Baker My One and Only Love Transcription
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Guide to Ella Fitzgerald Papers
Guide to Ella Fitzgerald Papers NMAH.AC.0584 Reuben Jackson and Wendy Shay 2015 Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Arrangement..................................................................................................................... 3 Biographical / Historical.................................................................................................... 2 Scope and Contents........................................................................................................ 3 Names and Subjects ...................................................................................................... 4 Container Listing ............................................................................................................. 5 Series 1: Music Manuscripts and Sheet Music, 1919 - 1973................................... 5 Series 2: Photographs, 1939-1990........................................................................ 21 Series 3: Scripts, 1957-1981.................................................................................. 64 Series 4: Correspondence, 1960-1996................................................................. -
Jazz Publications and More
19397 Guts 261-280: 5/12/09 2:55 PM Page 261 JAZZ PUBLICATIONS AND MORE Section Page No. Jazz Instruction (All Instruments) .......................................262 Jazz Play-Along® Series ......................................................267 ABRSM Jazz Program .........................................................272 Artist Transcriptions® ..........................................................274 The Real Book .....................................................................276 Jazz Fake Books ..................................................................277 Jazz Bible Series..................................................................278 Paperback Songs ................................................................278 Other Fake Books ................................................................279 Carta Manuscript Paper.......................................................280 Gig Guides...........................................................................280 19397 Guts 261-280: 5/12/09 2:56 PM Page 262 262 JAZZ PUBLICATIONS ALL INSTRUMENTS BLUES CONCEPTS FOR JAZZ INSTRUCTION JAM – IMPROVISATION 40 PROGRESSIONS A Comprehensive Guide ADVANCED BLUES AND GROOVES for Performing and Teach- ETUDES IN ALL ing TWELVE KEYS SIT IN AND SOLO WITH A PROFESSIONAL BLUES by Richard De Rosa by Jordon Ruwe BAND! Houston Publishing Houston Publishing by Ed Friedland Using his vast musical experi - Includes 12 advanced blues Bring your local blues jam ence and the axiom “know - etudes four-measure excerpts session home! -
A Search and Retrieval Based Approach to Music Score Metadata Analysis
A Search and Retrieval Based Approach to Music Score Metadata Analysis Jamie Gabriel FACULTY OF ARTS AND SOCIAL SCIENCES UNIVERSITY OF TECHNOLOGY SYDNEY A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy April 2018 CERTIFICATE OF ORIGINAL AUTHORSHIP I certify that the work in this thesis has not previously been submitted for a degree nor has it been submitted as part of requirements for a degree except as part of the collaborative doctoral degree and/or fully acknowledged within the text. I also certify that the thesis has been written by me. Any help that I have received in my research work and the preparation of the thesis itself has been acknowledged. In addition, I certify that all information sources and literature used are indicated in the thesis. This research is supported by the Australian Government Research Training Program. Production Note: Signature: Signature removed prior to publication. _________________________________________ Date: 1/10/2018 _________________________________________ i ACKNOWLEGEMENT Undertaking a dissertation that spans such different disciplines has been a hugely challenging endeavour, but I have had the great fortune of meeting some amazing people along the way, who have been so generous with their time and expertise. Thanks especially to Arun Neelakandan and Tony Demitriou for spending hours talking software and web application architecture. Also, thanks to Professor Dominic Verity for his deep insights on mathematics and computer science and helping me understand how to think about this topic in new ways, and to Professor Kelsie Dadd for providing me with some amazing opportunities over the last decade. -
Groove Doctors - Song List
GROOVE DOCTORS - SONG LIST VOCAL STANDARDS A KISS TO BUILD A DREAM ON ALL THE WAY AT LAST AS TIME GOES BY BEYOND THE SEA BUT NOT FOR ME CHEEK TO CHEEK COME FLY WITH ME COME RAIN AND COME SHINE DO NOTHING TILL YOU HEAR FROM ME DOWN IN BRAZIL EAST OF THE SUN EMBRACEABLE YOU FLY ME TO THE MOON GREEN DOLPIN STREET HEART ANDSOUL HERE’S THAT RAINY DAY HOW HIGH THE MOON I CONCENTRATE ON YOU I LEFT MY HEART IN SAN FRANCISCO I LOVE BEIN HERE WITH YOU ISN’T IT ROMANTIC I THOUGHT ABOUT YOU IT DON’T MEAN A THING I’VE GOT THE WORLD ON A STRING I’VE GOT YOU UNDER MY SKIN I WANNA BE AROUND LET’S FALL IN LOVE LIKE A LOVER LIKE SOMEONE IN LOVE LOVE AND MARRIAGE LOVE DANCE MASQUERADE MISTY MOONDANCE MY FUNNY VALENTINE MY ONE AND ONLY LOVE MY ROMANCE NEW YORK NEW YORK NEW YORK STATE OF MIND NIGHT AND DAY VOCAL STANDARDS OLD DEVIL MOON ON THE SUNNY SIDE OF THE STREET OUR LOVE IS HERE TO STAY PIANO MAN RUBY RUBY SCOTCH AND SODA SINCE I FELL FOR YOU SOMEONE TO WATCH OVER ME SPEAK LOW STARDUST STEPPIN OUT WITH MY BABY STOMPIN AT THE SAVOY SUMMERTIME SUMMER WINDS TEACH ME TONIGHT THAT’S ALL THE BEST IS YET TO COME THE GOOD LIFE THE NEARNESS OF YOU THE SECOND TIME AROUND THE VERY THOUGHT OF YOU THE WAY YOU LOOK TONIGHT THERE WILL NEVER BE ANOTHER YOU TIME AFTER TIME UNFORGETTABLE WATCH WHAT HAPPENS WHAT A WONDERFUL WORLD WHAT ARE YOU DOIN NEW YEARS EVE WHEN I FALL IN LOVE WITCHCRAFT YOU DON’T KNOW ME YOU’D BE SO NICE TO COME HOME TO YOUR NOBODY TILL SOMEBODY LOVES YOU POP AND BALLADS ANOTHER STAR A SONG FOR YOU BACK AT ONE COPACABANA DADDY’S LITTLE GIRL FEEL LIKE -
Modeling Musical Influence Through Data
Modeling Musical Influence Through Data The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:38811527 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA Modeling Musical Influence Through Data Abstract Musical influence is a topic of interest and debate among critics, historians, and general listeners alike, yet to date there has been limited work done to tackle the subject in a quantitative way. In this thesis, we address the problem of modeling musical influence using a dataset of 143,625 audio files and a ground truth expert-curated network graph of artist-to-artist influence consisting of 16,704 artists scraped from AllMusic.com. We explore two audio content-based approaches to modeling influence: first, we take a topic modeling approach, specifically using the Document Influence Model (DIM) to infer artist-level influence on the evolution of musical topics. We find the artist influence measure derived from this model to correlate with the ground truth graph of artist influence. Second, we propose an approach for classifying artist-to-artist influence using siamese convolutional neural networks trained on mel-spectrogram representations of song audio. We find that this approach is promising, achieving an accuracy of 0.7 on a validation set, and we propose an algorithm using our trained siamese network model to rank influences. -
Most Popularly Requested Music
Most Popularly Requested Music First Dance Songs The following are some of the most popular First Dance songs we are requested to perform. You may use it as a helpful guide in selecting your song or just let us know a special song that you would prefer. L-O-V-E Natalie Cole Lucky Jason Mraz Wonderful Tonight Eric Clapton You're My Home Billy Joel Way You Look Tonight Frank Sinatra Only You Train/Platters Save Room John Legend Here and Now Luther Vandross Everything Michael Buble Ain’t No Mountain High Enough Ashford and Simpson When a Man Loves a Woman Percy Sledge Better Together Jack Johnson Overjoyed Stevie Wonder / Mary J. Blige My One and Only Love Ella Fitzgerald/Sting Just the Way You Are Billy Joel / Maggie Gyllenhaal In Your Eyes Peter Gabriel / Jeffery Gaines Ribbon in the Sky Stevie Wonder Lovely Day Bill Withers From This Moment Shania Twain I'm Yours Jason Mraz Never Too Much Luther Vandross I’ll Stand By You Pretenders/Carrie Underwood Your Love is King Sade Inseparable Natalie Cole At Last Etta James/Jason Mraz 590 Madison Avenue 21st Floor New York, NY 10022 / 212.541.3770 / Fax 212.521.4099 / www.startalentinc.com / [email protected] True Companion Marc Cohn You Are The Best Thing Ray LaMontagne Love of a Lifetime Firehouse My Wish Rascal Flatts When You Say Nothing at All Allison Krause Book of Love Peter Gabriel (Just the) Two of Us Grover Washington By Your Side Sade All the Things You Are Cole Porter Can't Take My Eyes off of You Lauryn Hill / Frankie Valli It Had To Be You Frank Sinatra Shelter Ray LaMontagne As Stevie Wonder I Melt With You Modern English / Nouvelle Vague The Greatest Love of All Whitney Houston Fly Me To The Moon Frank Sinatra Have I Told You Lately Van Morrison / Rod Stewart (Just the) Two of Us Grover Washington Jr. -
By Ted Dykstra and Richard Greenblatt
CENTER REPERTORY COMPANY OF WALNUT CREEK Michael Butler, Artistic Director Scott Denison, Managing Director presents 2 Pianos 4 Hands By Ted Dykstra and Richard Greenblatt Cast Mark Anders Carl J. Danielsen Scenic Designer Original Lighting Designer Casting Director Scott Weldin Don Darnutzer Bruce Elsperger Original Sound Designer Associate Lighting Designer Original Costume Designer David R. White Jane Spencer Kish Finnegan Sound Designer Stage Manager Will McCandless Corrie Bennett Directed by Bruce K. Sevy 2 Pianos 4 Hands was originally produced in April 1996 by Tarragon Theatre (Toronto, Canada), in association with Talking Fingers Inc., and Produced Off-Broadway, in London and throughout North America by Mirvish Productions, Toronto. 2 Pianos 4 Hands is produced by permission of Marquis Entertainment Inc. (www.marquisent.ca). January 29 - February 28, 2009 Lesher Center for the Arts Margaret Lesher Theatre Season Sponsor Season Partner Season Media Sponsor The Actors and Stage Manager employed in this production are members of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States The Director in this production is a member of the Society of Stage Directors and Choreographers The Scenic Designer and Lighting Designer are members of United Scenic Artists Union CAST music from Cal Berkeley. Piano studies with Barbara Shearer. movie. Most recently, he has performed in a new collaboration Member (composer) of BMI workshop, Harrington Award. with Diane Flacks entitled Care (Tarragon Theatre), performed Mark Anders Listen to composition samples at myspace.com/carldanielsen his is one-man play Letters from Lehrer (CanStage), featuring the work of song satirist Tom Lehrer, and directed both Danny - King Carl J. -
3 A.M. Matchbox 20 a Adelaide's Lament Guys and Dolls All I Ask of You (Duet) the Phantom of the Opera Angel Eyes Jazz Standard
3 A.M. Matchbox 20 A Adelaide's Lament Guys and Dolls All I Ask of You (Duet) The Phantom of the Opera Angel Eyes Jazz Standard Annie's Song John Denver Apologize Timbaland As Long As He Needs Me Oliver As Time Goes By Jazz Standard At Last Etta James B Beauty and the Beast Beauty and the Beast Beauty School Dropout Grease Ben Michael Jackson Bennie and the Jets Elton John Beyond the Sea Bobby Darin Big Spender Sweet Charity Black Coffee Ella Fitzgerald Bohemian Rhapsody Queen Born This Way Lady Gaga Breathe Faith Hill Bring Him Home Les Miserables Bridge Over Troubled Water Simon and Garfunkel Broken Vow Josh Groban C California Dreamin' The Mamas and the Papas Can You Feel the Love Tonight Lion King Candle in the Wind Elton John Can't Help Falling In Love Elvis Presley Castle On a Hill Ed Sheeran Cat's in the Cradle Harry Chapin Chances Are Johnny Mathis Climb Every Mountain The Sound of Music Clocks Coldplay Colors of the Wind Pocohantas Crazy Patsy Cline Crocodile Rock Elton John Cry Me a River Ella Fitzgerald D Dancing Queen Abba Daniel Elton John December 1963 Four Seasons Defying Gravity Wicked Don't Forget Me Smash Don't Let the Sun Go Down On Me Elton John Don't Go Breaking My Heart Elton John Don't Rain On My Parade Barbra Streisand Don't Stop Believin' Journey Don't Stop Me Now Queen Dream a Little Dream of Me Doris Day E-F (The) Edge of Glory Lady Gaga Evergreen Barbra Streisand Everything I Do, I Do it For You Bryan Adams Faithfully Journey Fallen Sarah McLachlan Feeling Good Michael Buble Flashdance Irene Cara Fly Me to the Moon Frank Sinatra For All We Know The Carpenters Forever Young Bob Dylan Funky Town Lipps, Inc. -
200 of the Best Songs from Jazz of The
200 OF THE BEST SONGS FROM BOOGIEWOOGIE.RU OF THE'50S JAZZCompiled and edited by Rob DuBoff Song Index ........................................2 Artist Index ...................................... 226 This series would not have been possible without encouragement from my family and friends. Thanks to: Grandma Lydia for helping me brainstorm for prospective titles, Mark Vinci and Mark Davis for sparking my interest in song collection, Jim and Jane Hall for their enthusiasm, Noel Silverman for being my advocate, Doug and Wendy for giving me perspective, and especially my parents, Arlene and Andy, for their tremendous support, confidence and guidance. Special gratitude to Heather for being my sounding board, problem solver, editor, frequently-more-accurate extra set of ears and most importantly, my best friend. Without your unconditional support this project would not be. THE JAZZ BIBLE" and JAZZLINES PUBLICATIONS'" are trademarks used under license from Hero Enterprises, Inc. Compiled and edited by Rob DuBoff for Jazzlines Publications", a division of Hero Enterprises, Inc. ISBN 0-7935-5808-5 HALOLEONARD@ PdCORPORATION 7777 W. BLUEMOUND RD. P.O.BOX 13819 MILWAUKEE, WI 53213 For all works contained herein: Unauthorized copying, arranging, adapting, recording or public performance is an infringement of copyright. Infringers are liable under the law. Visit Hal Leonard Online at www.halleonard.com 2 ZOO OF THE BEST SONGS FROBOOGIEWOOGIE.RUM JAcZ Z0 NO FT TE HN TE S W ADIOS STAN KENTON 11 AFTERNOON IN PARIS THE MODERN JAZZ QUARTET 12 ALICE IN -
Prestige Label Discography
Discography of the Prestige Labels Robert S. Weinstock started the New Jazz label in 1949 in New York City. The Prestige label was started shortly afterwards. Originaly the labels were located at 446 West 50th Street, in 1950 the company was moved to 782 Eighth Avenue. Prestige made a couple more moves in New York City but by 1958 it was located at its more familiar address of 203 South Washington Avenue in Bergenfield, New Jersey. Prestige recorded jazz, folk and rhythm and blues. The New Jazz label issued jazz and was used for a few 10 inch album releases in 1954 and then again for as series of 12 inch albums starting in 1958 and continuing until 1964. The artists on New Jazz were interchangeable with those on the Prestige label and after 1964 the New Jazz label name was dropped. Early on, Weinstock used various New York City recording studios including Nola and Beltone, but he soon started using the Rudy van Gelder studio in Hackensack New Jersey almost exclusively. Rudy van Gelder moved his studio to Englewood Cliffs New Jersey in 1959, which was close to the Prestige office in Bergenfield. Producers for the label, in addition to Weinstock, were Chris Albertson, Ozzie Cadena, Esmond Edwards, Ira Gitler, Cal Lampley Bob Porter and Don Schlitten. Rudy van Gelder engineered most of the Prestige recordings of the 1950’s and 60’s. The line-up of jazz artists on Prestige was impressive, including Gene Ammons, John Coltrane, Miles Davis, Eric Dolphy, Booker Ervin, Art Farmer, Red Garland, Wardell Gray, Richard “Groove” Holmes, Milt Jackson and the Modern Jazz Quartet, “Brother” Jack McDuff, Jackie McLean, Thelonious Monk, Don Patterson, Sonny Rollins, Shirley Scott, Sonny Stitt and Mal Waldron. -
Handout Vocal Jazz in the Choral Curriculum Voices United 8-13-16
Vocal Jazz in the Choral Curriculum Repertoire for your Concert Choir Kathleen Shannon, R & R Chair for Vocal Jazz, Delaware ACDA assisted by Martin Lassman, Treasurer, Delaware ACDA Voices United Conference August 13, 2016 [email protected] http://deacda.org/index.html Selecting Repertoire – Where to Start Great American Songbook u A recognized musical canon encompassing critically acclaimed, significant songs written during the first half of the 20th Century u Synonymous with the concept of the American “standard” u Sources include Broadway, Tin Pan Alley, Hollywood musical films, songs written for specific famous singers u The availability of sheet music, the advent of recording technology and the birth of radio and television helped to bring this music to a wide audience. Irving Berlin (1888-1989) Berlin wrote most of his own lyrics, except as noted u Anything You Can Do I Can Do Better u I’ve Got My Love To Keep Me Warm u Blue Skies u Let’s Face The Music And Dance u Cheek to Cheek u Play A Simple Melody u Count Your Blessings (Instead of u Puttin’ On Th e Ri tz Sheep) u Sisters u God Bless America u Steppin’ Ou t Wi th My B ab y u Happy Holiday (Bing Crosby) u There’s No Business Like Show u How Deep Is The Ocean Business u I Got the Sun In the Morning and the u They Say It’s Wonderful Moon At Night u Top Hat, White Tie and Tails u I Love A Piano u What’ll I Do? u It’s A Lovely Day Today u White Christmas Jerome Kern (1885-1945) Kern and Oscar Hammerstein II wrote five musicals together, including Show Boat. -
Gillian Kohn's Song List
Gillian Kohn’s Song List: 1920s Honeysuckle Rose Ain't Misbehavin' I Can't Give You Anything but Love, Baby Gee Baby, Ain't I Good to You 'S Wonderful Blue Skies Makin' Whoopee Can't Help Lovin' Dat Man Someone to Watch Over Me Wade in the Water Look for the Silver Lining More Than You Know It Had to Be You Stardust 1930s It's Only a Paper Moon All of Me Summertime Blue Moon Body and Soul Have You Met Miss Jones? Dream a Little Dream of Me If I Only Had a Brain Love Is Here to Stay On the Sunny Side of the Street The Nearness of You Smile My Funny Valentine Cheek to Cheek Stormy Weather I Got Rhythm Isn't It Romantic? Night and Day Orange Colored Sky I'll Be Seeing You Why Don't You Do Right? Someday My Prince Will Come My Baby Just Cares for Me Get Happy Somewhere Over the Rainbow Lullaby of Broadway 1940s Boogie Woogie Bugle Boy Autumn Leaves Black Coffee You're Nobody 'til Somebody Loves You 'Round Midnight Bewitched, Bothered & Bewildered At Last It’s a Good Day Take the "A" Train As Time Goes By Nature Boy Route 66 La Vie En Rose 1950s Cry Me a River Mr. Sandman Black Orpheus When I Fall in Love Cruella De Vil Come Fly with Me Satin Doll Misty Fever Lullaby of Birdland Mambo Italiano Come on-a My House Unforgettable Walkin' After Midnight I Don't Care If the Sun Don't Shine In the Still of the Night The Man That Got Away Hound Dog Que Sera, Sera Cry Only You My Favorite Things I Put a Spell on You 1960-Current Fly Me to the Moon L-O-V-E The Way You Look Tonight Can't Help Falling in Love Soon It's Gonna Rain What a Wonderful World The Girl from Ipanema Light My Fire Under the Boardwalk One Note Samba All My Loving Feeling Good I’ve Got You Under My Skin The Gentle Rain Crazy The Look of Love Cry to Me These Boots are Made for Walking Where the Boys Are Summer Samba (So Nice) Moon River The Shadow of Your Smile Blackbird Dance Me to the End of Love Make You Feel My Love Don’t Know Why Worrisome Heart I Can’t Make You Love Me Your Heart is as Black as Night .