Beginners Guide to Crewel Embroidery Pdf, Epub, Ebook
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Great Lakes Region Seminar
Great Lakes Region Seminar April 11–15, 2021 Appleton, Wisconsin Hosted by the Fox Valley Embroiderers’ Guild A chapter of the Embroiderers’ Guild of America An Invitation to Vision of Stitches Vision can be defined as having the ability to see or the ability to think or plan with imagination; both definitions encompass our love of the needle arts. The Fox Valley Embroiderers’ Guild invites you to join us for Vision of Stitches, to be held at the Red Lion Hotel Paper Valley in downtown Appleton, Wisconsin, April 11–15, 2021. With inspiring faculty and classes, wonderful accommodations and food, as well as an exciting night out, we are looking forward to sharing our community with you. Of course, we will have the seminar favorites: a boutique presented by Needle Workshop of Wausau, Wisconsin, Merchandise Night and the GLR Members’ Needle Art Exhibit. We have teamed with Lions Clubs International to recycle used eyeglasses. Consider collecting used eyewear from your chapter members who are unable to join us. Looking forward to welcoming you to our Vision. Nancy Potter, Chairman, GLR Seminar, Vision of Stitches Brochure Contents Proposed Event Schedule 3 Registration Information 4 Process & Instructions Registration Fees and Class Confirmation Registrar’s Contact Information Hotel Registration 5 Seminar Cancellation Policy 5 Special Events 6 Boutique by The Needle Workshop of Wausau, Wisconsin Half-Day Classes: Sunday Meet the Teachers: Sunday Teachers’ Showcase: Monday Tuesday Night Out: Dinner at Pullmans at Trolley Square, featuring professor -
Cora Ginsburg Catalogue 2015
CORA GINSBURG LLC TITI HALLE OWNER A Catalogue of exquisite & rare works of art including 17th to 20th century costume textiles & needlework 2015 by appointment 19 East 74th Street tel 212-744-1352 New York, NY 10021 fax 212-879-1601 www.coraginsburg.com [email protected] NEEDLEWORK SWEET BAG OR SACHET English, third quarter of the 17th century For residents of seventeenth-century England, life was pungent. In order to combat the unpleasant odors emanating from open sewers, insufficiently bathed neighbors, and, from time to time, the bodies of plague victims, a variety of perfumed goods such as fans, handkerchiefs, gloves, and “sweet bags” were available for purchase. The tradition of offering embroidered sweet bags containing gifts of small scented objects, herbs, or money began in the mid-sixteenth century. Typically, they are about five inches square with a drawstring closure at the top and two to three covered drops at the bottom. Economical housewives could even create their own perfumed mixtures to put inside. A 1621 recipe “to make sweete bags with little cost” reads: Take the buttons of Roses dryed and watered with Rosewater three or foure times put them Muske powder of cloves Sinamon and a little mace mingle the roses and them together and putt them in little bags of Linnen with Powder. The present object has recently been identified as a rare surviving example of a large-format sweet bag, sometimes referred to as a “sachet.” Lined with blue silk taffeta, the verso of the central canvas section contains two flat slit pockets, opening on the long side, into which sprigs of herbs or sachets filled with perfumed powders could be slipped to scent a wardrobe or chest. -
Crewel Embroidery 0F Colonial New England
o o . 1‘ ‘ lb ‘ \w‘.‘ v ‘ " O . .1' '-' «7A :1. 90;": “W;ul.\u’$31.?l'“.‘ 1),. 3:10; 'M " d5‘_);”: ”‘22. ‘ '11“. 5"? $0.053“: . ~ .t"""\" 0‘70' ' ‘. ""7"! ( J::T.m4‘u '.""‘:.O-c :cnou ~11 ‘5'. u o. _'.‘ "' "‘:"-: .t-‘. _ n J; :ln'. ‘“:.;.’ ‘u‘ 9“ .‘ A.“ '. .. *“." " V'W‘ ’:".I|\~u"oOI(|‘. ""h’" '...Iigv-I . 01.11 f"-"'-":""‘°uo‘f.‘ .. - . ‘ p...‘ ‘I . ‘ a " . ...<o CREWEL ... EMBROIDERY THE Thesis MICHIGAN ENVIRONMENTAL MARY for 0F LYNNE the STATE COLONIAL 1975 Degree RICHARDS UNIVERSIIY INFLUENCES ovo- Of NEW M. cOc "9...! A ENGLAND -~ 0 ’Ipup~ ”‘0... l 00"! . AND I'ocumnmnwwwvwv- - Q . o . IIIII IIIIIIIOO PLACE II RETURN BOX to remove this Moat from yout record. To AVOID FINES Mum on or More data duo. DATE DUE DATE DUE DATE DUE — LI- * Om MSU Is An Affirmative MINI/Emil Opportunity Institution Wanna-9.1 ABSTRACT CREWEL EMBROIDERY OF COLONIAL NEw ENGLAND AND THE ENVIRONMENTAL INFLUENCES By Mary Lynne Richards The purposes of this study were: 1) to describe the characteristic colors, stitches and designs found in crewel embroidery created within New England during the colonial period, 2) to analyze these characteris- tics in relation to the dates and locations of the sample embroideries, and 3) to analyze the characteristic designs in relation to aspects of the colonial New England physical environment. The sample was composed of fifty crewel embroidered items, believed to have been created between 1620 and 1781, within the geographic boundaries of New England. A data sheet, plus color slides or black and white sketches, were used to record information pertaining to each embroidered item. -
Project Description
Project Description Candlewicking is a form of surface embroidery that traditionally uses an unbleached cotton thread on a piece of unbleached muslin. It gets Candlewicking its name from the nature of the thread, which very much resembles the wick used in a candle. Motifs are created using a variety of knots (Colonial) and satin stiches (backstitich). A warm covering made of two layers of cloth filled with a material with loft and tyed together. Tying refers to the technique of using thread, Comforters yarn or ribbon to pass through all three layers of the comforter at reqular intervals. These "ties" hold the layers together during use and especially when the comforter is washed. A warm covering made of two layers of cloth filled with a material with Quilts loft and stitched together in lines or patterns. The top layer is typically pieced together and the bottom is one solid layer. Process of stitching together two layers of fabric, usually with a soft, thick substance placed between them. The layer of wool, cotton, or other stuffing provides insulation; the stitching keeps the stuffing evenly distributed and also provides opportunity for artistic expression. Quilting has long been used for clothing in many parts of the world, especially Quilting in the Far and Middle East and the Muslim regions of Africa. It reached its fullest development in the U.S., where it was at first popularly used for petticoats and comforters. By the end of the 18th century the U.S. quilt had distinctive features, such as coloured fabric sewn on the outer layers (appliqué) and stitching that echoed the appliqué pattern. -
Advanced Silk Shading
ROYAL SCHOOL OF NEEDLEWORK 2019-2020 ACADEMIC YEAR DIPLOMA ADVANCED SILK SHADING Traditionally worked with silk thread on silk or linen fabric, but now more usually worked in stranded cotton thread. Silk is still the most usual background fabric but a variety of other fabrics may be used. For Advanced Silk Shading you may work EITHER an animal, bird, fish or reptile; OR a tapestry shaded human figure. SILK SHADED ANIMAL OR BIRD AIM – To demonstrate an advanced level of technical skill by working a realistic and naturally shaded embroidery of an animal, fish, reptile or bird using Long and Short Stitch with one strand of stranded cotton (or fine silk thread). To utilise shading and stitch direction to accurately depict musculature, fur, scales and clearly defined feathers as appropriate. Please note: All preparatory work (e.g. outlines, drawings, stitch plans, original source material) MUST be handed in for assessment or the work will not be marked. DESIGN Try to come with some ideas for a design and bring along some photographs. The photograph must be printed a similar size to the embroidery size otherwise it is very difficult to work. It is essential to work from a crisp, clear, well-focused photograph where you can see the individual colours and changes from dark to light. Illustrations can sometimes be harder to follow, and you should be wary of images from the Internet, which are often poor quality and may not print sufficiently well. However there are many places online from which you can purchase high quality images. The tutor will be able to make suggestions and help you bring your ideas together. -
The Bayeux Tapestry
The Bayeux Tapestry The Bayeux Tapestry A Critically Annotated Bibliography John F. Szabo Nicholas E. Kuefler ROWMAN & LITTLEFIELD Lanham • Boulder • New York • London Published by Rowman & Littlefield A wholly owned subsidiary of The Rowman & Littlefield Publishing Group, Inc. 4501 Forbes Boulevard, Suite 200, Lanham, Maryland 20706 www.rowman.com Unit A, Whitacre Mews, 26-34 Stannary Street, London SE11 4AB Copyright © 2015 by John F. Szabo and Nicholas E. Kuefler All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without written permission from the publisher, except by a reviewer who may quote passages in a review. British Library Cataloguing in Publication Information Available Library of Congress Cataloging-in-Publication Data Szabo, John F., 1968– The Bayeux Tapestry : a critically annotated bibliography / John F. Szabo, Nicholas E. Kuefler. pages cm Includes bibliographical references and index. ISBN 978-1-4422-5155-7 (cloth : alk. paper) – ISBN 978-1-4422-5156-4 (ebook) 1. Bayeux tapestry–Bibliography. 2. Great Britain–History–William I, 1066–1087– Bibliography. 3. Hastings, Battle of, England, 1066, in art–Bibliography. I. Kuefler, Nicholas E. II. Title. Z7914.T3S93 2015 [NK3049.B3] 016.74644’204330942–dc23 2015005537 ™ The paper used in this publication meets the minimum requirements of American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials, ANSI/NISO Z39.48-1992. Printed -
Silverwork and Sequins
Session 2: Cornucopia II: Silverwork and sequins In this session you will be learning how to couch metallic threads, both Jap Thread and twist. You will also learn how to stitch sequins in place using a bead. Metallic threads add a touch of sparkle to your embroidery designs. They are made by tightly wrapping a flat metallic strip around a core of cotton or silk thread. This produces a shiny thread which can be bought in a range of sizes. There are particular ways of stitching with metallic threads which you will learn in this session. MATERIALS AND EQUIPMENT NEEDED FOR THIS SESSION: • Embroidery hoop or small frame • Embroidery scissors • Needles: o Crewel/embroidery needle size 10/12 o Large-eyed needle such as a chenille or tapestry needle (large enough to take the metallic threads) • The worked embroidery from Session 1: Cornucopia I: Blackwork Infills • Silver Jap Thread • Silver Twist Thread (or DMC silver metallic stranded thread) • Grey sewing cotton • Silver sequins, 3-4 mm, either round or flower-shaped or both: about 5-6 in total • Silver or clear seed beads, one per sequin plus one spare READ ALL OF THE INSTRUCTIONS THROUGH BEFORE YOU START YOUR EMBROIDERY. WORKING THE EMBROIDERY: HORN-OF-PLENTY SECTIONS 1. Place your worked piece from Session 1: Cornucopia I: Blackwork Infills in your hoop or frame (if it isn’t still there!) 2. You are going to use a technique called COUCHING to stitch the silver threads in position on your embroidery. Metallic threads are often too heavy to stitch through the fabric and the outer metallic cover will separate off if you take them through the fabric too often. -
How to Needlepoint
How to Needlepoint A quick guide for the on the go learner to get started stitching By Casey Sheahan What is needlepoint? Needlepoint is a type of embroidery where wool, cotton or silk is threaded through an open weave canvas. Needlepoint can be used to create many different objects, crafts or art canvases. Sources : Colorsheets, Viviva, and Shovava. “What Is Needlepoint? Learn the DIY Basics to Begin This Fun and Colorful Craft.” My Modern Met, 9 Sept. 2018, https://mymodernmet.com/what-is-needlepoint/. The Editors of Encyclopaedia Britannica. “Needlepoint.” Encyclopædia Britannica, Encyclopædia Britannica, Inc., 4 Sept. 2019, https://www.britannica.com/art/needlepoint#:~:targetText=Needlepoint as it is known,the foundation for the embroidery Needlework has been around for centuries. Throughout history we have seen a variety of different types History of of stitching. Tapestries have been found dating back to the 15th century Needlepoint and needlepoint was even found in the cave of a Pharaoh. In the 17th century when upholstered furniture became pooular. Source: “The English Needlepoint.” Ghorbany, https://ghorbany.com/inspiration/the-english-needlepoint. Getting Started Now that you know a little more about the history of needlepoint, you will start collecting your materials to begin stitching. Getting Started Material Options: Threads and Yarns Althea DeBrule outlines some of the most common types of threads used in needlepoint. Persian Yarn: By far the most popular yarn used for needlepoint. Persian wool can be be purchased in hundreds of colors from delicate hues to bold shades. Tapestry Yarn: Tapestry wool is a single strand thread that cannot be separated for fine stitching. -
186 C Ambuter the Open Canvas 286 Anchor
186 C Ambuter The Open Canvas 286 Anchor Book of Stitches Crewel Stitches & Patterns 214 Anchor Crewel Stitches & Patterns 259 Anne Andrew Embroidery Skills – Smocking** 241 Lis Arthur Kathleen Whyte Embroiderer 350 D J Ashby Stumpwork 195 Ashley/Woolsey Creative Embroidery Techniques – Colour through Gold 332 N Askari/R Crill Colours of the Indus 404 Rhoda L Auld Mola – Ideas for Creative Applique 97 Banbury & Dewar Making Embroidered Bags & Purses 278 Banbury & Dewar How to design – Banners 282 Beadworkers Guild Introduction to Beadwork Earrings 283 Beadworkers Guild Introduction to Beadwork Bracelets 340 Margaret Beal Fusing Fabric 1 Jan Beaney Stitch Images ** 33 Jan Beaney The Art of the Needle 36 Jan Beaney Stitch Images II ** 88 Jan Beaney Design into Stitch ** 163 Jan Beaney Inspirations ** 353 Beaney/Littlejohn A Tale of Two Stitches 358 Beaney/Littlejohn A Sketch in Time – Book 12 359 Beaney/Littlejohn A sketch in Time – Book 12 360 Beaney/Littlejohn No Stone Unturned – Book 13 361 Beaney/Littlejohn Connections – Book 14 362 Beaney/Littlejohn Over the Line – Book 16 363 Beaney/Littlejohn Grids to Stitch – Book 17 364 Beaney/Littlejohn Seductive Surfaces – Book 18 365 Beaney/Littlejohn Red – Book 19 366 Beaney/Littlejohn Embellish & Enrich – Book 20 368 Beaney/Littlejohn Trees as a Theme – Book 7 380 Beaney/Littlejohn Location, Location, Book 21 381 Beaney/Littlejohn Seeing Double – Book 22 382 Beaney/Littlejohn Fragile Fabrics – Book 23 ** 383 Beaney/Littlejohn Constructions – Book 24 262 Beaney/Littlejohn New Dimensions 263 -
Survey of Medieval Needlework Compiled by Mestra Rafaella D'allemtejo, OL, [email protected] Costume & Scribal Ithra, A.S
Survey of Medieval Needlework compiled by Mestra Rafaella d'Allemtejo, OL, [email protected] Costume & Scribal Ithra, A.S. 38 (October 2003) The topic of needlework is so big that any one class isn’t going to be able to do it justice. The bibliographies in this handout are a starting point for your continued research into this fascinating art form. If you have any feedback/questions/concerns or find something you think I might enjoy, please contact me (email above). --RdA Scope: Pretty much anything you can do with fingers, needle, hook, or other tools, *once* a thread already formed, so Spinning, Dyeing and Felting are not covered. Fabric making (weaving, knitting, etc.) and construction techniques covered but not patterns of garments. Different stages of needlework: Geographical areas/cultures to ponder: Thread D weaving Dfabric D sewing D • Greek/Byzantine/Roman embellishment • Anglo-Saxon England/England (post-1066) • Ireland/Scotland/Wales How is needlework used? • Spain (early/late)/Portugal • Garb: sewing garments, ornamenting hems, • France/Germany/Italy cuffs, other decorative panels and motifs • Netherlands • Ecclesiastic (church): copes, albs, • Eastern Europe/Russia chasubles, mitres, etc. • China/Japan/Mongol/Steppes • Household Linens: sheets, curtains, bed • Iceland/Scandinavia (Norse/late) hangings, tapestries, pillowcases, runners, • Middle Eastern more. • Household furnishings: rugs, table carpets. • Regalia: favors, wallhangings, banners, Tools and accessories: funeral cloths, etc. • Looms (warp-weighted, standing, -
Download Scissor Fob Pattern Directions
Heart Scissor Fob By Sarah Fielke Material Requirements: Two 6" squares of white linen Small amount of polyfil stuffing Venne Colcoton Linen thread 18/2 in colours 1-3006 and 3034 Cosmo Sparkle threads in colours 6 and 3 White cotton for sewing Crewel embroidery needle 5" embroidery hoop (optional) 2B pencil Sewing machine General sewing supplies Embroidery: Finger press the linen pieces into quarters using your fingers and open out flat. Using a light box or a sunny window, trace the heart design lightly onto one piece of the linen, using the pressed lines to help you to centre it. Trace the word "snip" onto the other piece. Use one strand of both the linen thread and the Sparkle thread. For the heart: * Back stitch around the ripple edge of the heart using Sparkle colour 3 * Work colonial knots inside the ripple on the marked dots using Colcoton colour 1-3006 * Work a row of chain stitch in Colcoton colour 1-3007 around the outside of the heart. Work a row of chain stitch using Sparkle colour 6 inside that row, and a row of Colcoton colour 3034 inside that. * Take long stitches from one side of the heart to the other in both directions along the marked lines using Sparkle colour 3. Couch these threads down at the corners where the threads meet using Colcoton colour 1-3007. For the back: * Work the word "snip" using Colcoton colour 1-3006 * Work the exclamation mark using Colcoton colour 1-3007 * Work the dot over the i using Sparkle colour 6 Press both pieces face down on a small towel so as not to squash the embroidery. -
PDF Download Hardanger Embroidery
HARDANGER EMBROIDERY PDF, EPUB, EBOOK Donatella Ciotti | 96 pages | 03 May 2007 | Sterling Publishing Co Inc | 9781402732270 | English | New York, United States Hardanger Embroidery PDF Book Minimum monthly payments are required. Close Help Do you have a picture to add? Shipping and handling. I especially love the close-up pictures of examples of early-style Hardanger. She wore a crisp white apron UNDER her colorful daily one, so if company showed up, she could whisk off the colorful, but mussed up one and look presentable. I love the hardanger on the collar of a blouse. Email to friends Share on Facebook - opens in a new window or tab Share on Twitter - opens in a new window or tab Share on Pinterest - opens in a new window or tab. During the Renaissance , this early form of embroidery spread to Italy where it evolved into Italian Reticella and Venetian lacework. Condition see all. Hardanger kloster …. This amount is subject to change until you make payment. Ensure that the holes are facing stitches going outside; as shown in the picture above. Picture Information. If you take a shortcut and miss out a number on the diagram your stitches won't hold when you start the cutting process. Apparently wait list means go online and buy it quickly as the store does not wait for you to response to the email. Listed in category:. As you progress through the course, I introduce you to the different stitches that you need. However, that number can vary. The seller has not specified a shipping method to Germany.