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Movies Television Commercials Video Games

SAG * AFTRA www.moniquedonnellyvocals.com MOVIES Rio National Treasure 2 Ice Age 2 The Core Titan AE Happy Feet 2 Horton Hears a Who Superman Returns Daredevil Time Changer Mars Needs Moms Lions for Lambs Robots The Family Man The Secret Garden The Lorax Enchanted Amistad Galaxy Quest To Die For Faster Evan Almighty Angels in America Instinct Urban Legend Alpha and Omega Forgetting Sarah Marshall Anastasia Mickey's Twice Upon a Christmas Scream 3 Diary of a Wimpy Kid 2 Fantastic 4 Armageddon Nightmare Before Christmas X Men 2 Earth Polar Express Anywhere But Here No Place Like Home X Men 3 Marley and Me Meet the Robinsons Bandits Spiderman 2 102 Dalmatians Beverly Hills Chihuahua Happy Feet A Bug's Life Spiderman 3 King Kong Semi-Pro Ice Age Bubble Boy Quest For Camelot Christmas with the Kranks Castle Rock Epic Movie The Fountain COMMERCIALS Mattel "Barbie 1995 Magic Wand Cinderella "Happy Honda Days" 2005 Mattel "Pizza Party Barbie" BackupCampaign" Shiseido Nike "Ball Go Far" Mattel "Swim and Dive Barbie" Tyco "Baby Giggles-n-Go" Mariposa Barbie Mattel "New Barbie Mustang" AT&T "Any Card" Various U.S. radio stings Disney Pop-up Story Book Kaybee Toy Stores Various U.K. radio stings Nissan Wheat fields The Disney Princess Castle Kawasaki Nissan "Firefly" Disney "NobodyLovesKidsLikeDisney" Disney Magical Wand Dolls Mattel "Bicycling Barbie" Nissan "Flowers" Virgin Records "Happy Honda Days" 2004 Nissan "Mr. Lizard" Mattel "Mermaid Skipper" Mattel "Barbie Mustang" Mattel "Bead Barbie" Nissan "Dream Garage" TELEVISION Emmy Awards Jimmy Kimmel Live VGA Awards KTLA morning news American Idol: BGV's General Hospital The Arsenio Hall Show Xuxa special Eli Stone Malcolm in the Middle Brotherhood of Poland, NH A tribute to Heroes, Celine Dion The Grammys Miss Universe Sabrina the Teenage Witch Rodney Academy Awards A Magical Disney Christmas Special Hallmark's "The Trojan Horse" Hallmark's "Gulliver's Travels" Boston Public Stellar Awards Girls Across the Lake LIVE VOICE OVER ALBUMS VIDEO GAMES Blizzard U.S. President's Dinner Munchkin - peek-a-boo bear Josh Groban World of War Craft Barbara Streisand Munchkin - talking dog puppet Andrea Bocelli God of War 2 - the Sirens Hollywood Bowl - John Williams Thinking Toys, Doll: "Fusha" Weird Al Yankovich The 7th Portal Cypress Pops Orchestra God of war - the sirens Christina Aguilara Long Beach Symphony Pops The Secret of My Success Michael Jackson Disneyland's special events The 7th Portal Simulating Ride Paul Pots INDI FILMS Avenged Sevenfold Wartime Radio Revue Big Band Mariposa Barbie commercial & MISC San Gennaro Italian Fest The Disney Princess Castle Steve Amerson Various "Maranatha" projects Disney's 100th birthday Disney Magical Wand Dolls Al's Brain - Movie @ OC Fair Various "Word" projects Kids In Concert: "The princess" Disneyworld parade - Japan Ode Records National Anthem for: Wild California (I MAX) Sony - All God's Children - LA Dodgers Cookies For Harry White Cat Records - LA Lakers Tackle Box Various "Integrity" projects - LA Galaxy Mum - United States Police Chief's conference Sammyville - United States Women in Law Enforcement convention..

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Gotham Knights
University of Denver Digital Commons @ DU Electronic Theses and Dissertations Graduate Studies 11-1-2013 House of Cards Matthew R. Lieber University of Denver Follow this and additional works at: https://digitalcommons.du.edu/etd Part of the Screenwriting Commons Recommended Citation Lieber, Matthew R., "House of Cards" (2013). Electronic Theses and Dissertations. 367. https://digitalcommons.du.edu/etd/367 This Thesis is brought to you for free and open access by the Graduate Studies at Digital Commons @ DU. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons @ DU. For more information, please contact [email protected],[email protected]. House of Cards ____________________________ A Thesis Presented to the Faculty of Social Sciences University of Denver ____________________________ In Partial Requirement of the Requirements for the Degree Master of Arts ____________________________ By Matthew R. Lieber November 2013 Advisor: Sheila Schroeder ©Copyright by Matthew R. Lieber 2013 All Rights Reserved Author: Matthew R. Lieber Title: House of Cards Advisor: Sheila Schroeder Degree Date: November 2013 Abstract The purpose of this thesis is to approach adapting a comic book into a film in a unique way. With so many comic-to-film adaptations following the trends of action movies, my goal was to adapt the popular comic book, Batman, into a screenplay that is not an action film. The screenplay, House of Cards, follows the original character of Miranda Greene as she attempts to understand insanity in Gotham’s most famous criminal, the Joker. The research for this project includes a detailed look at the comic book’s publication history, as well as previous film adaptations of Batman, and Batman in other relevant media.
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HARD FACTS and SOFT SPECULATION Thierry De Duve
THE STORY OF FOUNTAIN: HARD FACTS AND SOFT SPECULATION Thierry de Duve ABSTRACT Thierry de Duve’s essay is anchored to the one and perhaps only hard fact that we possess regarding the story of Fountain: its photo in The Blind Man No. 2, triply captioned “Fountain by R. Mutt,” “Photograph by Alfred Stieglitz,” and “THE EXHIBIT REFUSED BY THE INDEPENDENTS,” and the editorial on the facing page, titled “The Richard Mutt Case.” He examines what kind of agency is involved in that triple “by,” and revisits Duchamp’s intentions and motivations when he created the fictitious R. Mutt, manipulated Stieglitz, and set a trap to the Independents. De Duve concludes with an invitation to art historians to abandon the “by” questions (attribution, etc.) and to focus on the “from” questions that arise when Fountain is not seen as a work of art so much as the bearer of the news that the art world has radically changed. KEYWORDS, Readymade, Fountain, Independents, Stieglitz, Sanitary pottery Then the smell of wet glue! Mentally I was not spelling art with a capital A. — Beatrice Wood1 No doubt, Marcel Duchamp’s best known and most controversial readymade is a men’s urinal tipped on its side, signed R. Mutt, dated 1917, and titled Fountain. The 2017 centennial of Fountain brought us a harvest of new books and articles on the famous or infamous urinal. I read most of them in the hope of gleaning enough newly verified facts to curtail my natural tendency to speculate. But newly verified facts are few and far between.
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The Magic of Antiquity in Superhero Comics
NEW VOICES IN CLASSICAL RECEPTION STUDIES Issue 4 (2009) SAYING ‘SHAZAM’:THE MAGICOF ANTIQUITYIN SUPERHERO COMICS © Luke V. Pitcher, Durham University INTRODUCTION: COMICS, CULTURE AND THE CLASSICS Nine episodes into the third season of the NBC TV drama Heroes, Hiro Nakamura finds himself in a predicament.1 Like many of the characters on the show, Hiro has recently discovered that he has superhuman powers—in his case, the ability to bend space and time. However, an enemy has just wiped the last eighteen years of his memory. Hiro now has the knowledge and persona of a ten-year old. How is he to go about rediscovering what he has lost and regain his sense of his mission? Hiro’s friend Ando suggests that they should go to some place that will help him remember. Hiro eagerly agrees, and teleports both of them to somewhere he thinks can do this: ‘the source of all knowledge’,2 the sort of locale where wise men gather, like ‘the Greek oracle at Delphi, the Library at Alexandria’.Ando is disconcerted when he discovers that his friend has whisked him to a comics store. Geekiness is a prominent part of Hiro’s character. Nonetheless, Heroes in general, and Hiro’s quest to recover his identity through comic books in particular, illuminate the position that comics hold in contemporary popular culture. In the first place, the show exemplifies the extent of the ‘cross-fertilisation’that can now take place between comics and higher-profile forms of cultural production, such as TV shows, films, and novels. Heroes is implicated at all levels with the comics industry: its plot (as we have just seen), often includes them; comics-related in-jokes abound;3 until November 2008, the comic book writer Jeph Loeb was one of its co-executive producers; and one episode featured a cameo appearance from the former president of Marvel Comics, Stan Lee.4 Of course, Heroes is a show about people with super-powers.
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Fountain 6.18 Web-3.Pdf
Fountain Bookstore The quirkiest, heartwarmingest bookstore on the planet. December 2018 / January 2019 Fountain Favorites For Your Fireside KELLY RECOMMENDS KATE RECOMMENDS 1312 E. Cary Street Shockoe Slip An Elderly Lady is Up to No Good An Almost Perfect Christmas by Nina Stibbe Richmond, VA 23219 by Helene Tursten This book reminded me, in the best way possible, of reading my mom’s Wow! Talk about a gateway drug! This potent collection of Erma Bombeck books, but with a hilarious, British Christmas setting. 804-788-1594 short stories about a little old lady murderer not only intro- Full of holiday cheer and catastrophe—from flaming puddings to Snowballs (a British drink that mixes eggnog with lemonade!)—Stibbe info@ duced me to the most charming serial killer since Dexter, but also to two detectives I can’t wait to read about in the author’s shows the warmth and humor (and partial insanity) of holiday tradi- fountainbookstore.com two series! Brilliant! 88-year-old Swedish Maud is not some- tions. So shove this in the stocking of someone you don’t hate, or buy one you want to piss off. She’s wily and creative and curiously it for yourself and let the tears of laughter moisten your dry Christmas Store Hours strong for her age and, thanks to the unfortunate habits of a turkey! Little, Brown $25. Monday-Saturday youth-worshipping society, all but invisible. I know she’s mur- CARL RECOMMENDS dering people, but I found myself rooting for her and hoping 10 am–5 pm she’ll get away with it.
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Resistant Vulnerability in the Marvel Cinematic Universe's Captain America
Western University Scholarship@Western Electronic Thesis and Dissertation Repository 2-15-2019 1:00 PM Resistant Vulnerability in The Marvel Cinematic Universe's Captain America Kristen Allison The University of Western Ontario Supervisor Dr. Susan Knabe The University of Western Ontario Graduate Program in Media Studies A thesis submitted in partial fulfillment of the equirr ements for the degree in Master of Arts © Kristen Allison 2019 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the Other Feminist, Gender, and Sexuality Studies Commons, Other Film and Media Studies Commons, and the Women's Studies Commons Recommended Citation Allison, Kristen, "Resistant Vulnerability in The Marvel Cinematic Universe's Captain America" (2019). Electronic Thesis and Dissertation Repository. 6086. https://ir.lib.uwo.ca/etd/6086 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. Abstract Established in 2008 with the release of Iron Man, the Marvel Cinematic Universe has become a ubiquitous transmedia sensation. Its uniquely interwoven narrative provides auspicious grounds for scholarly consideration. The franchise conscientiously presents larger-than-life superheroes as complex and incredibly emotional individuals who form profound interpersonal relationships with one another. This thesis explores Sarah Hagelin’s concept of resistant vulnerability, which she defines as a “shared human experience,” as it manifests in the substantial relationships that Steve Rogers (Captain America) cultivates throughout the Captain America narrative (11). This project focuses on Steve’s relationships with the following characters: Agent Peggy Carter, Natasha Romanoff (Black Widow), and Bucky Barnes (The Winter Soldier).
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TSR6908.MHR3.Avenger
AVENGERS CAMPAIGN FRANCHISES Avengers Branch Teams hero/heroine and the sponsoring nation, Table A: UN Proposed Avengers Bases For years, the Avengers operated avengers membership for national heroes and New Members relatively autonomously, as did the has become the latest political power chip Australia: Sydney; Talisman I Fantastic Four and other superhuman involved in United Nations negotiations. China: Moscow; Collective Man teams. As the complexities of crime Some member nations, such as the Egypt: Cairo; Scarlet Scarab fighting expanded and the activities of the representatives of the former Soviet France: Paris; Peregrine Avengers expanded to meet them, the Republics and their Peoples' Protectorate, Germany: Berlin; Blitzkrieg, Hauptmann team's needs changed. Their ties with have lobbied for whole teams of powered Deutschland local law enforcement forces and the beings to be admitted as affiliated Great Britain: Paris; Spitfire, Micromax, United States government developed into Avengers' branch teams. Shamrock having direct access to U.S. governmental The most prominent proposal nearing a Israel: Tel Aviv; Sabra and military information networks. The vote is the General Assembly's desired Japan: Undecided; Sunfire Avengers' special compensations (such as establishment of an Avengers' branch Korea: Undecided; Auric, Silver domestic use of super-sonic aircraft like team for the purpose of policing areas Saudi Arabia: Undecided; Arabian Knight their Quintets) were contingent on working outside of the American continent. This Soviet Republics: Moscow; Peoples' with the U.S. National Security Council. proposal has been welcomed by all Protectorate (Perun, Phantasma, Red After a number of years of tumultuous member nations except the United States, Guardian, Vostok) and Crimson Dynamo relations with the U.S.
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Nicolas Lancret: Dance Before a Fountain
NICOLAS LA1VCRET Dance Before a r~zfountain~ NICOLAS LA1VCRET Dance Before a r~Tfountain~ MARY TAVENER HOLMES WITH A CONSERVATION NOTE BY MARK LEONARD THE J. PAUL GETTY MUSEUM LOS ANGELES This book is dedicated to Donald Posner GETTY MUSEUM STUDIES ON ART Library of Congress Cataloging-in-Publication Data © 2006 J. Paul Getty Trust Holmes, Mary Tavener. Nicolas Lancret : Dance before a fountain / Mary Tavener Holmes ; Getty Publications with a conservation note by Mark Leonard. I2OO Getty Center Drive, Suite 5OO p. cm. — (Getty Museum studies on art) Los Angeles, California ^004^^-1682 Includes bibliographical references and index. www.getty.edu ISBN-I3: 978-0-89236-83^-7 (pbk.) ISBN-IO: 0-89236-832-2 (pbk.) I. Lancret, Nicolas, 1690—1743- Dance before a fountain. 2- Lancret, Christopher Hudson, Publisher Nicolas, 1690 —1743"Criticism and interpretation. 3- Genre painting, Mark Greenberg, Editor in Chief French — l8th century. I. Leonard, Mark, 1954 ~~ H- Lancret, Nicolas, 1690 — 1743. III. J. Paul Getty Museum. IV. Title. V. Series. Mollie Holtman, Series Editor ND553.L225A65 2006 Abby Sider, Manuscript Editor 759.4-dc22 Catherine Lorenz, Designer 2005012001 Suzanne Watson, Production Coordinator Lou Meluso, Anthony Peres, Jack Ross, Photographers All photographs are copyrighted by the issuing institutions or by their Typesetting by Diane Franco owners, unless otherwise indicated. Figures 14, 16, 18, 29, 3^, 43> 57» 60, Printed in China by Imago 63 © Reunion des Musees Nationaux/Art Resource, New York. Figures 21, 30, 31, 34, and 55 are use<i by kind permission of the Trustees of the Wallace Collection, London. Frontispiece: Michel Aubert (French, 1700 —1757)> Nicolas Lancret [detail], engraving, from Antoine Joseph Dezallier d'Argenville (French, 1680 — 1765), Abrege de la vie des plus fameux peintres (Paris, I745~52)> vol.
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Contemporary Film Music
Edited by LINDSAY COLEMAN & JOAKIM TILLMAN CONTEMPORARY FILM MUSIC INVESTIGATING CINEMA NARRATIVES AND COMPOSITION Contemporary Film Music Lindsay Coleman • Joakim Tillman Editors Contemporary Film Music Investigating Cinema Narratives and Composition Editors Lindsay Coleman Joakim Tillman Melbourne, Australia Stockholm, Sweden ISBN 978-1-137-57374-2 ISBN 978-1-137-57375-9 (eBook) DOI 10.1057/978-1-137-57375-9 Library of Congress Control Number: 2017931555 © The Editor(s) (if applicable) and The Author(s) 2017 The author(s) has/have asserted their right(s) to be identified as the author(s) of this work in accordance with the Copyright, Designs and Patents Act 1988. This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, express or implied, with respect to the material contained herein or for any errors or omissions that may have been made.
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The Annotated Watchmen 1
THE ANNOTATED WATCHMEN 1 Chapter 1 Chapter 2 Chapter 3 Chapter 4 Chapter 5 Chapter 6 Chapter 7 Chapter 8 Chapter 9 Chapter 10 Chapter 11 Chapter 12 THE ANNOTATED WATCHMEN by Doug Atkinson Watchmen is a trademark of DC Comics Inc., copyright 1995. These annotations copyright 1995 by Doug Atkinson. They may be freely copied and distributed, provided the text is not altered. INTRODUCTION The Annotated Watchmen was written for several reasons. The series is packed with detail, more so than almost any other, and much of that detail is easily missed. Much of the background of the world is not given straight out, but has to be inferred. There are several ongoing motifs that are worth spotting. My goal in annotating the series is to highlight and explain all these points. by Doug Atkinson 2 The Annotations are intended for the secondtime reader, someone who's read through once, knows the basic plot, but missed a lot of the detail and wants to find it. If you are reading them along with your first reading of the series, you may find that it spoils some of the surprise. Caveat lector. (I have removed most of the blatant spoilers from earlier editions.) A few conventions are worth explaining. The reason I quote newspaper headlines and signs is that some of them are hard to read, and I'm trying to save eyestrain on the reader's part. Although some of the headlines have text larger than the dialogue, I decided to be consistent and quote them all. References such as 4:12:2 are to issue:page:panel (so the example would refer to issue 4, page 12, panel 2).
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Watchmencomicmovie.Com
WATCHMEN (1989) --------------------------------- Unproduced first draft screenplay written by Sam Hamm Adapted from the original DC Comics graphic novel WATCHMEN (1987), written by Alan Moore and illustrated by Dave Gibbons. WATCHMEN characters created by Alan Moore and Dave Gibbons. WATCHMEN is a trademark of DC Comics. --------------------------------- SPOILER ALERT! SPOILER ALERT! SPOILER ALERT! SPOILER ALERT! Reading this screenplay WILL spoil numerous plot points found in the original WATCHMEN graphic novel. Therefore, we respectfully ask you, dear reader, to run -- don't walk -- to your nearest bookstore or comics specialty shop, buy the graphic novel, and read it cover-to-cover at least once before venturing further. We thank you, Alan Moore and Dave Gibbons thank you, DC Comics thanks you, and the fine folks at AOL/Time Warner thank you. --------------------------------- FADE IN: 1. EXT. NEW YORK - LIBERTY ISLAND - DAY The STATUE OF LIBERTY stands watch at the mouth of the Hudson. Over scene, we SUPER TITLE: NEW YORK CITY - JULY 1976 2. JERSEY CITY PIER - DAY A live news update. Network correspondent CINDY CHAN stands at the edge of the dock, the statue plainly visible in the distance behind her. CINDY -- insist that the situation is under control. Authorities have just agreed to the release of nine Radical Front prisoners in hopes of freeing the hostages. (adjusting her hair) We repeat: terrorists have taken Liberty Island, and are holding some forty hostages -- including tourists and maintenance workers -- captive in the Statue of Liberty itself. 3. FERRYBOAT - DAY The ferry -- one of six anchored a half-mile off Liberty Island -- has been commandeered by a fully-armed SWAT TEAM.
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Año 15 Nº 134 Marzo
Fundador Francisco J. Bernal Directora M. Antonia Ontona Garcia Redactora Marta Martinez Valencia Coordinador edkibn Francisco Solano Libros Infantiles y Juveniles Ana Garralón Colaborador Rambn Salabema Libros Infantiles y Juveniles Publicidad Lourdes Rodriguez Novedades: Álbum; Primeros lectores; A partir de diez años; A partir de doce Siscripcioim y Administraci6n años; Poesía; Todos los lectores 6 Ana Castillo Secretaria Yvan Pomrnaux, un estilo entre el c6mi y el glbum. Reflexi6n acerca Ana Phga de mi experiencia. Yvan Pommaux 14 Diseao Gelo Quero Miquel y Siglo XX: Lo que leen los niiios. H'ietas, tiras CM¡y tebeos. Esther Martinez Olmo Juan Carlos Me& 20 Portada Mauro Enhialgo Libros recibidos en la Redacción de Eouwxh Y B~~~~TEcA 24 Identidad gráfica Gelo Quero Miquel Maquetacibn Recursos Esther Madnez Olmo Lectura. Arte. Vanos. Educación. BiMiotemia. Marta Martinez Valema 26 Edita TILDE, Servicios Editoriales, S.A. en Réplica a la critica de Arsenio Sánchez al libro El patrimonio b@fogdb colaboración con Asociación Educación y documental: claves para su rxnservación preventiva. y Bibliotecas Presidenta Juana Abellán Carmen6elby~s~onel 31 U Rlncipc de Vergara. 136, oficina T. portal 3,28002 Madrid -- Redaccibn-Administmibn-hbueidad Horba, Revista de Educación CI Principe de Vergara, 136, oficina 2', portal 3,28002 Madrid II Foro Siglo 21 de Literatura Infantil y Jwenil Redacción El Ratón PBrez las IV Jornadas de Acemmiento a la Literatura lnfanl 491 41 11783 en ~edibiMi~tcmiü.es Censo 2001 de la Red de Lectura PúMica de Castilla-La Mancha &~nQednbibü.rctema¡l.es Publicidad Directorio 2002 de la Guia del lnjwe S91 41 11379 La Diputación de Barcelona diuna publiicación sobre bibliobuses Comienzo de año 'revuelton en las bibliotecas de Salamanca Web del Plan Nacional de Fomento de la Ledum Fotocompasición Campaña imregalo, un libro" INFORAMA U91 5629933 Mapa biMiotecari0 de Andaluclá &lnf~temiUns Guías de ledura Imprime Seleccionando libros infantiles y juveniles OMNlA 1G.
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Parks Borough Of' the Bronx
ANNUAL REPORT OF THE OF THE BOROUGH OF THE BRONX JOSEPH P. HENNESSY, Commissioner DEPARTMENT OF PARKS BOROUGH OF' THE BRONX February 7, 1921. Hon. John F. Hylan, Mayor, City of New York. Sir : I submit herewith annual report of the Department of Parks, Borough of The Bronx, for 1920. Respectfully yours, JOSEPHP. HENNESSY, Cornmissoner. ANNUAL REPORT-1920 NEW DEVELOPMENT The outstanding feature of administration in 1920 was the completion of Crotona Park Extension consisting of about 3% acres facing Southern Boulevard, between Crotona Park East and 175th Street, and which was referred to briefly in the report of 1919. The elevation at Waterloo Place and 175th Street is approximately 55 feet above Southern Boulevard. The ground has a gradual rise westerly from the Boulevard to centre of plot of approximately 28 feet, and at the summit a path parallels the Eoulevard and commands a most excellent view of Crotona Parkway and the surrounding neighborhood on the east. The physical obstacles that this plot presented, coupled with lack of special appropriation, formerly were given as a reason for not improving it. On receipt of renewed complaints from neighboring property owners, this department took up the question examining such records and obtaining such other inforniation available. The result of this inquiry showed that it had been proposed in a former administration to improve this plot at an estimated cost of about $60,000.00. This plan involved building a serpentine vehicular road from the southwest to the northeast end. Such a road might look picturesque, but would be dangerous and impracticable.
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