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Resistant Vulnerability in the Marvel Cinematic Universe's Captain America
Western University Scholarship@Western Electronic Thesis and Dissertation Repository 2-15-2019 1:00 PM Resistant Vulnerability in The Marvel Cinematic Universe's Captain America Kristen Allison The University of Western Ontario Supervisor Dr. Susan Knabe The University of Western Ontario Graduate Program in Media Studies A thesis submitted in partial fulfillment of the equirr ements for the degree in Master of Arts © Kristen Allison 2019 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the Other Feminist, Gender, and Sexuality Studies Commons, Other Film and Media Studies Commons, and the Women's Studies Commons Recommended Citation Allison, Kristen, "Resistant Vulnerability in The Marvel Cinematic Universe's Captain America" (2019). Electronic Thesis and Dissertation Repository. 6086. https://ir.lib.uwo.ca/etd/6086 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. Abstract Established in 2008 with the release of Iron Man, the Marvel Cinematic Universe has become a ubiquitous transmedia sensation. Its uniquely interwoven narrative provides auspicious grounds for scholarly consideration. The franchise conscientiously presents larger-than-life superheroes as complex and incredibly emotional individuals who form profound interpersonal relationships with one another. This thesis explores Sarah Hagelin’s concept of resistant vulnerability, which she defines as a “shared human experience,” as it manifests in the substantial relationships that Steve Rogers (Captain America) cultivates throughout the Captain America narrative (11). This project focuses on Steve’s relationships with the following characters: Agent Peggy Carter, Natasha Romanoff (Black Widow), and Bucky Barnes (The Winter Soldier). -
TSR6908.MHR3.Avenger
AVENGERS CAMPAIGN FRANCHISES Avengers Branch Teams hero/heroine and the sponsoring nation, Table A: UN Proposed Avengers Bases For years, the Avengers operated avengers membership for national heroes and New Members relatively autonomously, as did the has become the latest political power chip Australia: Sydney; Talisman I Fantastic Four and other superhuman involved in United Nations negotiations. China: Moscow; Collective Man teams. As the complexities of crime Some member nations, such as the Egypt: Cairo; Scarlet Scarab fighting expanded and the activities of the representatives of the former Soviet France: Paris; Peregrine Avengers expanded to meet them, the Republics and their Peoples' Protectorate, Germany: Berlin; Blitzkrieg, Hauptmann team's needs changed. Their ties with have lobbied for whole teams of powered Deutschland local law enforcement forces and the beings to be admitted as affiliated Great Britain: Paris; Spitfire, Micromax, United States government developed into Avengers' branch teams. Shamrock having direct access to U.S. governmental The most prominent proposal nearing a Israel: Tel Aviv; Sabra and military information networks. The vote is the General Assembly's desired Japan: Undecided; Sunfire Avengers' special compensations (such as establishment of an Avengers' branch Korea: Undecided; Auric, Silver domestic use of super-sonic aircraft like team for the purpose of policing areas Saudi Arabia: Undecided; Arabian Knight their Quintets) were contingent on working outside of the American continent. This Soviet Republics: Moscow; Peoples' with the U.S. National Security Council. proposal has been welcomed by all Protectorate (Perun, Phantasma, Red After a number of years of tumultuous member nations except the United States, Guardian, Vostok) and Crimson Dynamo relations with the U.S. -
Movies Television Commercials Video Games
SAG * AFTRA (818) 625-1194 www.moniquedonnellyvocals.com [email protected] MOVIES The Grinch Jurassic World Beverly Hills Chihuahua Armageddon King Kong The Christmas Chronicles Tomorrowland Semi-Pro Anywhere But Here 102 Dalmatians Ready Player One Night at the Museum 3 National Treasure 2 Forgetting Sarah Marshall Percy Jackson - Lightening Thief Dead Pool 2 Epic Horton Hears a Who Instinct Evan Almighty Wonder Park After Earth Lions for Lambs Enchanted Faster Bad Times at the el Royale John Carter Fantastic 4 A Bug's Life Epic Movie The Nun Behind the Candelabra Polar Express Bandits Titan AE TAG Rio Meet the Robinsons Bubble Boy Time Changer Smurfs Rio 2 Superman Returns Castle Rock The Secret Garden Star Wars - Rogue One Happy Feet Ice Age The Core To Die For SING (piglets) Happy Feet 2 Ice Age 2 Daredevil Urban Legend Star Trek - Beyond Mars Needs Moms Ice Age 3 The Family Man Scream 3 La La Land The Lorax Ice Age 4 Galaxy Quest X Men 2 Storks Diary of a Wimpy Kid 2 Ice Age - A Mamoth Xms No Place Like Home X Men 3 Ghostbusters Alpha and Omega Robots Spiderman 2 The Sound and the Fury Zootopia My All American Amistad Spiderman 3 The Fountain Goosebumps Earth Angels in America Quest For Camelot Christmas with the Kranks Anastasia Marley and Me Mickey's Twice Upon a Christmas COMMERCIALS Nightmare Before Christmas Kmart - Pogo stick Disney "NobodyLovesKidsLikeDisney" Mattel "Mermaid Skipper" Nissan "Firefly" Kmart - Holiday points "Happy Honda Days" 2004 Mattel "Pizza Party Barbie" Nissan "Flowers" AT&T "Any Card" "Happy Honda Days" 2005 Mattel "Swim and Dive Barbie" Nissan "Dream Garage" Magic Wand Cinderella Nike "Ball Go Far" Mattel "Bead Barbie" Nissan "Wheat fields" Mariposa Barbie Shiseido Mattel "New Barbie Mustang" Nissan "Mr. -
Voices of Vaughan: a Canada 150 Anthology
Voices of Vaughan ~ a Canada 150 Anthology ~ by local writers Voices of Vaughan: A Canada 150 Anthology Vaughan Public Libraries & Vaughan Writers’ Club Vaughan, Ontario, Canada November 2017 Published in 2017 as part of Vaughan Public Libraries’ (Vaughan, Ontario) Canada 150 celebrations. “Cherry Lips” copyright © Athena Wright, 2017 “Virginia (Thunder Bay Revisited) copyright © Gregory Monteith, 2017 “Squirrel” copyright © Elana Wolff, 2017 “Buttercup Girl” copyright © Penelope Jonas, 2017 “Waltz” copyright © Cristina Rizzuto, 2017 “Refugia” copyright © Gregory Monteith, 2017 “Water Carriers” copyright © Gregory Monteith, 2017 “Mothstrocity” copyright © Tamara Hecht, 2017 “Thornhill Kitchen, First Generation, After and Still” copyright © Marilyn Kleiman, 2017 “Woodpecker Woodpecker…” copyright © Sigal Haber, 2017 “The Changeling” copyright © Nanci M. Pattenden, 2017 “Frost Quake” copyright © Debbie Ouellet, 2017 “Robin’s Hood” copyright © Darcy Miller, 2017 “Thornhill’s a’Growing” copyright © Howard Isenberg, 2017 “Please Do Not Feed the Mermaids” copyright © Lacey D. Mermaid, 2017 “Rainbow Haven Beach, NS” copyright © Dina Ripsman Eylon, 2017 “Tu B’Shvat” copyright © Elana Wolff, 2017 “The Apparition” copyright © Maria Samurin, 2017 “This Verdant Land” copyright © Honey Novick, 2017 “Diaspora (upon visiting Aberfoyle antique market)” copyright © Gregory Monteith, 2017 “The Perks” copyright © Candice MacAulay, 2017 “Transition” copyright © Kamal Parmar, 2017 “On a Bench at Gallanough Park” copyright © Dina Ripsman Eylon, 2017 “My Canada” copyright © Tony Genco, 2017 Contents Foreward * v Cherry Lips Athena Wright * 1 Virginia (Thunder Bay Revisited) Gregory Monteith * 8 Squirrel Elana Wolff * 10 Buttercup Girl Penelope Jonas * 11 Waltz Cristina Rizzuto * 16 Refugia Gregory Monteith * 17 Water Carriers Gregory Monteith * 19 Mothstrocity Tamara Hecht * 21 Thornhill Kitchen, First Generation, After and Still Marilyn Kleiman * 29 Woodpecker Woodpecker… Sigal Haber * 30 The Changeling Nanci M. -
AWNMAG5.05 Cover
Table of Contents AUGUST 2000 VOL.5 NO.5 5 Editor’s Notebook Go Web Young (Wo)Man, Go Web 7 Letters: [email protected] InternetCOMIC BOOKS Animation 8 Your Move… Jacquie Kubin looks at how and why packaged gaming companies are adding on-line elements to their business plans. 12 Alter-Net-ive Worlds How would the world of animation be different if instead of being a new tool the Web was an old one? Get ready for some pretty wild “classics.” Martin “Dr. Toon” Goodman takes us theorizing… 16 The Aesthetics of Internet Animation Think Web tools are restrictive creatively? Think again! Chris Lanier, creator of Wildbrain’s Romanov, explains why, in the vein of comics, they are actually a source of freedom. 2000 20 Is There Life Beyond Flash? Flash is the leading tool for Internet animation, but there are a few other options for production and augmentation. Here industry leaders reveal their secrets from high tech 3D software to good, old-fashioned talent. 23 Getting Started On-Line So you want to get into this Internet game? Two of AtomStudios’ animators, Kwesi Ako Kennedy and James Dalby, not only tell you how, but offer tips for success. ComputerADULT ANIMATION Animation 25 Vancouver’s Mainframe Entertainment Since their first 3D CGI television show, the groundbreaking Reboot, Mainframe Entertainment has been producing quality children’s television. Don Perro goes for a tour and finds they are working on more than television now. 29 Writing for CGI:A Talk With Ian Boothby UGUST Ian Boothby, co-writer of Casper’s Haunted Christmas, gives us some insight on the pitfalls and joys of writing for CGI. -
A Study of Superhero Mythology Ryan Woods This Is a Digitised Version Of
Gods in Spandex: A Study of Superhero Mythology Ryan Woods This is a digitised version of a dissertation submitted to the University of Bedfordshire. It is available to view only. This item is subject to copyright. GODS in SPANDEX: A STUDY of SUPERHERO MYTHOLOGY Ryan Woods A thesis submitted to the University of Bedfordshire, in fulfilment of the requirements for the degree of Master of Arts by Research University of Bedfordshire Research Institute for Media, Arts and Performance Submitted: February 2020 Table of Contents Author Declaration .......................................................................................................................................ii Abstract .........................................................................................................................................................iii Acknowledgements ..................................................................................................................................... iv Introduction ...................................................................................................................................................v Methodology ................................................................................................................................................. xi Literature Review ....................................................................................................................................... xix Chapter One ................................................................................................................................................ -
Table of Contents
Table of Contents FEBRUARY 2001 VOL.5 NO.11 4 Editor’s Notebook Am I ready for this? 5 Letters: [email protected] GAMING 7 The Next Big Drive: Gaming Transforms Itself Again Jacquie Kubin delves into gaming. From its history to its future, she discusses the brink that gam- ing is getting ready to leap, and yes, film industry, you should be looking over your shoulder… 13 What’s A Digital Media Futurist? Upon seeing Joan Van Tassel’s title, Heather Kenyon decides to investigate just what a digital media futurist is and what she has to say about this supposed digital future of ours. 19 A One Stop Digital Shop: Data Design Interactive and Artworld UK Paul Younghusband visits Data Design Interactive and Artworld UK to reveal how they are going beyond gaming by leveraging their digital assets across many outlets. ADDITIONAL FEATURES 22 Heroes Wanted: Stan Lee Media Struggles to Stay Afloat 2001 How could one of the most promising Internet animation companies come to such a crashing defeat? Brett D. Rogers investigates the unraveling of Stan Lee Media and the growing chorus crying foul. 27 My Generation? While Turner Broadcasting System’s Boomerang is titled to draw the Baby Boom generation is seems that maybe they’ve missed the spot marked X. Martin “Dr. Toon” Goodman explains. 31 The Animation Pimp What’s wrong with Ring of Fire and Night of the Carrots? The Animation Pimp sees nothing offen- sive here; this month Chris Robinson takes on a few feminist nay-sayers. STUDENT CORNER 33 Sketching on Location:Texture as Planes in Space Renowned drawing instructor Glenn Vilppu continues with his fifth installment discussing how to use texture to create depth and perspective while sketching on location. -
BCCS Lower School News Issue #4 June 2019
BCCS Lower School News Issue #4 June 2019 End of the Year Dance We had some interviews with four kids By Shannon Durant and Erin Tracey from each sixth grade advisory. This is what they had to say… Everyone knows about the fun Halloween Dance that the BCCS lower school Q and A for Students had in October but that was going to be the first and last dance of the year. Both sixth and Gavin Carey from Lake Forest 6, Ruth Reid fifth-grade students had a really great time but from BC 6, Camryn Coutts from Amherst 6, they also knew that there wasn’t going to be and Ronan Mitchell from Haverford 6 answered another event like this until next year. the following questions: Therefore, we as students think that there should be an end of the year dance for the Q1: How do you feel about leaving the hardworking fifth and sixth graders at the BCCS lower school and your teachers? BCCS lower school. This would be a great chance for students to spend time with friends Gavin: I feel sad because I’m leaving the before summer vacation starts. It would also be teachers. the perfect opportunity for the sixth graders because not all of the students will be going to Ruth: Sad because I’ve been here for a while the upper school next year. and got attached to the school and staff. Besides socializing with friends, this dance will be a great way to celebrate Camryn: It’s very sad because I love my everything the students and teachers have teachers. -
Sfrareview in This Issue 327 Winter 2019
327 Winter 2019 January-February SFRA An Open Access Publication of the Science Fiction Research Association Editor Review Sean Guynes PhD Candidate Department of English In this issue ISSN 2641-2837 Michigan State University [email protected] SFRA Review Business Another One?! .................................................................................................................3 Nonfiction Editor Dominick Grace SFRA Business Professor of English Winter Is Here ................................................................................................................4 School of Humanities Incoming! ..........................................................................................................................4 Brescia University College [email protected] SF Retrospectives Stan Lee ............................................................................................................................5 Assistant Nonfiction Editor Kevin Pinkham Assistant Professor of English Features College of Arts and Sciences Historical Fantasy as SF in Osamu Tezuka's Muramasa ...............................8 Nyack College The SF in Translation Universe ............................................................................ 11 [email protected] Meet the Future .......................................................................................................... 12 Fiction Editor Symposium: Worlding SF Jeremy Brett Symposium Introduction ....................................................................................... -
Bros Before Superheroes: the Male 22 and Homoerotic Gaze in the Marvel Cinematic Universe Maria Meluso
LOGOS A Journal of Undergraduate Research Volume 13 Fall 2020 ii • LOGOS: A Journal of Undergraduate Research © Copyright 2020 Missouri State University ISSN 2153-1560 (print) ISSN 2153-1579 (online) LOGOS Honors College Missouri State University 901 South National Avenue Springfield, MO 65897 [email protected] iii EDITORIAL STATEMENT Dear readers, The LOGOS student and faculty editorial staff are pleased to introduce Vol- ume 13, arguably one of our most ambitious editions to date. As we reflect on this year-long production cycle, it is difficult not to think about the historic circumstances surrounding it. Like many people during the COVID-19 pan- demic, the student editorial team was required to adapt to the challenge of navigating our new, remote world. Beyond that, our student authors respond- ed to the pandemic and the situations they saw in their own communities with quality research and insightful submissions. As we began accepting pieces for publication in Volume 13, two distinct themes began to present themselves. The first, and most obvious, was that of social inequality and the pursuit of social justice. The second was that of family and making sense of grief. While not by design, as Volume 13 was not explicitly a themed edition, it seems our students have a finger on the pulse of current issues in their world. These pieces represent the concerns students have, what they are thinking about, and what they are seeing and experiencing as opportunities to make positive change. The pieces in this Volume work together to tell a cohesive story about the state of our world as students experienced it during the last year. -
Reproductions Supplied by EDRS Are the Best That Can Be Made from the Original Document
DOCUMENT RESUME ED 448 069 SO 031 884 AUTHOR Harris, Laurie Lanzen, Ed.; Abbey, Cherie D., Ed. TITLE Biography Today: Profiles of People of Interest to Young Readers. Author Series, Volume 7. ISBN ISBN-0-7808-0413-9 PUB DATE 2000-00-00 NOTE 215p.; For related volumes, see ED 390 725 and ED 434 064. AVAILABLE FROM Omnigraphics, Inc., 615 Griswold Street, Detroit, MI 48226. Tel: 800-234-1340 (Toll Free); Web site: http://www.omnigraphics.com/. PUB TYPE Books (010) Reports Descriptive (141) EDRS PRICE MF01/PC09 Plus Postage. DESCRIPTORS *Adolescent Literature; *Authors; Biographies; Childrens Literature; Elementary Secondary Education; Language Arts; Popular Culture; Profiles; Reading Interests; Reading Materials; Recreational Reading; Social Studies; Student Interests; Supplementary Reading Materials IDENTIFIERS *Biodata; *Illustrators; Writing for Children ABSTRACT This book presents biographical profiles of 10 authors of interest to readers ages 9 and above and was created to appeal to young readers in a format they can enjoy reading and readily understand. Biographies were prepared after extensive research, and each volume contains a cumulative index, a general index, a place of birth index, and a birthday index. Each profile provides at least one picture of the individual and information on birth, youth, early memories, education, first jobs, marriage and family, career highlights, memorable experiences, hobbies, and honors and awards. All entries end with a list of easily accessible sources designed to lead the student to further reading on the individual. Volume 7 features the following authors: William H. Armstrong (Obituary, 1914-1999); Patricia Reilly Giff (1935- ); Langston Hughes (Retrospective, 1902-1967); Stan Lee (1922- ); Julius Lester (1939- ); Robert Pinsky (1940- ); Todd Strasser (1950- ); Jacqueline Woodson (1964?- ); Patricia C. -
TSR6897.MLA3.Night.L
Official Advanced Game Adventure Night Life By Anthony Herring Table of Contents Introduction ..................………………………………….. 2 Chapter 13: Rumble in the Jungle ……………………... 24 The Player Characters .........…………………………….. 3 Chapter 14: Strange Headlines .………………………… 26 Non-Player Character Factions ..……………………….. 7 Chapter 15: The Wildboys .....…………………………... 27 The Spirit Bombs ..............………………………………. 9 Chapter 16: Hiram Blows a Fuse ………………………. 28 Chapter 1: Museum Robbed! ....………………………... 10 Chapter 17: Into the Nether Realm …………………….. 31 Chapter 2: At the Scene ........……………………………. 10 Chapter 18: The Persuader ....…………………………... 33 Chapter 3: The Evening News ...………………………... 12 Chapter 19: An Invitation ......…………………………... 34 Chapter 4: Mongoose Wants Blood …………………….. 13 Chapter 20: A Meeting of Minds ……………………….. 35 Chapter 5: The House of Pasta ..………………………... 15 Chapter 21: Dancing Manikins ..………………………... 37 Chapter 6: Cameron Come Home ……………………… 16 Chapter 22: A Barrel of Monkeys ……………………… 40 Chapter 7: Trouble at Sammy's ..………………………. 17 Chapter 23: Gator Lays an Egg .………………………... 41 Chapter 8: Roxxon Oil .........…………………………….. 18 Chapter 24: A Test of Strength ..………………………... 42 Chapter 9: Mayhem in Midtown .………………………. 20 Chapter 25: Give Me Liberty ....………………………… 44 Chapter 10: Some Time Off .....…………………………. 21 Chapter 26: A Giant Walks! .....………………………… 45 Chapter 11: The Dead Shall Rise .……………………… 22 Epilogue: The War is Over .....………………………….. 48 Chapter 12: A Hot Tip ..........……………………………. 23 Non-Player Character Roster ...………………………… 50 Credits The Fine Print Design: Anthony Herring Editing: Newton Ewell This book is protected under the copyright laws of the United States Cover Art: Jeff Butler of America. Any reproduction or other unauthorized use of the Interior Art: Jeff Butler with Mike Machlin material or artwork contained herein is prohibited without the express Cartography: Dennis Kauth written consent of TSR, Inc. and Marvel Entertainment Group, Inc.