Bernard, Ryan Carlson, "The Rise and Fall of the Hillbilly Music Genre, A History, 1922-1939." (2007). Electronic Theses and Dissertations. Paper 2059. https://dc.etsu.edu/etd/2059 This Thesis - Open Access is brought to you for free and open access by the Student Works at Digital Commons @ East Tennessee State University. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons @ East Tennessee State University. For more information, please contact [email protected]. The Rise and Fall of the Hillbilly Music Genre: A History, 1922-1939. ___________________ A thesis presented to the faculty of the Department of Liberal Studies East Tennessee State University In partial fulfillment of the requirements for the degree Masters of Arts in Liberal Studies ___________________ by Ryan Carlson Bernard December, 2006 ___________________ Dr. Richard Blaustein, Chair Dr. Ted Olson Dr. Kevin O’Donnell Keywords: Hillbilly, Music, Stereotype, Genre, Phonograph, Radio ABSTRACT The Rise and Fall of the Hillbilly Music Genre: A History, 1922-1939 by Ryan Carlson Bernard This research will examine the rise in popularity of the hillbilly music genre as it relates to the early part of the twentieth century as well as its decline with the arrival of the western hero, the cowboy. -
David Crockett: the Lion of the West Rev
Rev. April 2016 OSU-Tulsa Library archives Michael Wallis papers David Crockett: The Lion of the West Rev. April 2016 1:1 Wallis’s handwritten preliminary notes, references, etc. 110 pieces. 1:2 “A Day-to-Day Account of the Life of David Crockett during the Creek Indian War. Wallis’s typed chronology, 10p. 1:3-4 “A Day-to-Day Account of the Life of David Crockett at Shoal Creek, Lawrence County.” Wallis’s typed chronology, 211p. 1:5 “A Day-to-Day Account of the Life of David Crockett at Obion River, at first in Carroll, later in Gibson and Weakly County.” Wallis’s typed chronology, 28p. 1:6 “A Day-to-Day Account of the Life of David Crockett during his time in the Congress.” Wallis’s typed chronology, 23p. 1:7 David Crockett book [proposal]. Typescript in 3 versions. 1:8 David Crockett book outline. Typescript with handwritten notations, addressed to James Fitzgerald, 5p; plus another copy of same with attached note which reads, “Yes!” addressed to James Fitzgerald, 11 Sept 2007. Version 1 1:9 Typescript of an early draft with handwritten revisions, additions, and editorial marks and comments; p1-57. 1:10 p58-113. 1:11 p114-170. Version 2 1:12 Photocopied typescript of chapters 16-28, with extensive handwritten revisions and corrections. Version 3 1:13 “Davey Crockett: The Lion of the West.” Typed cover memo by Phil Marino (W.W. Norton) with additional handwritten comments, written to an unidentified recipient, p1-4. Typed comments by Phil Marino written to Michael Wallis, p5, followed by an unedited copy of p10-144.