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A Search and Retrieval Based Approach to Music Score Metadata Analysis
A Search and Retrieval Based Approach to Music Score Metadata Analysis Jamie Gabriel FACULTY OF ARTS AND SOCIAL SCIENCES UNIVERSITY OF TECHNOLOGY SYDNEY A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy April 2018 CERTIFICATE OF ORIGINAL AUTHORSHIP I certify that the work in this thesis has not previously been submitted for a degree nor has it been submitted as part of requirements for a degree except as part of the collaborative doctoral degree and/or fully acknowledged within the text. I also certify that the thesis has been written by me. Any help that I have received in my research work and the preparation of the thesis itself has been acknowledged. In addition, I certify that all information sources and literature used are indicated in the thesis. This research is supported by the Australian Government Research Training Program. Production Note: Signature: Signature removed prior to publication. _________________________________________ Date: 1/10/2018 _________________________________________ i ACKNOWLEGEMENT Undertaking a dissertation that spans such different disciplines has been a hugely challenging endeavour, but I have had the great fortune of meeting some amazing people along the way, who have been so generous with their time and expertise. Thanks especially to Arun Neelakandan and Tony Demitriou for spending hours talking software and web application architecture. Also, thanks to Professor Dominic Verity for his deep insights on mathematics and computer science and helping me understand how to think about this topic in new ways, and to Professor Kelsie Dadd for providing me with some amazing opportunities over the last decade. -
Groove Doctors - Song List
GROOVE DOCTORS - SONG LIST VOCAL STANDARDS A KISS TO BUILD A DREAM ON ALL THE WAY AT LAST AS TIME GOES BY BEYOND THE SEA BUT NOT FOR ME CHEEK TO CHEEK COME FLY WITH ME COME RAIN AND COME SHINE DO NOTHING TILL YOU HEAR FROM ME DOWN IN BRAZIL EAST OF THE SUN EMBRACEABLE YOU FLY ME TO THE MOON GREEN DOLPIN STREET HEART ANDSOUL HERE’S THAT RAINY DAY HOW HIGH THE MOON I CONCENTRATE ON YOU I LEFT MY HEART IN SAN FRANCISCO I LOVE BEIN HERE WITH YOU ISN’T IT ROMANTIC I THOUGHT ABOUT YOU IT DON’T MEAN A THING I’VE GOT THE WORLD ON A STRING I’VE GOT YOU UNDER MY SKIN I WANNA BE AROUND LET’S FALL IN LOVE LIKE A LOVER LIKE SOMEONE IN LOVE LOVE AND MARRIAGE LOVE DANCE MASQUERADE MISTY MOONDANCE MY FUNNY VALENTINE MY ONE AND ONLY LOVE MY ROMANCE NEW YORK NEW YORK NEW YORK STATE OF MIND NIGHT AND DAY VOCAL STANDARDS OLD DEVIL MOON ON THE SUNNY SIDE OF THE STREET OUR LOVE IS HERE TO STAY PIANO MAN RUBY RUBY SCOTCH AND SODA SINCE I FELL FOR YOU SOMEONE TO WATCH OVER ME SPEAK LOW STARDUST STEPPIN OUT WITH MY BABY STOMPIN AT THE SAVOY SUMMERTIME SUMMER WINDS TEACH ME TONIGHT THAT’S ALL THE BEST IS YET TO COME THE GOOD LIFE THE NEARNESS OF YOU THE SECOND TIME AROUND THE VERY THOUGHT OF YOU THE WAY YOU LOOK TONIGHT THERE WILL NEVER BE ANOTHER YOU TIME AFTER TIME UNFORGETTABLE WATCH WHAT HAPPENS WHAT A WONDERFUL WORLD WHAT ARE YOU DOIN NEW YEARS EVE WHEN I FALL IN LOVE WITCHCRAFT YOU DON’T KNOW ME YOU’D BE SO NICE TO COME HOME TO YOUR NOBODY TILL SOMEBODY LOVES YOU POP AND BALLADS ANOTHER STAR A SONG FOR YOU BACK AT ONE COPACABANA DADDY’S LITTLE GIRL FEEL LIKE -
Modeling Musical Influence Through Data
Modeling Musical Influence Through Data The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:38811527 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA Modeling Musical Influence Through Data Abstract Musical influence is a topic of interest and debate among critics, historians, and general listeners alike, yet to date there has been limited work done to tackle the subject in a quantitative way. In this thesis, we address the problem of modeling musical influence using a dataset of 143,625 audio files and a ground truth expert-curated network graph of artist-to-artist influence consisting of 16,704 artists scraped from AllMusic.com. We explore two audio content-based approaches to modeling influence: first, we take a topic modeling approach, specifically using the Document Influence Model (DIM) to infer artist-level influence on the evolution of musical topics. We find the artist influence measure derived from this model to correlate with the ground truth graph of artist influence. Second, we propose an approach for classifying artist-to-artist influence using siamese convolutional neural networks trained on mel-spectrogram representations of song audio. We find that this approach is promising, achieving an accuracy of 0.7 on a validation set, and we propose an algorithm using our trained siamese network model to rank influences. -
Handout Vocal Jazz in the Choral Curriculum Voices United 8-13-16
Vocal Jazz in the Choral Curriculum Repertoire for your Concert Choir Kathleen Shannon, R & R Chair for Vocal Jazz, Delaware ACDA assisted by Martin Lassman, Treasurer, Delaware ACDA Voices United Conference August 13, 2016 [email protected] http://deacda.org/index.html Selecting Repertoire – Where to Start Great American Songbook u A recognized musical canon encompassing critically acclaimed, significant songs written during the first half of the 20th Century u Synonymous with the concept of the American “standard” u Sources include Broadway, Tin Pan Alley, Hollywood musical films, songs written for specific famous singers u The availability of sheet music, the advent of recording technology and the birth of radio and television helped to bring this music to a wide audience. Irving Berlin (1888-1989) Berlin wrote most of his own lyrics, except as noted u Anything You Can Do I Can Do Better u I’ve Got My Love To Keep Me Warm u Blue Skies u Let’s Face The Music And Dance u Cheek to Cheek u Play A Simple Melody u Count Your Blessings (Instead of u Puttin’ On Th e Ri tz Sheep) u Sisters u God Bless America u Steppin’ Ou t Wi th My B ab y u Happy Holiday (Bing Crosby) u There’s No Business Like Show u How Deep Is The Ocean Business u I Got the Sun In the Morning and the u They Say It’s Wonderful Moon At Night u Top Hat, White Tie and Tails u I Love A Piano u What’ll I Do? u It’s A Lovely Day Today u White Christmas Jerome Kern (1885-1945) Kern and Oscar Hammerstein II wrote five musicals together, including Show Boat. -
Gillian Kohn's Song List
Gillian Kohn’s Song List: 1920s Honeysuckle Rose Ain't Misbehavin' I Can't Give You Anything but Love, Baby Gee Baby, Ain't I Good to You 'S Wonderful Blue Skies Makin' Whoopee Can't Help Lovin' Dat Man Someone to Watch Over Me Wade in the Water Look for the Silver Lining More Than You Know It Had to Be You Stardust 1930s It's Only a Paper Moon All of Me Summertime Blue Moon Body and Soul Have You Met Miss Jones? Dream a Little Dream of Me If I Only Had a Brain Love Is Here to Stay On the Sunny Side of the Street The Nearness of You Smile My Funny Valentine Cheek to Cheek Stormy Weather I Got Rhythm Isn't It Romantic? Night and Day Orange Colored Sky I'll Be Seeing You Why Don't You Do Right? Someday My Prince Will Come My Baby Just Cares for Me Get Happy Somewhere Over the Rainbow Lullaby of Broadway 1940s Boogie Woogie Bugle Boy Autumn Leaves Black Coffee You're Nobody 'til Somebody Loves You 'Round Midnight Bewitched, Bothered & Bewildered At Last It’s a Good Day Take the "A" Train As Time Goes By Nature Boy Route 66 La Vie En Rose 1950s Cry Me a River Mr. Sandman Black Orpheus When I Fall in Love Cruella De Vil Come Fly with Me Satin Doll Misty Fever Lullaby of Birdland Mambo Italiano Come on-a My House Unforgettable Walkin' After Midnight I Don't Care If the Sun Don't Shine In the Still of the Night The Man That Got Away Hound Dog Que Sera, Sera Cry Only You My Favorite Things I Put a Spell on You 1960-Current Fly Me to the Moon L-O-V-E The Way You Look Tonight Can't Help Falling in Love Soon It's Gonna Rain What a Wonderful World The Girl from Ipanema Light My Fire Under the Boardwalk One Note Samba All My Loving Feeling Good I’ve Got You Under My Skin The Gentle Rain Crazy The Look of Love Cry to Me These Boots are Made for Walking Where the Boys Are Summer Samba (So Nice) Moon River The Shadow of Your Smile Blackbird Dance Me to the End of Love Make You Feel My Love Don’t Know Why Worrisome Heart I Can’t Make You Love Me Your Heart is as Black as Night . -
Dear All: I Hope You Enjoyed Today's Talk on Richard Rodgers Without
Dear All: I hope you enjoyed today's talk on Richard Rodgers without Hammerstein. Really a wonderful composer who worked with two great lyricists. As promised, here are some links related to the talk, many of which we saw already (at least in excerpt form). Excellent interview (about 1/2 hour) with Rodgers in mid-1970s : https://www.youtube.com/watch?v=3afoA-cgfdE The clip of Rodgers and Hart composing a song from the 1929 movie "Makers of Melody" : https://www.youtube.com/watch?v=P027p95dE Here is the bit we saw introducing Manhattan from the movie "Words and Music"... https://www.youtube.com/watch?v=_jHwgfRGTq0 Lena Horne giving a spectacular performance of "The Lady is a Tramp" from the same movie: https://www.youtube.com/watch?v=BLwREAX4d2A Doris Day in “Ten Cents a Dance”: https://www.youtube.com/watch?v=rfUniuD-jsY Rosemary Clooney in "You Took Advantage of Me" (I love this melody!): https://www.youtube.com/watch?v=GjymmFWy6OY Here is Ella in "My Funny Valentine" (with lyrics) from a live performance -- https://www.youtube.com/ watch?v=OgDnLPPCvIQ Let me give you the uncensored version of "Bewitched" - pretty raunchy and cleaned up for most recordings after the Broadway show "Pal Joey" in 1940 -- Here is the original version with American opera singer Frederica von Stade as part of her great Rodgers and Hart album - - https://www.youtube.com/ watch?v=ZOPnEwdOqPQ. The show recording of the song is here from a 1952 revival - https://www.youtube.com/watch?v=G40fWgQEzbQ And here is the Madeline Kahn version we saw today.. -
Broadway 1 a (1893-1927) BROADWAY and the AMERICAN DREAM
EPISODE ONE Give My Regards to Broadway 1 A (1893-1927) BROADWAY AND THE AMERICAN DREAM In the 1890s, immigrants from all over the world came to the great ports of America like New York City to seek their fortune and freedom. As they developed their own neighborhoods and ethnic enclaves, some of the new arrivals took advantage of the stage to offer ethnic comedy, dance and song to their fellow group members as a much-needed escape from the hardships of daily life. Gradually, the immigrants adopted the characteristics and values of their new country instead, and their performances reflected this assimilation. “Irving Berlin has no place in American music — he is American music.” —composer Jerome Kern My New York (excerpt) Every nation, it seems, Sailed across with their dreams To my New York. Every color and race Found a comfortable place In my New York. The Dutchmen bought Manhattan R Island for a flask of booze, E V L U C Then sold controlling interest to Irving Berlin was born Israel Baline in a small Russian village in the Irish and the Jews – 1888; in 1893 he emigrated to this country and settled in the Lower East Side of And what chance has a Jones New York City. He began his career as a street singer and later turned to With the Cohens and Malones songwriting. In 1912, he wrote the words and music to “Alexander’s Ragtime In my New York? Band,” the biggest hit of its day. Among other hits, he wrote “Oh, How I Hate to Get Up in the Morning,” “What’ll I Do?,” “There’s No Business Like —Irving Berlin, 1927 Show Business,” “Easter Parade,” and the patriotic “God Bless America,” in addition to shows like Annie Get Your Gun. -
Rehab Amy Winehouse
Envee Repertoire List UPDATED: 2 -23-2018 Jazz/Easy Listening Al Green - Let's Stay Together Amy Winehouse- Back to Black Amy Winehouse - Rehab Amy Winehouse - Tears Dry On Their Own Amy Winehouse - The Girl From Ipanema Amy Winehouse - Valerie Amy Winehouse - Wake Up Alone Andy Williams - Moon River Anita Baker - Giving You The Best That I've Got Annie Lenox - I Put a Spell On You Aretha Franklin - Natural Woman B.B.King - Stand By Me Bill Withers - Ain't No Sunshine Bonnie Raiit - I Can't Make You Love Me Carole King - Will You Still Love Me Tomorrow Cole Porter - Every Time We, Say Goodbye Connie Francis - Where The Boys Are Corinne Bailey Ray - Put Your Records On Dinah Washington - Is You Is, Or Is You Ain't My Baby Ella Fitzgerald - Cheek to Cheek Ella Fitzgerald - Dream a Little Dream Ella Fitzgerald - Someone To Watch Over Me Ella Fitzgerald - Summertime Ella Fitzgerald - What a Difference a Day Makes Eva Cassidy - Somewhere Over The Rainbow Elvis Presley - I Can't Help Falling In Love With You Etta James - At Last Etta James - I Heard (church bells ringing) Frank Sinatra - Fly Me To The Moon Frank Sinatra - It Had To Be You Frank Sinatra - I've Got You Under My Skin Frankie Valli - Can't Take My Eyes Off You Gladys Knight - Since I Fell For You Johnny Mathis –Misty Johnny Mathis - My Funny Valentine Lana Del Ray - Young And Beautiful (PMJ version) Lena Horne - Stormy Weather Leonard Cohen - Dance Me to The End Of Love Linda Ronstadt - Blue Bayou Louis Armstrong - It Don't Mean A Thing Louis Armstrong - What a Wonderful World Magic! - Rude (PMJ Version) Madonna - Sooner or Later Maroon 5 - Sunday Morning Envee Repertoire List UPDATED: 2 -23-2018 Marvin Gaye - What's Going On Megan Trainor - All About That Bass (PMJ Version) Michael Bublè – Sway Michael Bublè - That's All Nat King Cole - Autumn Leaves Nat King Cole - Sentimental Reasons Nat King Cole - The Very Thought of You Nat King Cole - Unforgettable Nat King Cole - When I Fall In Love Natalie Cole - Almost Like Being In Love Natalie Cole - Don't Get Around Much Anymore Natalie Cole - L.O.V.E. -
Review of a Ship Without a Sail: the Life of Lorenz Hart by Gary Marmorstein
Review of A Ship Without a Sail: The Life of Lorenz Hart by Gary Marmorstein The hits of the songwriting team of Richard Rodgers (1902-1979) and Lorenz Hart (1895-1943) are numerous. People familiar with what has been called “American Popular Song” since publication of the seminal work by Alec Wilder entitled: American Popular Song: The Great innovators – 1900-1950 in 1972, are fondly aware of the charms of “Manhattan,” “With a Song in My Heart,” “The Blue Room,” “Dancing on the Ceiling,” “Isn’t It Romantic,” “Blue Moon,” “It’s Easy to Remember,” “The Most Beautiful Girl in the World,” “”My Romance,” “Lover,” “There’s a Small Hotel,” “”The Lady is a Tramp,” “Bewitched,” “My Funny Valentine,” “”Where of When,” “Falling in Love with Love,” “This Can’t be Love,” “and “I Didn’t Know What Time it Was.” These Rodgers and Hart songs were ubiquitous in the golden age of American Popular Song, when they were sung from the Broadway stage, in Hollywood films, on network radio, and by singers with the great dance bands that endlessly toured the nation. Consequently, they became embedded in the musical consciousness (and subconscious) of a significant part of the American populace in the years 1925-1950, and beyond. In addition to these hits, all of which have considerable musical merit (thank you Mr. Rodgers) and lyrical merit (thank you Mr. Hart), are many other Rodgers and Hart songs of great worth. These include: “Mountain Greenery,” “This Funny World,” “Thou Swell,” “My Heart Stood Still,” “”You Took Advantage of Me,” “A Ship Without a Sail,” “He Was Too Good to Me,” “Ten Cents a Dance,” “”Spring is Here,” “”You Are Too Beautiful,” “Little Girl Blue,” “Glad to be Unhappy,” “Quiet Night,” “Have You Met Miss Jones?” “My Own,” “It Never Entered My Mind,” “I Could Write a Book,” and Wait ‘Till You See Her.” The songs of Rodgers and Hart have transcended the purposes for which they were created and are now a part of the fabric of American culture. -
Broadway Close Up: Lyricists Who
Merkin Concert Hall at Kaufman Center Presents BROADWAY CLOSE UP: LYRICISTS WHO CHANGED THE WORLD … OF MUSICAL THEATER Ira Gershwin, Oscar Hammerstein, E.Y. “Yip” Harburg & Lorenz Hart Featuring Liz Callaway, Lewis Cleale, Joshua Henry, Kirsten Scott, Matthew Scott & Betsy Wolfe With Hosts Sean Hartley, Laurence Maslon & David Loud Monday, December 3, 2012 at 7:30 pm Ira Gershwin, Oscar Hammerstein, E.Y. "Yip" Harburg and Lorenz Hart were born in New York City within two years of each other at the turning of the 20th century. Their careers and lives repeatedly intersected as each became one of America's greatest lyricists, and their careers tell the story of the American musical as it evolved from operetta to musical comedy to serious musical play. Hosts Sean Hartley; Laurence Maslon, author of Broadway: The American Musical and Professor of Theater at NYU; and Musical Director David Loud (Ragtime, Porgy and Bess) will lead a brilliant cast including Liz Callaway (Cats, Tony nominee for Baby), Lewis Cleale (Book of Mormon), Joshua Henry (Porgy and Bess, Tony nominee for The Scottsboro Boys), Matthew Scott (Jersey Boys, Sondheim on Sondheim), Kirsten Scott (Follies, Hairspray) and Betsy Wolfe (Mystery of Edwin Drood). With pianist Paul Masse. Ira Gershwin (1896-1983) collaborated with his brother, composer George Gershwin, to write songs that have become American standards, including "I Got Rhythm," "Embraceable You," "They Can't Take That Away from Me" and "The Man I Love" and the musicals Lady, Be Good! (1924) and Girl Crazy (1930) as well as the opera Porgy and Bess (1935). He also wrote hit songs with Jerome Kern, Kurt Weill and Harold Arlen, with whom he wrote the songs for the 1954 film A Star is Born. -
The Complete Song List
'Round Midnight Just One More Chance (I Love You) For Sentimental Reasons Kelo (Old Man From) The Old Country Lady Bird 500 Miles High Lady Sings The Blues 502 Blues Lament A Child Is Born Las Vegas Tango A Fine Romance Lazy Bird A Man And A Woman (Un Homme Et Une Femme) Lazy River A Night In Tunisia Like Someone In Love A String Of Pearls Limehouse Blues A Sunday Kind Of Love Lines And Spaces African Flower (Petite Fleur Africaine) Litha Afro Blue Little Boat Afternoon In Paris Little Waltz Airegin Long Ago (And Far Away) Alfie Lonnie's Lament Alice In Wonderland Look To The Sky All Blues Love Is The Sweetest Thing All By Myself Lucky Southern All Of Me Lullaby Of Birdland All Of You Lush Life All The Things You Are Mahjong Alright, Okay, You Win Maiden Voyage Always Man In The Green Shirt Ana Maria Meditation (Meditacao) Angel Eyes Memories Of Tomorrow Anthropology Michelle Apple Honey Midnight Mood April In Paris Midwestern Nights Dream April Joy Milano Arise, Her Eyes Minority Armageddon Miss Ann Au Privave Missouri Uncompromised Autumn In New York Misty Autumn Leaves Miyako Beautiful Love Moment's Notice Beauty And The Beast Mood Indigo Bessie's Blues Moonchild Bewitched Mr. P.C. Big Nick My Buddy Black Coffee My Favorite Things Black Diamond My Foolish Heart Black Narcissus My Funny Valentine Black Nile My One And Only Love Black Orpheus My Romance Blue Bossa My Shining Hour Blue In Green My Ship Blue Monk My Way Blue Train (Blue Trane) Mysterious Traveller Blues For Alice Naima (Niema) Bluesette Nardis Body And Soul Nefertiti Boplicity -
Baker My One and Only Love Transcription
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