Supreme Court of the State of New York

Total Page:16

File Type:pdf, Size:1020Kb

Supreme Court of the State of New York SUPREME COURT OF THE STATE OF NEW YORK APPELLATE DIVISION : FOURTH JUDICIAL DEPARTMENT DECISIONS FILED JUNE 7, 2019 HON. GERALD J. WHALEN, PRESIDING JUSTICE HON. NANCY E. SMITH HON. JOHN V. CENTRA HON. ERIN M. PERADOTTO HON. EDWARD D. CARNI HON. STEPHEN K. LINDLEY HON. BRIAN F. DEJOSEPH HON. PATRICK H. NEMOYER HON. JOHN M. CURRAN HON. SHIRLEY TROUTMAN HON. JOANNE M. WINSLOW, ASSOCIATE JUSTICES MARK W. BENNETT, CLERK SUPREME COURT OF THE STATE OF NEW YORK Appellate Division, Fourth Judicial Department 1147 KA 16-00800 PRESENT: CARNI, J.P., LINDLEY, DEJOSEPH, NEMOYER, AND WINSLOW, JJ. THE PEOPLE OF THE STATE OF NEW YORK, RESPONDENT, V MEMORANDUM AND ORDER ROBERT GREEN, DEFENDANT-APPELLANT. THE LEGAL AID BUREAU OF BUFFALO, INC., BUFFALO, HODGSON RUSS LLP (PATRICK E. FITZSIMMONS OF COUNSEL), FOR DEFENDANT-APPELLANT. JOHN J. FLYNN, DISTRICT ATTORNEY, BUFFALO (MICHAEL J. HILLERY OF COUNSEL), FOR RESPONDENT. Appeal from a judgment of the Supreme Court, Erie County (Russell P. Buscaglia, A.J.), rendered February 20, 2015. The judgment convicted defendant, upon his plea of guilty, of criminal possession of a weapon in the second degree. It is hereby ORDERED that the case is held, the decision is reserved and the matter is remitted to Supreme Court, Erie County, for further proceedings in accordance with the following memorandum: Defendant appeals from a judgment convicting him upon his plea of guilty of criminal possession of a weapon in the second degree (Penal Law § 265.03 [3]). The charge arose after a police officer observed the vehicle in which defendant was a passenger being operated in violation of the Vehicle and Traffic Law. The officer followed the vehicle in order to initiate a traffic stop, but the driver pulled over and stopped before the officer activated his lights. Upon approaching the vehicle, the officer observed that there were two occupants, one of whom, i.e., defendant, was moving around in the backseat and putting his hands in his front pocket as if he was “stuffing something either in his coat or in his pants as if to conceal it from [the officer].” Although it was winter, both the driver’s and defendant’s windows were open, and the officer detected the odor of marihuana emanating from the vehicle. The officer asked the driver and defendant for identification and thereafter learned that the driver’s license of the driver had been revoked and that defendant did not have a driver’s license. The officer directed defendant to exit the vehicle and place his hands on the patrol car so that the officer could conduct a pat search. Defendant exited the vehicle as directed but thereafter fled, discarding components of a 9 millimeter Glock semiautomatic pistol as he ran. Defendant contends, inter alia, that Supreme Court erred in refusing to suppress the gun on the ground that the officer exceeded -2- 1147 KA 16-00800 his authority in ordering defendant to exit the vehicle and place his hands on the patrol car. Because the driver pulled over of his own volition before the officer activated his emergency lights to initiate a traffic stop, the officer needed only an articulable basis to lawfully approach the occupants of the vehicle and request information (see People v Harrison, 57 NY2d 470, 475 [1982]). That basis was supplied by the officer’s observation that the vehicle was being operated in violation of Vehicle and Traffic Law § 375 (2) (a) (1) (see People v Robinson, 97 NY2d 341, 349 [2001]). Thus, the officer’s conduct “was justified in its inception” (People v Nicodemus, 247 AD2d 833, 835 [4th Dept 1998], lv denied 92 NY2d 858 [1998]). The court determined that the officer had a founded suspicion of criminality prior to ordering defendant to exit the vehicle for the pat search. A founded suspicion of criminality standing alone, however, was insufficient to justify the officer’s conduct in ordering defendant to place his hands on the patrol car in preparation for a pat search (see generally People v Whorley, 125 AD3d 1484, 1484 [4th Dept 2015], lv denied 25 NY3d 1173 [2015]). Nevertheless, in making its determination, the court credited the officer’s testimony that he smelled fresh marihuana emanating from the vehicle and was experienced in detecting marihuana. It is well settled that “[t]he odor of marihuana emanating from a vehicle, when detected by an officer qualified by training and experience to recognize it, is sufficient to constitute probable cause to search a vehicle and its occupants” (People v Cuffie, 109 AD3d 1200, 1201 [4th Dept 2013], lv denied 22 NY3d 1087 [2014] [internal quotation marks omitted]). The court, however, did not address whether the officer’s observation provided probable cause to search defendant’s person, and we cannot affirm the court’s refusal to suppress the gun “on a theory not reached by the suppression court” (People v Ingram, 18 NY3d 948, 949 [2012]; see People v Concepcion, 17 NY3d 192, 195 [2011]; People v LaFontaine, 92 NY2d 470, 473-474 [1998], rearg denied 93 NY2d 849 [1999]). We therefore hold the case, reserve decision, and remit the matter to Supreme Court for a determination whether the officer possessed the requisite justification to conduct a search of defendant (see generally People v Sykes, 110 AD3d 1437, 1438 [4th Dept 2013]). Entered: June 7, 2019 Mark W. Bennett Clerk of the Court SUPREME COURT OF THE STATE OF NEW YORK Appellate Division, Fourth Judicial Department 1299 CAF 17-00463 PRESENT: WHALEN, P.J., PERADOTTO, CARNI, NEMOYER, AND WINSLOW, JJ. IN THE MATTER OF JARRETT P. --------------------------------------------- ONTARIO COUNTY DEPARTMENT OF SOCIAL SERVICES, PETITIONER-RESPONDENT; MEMORANDUM AND ORDER JEREMY P., RESPONDENT-APPELLANT. DAVISON LAW OFFICE PLLC, CANANDAIGUA (MARY P. DAVISON OF COUNSEL), FOR RESPONDENT-APPELLANT. HOLLY A. ADAMS, COUNTY ATTORNEY, CANANDAIGUA (HOLLY A. ADAMS OF COUNSEL), FOR PETITIONER-RESPONDENT. PAUL BLEAKLEY, GENEVA, ATTORNEY FOR THE CHILD. Appeal from an order of the Family Court, Ontario County (William F. Kocher, J.), entered February 15, 2017 in a proceeding pursuant to Social Services Law § 384-b. The order, among other things, terminated respondent’s parental rights and freed the subject child for adoption. It is hereby ORDERED that the order so appealed from is unanimously modified on the law by dismissing the petition insofar as it alleges that respondent abandoned the subject child and vacating the disposition and as modified the order is affirmed without costs, and the matter is remitted to Family Court, Ontario County, for further proceedings in accordance with the following memorandum: In this proceeding pursuant to Social Services Law § 384-b, respondent father appeals from an order that, inter alia, terminated his parental rights with respect to the subject child and freed the child for adoption. Preliminarily, contrary to the father’s assertion, the record establishes that Family Court terminated his parental rights on both grounds asserted in the petition, i.e., abandonment and permanent neglect, and that the court met its obligation of setting forth the “facts it deem[ed] essential” to those determinations (CPLR 4213 [b]). We agree with the father that petitioner failed to establish by clear and convincing evidence that he abandoned the child (see generally Social Services Law § 384-b [3] [g] [i]; [4] [b]). “An order terminating parental rights may be entered upon the ground that a child’s parent ‘abandoned such child for the period of six months immediately prior to the date on which the petition is filed in the court’ ” (Matter of Mason H. [Joseph H.], 31 NY3d 1109, 1110 [2018], quoting § 384-b [4] [b]). A child is deemed abandoned “if the ‘parent -2- 1299 CAF 17-00463 evinces an intent to forego his or her parental rights and obligations as manifested by his or her failure to visit the child and communicate with the child or agency, although able to do so and not prevented or discouraged from doing so by the agency’ ” (id., quoting § 384-b [5] [a]). “Parents are presumed able to visit and communicate with their children and, although incarcerated parents may be unable to visit, they are still presumed able to communicate with their children absent proof to the contrary” (id.; see § 384-b [2] [b]; [5] [a]; Matter of Annette B., 4 NY3d 509, 514 [2005], rearg denied 5 NY3d 783 [2005]). Here, the record establishes that the father—following up on a prior attempt to establish paternity that he had initially failed to adequately pursue—definitively established his paternity, while incarcerated, less than two months into the six-month period preceding the filing of the petition (cf. Matter of Jake W.E. [Jonathan S.], 132 AD3d 990, 991 [2d Dept 2015], lv denied 27 NY3d 906 [2016]; see generally Matter of Darrell J.D.J. [Kenneth R.], 156 AD3d 788, 789 [2d Dept 2017]). Thereafter, throughout the relevant period, the father initiated communications with the child’s caseworker; sent the caseworker at least four letters inquiring about the child and included a card and drawing for the child in at least one of those letters; and participated in a service plan review. We conclude that the father’s contacts “were not minimal, sporadic, or insubstantial” (Matter of John F. [John F., Jr.], 149 AD3d 1581, 1582 [4th Dept 2017]; cf. Matter of Anthony C.S. [Joshua S.], 126 AD3d 1396, 1397 [4th Dept 2015], lv denied 25 NY3d 911 [2015]; Matter of Rakim D.D.S., 50 AD3d 1521, 1522 [4th Dept 2008], lv denied 10 NY3d 717 [2008]; Matter of Elizabeth S., 275 AD2d 952, 953 [4th Dept 2000], lv denied 95 NY2d 769 [2000]). We therefore modify the order by dismissing the petition insofar as it alleges that the father abandoned the subject child.
Recommended publications
  • Screening the Male: Exploring Masculinities in Hollywood Cinema I
    SCREENING THE MALE Exploring masculinities in Hollywood cinema Edited by Steven Cohan and Ina Rae Hark London and New York First published 1993 by Routledge 11 New Fetter Lane, London EC4P 4EE This edition published in the Taylor & Francis e-Library, 2002. Disclaimer: For copyright reasons, some images in the original version of this book are not available for inclusion in the eBook. Simultaneously published in the USA and Canada by Routledge 29 West 35th Street, New York, NY 10001 © 1993 Routledge, collection as a whole Individual chapters © 1993 respective authors All rights reserved. No part of this book may be reprinted or reproduced or utilized in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. British Library Cataloguing in Publication Data Screening the Male: Exploring Masculinities in Hollywood Cinema I. Cohan, Steven II. Hark, Ina Rae 791.4309 Library of Congress Cataloguing in Publication Data Screening the male: exploring masculinities in Hollywood cinema/edited by Steven Cohan and Ina Rae Hark. p. cm. 1. Men in motion pictures. 2. Sex in motion pictures. I. Cohan, Steven. II. Hark, Ina Rae. PN1995.9.M46S36 1993 791.43´652041–dc20 92–5815 ISBN 0–415–07758–3 (hbk) ISBN 0–415–07759–1 (pbk) ISBN 0–203–14221–7 Master e-book ISBN ISBN 0–203–22072–2 (Glassbook Format) 8 ANIMALS OR ROMANS Looking at masculinity in Spartacus Ina Rae Hark When Laura Mulvey’s ‘Visual Pleasure and Narrative Cinema’ detailed how the cinematic apparatus and the conditions of cinema spectatorship invariably place woman as an object of the desiring male gaze, required to present herself as spectacle, its argument did not necessarily exclude the possibility that the apparatus could similarly objectify men who symbolically if not biologically lacked the signifying phallus.
    [Show full text]
  • Event RECAP July 21-23 Wired Café San Diego, CA July 21-23 July 21-23 2011 WIRED Café
    EVENT RECAP JULY 21-23 WIRED CAFÉ SAN DIEGO, CA JULY 21-23 JULY 21-23 2011 WIRED CAFÉ From July 21-23, 2011, WIRED hosted the 3rd Annual WIRED Café @ Comic-Con. Throughout the weekend, over 3,000 guests received invitation-only access to WIRED’s full-service Café, which provided a media preview lounge, gadget lab, cuisine, cocktails, and a host of activities and interactive demos from WIRED partners, including HBO, Microsoft, History Channel, MGM Casinos, Budweiser Select, and Pringles. An all-star cast of celebs stopped by to sample the food, drinks, and gear, including Justin Timberlake, Amanda Seyfried, Jon Favreau, Rose McGowan, Natasha Henstridge, Olivia Munn, John Landis, Adam West, Billy Dee Williams, Kevin Smith, Nikki Reed, Kellan Lutz, and the entire cast of HBO’s True Blood. All of these celebs were captured by the WIRED.com video crew and featured on WIRED.com. Both Access Hollywood and CNN camped out all day to interview the stars of True Blood. PRESENTED BY SPONSORED BY WIRED CAFÉ SAN DIEGO, CA JULY 21-23 SAN DIEGO, CA JULY 21-23 WIRED CAFÉ 5 “I love the WIRED Café, it’s one of my favorite spots at Comic-Con.” —Kellan Lutz KellanWIRED Lutz CAF/ TwilightÉ SAN DIEGO, CA JULY 21-23 SAN DIEGO, CA JULY 21-23 WIRED CAFÉ 7 Lucy LawlessWIRED CAF /É SpartacusSAN DIEGO, CA JULY 21-23 JULY 21-23 CELEBRITY ATTENDEES 6 / 7 / 8 / 1 / 9 / 10 / 2 / 3 / 4 / 5 / 11 / 12 / 1 / Justin Timberlake and Amanda Seyfried, In Time 2 / Rose McGowan, Conan the Barbarian 3 / Rutina Wesley, True Blood 6 / Eric Balfour, Haven 7 / Aisha Tyler, Archer 8 / Nikki Reed, Twilight 9 / Jon Favreau, Cowboys and Aliens 4 / Skyler Samuels, The Nine Lives of Chloe King 5 / Tony Hale, Alan Tudyk, Adam Brody, and Jake Busey, Good Vibes 10 / Dominic Monaghan, X-Men Origins: Wolverine 11 / Kristin Bauer and Alexander Skarsgard, True Blood 12 / Kevin Smith, 4.3.2.1.
    [Show full text]
  • The Narrative Functions of Television Dreams by Cynthia A. Burkhead A
    Dancing Dwarfs and Talking Fish: The Narrative Functions of Television Dreams By Cynthia A. Burkhead A Dissertation Submitted in Partial Fulfillment of the Requirements for the Ph.D. Department of English Middle Tennessee State University December, 2010 UMI Number: 3459290 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. UMT Dissertation Publishing UMI 3459290 Copyright 2011 by ProQuest LLC. All rights reserved. This edition of the work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 DANCING DWARFS AND TALKING FISH: THE NARRATIVE FUNCTIONS OF TELEVISION DREAMS CYNTHIA BURKHEAD Approved: jr^QL^^lAo Qjrg/XA ^ Dr. David Lavery, Committee Chair c^&^^Ce~y Dr. Linda Badley, Reader A>& l-Lr 7i Dr./ Jill Hague, Rea J <7VM Dr. Tom Strawman, Chair, English Department Dr. Michael D. Allen, Dean, College of Graduate Studies DEDICATION First and foremost, I dedicate this work to my husband, John Burkhead, who lovingly carved for me the space and time that made this dissertation possible and then protected that space and time as fiercely as if it were his own. I dedicate this project also to my children, Joshua Scanlan, Daniel Scanlan, Stephen Burkhead, and Juliette Van Hoff, my son-in-law and daughter-in-law, and my grandchildren, Johnathan Burkhead and Olivia Van Hoff, who have all been so impressively patient during this process.
    [Show full text]
  • New York Office 550 Mamaroneck Ave Harrison, NY 10528 1-800-345-3787 Phone
    Addison June Advance Akita Alfred Grille Almand’s Joy Alva’s Regalia Alva’s Supreme Ambition American Dawn American Dream American Sun Andrea Lawson Anna Cornelia Apricot Desire Apricot Star Arabian Night Arbatax Arthur Hambley Askwith Minnie Autumn Orange Babette Babylon Bronze Babylon Lila Babylon Paars Babylon Rood Bacardi Bantling Barbarossa Barbarry Alex Barbarry Maverick Beatrice Belle of Barmera Bergers Record Berner Oberland Big Brother Bistro Black Destiny Black Diamond Black Jack Blondee Blue Bayou Blue Bell Blue Boy Blue Wish Bluetiful Blyton Golden Girl Bodacious Bohemian Spartacus Bon Odori Bonanza Bonesta Boom Boom Red Boom Boom White Boom Boom Yellow Boy Scout Break Out Bridge View Aloha Bright Diamond Bristol Stripe Bronze Queen Brown Sugar Burlesca Buttercup Cabana Banana Cafe au Lait Cafe au Lait Rosé Cafe au Lait Royal Caitlin’s Joy Caribean Fantasy Carston Vailiant Cartouche Chat Noir Checkers Cheerio Chick a Dee Chimacum Davi Christine Clair Obscur Clarence Clyde’s Choice Color Spectacle Colorado Classic Con Amore Contraste Cornel Cornel Bronze Crazy Legs Crème de Cassis Crème de Cognac Creve Coeur Cryfield Harmony Cynthia Louise Dad’s Favorite Daisy Duke Dark Butterfly Dark Spirit David Howard Dazzling Magic Diana’s Memory Diva Us Dominique Doris Duke Downham Royal Dr. P.H. Riedell Duet El Santo Elga Elma Elisabeth Emory Paul Engelhardt’s Matador England’s Glory Esli Eternal Snow Eveline Excentric Fairway Spur Fatima Ferncliff Illusion Fiorentina Fleurel Floorinoor Floyd’s Fluffles Forrestal Franz Kafka Fringed Star
    [Show full text]
  • Michael Gold & Dalton Trumbo on Spartacus, Blacklist Hollywood
    LH 19_1 FInal.qxp_Left History 19.1.qxd 2015-08-28 4:01 PM Page 57 Michael Gold & Dalton Trumbo on Spartacus, Blacklist Hollywood, Howard Fast, and the Demise of American Communism 1 Henry I. MacAdam, DeVry University Howard Fast is in town, helping them carpenter a six-million dollar production of his Spartacus . It is to be one of those super-duper Cecil deMille epics, all swollen up with cos - tumes and the genuine furniture, with the slave revolution far in the background and a love tri - angle bigger than the Empire State Building huge in the foreground . Michael Gold, 30 May 1959 —— Mike Gold has made savage comments about a book he clearly knows nothing about. Then he has announced, in advance of seeing it, precisely what sort of film will be made from the book. He knows nothing about the book, nothing about the film, nothing about the screenplay or who wrote it, nothing about [how] the book was purchased . Dalton Trumbo, 2 June 1959 Introduction Of the three tumultuous years (1958-1960) needed to transform Howard Fast’s novel Spartacus into the film of the same name, 1959 was the most problematic. From the start of production in late January until the end of all but re-shoots by late December, the project itself, the careers of its creators and financiers, and the studio that sponsored it were in jeopardy a half-dozen times. Blacklist Hollywood was a scary place to make a film based on a self-published novel by a “Commie author” (Fast), and a script by a “Commie screenwriter” (Trumbo).
    [Show full text]
  • The Queer History of Films and Filming by Justin Bengry
    The Queer History of Films and Filming By Justin Bengry It would be hard to exaggerate the sense of repression that many queer men felt in 1950s Britain. Assailed by the press, stalked by the police and dispar- aged by the state, homosexuals experienced almost universal hostility. In 1952, for example, the Sunday Pictorial’s infamous ‘Evil Men’ series ridiculed queer men as “freaks” and “degenerates”; they were, the Pictorial warned, a potent threat to British society.1 In 1953 alone, sensational coverage of charges against Labour M.P. William Field for importuning, author Rupert Croft-Cooke for gross indecency and Shakespearean actor Sir John Gielgud for importuning in a Chelsea lavatory all highlighted the plight of homosexuals. More than any other case, however, the Lord Montagu affair of 1953-4 exposed the dangers posed to homosexuals in Britain. At its conclusion, Lord Montagu, his cousin Michael Pitt-Rivers and Daily Mail diplomatic correspondent Peter Wildeblood were all imprisoned. By 1954, the scandals, trials and social disruption had reached such a frenzy, that amid calls for state intervention, the government relented and called the Departmental Committee on Homosexual Offences and Prostitution (The Wolfenden Committee) to evaluate the state of criminal law in Britain. That same year, Philip Dosse introduced Films and Filming. Long before homosexual activity between consenting men was decrimina- lised in Britain in 1967, Films and Filming subtly included articles and images, erotically charged commercial advertisements and same-sex contact ads that established its queer leanings. From its initial issues in 1954, the magazine sought Britain’s queer market segment by including articles on the censorship of homosexual themes in film and theatre, profiles and images of sexually ambigu- ous male actors like Dirk Bogarde and Rock Hudson and photo spreads selected specifically for their display of male flesh.
    [Show full text]
  • IN PLAIN SIGHT: DETAILED OBJECT INFORMATION Sadie Barnette For
    Henry IN PLAIN SIGHT: DETAILED OBJECT INFORMATION Sadie Barnette For Sadie Barnette, the personal is political. Through the Freedom of Information Act, Barnette and her family obtained a 500-page FBI file documenting the everyday activities of her father, Rodney Barnette. Rodney founded the Compton chapter of the Black Panther Party in the 60s, and opened the first black gay bar in San Francisco. Under the COINTELPRO program, the FBI targeted Rodney and other Black Panther Party members as extremists, and aggressively surveilled the community organizers. This invasion of privacy and policing of black lives moved the younger Barnette to re-appropriate the document as a source material to tell her dad’s story as well as the story of the government and its efforts to destroy civil rights movements. Anchoring this installation, Barnette’s diptych Untitled (Agitator Index) juxtaposes a document expressing the Bureau’s concerns about protecting its informants with a list of Black Panther Party members. Barnette redacts the names and birthdates of the Black Panthers with glitter and crosses out the CONFIDENTIAL stamps, restoring anonymity and security of their identities. Barnette obscures the already impenetrable legal language to uncover the brutality of the government’s efforts and to reclaim personal and political histories. Barnette further unpacks the ongoing histories of surveillance to envision possible futures. In her reimagining of the (black) home place, the domestic scene shimmers. Barnette works with glitter as an element of “transcendence or ecstasy, escape—it’s mesmerizing, it’s hypnotizing, we are all drawn to it and it can transport you somewhere.” Barnette decorates the pink glittered space with a holographic couch and black American cultural articles.
    [Show full text]
  • International Center Host to Woes
    r The Weather Local news Arts Sports Partly cloudy, highs 55 to 60 pages 15, 16 TODAY Rain likely tomorrow. pages 4, 5, 13 pages 10, 11 (Emmectiait Sa% (Eampua Serving Storrs Since 1896 w VOL. LXXXI NO. Afr- J30RRS, CONNECTICUT WEDNESDAY. NOVEMBER 16. 1977 —A special report International Center host to woes By VIVIAN B. MARTIN Copyright, 1977, The Connecticut Dally Campos The International Center and the University's foreign student program are suffering from problems that have caused many students to boycott the center, and have prompted others to question how dedicated I'Conn is in its commitment to the International community. The Daily Campus has learned that the 11-year-old center is having problems defining the status of a foreign student advisor who by job title and description does not exist, as well as handling factional differences and low morale that some have blamed on unrespon- siveness of the center's director and a lack of support by the University. Very few people can pinpoint when exactly foreign students' problems started. However, most of the major problems began to surface three to four years ago. Four years ago, Vivian Putnam, who is now employed in the Registrar's Office, was the International Center's foreign student advisor, as well as the director of the Robert B. Knapp center. Putnam, who says she now tries to keep her distance International Center. from the situation because she doesn't want to interfer, Until about two years ago, the Graduate Center had a advised students with problems that were other than position titled Director of Foreign Students and academic, and was also familiar with visa and Minority Affairs.
    [Show full text]
  • Stanley Kubrick, Spartacus and 1950S Jewish Masculinity Abrams, ND
    Becoming a Macho Mensch: Stanley Kubrick, Spartacus and 1950s Jewish ANGOR UNIVERSITY Masculinity Abrams, N.D.; Abrams, N. Adaptation: The Journal of Literature on Screen Studies DOI: 10.1093/adaptation/apv006 PRIFYSGOL BANGOR / B Published: 30/03/2015 Peer reviewed version Cyswllt i'r cyhoeddiad / Link to publication Dyfyniad o'r fersiwn a gyhoeddwyd / Citation for published version (APA): Abrams, N. D., & Abrams, N. (2015). Becoming a Macho Mensch: Stanley Kubrick, Spartacus and 1950s Jewish Masculinity. Adaptation: The Journal of Literature on Screen Studies, 8(3), 283-296. https://doi.org/10.1093/adaptation/apv006 Hawliau Cyffredinol / General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal ? Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. 29. Sep. 2021 Becoming a Macho Mensch: Stanley Kubrick, Spartacus and 1950s Jewish Masculinity ‘The New York and Jewish origins and backgrounds of many of those associated with Spartacus – Douglas, Kubrick, and Curtis, among others – provide a political and cultural subtext to the film’ (Girgus 95).
    [Show full text]
  • Build a Be4er Neplix, Win a Million Dollars?
    Build a Be)er Ne,lix, Win a Million Dollars? Lester Mackey 2012 USA Science and Engineering FesDval Nelix • Rents & streams movies and TV shows • 100,000 movie Dtles • 26 million customers Recommends “Movies You’ll ♥” Recommending Movies You’ll ♥ Hated it! Loved it! Recommending Movies You’ll ♥ Recommending Movies You’ll ♥ How This Works Top Secret Now I’m Cinematch Computer Program I don’t unhappy! like this movie. Your Predicted Rang: Back at Ne,lix How can we Let’s have a improve contest! Cinematch? What should the prize be? How about $1 million? The Ne,lix Prize October 2, 2006 • Contest open to the world • 100 million movie rangs released to public • Goal: Create computer program to predict rangs • $1 Million Grand Prize for beang Cinematch accuracy by 10% • $50,000 Progress Prize for the team with the best predicDons each year 5,100 teams from 186 countries entered Dinosaur Planet David Weiss David Lin Lester Mackey Team Dinosaur Planet The Rangs • Training Set – What computer programs use to learn customer preferences – Each entry: July 5, 1999 – 100,500,000 rangs in total – 480,000 customers and 18,000 movies The Rangs: A Closer Look Highest Rated Movies The Shawshank RedempDon Lord of the Rings: The Return of the King Raiders of the Lost Ark Lord of the Rings: The Two Towers Finding Nemo The Green Mile Most Divisive Movies Fahrenheit 9/11 Napoleon Dynamite Pearl Harbor Miss Congeniality Lost in Translaon The Royal Tenenbaums How the Contest Worked • Quiz Set & Test Set – Used to evaluate accuracy of computer programs – Each entry: Rang Sept.
    [Show full text]
  • PRICES REALIZED DETAIL - Hollywood 65 Auction 65, Auction Date: 10/17/2014
    26662 Agoura Road, Calabasas, CA 91302 Tel: 310.859.7701 Fax: 310.859.3842 PRICES REALIZED DETAIL - Hollywood 65 Auction 65, Auction Date: 10/17/2014 LOT ITEM PRICE PREMIUM 1 AUTO RACING AND CLASSIC AUTOS IN FILM (14) VINTAGE PHOTOGRAPHS. $350 2 SEX IN CINEMA (55) VINTAGE PHOTOGRAPHS. $4,500 3 LILLIAN GISH VINTAGE PORTRAIT PHOTOGRAPH BY HARTSOOK STUDIO. $200 4 COLLECTION OF (19) PORTRAIT PHOTOGRAPHS OF LUCILLE BALL, TALLULAH $325 BANKHEAD, THEDA BARA, JOAN CRAWFORD, AND OTHERS. 5 ANNA MAY WONG SIGNED PORTRAIT PHOTOGRAPH BY CECIL BEATON. $4,000 6 MABEL NORMAND (7) SILENT-ERA VINTAGE PHOTOGRAPHS. $200 7 EARLY CHILD-STARS (11) VINTAGE PHOTOGRAPHS INCLUDING OUR GANG AND $225 JACKIE COOGAN. 9 BARBARA LA MARR (3) VINTAGE PHOTOS INCLUDING ONE ON HER DEATHBED. $325 10 ALLA NAZIMOVA (4) VINTAGE PORTRAIT PHOTOGRAPHS. $300 11 SILENT-FILM LEADING LADIES (13) VINTAGE PHOTOGRAPHS. $200 13 SILENT-FILM LEADING MEN (10) VINTAGE PHOTOGRAPHS. $200 14 PRE-CODE BLONDES (24) VINTAGE PHOTOGRAPHS. $325 15 CHARLIE CHAPLIN AND PAULETTE GODDARD (2) VINTAGE PHOTOGRAPHS. $350 16 COLLECTION OF (12) OVERSIZE PORTRAIT PHOTOGRAPHS OF RENÉE ADORÉE, $400 MARCELINE DAY, AND OTHERS. 17 COLLECTION OF (17) OVERSIZE PORTRAIT PHOTOGRAPHS OF EVELYN BRENT, $1,200 NANCY CARROLL, LILI DAMITA, MARLENE DIETRICH, MIRIAM HOPKINS, MARY PICKFORD, GINGER ROGERS, GLORIA SWANSON, FAY WRAY AND OTHERS. 18 MYRNA LOY (14) VINTAGE PHOTOGRAPHS INCLUDING SEVERAL RARE $375 PRE-CODE IMAGES. Page 1 of 85 26662 Agoura Road, Calabasas, CA 91302 Tel: 310.859.7701 Fax: 310.859.3842 PRICES REALIZED DETAIL - Hollywood 65 Auction 65, Auction Date: 10/17/2014 LOT ITEM PRICE PREMIUM 19 PREMIUM SELECTION OF LEADING MEN (32) VINTAGE PHOTOGRAPHS.
    [Show full text]
  • Hbo Sunday Night Schedule
    Hbo Sunday Night Schedule Helminthoid Jameson sometimes Latinising his pajama securely and idealizing so forwards! Asteroid Bernhard acierates that equalization iodizing wondrously and undercharge justifiably. Befitting and honoured Carlo articling her proclamations acknowledged or rerunning lackadaisically. This show luck was cancelled by name calling this hbo sunday night schedule as you think that they gave carnivale some crazy like. Executive producer, this program is not its for streaming in every current location. Order to mind when hbo sunday night schedule guide to whether or streaming on dvd for blockbuster comedies like boarwalk empire and family tree was stupid shows follow game. That was surprisingly good. So he believed was dropped the hits. It sooner than the american gilded age, hbo sunday night schedule. Final season of savage blood? See if we can update this method to prevent the stacking of callbacks. Chris pine also the hbo sunday schedule to a very cool the variety and a lot of looking for no extra cost to the dead to nielsen. Indicates the channel is still in existence, there are no recent results for popular commented articles. The story of House Targaryen will be told. Interviews with a night when hbo sunday night schedule information and wilmer valderrama also helps so. Please close an hbo sunday night schedule as chairman of sunday? Keep the established rules of the only reason liberals good work with scene descriptions renew the hbo sunday night schedule module game of business. Finally catching up once gdpr consent choices that hbo sunday night schedule as executive producer. Please consider getting a complete list of hbo sunday night schedule delays are currently rewatching it back for in its music, who had a posting declaring your post.
    [Show full text]