Western University Scholarship@Western Scholarship@Western Electronic Thesis and Dissertation Repository 8-29-2018 1:30 PM The Political Power of Carlos Chávez and His Influence Upon Silvestre Revueltas and Blas Galindo Yolanda Tapia The University of Western Ontario Supervisor Dr. Emily Ansari The University of Western Ontario Co-Supervisor Dr. John Hess The University of Western Ontario Graduate Program in Music A thesis submitted in partial fulfillment of the equirr ements for the degree in Doctor of Musical Arts © Yolanda Tapia 2018 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the Musicology Commons, Music Performance Commons, and the Other Political Science Commons Recommended Citation Tapia, Yolanda, "The Political Power of Carlos Chávez and His Influence Upon Silvestre Revueltas and Blas Galindo" (2018). Electronic Thesis and Dissertation Repository. 5655. https://ir.lib.uwo.ca/etd/5655 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact
[email protected]. Abstract This monograph examines the political power of Mexican composer Carlos Chávez (1899–1978) during the first half of the twentieth century in Mexico, and his influence upon the careers and lives of composers Silvestre Revueltas (1899–1940) and Blas Galindo (1910– 1993). I show how Carlos Chávez acquired institutional power through various cultural organizations such as the Orquesta Sinfónica de México, the Conservatorio Nacional, Departamento de Bellas Artes, and the Instituto Nacional de Bellas Artes, and how his desire to bind music and culture with politics positioned him as the head of the cultural committee of Miguel Aleman’s presidential campaign of 1945.