DOCSLIB.ORG

Fotokraft Circuit 2017

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Fotokraft Circuit 2017 FOTOKRAFT CIRCUIT 2017 LAST NAME FIRST NAME COUNTRY SECTIONS IMAGES TITLES DELHI ITARSI PILAKHUWA ABHI RAM GOLLAPALLI INDIA PID M DAILY WORK A A A ABHI RAM GOLLAPALLI INDIA PID M FISHERMANS A A A ABHI RAM GOLLAPALLI INDIA PID M MISTY DANCE A A A ABHI RAM GOLLAPALLI INDIA PID M POT MAKING * * A ABHI RAM GOLLAPALLI INDIA PID C CHIT CHAT A A * ABHI RAM GOLLAPALLI INDIA PID C DANCE * * A ABHI RAM GOLLAPALLI INDIA PID C FIGHT * * A ABHI RAM GOLLAPALLI INDIA PJD ATTACK A A A ABHI RAM GOLLAPALLI INDIA PJD MAHASHKTI * * A ABHI RAM GOLLAPALLI INDIA PJD POOJA * A * ABHI RAM GOLLAPALLI INDIA PJD STREET ACTERS A A * ABHI RAM GOLLAPALLI INDIA PTD COW RACE * A A ABHI RAM GOLLAPALLI INDIA PTD GO TO HOME A * A ABHI RAM GOLLAPALLI INDIA PTD KOMMU DANCE * A A ABHI RAM GOLLAPALLI INDIA PTD NETTING * * A ADIGA S.V. INDIA PID M BLACK BUATY A * A ADIGA S.V. INDIA PID M MORNING WASHING A A * ADIGA S.V. INDIA PID M LONELY DISCUSSION A * * ADIGA S.V. INDIA ND BEE EATER PAIR * * A ADIGA S.V. INDIA ND CHAMELION WITH FEED A A * ADIGA S.V. INDIA ND BULL WITH FEED A A IUP RIBBON ADIGA S.V. INDIA WLD KOEL A A CERTIFICATE OF MERIT ADIGA S.V. INDIA WLD BLACK BUCK MALE A * * ADIGA S.V. INDIA WLD WHITE EYE PAIR A A A AERTS JOZEF BELGIUM PID M MONO FANCY A * A AERTS JOZEF BELGIUM PID M BLACK * A * AERTS JOZEF BELGIUM PID M HATS AND ROWS * * A AERTS JOZEF BELGIUM PID M ALL THE BEAUTIES A CERTIFICATE OF MERIT CERTIFICATE OF MERIT AERTS JOZEF BELGIUM PID C MILL IN YELLOW * A * AERTS JOZEF BELGIUM PID C QUIET GRAZER A * A AERTS JOZEF BELGIUM PID C TWO GLASSES WITH SUN A * * AERTS JOZEF BELGIUM PID C MILLS AND MILLS * A A AERTS JOZEF BELGIUM PTD RECTO DUTCH GREEN MILL * * ICS HM AERTS JOZEF BELGIUM PTD CHURCH AND TOWERS CERTIFICATE OF MERIT CERTIFICATE OF MERIT A AERTS JOZEF BELGIUM PTD EVENING-MOSQUE * * A AERTS JOZEF BELGIUM PTD BROWN DANCING GIRLS A A A AERTS JOZEF BELGIUM ND AMETHISTZWAMMEN A A * AERTS JOZEF BELGIUM ND ZEBRA AND GNOE * A A AERTS JOZEF BELGIUM ND WHITE BLACK HEADS A * A AERTS JOZEF BELGIUM ND EAR OF CORN CERTIFICATE OF MERIT CERTIFICATE OF MERIT * ALENEZI FAHAD KUWAIT PID M BEAUTY IN DARK * * A ALENEZI FAHAD KUWAIT PID M CALL OF VICTORY A A * ALENEZI FAHAD KUWAIT PID M FISH HUNTER * * A ALENEZI FAHAD KUWAIT PID M HEART KISS * A * ALENEZI FAHAD KUWAIT PID C BLODDY VULTURE A A A ALENEZI FAHAD KUWAIT PID C DEPTH A * A ALENEZI FAHAD KUWAIT PID C SNATCHING FISH A A * ALENEZI FAHAD KUWAIT PID C VIEW FROM UNDER * A * ALENEZI FAHAD KUWAIT ND LOST MY MOM A A A ALENEZI FAHAD KUWAIT ND SEA HERO IUP RIBBON CERTIFICATE OF MERIT A ALENEZI FAHAD KUWAIT ND STRUGGLE FOR FOOD A * A ALENEZI FAHAD KUWAIT WLD CHALLENGE * * A ALENEZI FAHAD KUWAIT WLD FAST DIVE A A A ALENEZI FAHAD KUWAIT WLD STRUGGLE FOR SURVIVAL A * A ALEXANDRINOÂ LEI AIROSA MACAU PID M MONO PAPER DOLL 05 * A A ALEXANDRINOÂ LEI AIROSA MACAU PID M SEIZING THE GOOSE 01 A A A ALEXANDRINOÂ LEI AIROSA MACAU PID M SMILE * A A ALEXANDRINOÂ LEI AIROSA MACAU PID M SPRINKLING 02 A A A ALEXANDRINOÂ LEI AIROSA MACAU PID C BRAVEHEART A A * ALEXANDRINOÂ LEI AIROSA MACAU PID C COWBOY 02 * * A ALEXANDRINOÂ LEI AIROSA MACAU PID C LIVESTOCK TRADE A * * ALEXANDRINOÂ LEI AIROSA MACAU PID C ONE TWO THREE SMILE A WPAI SILVER A ALEXANDRINOÂ LEI AIROSA MACAU PTD PENCAK SILAT A * A ALEXANDRINOÂ LEI AIROSA MACAU PTD SIBERUT NATIVE 02 * IUP RIBBON A ALEXANDRINOÂ LEI AIROSA MACAU PTD THE PRAYER A A * ANAGNOSTIDIS MARC FRANCE ND AGRION JOUVENCELLE * * A ANAGNOSTIDIS MARC FRANCE ND ACCOUPLEMENT DE MANTES IUP RIBBON A A ANAGNOSTIDIS MARC FRANCE ND FILICARIA ET AURORE * * A ANAGNOSTIDIS MARC FRANCE ND MACULINA ET MANTE A IUP RIBBON A ANAGNOSTIDIS MARC FRANCE WLD CAPTURE ECAILLE CHINEE * * A ANAGNOSTIDIS MARC FRANCE WLD VOL D AIGRETTE A * * ANAGNOSTIDIS MARC FRANCE WLD COUPLING AND ATTACK A A A ANDERSSON ARNE SWEDEN PID M BIRD BW * A A ANDERSSON ARNE SWEDEN PID M JTJ ROUNDHOUSE MONO A * A ANDERSSON ARNE SWEDEN PID M LILIAN C9 MONO A * * ANDERSSON ARNE SWEDEN PID M THE WINDOW A * A ANDERSSON ARNE SWEDEN PID C JENNIE AND MILLIS 2 * CERTIFICATE OF MERIT A ANDERSSON ARNE SWEDEN PID C MIDSUMMER IN BISPGARDEN A A * ANDERSSON ARNE SWEDEN PID C NADJA AND RASMUS A * A ANDERSSON ARNE SWEDEN PJD A FOGGY DAY * A * ANDERSSON ARNE SWEDEN PJD GIRLS 2 A * * ANDERSSON ARNE SWEDEN PJD LASSI * A A ANDERSSON ARNE SWEDEN PJD SIGBJORN 2 * * A ANDREOU ANDREAS L CYPRUS PID M LARNACA 2 A * A ANDREOU ANDREAS L CYPRUS PID M MY FACE A A * ANDREOU ANDREAS L CYPRUS PID M PAINTED DREAMS * A A ANDREOU ANDREAS L CYPRUS PID C WHITE HARMONY BEST OF STILL LIFE A BEST OF STILL LIFE ANDREOU ANDREAS L CYPRUS PID C RED TOUCH A * A ANSARI SAKIL INDIA PID M BOY IN BLACK * A * ANSARI SAKIL INDIA PID M FIRST FINGER A * A ANSARI SAKIL INDIA PID M THEME CONTRAST A PSA GOLD CERTIFICATE OF MERIT ANSARI SAKIL INDIA PID C THEME HIDE AND SEEK A CERTIFICATE OF MERIT A ANSARI SAKIL INDIA PID C THEME PANNING * * A ANSARI SAKIL INDIA PID C THEME SOULMATE A * * ARASTU ASIF HUSAIN INDIA WLD GREATER FLAMINGO COURTSHIP * A * ARASTU ASIF HUSAIN INDIA WLD RED-VENTED BULBUL FEEDING A * A ARASTU ASIF HUSAIN INDIA WLD SMALL PRATINCOLE CALLING A A * ARASTU ASIF HUSAIN INDIA WLD WOOD SANDPIPERS FIGHT * A * ATHAVALE BHASKAR INDIA ND CHASING OSPREY FOR FISH * A A ATHAVALE BHASKAR INDIA ND HUPU FIGHT * A * ATHAVALE BHASKAR INDIA ND LANTERN BUG PAIR A * * ATHAVALE BHASKAR INDIA ND ODKF WITH FROG A * A ATHAVALE BHASKAR INDIA WLD FALCON ARIAL ATTACK * A A ATHAVALE BHASKAR INDIA WLD FEASTING ON BEETLES A A A ATHAVALE BHASKAR INDIA WLD FIGHT FOR THE NESTING PLACE * A * ATHAVALE BHASKAR INDIA WLD FRANKOLIN FIGHT A * A ATHAVALE BHASKAR INDIA PTD CLOUD AND WIND SHOW A A * ATHAVALE BHASKAR INDIA PTD COLOURFUL MOUNTAIN * * A ATHAVALE BHASKAR INDIA PTD GOLDEN SKY OVER VALLEY * A A ATHAVALE BHASKAR INDIA PTD KRANGSURI WATERFALL A * A B.DASTENAVAR INDRAKUMAR INDIA PID C MONKS STUDY A * A B.DASTENAVAR INDRAKUMAR INDIA PID C MONKS FOOTBAL * * A B.DASTENAVAR INDRAKUMAR INDIA PID C PADA POOJA A A A B.DASTENAVAR INDRAKUMAR INDIA PID C ART RACE A * A B.DASTENAVAR INDRAKUMAR INDIA ND HOOPE WITH FEED * * A B.DASTENAVAR INDRAKUMAR INDIA ND SPIDER * A * B.DASTENAVAR INDRAKUMAR INDIA ND DUCK FAMILY A A * B.DASTENAVAR INDRAKUMAR INDIA ND FLYING DUCK * * A B.DASTENAVAR INDRAKUMAR INDIA PJD CYCLIST A A * B.DASTENAVAR INDRAKUMAR INDIA PJD FIRE BIKE JUMP WPAI SILVER CERTIFICATE OF MERIT CERTIFICATE OF MERIT B.DASTENAVAR INDRAKUMAR INDIA PTD PADA POOJA2 * * A B.DASTENAVAR INDRAKUMAR INDIA PTD THREE NAGAS ICS GOLD A A B.DASTENAVAR INDRAKUMAR INDIA PTD KOPPALA JATRE * * A B.DASTENAVAR INDRAKUMAR INDIA PTD BULL CATCHING * * A BACLE JEAN CLAUDE FRANCE ND TWO RINGED KINGFISHER CERTIFICATE OF MERIT A A BACLE JEAN CLAUDE FRANCE ND GENTOO NOURRISSING * * A BACLE JEAN CLAUDE FRANCE ND HELICONIUS SUSPENDED A A A BACLE JEAN CLAUDE FRANCE ND TWO LIONNES AND THE PREY * * A BACLE JEAN CLAUDE FRANCE WLD FOUR IBEX ON THE ROCK * A A BACLE JEAN CLAUDE FRANCE WLD LIONNE AFFAMEE * * A BACLE JEAN CLAUDE FRANCE WLD BATTLE ELEPHANTS SEAL A A CERTIFICATE OF MERIT BACLE JEAN CLAUDE FRANCE WLD PARADES EN GROUPE A * A BACLE JEAN CLAUDE FRANCE PTD DOLOMITES * A A BACLE JEAN CLAUDE FRANCE PTD VALNONTEY A * A BACLE JEAN CLAUDE FRANCE PTD ALPINISTES * * A BACLE JEAN CLAUDE FRANCE PTD GRAND PARADISIO A A A BAEHREN IRIS GERMANY PID C STAIRCASE WITH RED STEPS A A A BAEHREN IRIS GERMANY PID C ALMABTRIEB MIT BAUER * A * BAEHREN IRIS GERMANY PID C KONIK HORSE WITH FOAL A A A BAIRAGI ABHAY INDIA PID M FEELING LOVE A CERTIFICATE OF MERIT * BAIRAGI ABHAY INDIA PID M SADHU * * A BAIRAGI ABHAY INDIA PID M A TRABLE WOMAN A A * BAIRAGI ABHAY INDIA PID C MUSIC OF LOVE * * A BAIRAGI ABHAY INDIA PID C KRISHNA A * * BAIRAGI ABHAY INDIA PID C COLORS OF HOLI * A * BAIRAGI ABHAY INDIA PID C THIRSTY EYE CERTIFICATE OF MERIT ICS HM A BAIRAGI ABHAY INDIA ND CLOSE UP * A * BAIRAGI ABHAY INDIA ND CLOUD PAINTING * A A BAIRAGI ABHAY INDIA ND EVENING LIGHT A * * BAIRAGI ABHAY INDIA ND LUNCH * A A BAIRAGI ABHAY INDIA PJD TEMPORARY HOME A * * BAIRAGI ABHAY INDIA PJD TRICYCLE WINDOWS A A * BAIRAGI ABHAY INDIA PJD HELPING HANDS * A A BAIRAGI ABHAY INDIA PJD NO RULE A * A BAIRAGI ABHAY INDIA PTD HOLI FESTIVAL CERTIFICATE OF MERIT A A BAIRAGI ABHAY INDIA PTD TEMPLE * * A BAIRAGI ABHAY INDIA PTD CAMERAMAN IN ACTION A * * BAIRAGI ABHAY INDIA PTD RED EARTH * A A BALLAL VIVEKANANDA INDIA PJD ROAD GANESH A BEST OF FESTIVALS BEST OF FESTIVALS BALLAL VIVEKANANDA INDIA PJD FIRE YAKSAGANA * * A BALLAL VIVEKANANDA INDIA PJD GENESH N MARKET A A A BALLAL VIVEKANANDA INDIA PJD EVENING KAMBALA * A A BANERJEE SOUNAK INDIA PID M RETURN TO INNOCENCE BW * * A BANERJEE SOUNAK INDIA PID M BOY AND GODDESS A A * BANERJEE SOUNAK INDIA PID M CIRCLE OF LOVE CERTIFICATE OF MERIT A CERTIFICATE OF MERIT BANERJEE SOUNAK INDIA PID M THEME SHADOWS AND STAIRS CERTIFICATE OF MERIT A A BANERJEE SOUNAK INDIA PID M THEME VIEW OF A TRAVELLER * A A BANERJEE SOUNAK INDIA PID M THEME THE CLEANER A * A BANERJEE SOUNAK INDIA PID C IN THE TRAIL OF DESERT STARS * A A BANERJEE SOUNAK INDIA PID C THE HANDYMAN * A * BANERJEE SOUNAK INDIA PID C MEN WHO STARE AT GOATS A * A BANERJEE SOUNAK INDIA PID C THEME STREETS OF BLUE CERTIFICATE OF MERIT A * BANERJEE SOUNAK INDIA PID C THEME VEILED LADY STREET SELLER A * A BANERJEE SOUNAK INDIA PID C THEME GOD BLESS THE CHILD * A * BANERJEE SOUNAK INDIA ND X MARKS THE ELEPHANTS BW A * A BANERJEE SOUNAK INDIA ND PATHS CROSSED * A * BANERJEE SOUNAK INDIA ND THE ART OF PELICANS * A A BANERJEE SOUNAK INDIA ND STAND AND EAT A * * BANERJEE SOUNAK INDIA WLD SNATCH * * A BANERJEE SOUNAK INDIA WLD HEAD FOR LUNCH ICS GOLD A CERTIFICATE OF MERIT BANERJEE SOUNAK INDIA WLD MATING LIONS * * A BANERJEE SOUNAK
Load more

Recommended publications
  • Assamese Film Siraj and Ajala Kakai Portraying Bihu Dance and Songs As Popular Culture
    IOSR Journal Of Humanities And Social Science (IOSR-JHSS) Volume 24, Issue 7, Ser. 6 (July. 2019) 30-34 e-ISSN: 2279-0837, p-ISSN: 2279-0845. www.iosrjournals.org Assamese Film Siraj and Ajala Kakai Portraying Bihu Dance and Songs as Popular Culture Dr. Debasis Bezbaruah Guest FacultyGauhati University Institute of North East India Studies Corresponding Author: Dr. Debasis Bezbaruah ----------------------------------------------------------------------------------------------------------------------------- --------- Date of Submission: 10-07-2019 Date of acceptance: 25-07-2019 --------------------------------------------------------------------------------------------------------------------------------------------------- I. INTRODUCTION Bihu dance and songs are folk media forms of Assam. Folk media forms of Bihu are vibrant among people of Assam. However Bihu as represented by Assamese cinema creates popular culture forms which are distinctly deviates from folk forms.Assamese cinema has a glorious history since the first ever film Joymoti by Jyotiprasad Agarwala in 1935. Cinema forms the popular culture. At the same time cinema itself is popular culture. In the twentieth and in the twenty first century cinema is the most powerful mass media which can overcome all barriers of boundaries and forms a universal platform for human race. Cinema is inseparable from the living process of modern human society. The voice of a society is represented by cinema. The people, life and living process, thoughts and beliefs, cultural ethos are represented by cinema. Cinema can carry the culture of the society where the cinema is made. The story, theme, characters, settings, costumes, music, dance etc. of a cinema showcase the cultural forms of the representative society. Assamese cinema therefore represents the cultural forms of Assamese society in the broad sense. “Although the word culture is part of everyday vocabulary, it’s difficult to define.
    [Show full text]
  • Indian Cultural Dance Logos Free Download Indian Cultural Dance Logos Non Watermarked Dance
    indian cultural dance logos free download indian cultural dance logos non watermarked Dance. Information on North Central Zonal Cultural Centre (NCZCC) under the Ministry of Culture is given. Users can get details of various art forms of various states such as Uttar Pradesh, Bihar, Madhya Pradesh, Rajasthan, Haryana, Uttaranchal and Delhi. Get detailed information about the objectives, schemes, events of the centre. Links of other zonal cultural centers are also available. Website of Eastern Zonal Cultural Centre. The Eastern Zonal Cultural Center (EZCC) is one of the seven such Zonal Cultural Centers set up by the Ministry of Culture with a vision to integrate the states and union territories culturally. Users can get information about the objectives, infrastructure, events, revival projects, etc. Details about the member states and their activities to enhance the cultural integrity are also available. Website of Indira Gandhi National Centre for the Arts. The Indira Gandhi National Centre for the Arts (IGNCA) under the Ministry of Culture is functioning as a centre for research, academic pursuit and dissemination in the field of the arts. Information about IGNCA, its organizational setup, functions, functional units, regional centres, etc. is given. Details related to archeological sites, exhibitions, manuscripts catalogue, seminars, lectures. Website of Jaipur Kathak Kendra. Jaipur Kathak Kendra is a premier Institution working for Training, Promotion & Research of North Indian Classical Dance Kathak. It was established in the year 1978 by the Government of Rajasthan and formally started working from 19th May 1979. Website of North East Zone Cultural Centre. North East Zone Cultural Centre (NEZCC) under Ministry of Culture aims to preserve, innovate and promote the projection and dissemination of arts of the Zone under the broad discipline of Sangeet Natak, Lalit Kala and Sahitya.
    [Show full text]
  • The Role of Indian Dances on Indian Culture
    www.ijemr.net ISSN (ONLINE): 2250-0758, ISSN (PRINT): 2394-6962 Volume-7, Issue-2, March-April 2017 International Journal of Engineering and Management Research Page Number: 550-559 The Role of Indian Dances on Indian Culture Lavanya Rayapureddy1, Ramesh Rayapureddy2 1MBA, I year, Mallareddy Engineering College for WomenMaisammaguda, Dhulapally, Secunderabad, INDIA 2Civil Contractor, Shapoor Nagar, Hyderabad, INDIA ABSTRACT singers in arias. The dancer's gestures mirror the attitudes of Dances in traditional Indian culture permeated all life throughout the visible universe and the human soul. facets of life, but its outstanding function was to give symbolic expression to abstract religious ideas. The close relationship Keywords--Dance, Classical Dance, Indian Culture, between dance and religion began very early in Hindu Wisdom of Vedas, etc. thought, and numerous references to dance include descriptions of its performance in both secular and religious contexts. This combination of religious and secular art is reflected in the field of temple sculpture, where the strictly I. OVERVIEW OF INDIAN CULTURE iconographic representation of deities often appears side-by- AND IMPACT OF DANCES ON INDIAN side with the depiction of secular themes. Dancing, as CULTURE understood in India, is not a mere spectacle or entertainment, but a representation, by means of gestures, of stories of gods and heroes—thus displaying a theme, not the dancer. According to Hindu Mythology, dance is believed Classical dance and theater constituted the exoteric to be a creation of Brahma. It is said that Lord Brahma worldwide counterpart of the esoteric wisdom of the Vedas. inspired the sage Bharat Muni to write the Natyashastra – a The tradition of dance uses the technique of Sanskrit treatise on performing arts.
    [Show full text]
  • Y8 South Asian Dance Bhangra: Lesson 3
    09/07/2020 Y8 South Asian Dance Bhangra: Lesson 3 Y8 South Asian Dance Bhangra: Lesson 3 Read through the following information in regard to South Asian Dance and in particular for this week Kathak Dance. Once you have read the information please complete the quiz. All the answers to the questions are within the information below. *Required 1. Name and Class https://docs.google.com/forms/d/1mQCE2DiUnfhcw2v0hwMhMOxH4QaNrt2qFplFWBxW3O0/edit 1/7 09/07/2020 Y8 South Asian Dance Bhangra: Lesson 3 What is South Asian Dance? South Asian dance encompasses dance forms originating from the Indian subcontinent (India, Pakistan, Bangladesh and Sri Lanka) and varies between classical and non-classical dance. The classical dance forms often described as Indian Classical Dance include Bharatanatyam, Kathak, Odissi, Kuchipudi, Kathakali, Manipuri, Mohiniyattam and Sattriya. Other dance forms include Kalaripayattu or Kalari and Chhau which are influenced by martial art. The non-classical dance are Bollywood dance and folk dances such as Bhangra, Garba, Kalbelia and Bihu dance. (https://akademi.co.uk/) We are going to take a closer look at 3 of these Dance forms: Bollywood, Kathak and Bhangra. In Lesson 3 we will be looking at Bhangra Dance in more depth. Bhangra refers to several types of dance originating from the Punjab region of the Indian subcontinent and it is a celebratory folk dance which welcomes the coming of spring, or Vaisakhi, as it is known. Bhangra dance is based on music from a dhol, folk singing, and the chimta (tongs with bells). The accompanying songs are small couplets written in the Punjabi language called bolis.
    [Show full text]
  • Evolution and Assessment of South Asian Folk Music: a Study of Social and Religious Perspective
    British Journal of Arts and Humanities, 2(3), 60-72, 2020 Publisher homepage: www.universepg.com, ISSN: 2663-7782 (Online) & 2663-7774 (Print) https://doi.org/10.34104/bjah.020060072 British Journal of Arts and Humanities Journal homepage: www.universepg.com/journal/bjah Evolution and Assessment of South Asian Folk Music: A Study of Social and Religious Perspective Ruksana Karim* Department of Music, Faculty of Arts, Jagannath University, Dhaka, Bangladesh. *Correspondence: [email protected] (Ruksana Karim, Lecturer, Department of Music, Jagannath University, Dhaka, Bangladesh) ABSTRACT This paper describes how South Asian folk music figured out from the ancient era and people discovered its individual form after ages. South Asia has too many colorful nations and they owned different culture from the very beginning. Folk music is like a treasure of South Asian culture. According to history, South Asian people established themselves here as a nation (Arya) before five thousand years from today and started to live with native people. So a perfect mixture of two ancient nations and their culture produced a new South Asia. This paper explores the massive changes that happened to South Asian folk music which creates several ways to correspond to their root and how they are different from each other. After many natural disasters and political changes, South Asian people faced many socio-economic conditions but there was the only way to share their feelings. They articulated their sorrows, happiness, wishes, prayers, and love with music, celebrated social and religious festivals all the way through music. As a result, bunches of folk music are being created with different lyric and tune in every corner of South Asia.
    [Show full text]
  • An Overview of Impact of Modern Technology on Assamese Culture, Language and Literature
    JOURNAL OF CRITICAL REVIEWS ISSN- 2394-5125 VOL 7, ISSUE 01, 2020 An overview of impact of modern technology on Assamese culture, language and literature Anurupa Chutia Assistant Professor, Department of Assamese,Dhemaji College,Assam, India Abstract It is an acknowledged and well known fact that Modern technology has a direct interference in every walk of human life in today’s world. Owing to the landmark developments that modern technology has achieved in recent decades, these technological revolutions have left their mark on almost everything, including language and literature. The recent scientific-technological revolutions of human civilization have had a significant impact on Assamese language and literature as well. In this paper, I will try to discuss how the modern technology has affected Assameseculture, language and literature in both negatively and positively on one hand, while on the other I would like to address its impact on literary forms of this rich language. Key words:- Assamese language, medium, education, mother tongue, regional language, Corresponding author:[email protected] 1.0 Introduction:- Assam is one of the Eight Sister states of northeastern India. Known for its rich culture and dive rse population, the culture of Assam is a fusion of Indo Burmese, Mongolian and Aryan influences. This beautiful land, known as the 'land of red rivers and blue hills' is a little paradise with untouched natural landscapes worth to be traversed for its pristine beauty. The people of the state are collectively called Axomiyas and the language Axomiya (Assamese) which is also the most widely spoken official state language. No doubt, Assam is the meeting ground of diverse cultures.
    [Show full text]
  • Mughal Paintings (16Th – 19Th Century)
    UNIT - III PERFORMING ARTS • Performing arts refers to forms of art in which artists use their voices, bodies or inanimate objects to convey artistic expression. It is different from visual arts, which is when artists use paint, canvas or various materials to create physical or static art objects. • Performing arts include a range of disciplines which are performed in front of a live audience, inducing theatre, music, and dance INDIAN MUSIC • Owing to India's vastness and diversity, Indian Music encompass numerous genres, multiple varieties and forms which include classical music, folk music, filmi, rock, and pop. It has a history spanning several millennia and developed over several geo- locations spanning the sub-continent. • Hindustani Classical Music: Indian classical music found throughout North India. The style is sometimes called North Indian classical music or Shāstriya Sangīt. It is a tradition that originated in Vedic ritual chants and has been evolving since the 12th century CE, in North India and to some extent in Nepal and Afghanistan. • Carnatic music (Karnataka Sangita): A system of music commonly associated with the southern part of the Indian subcontinent, with its area roughly confined to four modern states of India: Andhra Pradesh, Karnataka, Kerala, and Tamil Nadu. • It is one of two main sub-genres of Indian classical music that evolved from ancient Hindu traditions; the other sub-genre being Hindustani music, which emerged as a distinct form because of Persian and Islamic influences in North India. FOLK MUSIC IN INDIA Introduction The music of common people, farmers, village occupational, masses adorned with beautiful simple lyrics and rhythms, interesting poetry depicting nature and human mind.
    [Show full text]
  • Bihu Festival: Dance of the Goddesses
    Vol-7 Issue-3 2021 IJARIIE-ISSN(O)-2395-4396 BIHU FESTIVAL: DANCE OF THE GODDESSES SUWANEE GOSWAMI* & ERIC SORENG**, Ph. D. *Research Scholar Department of Psychology University of Delhi Delhi **Associate Professor Department of Psychology University of Delhi Delhi Abstract The amorous dance of the Goddesses—Kolimoti, Seuti and Malati—has given birth to the Bihu festival in Assam which has instinctively ingrained the joy of dance and music in every Assamese woman and man in every form of festivities in and beyond Bohag Bihu. The mythic origin of Bohag Bihu shows diversion from the blood sacrifice to the Goddesses to the repetition of and participation in the dance of the Goddesses. In the archaic spirituality of Assam, women dance repeating the mythic acts of the Goddesses and men partake in the joy as nature blooms and humankind prosper in the amorous state of the Goddesses. The paper presents interpretation of one of the myths of the origin of the Bihu festival. “Man is obliged to return to the actions of his Ancestor, either to confront or else repeat them; in short, never to forget them, whatever way he may choose to perform this regressus ad originem” (Eliade, 1959). Humankind has evolved as a race from the primitive to the modern state of being with numerous breakthroughs and developments in various spheres of activity since the twilight of civilization. However, even in this age of technology and materialism, the modern mentality continues to display traces of mythic traits, in spite of the mutations in religious and cultural history. To reinstate the words of Jung: “…every civilized human being, whatever his conscious development, is an archaic man at the deeper levels of his psyche” (Jacobi, 1953, p.
    [Show full text]
  • FROM the DESK of the PRINCIPAL Where the Mind Is
    FROM THE DESK OF THE PRINCIPAL Where the mind is without fear and the head is held high Where the world has not been broken up into fragments Where words come out from the depth of truth How true! We live in such a country which has seen through very difficult times and which believes that coming together is a beginning, staying together is progress and working together is success. It is a legacy that India, a land with its radiance in diversity and variety, is a force to reckon with as a nation . It has enriched us in innumerable ways thereby shaping and moulding each individual. A world in miniature where students receive training for life, learn the cues and create their ideal selves. This is what K.R. Mangalam World school stands for as the torch bearers of tomorrow has the true essence of being together, learning together and working together in harmony. We are committed in introducing the learners to our rich heritage and foster its appreciation and propagation Our strong Co-Scholastic base makes this very apparent and nurtures our culture and customs through diverse activities, assemblies and events. The events held in the month of January was our reaffirmation of the unifying power of sports and culture Perfection is not attainable, but if we chase perfection we can catch excellence. True happiness comes from the joy of deeds well done, the zest of creating things new. Student centered education, stimulating and multicultural environment paves the way for opportunities for the fullest possible development. We at KRM believe that true happiness comes from the joy of deeds well done.
    [Show full text]
  • ORIGINAL RESEARCH PAPER Sailendra Prasad Sarma
    PARIPEX - INDIAN JOURNAL OF RESEARCH Volume-7 | Issue-7 | July-2018 | ISSN - 2250-1991 | IF : 6.761 | IC Value : 86.18 ORIGINAL RESEARCH PAPER Social Science VOICE OF RESISTANCE:AN ETHNOGRAPHIC STUDY KEY WORDS: dhulia, social ON 'DHULIA' AS ONE OF THE FOLK ART FORMS OF message, satires, folk art, dialects, ASSAM resistance Sailendra Prasad Research Scholar, Dept. of Communication & Journalism Gauhati University, Sarma Guwahati The soul of folk art lies in its simple rusticity and rawness in movement, rhythm and form. Lt. Hemanga Biswas, Folk Art Scholar and Social activist The use of folk art in communicating social message is there across different media platforms. Folk art, in its different forms, sometimes, works as alternatives to the discourses of mainstream-media and society. As an art of the grassroots, it has its own place among the voices that shoot-up from the margin and periphery. Dhulia is one of such traditional art forms in Assam that has a special significance as it uses satires in different forms to resist the dominant social norms. This art form, not only challenges the tyrannical values with the help of satirical verses critiquing the dominant social structure, but also, it puts up an energetic display of different acrobatic skills which are performed by both young and old performers in a theatrical fashion. The reason why, such an art form has a greater connect with the audience belonging to all the sections of the society of all ages. Besides, the uses of local ABSTRACT dialects in their performances help in keeping such an art form alive as an alternative to the language and art of the elite and the mainstream.
    [Show full text]
  • 12. Performing Arts: Music, Dance and Drama(5.6
    MODULE - V Performing Arts: Music, Dance and Drama Painting, Performing Arts and Architecture Notes 12 PERFORMING ARTS: MUSIC, DANCE AND DRAMA usic, dance, drama, folk theatre or puppetry our country India, had all of it in abundance. Oh! somebody playing the Dhol (music instrument) and there is Mmusic, we run to see what it is. Well, it is Lohri which is normally held on 13th January every year in the Northern part of our country. People are singing and dancing with a lot of enthusiasam. These dances are called Bhangra and Gidda in Punjab. These songs and dances portray the various stages in our lives. They reflect the socio-religious customs and practices of rural people earlier, but now are a part of modern city culture also. No school programme is complete without them. They are linked through centuries of celebration and might have started with fertility rites to obtain prosperity for the agricultural community i.e. fertility of land and cattle but also of birth and survival of children. There are many reasons for celebration that it is difficult to list them. Why don’t you make a list of these activities and find out how and why people celebrate them. You will not only find this activity interesting but you will be unable to put a full stop to it. Do you know why? Because the number is so large that you will never be able to know all the music, dance and drama that our country has. India is a land of rich culture and heritage. Since the beginning of our civilization, music, dance and drama have been an integral aspect of our culture.
    [Show full text]
  • Paragon of Musical Fiesta in Assam Richa Gogoi, Jyoti Senapati Research Scholar, Department of MIL, Gauhati University, Guwahati, Assam, India
    International Journal of Trend in Scientific Research and Development (IJTSRD) Volume 4 Issue 6, September-October 2020 Available Online: www.ijtsrd.com e-ISSN: 2456 – 6470 Paragon of Musical Fiesta in Assam Richa Gogoi, Jyoti Senapati Research Scholar, Department of MIL, Gauhati University, Guwahati, Assam, India ABSTRACT How to cite this paper: Richa Gogoi | Jyoti Assam is a land where great many tribes commingle. Traces of several ethnic Senapati "Paragon of Musical Fiesta in groups like Negrito, Austric, Alpine, Aryan, Dravidian and Vedic Aryans are Assam" Published in residing in Assam. Few tribes of Assam are Ahom, Karbi, Boro, Tiwa, Dimasa, International Journal Deori, Mising and so on. These tribes have a rich heritage associated with with of Trend in Scientific music, art and culture. However music and instruments are the nucleus of Research and entertainment for these tribes. An air of melancholy surrounds the valleys of Development Assam as proper study of the tribal music and instruments haven’t been laid (ijtsrd), ISSN: 2456- hold of. This paper endeavours the musical interest of the many tribes found 6470, Volume-4 | IJTSRD33351 in Assam along with their musical instruments. Issue-6, October 2020, pp.287-291, URL: KEYWORDS: Assam, Music, Culture, Tribes, Instruments www.ijtsrd.com/papers/ijtsrd33351.pdf Copyright © 2020 by author(s) and International Journal of Trend in Scientific Research and Development Journal. This is an Open Access article distributed under the terms of the Creative Commons Attribution License (CC BY 4.0) (http://creativecommons.org/licenses/by /4.0) 1. INTRODUCTION The state of Assam in the Northeast of India is an abode to A description of the musical instruments traditionally used cultural amalgamation.
    [Show full text]