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I Would Like to Close This Point by Adding That Garciadiego Combines
REVIEWS I would like to close this point by adding that Garciadiego combines and links the biographies of hundreds of individuals with the university's process as an institution to describe and explain the collective without ever forgetting the individuals. Another of the work's important hypotheses deals with the basis for the university. The author says, The destruction of the old regime and the emergente of a new social order after the revolutionary struggle had a great impact on the National University, to the degree that we can say that by 1920, its nature had changed radically. We could even say that the institution was really born in 1920 and not in 1910, and that the heritage of the porfirista Justo Sierra is smaller than that of the revolutionary José Vasconcelos. What was the nature of the university that underwent this change? According to Garciadiego, the answer may be that it became an institution interested in and which active- A la sombra del ángel ly sought to solve social, political and contemporary prob- (In the Angers Shadow) lems. But what is absolutely clear is that at that time —and Kathryn S. Blair perhaps even more so today— the university had to struggle Editorial Alianza and change in order to endure. Mexico City, 1996, 554 pp. Finally, a comment on the title of the book: Rudos contra científicos. I think it is an attractive title, even captivating, Stories abound in Mexico of men and women who have that makes a beeline for the dynamic of what we already know stood out in social, political or cultural life. -
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Contenido Gala Mexicana.......................................................................................................125 estrenos mexicanos.............................................................................126 Homenaje a Consuelo Frank................................................................... 128 Homenaje a Julio Bracho............................................................................136 ............................................................................................................ introducción 4 México Imaginario............................................................................................ 154 ................................................................................................................. Presentación 5 Cine Sin Fronteras.............................................................................................. 165 ..................................................................................... ¡Bienvenidos a Morelia! 6 Programa de Diversidad Sexual...........................................................172 ..................................................... Mensaje de la Secretaría de Cultura 7 Canal 22 Presenta............................................................................................... 178 Mensaje del Instituto Mexicano de Cinematografía ������������9 14° Festival Internacional de Cine de Morelia.............................11 programas especiales........................................................................ 179 -
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SPRING 2012 5 The Role of “La Chica Moderna” in Three Post-Revolutionary Mexican Plays Linda Saborío During Mexico’s post-revolutionary period, three prominent female dramatists adapted for the stage the role of professional career women in order to question the extent of women’s equal participation in Mexican society and, in the process, introduced a new, modern image of working women in the popular imagination. In response to rapid transitions for women following the Mexican Revolution (1910-1920), dramatists Magdalena Mondragón, María Luisa Ocampo, and Concepción Sada Hermosillo addressed specifically the role career women would play in the process of modernizing Mexico by pro- ducing accomplished female doctors as the protagonists of their plays whose performances would seek to enact a role model for “la chica moderna.”1 This “chica moderna,” or modern woman, is educated, determined to succeed, and talented in her field, yet despite her enriched professional life still feels the pressure from a patriarchal and Catholic society to fulfill the conventional roles of mother, wife, and family caretaker. Focusing on Concepción Sada’s El tercer personaje (1936), Magdalena Mondragón’s Cuando Eva se vuelve Adán (1938), and María Luisa Ocampo’s La virgen fuerte (1942), this study examines how these three plays advocate for women’s advancement in the workplace without denigrating femininity.2 As women began to leave the pri- vate space of the home in order to participate in a growing capitalist society, their feminine identity was considered compromised, and they were often stigmatized as “masculinized” females. Despite their femininity being chal- lenged, the female protagonists in all three plays engender a positive image of “la chica moderna” who is cast as necessary in the process of nation building. -
The Political Power of Carlos Chávez and His Influence Upon Silvestre Revueltas and Blas Galindo
Western University Scholarship@Western Scholarship@Western Electronic Thesis and Dissertation Repository 8-29-2018 1:30 PM The Political Power of Carlos Chávez and His Influence Upon Silvestre Revueltas and Blas Galindo Yolanda Tapia The University of Western Ontario Supervisor Dr. Emily Ansari The University of Western Ontario Co-Supervisor Dr. John Hess The University of Western Ontario Graduate Program in Music A thesis submitted in partial fulfillment of the equirr ements for the degree in Doctor of Musical Arts © Yolanda Tapia 2018 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the Musicology Commons, Music Performance Commons, and the Other Political Science Commons Recommended Citation Tapia, Yolanda, "The Political Power of Carlos Chávez and His Influence Upon Silvestre Revueltas and Blas Galindo" (2018). Electronic Thesis and Dissertation Repository. 5655. https://ir.lib.uwo.ca/etd/5655 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. Abstract This monograph examines the political power of Mexican composer Carlos Chávez (1899–1978) during the first half of the twentieth century in Mexico, and his influence upon the careers and lives of composers Silvestre Revueltas (1899–1940) and Blas Galindo (1910– 1993). I show how Carlos Chávez acquired institutional power through various cultural organizations such as the Orquesta Sinfónica de México, the Conservatorio Nacional, Departamento de Bellas Artes, and the Instituto Nacional de Bellas Artes, and how his desire to bind music and culture with politics positioned him as the head of the cultural committee of Miguel Aleman’s presidential campaign of 1945. -
De Rodolfo Usigli
Una pieza a tientas: “4 chemins 4” de Rodolfo Usigli CITRU Una pieza a tientas: “4 chemins 4” de Rodolfo Usigli Edición de Ramón Layera y Octavio Rivera Krakowska Diseño de la colección Coordinación de Publicaciones del INBA Director de arte Enrique Hernández Nava Portada y formación Pablo Ramírez Reyes Corrección Javier Delgado Solís Material fotográfico cortesía de: The Walter Havighurst Special Collections Library, Miami University, Oxford, Ohio. Selección de fotografías: Jim Bricker Directora del archivo: Janet H. Stuckey Una pieza a tientas: “4 chemins 4” de Rodolfo Usigli © Rodolfo Usigli. Edición de Ramón Layera y Octavio Rivera Krakowska Primera edición: 2011 D. R. © Instituto Nacional de Bellas Artes y Literatura Reforma y Campo Marte s/n. Col. Chapultepec Polanco Del. Miguel Hidalgo C. P. 11560 México, D. F. ISBN: 978-607-605-065-1 Todos los derechos reservados. Queda prohibida la reproducción parcial o total de esta obra por cualquier medio o procedimiento, comprendidos la reprografía y el tratamiento informático, la fotocopia o la grabación sin la previa autorización por escrito del Instituto Nacional de Bellas Artes y Literatura. Impreso en México / Printed in Mexico Índice Presentación ...................................................... IX «4 chemins 4» de Rodolfo Usigli. Introducción crítica. Ramón Layera y Octavio Rivera Krakowska . XIII Sinopsis ...................................................... LXXIII «4 chemins 4» ..................................................... 1 «4 caminos 4» ..................................................... -
La Raza Cósmica / the Cosmic Race Edited by José Vasconselos
La raza cósmica / The Cosmic Race edited by José Vasconselos A Mexican Ulysses: An Autobiography by José Vasconcelos La raza cósmica / The Cosmic Race by José Vasconselos; A Mexican Ulysses: An Autobiography by José Vasconcelos Review by: Barbara Celarent American Journal of Sociology, Vol. 120, No. 3 (November 2014), pp. 998-1004 Published by: The University of Chicago Press Stable URL: http://www.jstor.org/stable/10.1086/680064 . Accessed: 27/03/2015 17:35 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. The University of Chicago Press is collaborating with JSTOR to digitize, preserve and extend access to American Journal of Sociology. http://www.jstor.org This content downloaded from 128.135.12.127 on Fri, 27 Mar 2015 17:35:50 PM All use subject to JSTOR Terms and Conditions American Journal of Sociology La raza cósmica / The Cosmic Race, bilingual ed. By José Vasconselos. Translated by Didier T. Jaen. Baltimore: Johns Hopkins University Press, 1997. Pp. xxxiii1126. A Mexican Ulysses: An Autobiography. By José Vasconcelos. Abridged and translated by W. Rex Crawford. Westport, Conn.: Greenwood Press, 1972. Pp. 288. Barbara Celarent* University of Atlantis Social reflection outside the metropolis has often come from activists who found themselves in a quiet moment—foreign study, exile, prison, house ar- rest.