CANADIANART canadianart.ca SPRING 2013
Fall 2009 canadianart.ca KIM DORLAND POWER PAINTING
GORDON SMITH A N INCREDIBLE LIFE
MARLA HLADY THE ART OF SOUND
SCOTT CONARROE INSIDE CHINA BY RAIL
MARGARET DRAGU THE DRAMA OF PERFORMANCE + SOBEY ART AWARD 10 Winning Years
INFINITE PAINTING The restless art of Sky Glabush
MEDIA KIT 2014 MEDIA KIT 2014 CANADIAN ART MAGAZINE
Message from our Editor
RBC CANADIAN PAINTING COMPETITION CELEBRATES 15 YEARS • TIM GARDNER Manscapes Passionate about art, people, places and ideas, our readers look
CANADIANARTcanadianart.ca to Canadian Art for key information and thoughtful analysis.
Fall 2009 canadianart.ca Every issue delivers precisely what our devoted readers want and
Special issue need to be a part of creative Canada today. From in-depth features
On Painting LAWRENCE PAUL on maverick personalities to brief reviews that take in the scope YUXWELUPTUN On a Good Day MARY PRATT A Labour of Love ANDRÉ ETHIER of our wide nation, Canadian Art’s editorial message is targeted at Portraits and Tactics IRIS HÄUSSLER The Mask Under the Face Canadians who are excited about art and ideas. We invite you to RYAN SLUGGETT California Classics share our community of readers who enjoy the best that the artfully engaged life has to offer. +5th Annual Art Schools Smart Guide
CANADIANART canadianart.ca SPRING 2013 Our Editorial Approach Canadian Art delivers informed visual-arts coverage to a large and
Fall 2009 canadianart.ca KIM DORLAND POWER PAINTING diverse national audience in well-written, well-edited stories that GORDON SMITH A N INCREDIBLE LIFE MARLA HLADY offer a dependable and relevant voice. Partnering magazine and THE ART OF SOUND
SCOTT CONARROE INSIDE CHINA BY RAIL web editions, we create an authoritative, visually rich chronicle of MARGARET DRAGU THE DRAMA OF PERFORMANCE + the Canadian art world. We work coast to coast to coast, with an eye SOBEY ART AWARD on increasing international interest, and offer incisive writing by 10 Winning Years some of the country’s best art critics on leading artists and major INFINITE PAINTING The restless art of Sky Glabush exhibitions, as well as reportage and commentary across different tiers of gallery programming. With more than 20 contributors per issue and weekly web updates and stories, we create a compendium of voices that alerts readers to the diversity of the Canadian scene and keeps audiences abreast of new exhibitions on view and the latest news as it happens.
Our Publisher Since its establishment in 1991, the Canadian Art Foundation has worked to advance the knowledge, understanding and appreciation of the visual arts in Canada through many channels: by publishing Canadian Art magazine, by establishing canadianart.ca, by creating Canadian Art in tablet form and by providing educational, provocative and lively opportunities for audiences to engage with artists and their work. All efforts are dedicated to creating a destination for artists and art enthusiasts to connect with and be inspired by art. These connections create greater local, national and global visibility for the extraordinary artistic talent in Canada. MEDIA KIT 2014 WELCOME
Canadian Art delivers its expertise across multi-level platforms to a socially sophisticated audience
CANADIAN ART MAGAZINE TABLET EDITION CANADIANART.CA CANADIANART canadianart.ca SPRING 2013
Fall 2009 canadianart.ca KIM DORLAND POWER PAINTING
GORDON SMITH A N INCREDIBLE LIFE
MARLA HLADY THE ART OF SOUND
SCOTT CONARROE INSIDE CHINA BY RAIL
MARGARET DRAGU THE DRAMA OF PERFORMANCE + SOBEY ART AWARD 10 Winning Years
INFINITE PAINTING The restless art of Sky Glabush Average monthly visitors: 70,810 Frequency: 4x year Frequency: 4x year Average page views: 128,000 National paid circulation: 19,631 Cover price: $5.99 Readership: 105,400 Available on the App store Subscribers: 83% Newsstand: 14.9% Cover price: $9.95 E-WEEKLY
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In Every Issue
OUR CONTRIBUTORS THIS ISSUE DAVID BALZER A letter from editor Richard Rhodes, one of the most respected LISA MOORE voices on the Canadian art scene, greets readers and introduces MURRAY WHYTE the highlights of the current issue. Pictures and bios also invite ADAM LAUDER readers to meet some of our prestigious contributors. BRYNE MCLAUGHLIN SARAH MILROY AGENDA CHRISTINA RITCHIE NOAH RICHLER One of the most popular sections of the magazine, this overview LISA STEELE provides brief, lively previews of top exhibitions across the nation JOHN BENTLEY MAYS and around the world. Short interviews with related artists and GARY MICHAEL DAULT curators add a personal dimension. NANCY TOUSLEY NOAH RICHLER READINGS R.M. VAUGHAN An authoritative roundup of the newest, hottest books on art, design PETER GODDARD and architecture for a Canadian audience. DAN ADLER CLINT BURNHAM FACES & PLACES JOHN KISSICK Strong photography and a brief, vibrant text puts the focus on ROBIN LAURENCE a must-know artist, collector or curator on the Canadian scene. PHILIP MONK BEN PORTIS FEATURES TERENCE DICK A mix of longer essays—from profiles of up-and-coming artists and DEBORAH CAMPBELL galleries to more wide-ranging analyses of new movements and LYNNE BELL trends in the art world. Travelogues, think pieces and long interviews REESA GREENBERG from leading contributors also engage the reader in the rich depths ISA TOUSIGNANT of creative people and practices. DANIEL BAIRD ROSEMARY HEATHER REVIEWS BILL CLARKE A compendium of thoughtfully written reviews provides a range of JAMES D. CAMPBELL art and opinion that’s as eclectic and exciting as the Canadian art LEAH SANDALS scene itself. CHRISTINE REDFERN CHRISTINA BAGATAVICIUS BACKSTORY AARON PECK The final page of the magazine offers the inside story on a particular DAVID JAGER artwork or exhibition. JON DAVIES MEDIA KIT 2014 CANADIAN ART MAGAZINE
Portrait of a Canadian Art reader
Canadian Art readers are people for whom art is essential. They are collectors, educators, gallery owners, art consultants and creative professionals, as well as those who enjoy a general interest in the world of art. They are affluent, well educated, creative leaders in their fields—people who influence opinion, start trends and enjoy active lifestyles.
SNAPSHOT Average age Approx. 50/50 male/female 43 Average household income $92,500 Savings and investments of $500,000+ 18% Personal art collection 78% Post-grad education 73%
ACTIVE IN THE REAL ESTATE MARKET Live in major urban centres 51% Own their own homes 78%
PLACES
GALERIE RENÉ BLOUIN
BY BRYNE MCLAUGHLIN PHOTO PASCAL GRANDMAISON MONTREAL The most exciting art scene in the country right now may well be Montreal. It’s a DOWNTOWN reputation fuelled in no small part by the work of art dealer René Blouin. For more than 25 years, Blouin has been a cornerstone of the city’s commercial-gallery circuit. From his first gallery, which opened in 1986 DEVELOPERS and led a wave of art spaces in the Belgo Building on Ste-Catherine Street, to his recent sojourn at Arsenal in Montreal’s west end, Blouin has had a deft knack for pinpointing the pulse of contemporary art in the city. And he has the gallery roster to prove it, mixing blue-chip senior artists like Geneviève Cadieux and Pierre Dorion with up-and-comers like Pascal Grandmaison, Anthony Burnham, Patrick Coutu and Marie-Claire Blais, to name just a few. This spring, Blouin launched his latest gallery, a sprawling street-level industrial space tucked off the beaten track in the Cité du Multimédia district in Old Montreal. With nearly 6,000 square feet of exhibition space divided into three rooms, not to mention a massive storage area and loading dock, the King Street space doubles both of Blouin’s previous locations. It’s a neighbourhood with good company, too: Fonderie Darling and DHC/ART Fondation pour l’art contem- porain are just minutes away. “I was totally seduced and frightened,” recalls Blouin, on first seeing the space last September. “Seduced by the location, the building, the potential of the space. Frightened by how big it is.” Blouin’s newly named co-director, Sarah Pepin, interjects, with a laugh. “René had just returned from vacation. He was very relaxed, and I told him, ‘René, you’re going to sit.’ At first he didn’t want to see it. But I finally convinced him, and we visited the space and he loved it, and that’s it.” That personal dynamic between Blouin and Pepin, a rapport charged with reciprocal energy, says a lot about the gallery’s future, which is set to include a renewed focus on international artists and exchanges while maintaining a commitment to the local scene. “I’m very excited to see Sarah interested with the same kind of poetic eyes that I had when I started,” Blouin says. “I’m sure she’ll bring new vision, new sensibilities and artists with new ideas, new questioning and new forms. To me, that’s what matters. I’m not interested in showbiz and I’m not interested in banking. I’m serious about art and the gallery is about that. I play this much closer to the ground and in a more poetic way because that’s what makes me happy.” ■
Co-directors Sarah Pepin and René Blouin at Galerie René Blouin, Montreal, March 2013
58 CANADIAN A RT • SUMMER 2013 MEDIA KIT 2014 CANADIAN ART MAGAZINE
Wealthy Collectors and Travelers
STRONG ON INVESTING AND ART COLLECTING: Subscribers have a personal art collection 78% Subscribers will purchase art in the coming year 37% Subscribers have art collections 2% valued at $1,000,000+ Subscribers have investments and savings 9% totalling $1,000,000
PASSIONATE ABOUT TRAVEL AND CULTURAL DESTINATIONS: Gallery-goers make up the largest segment of cultural tourism in Canada Readers visit museums or galleries 88% 10+ times per year Subscribers will go on a major vacation 34% in the coming year Subscribers like their travel to include 75% art fairs and exhibitions MEDIA KIT 2014 CANADIAN ART MAGAZINE
Our Readers are Leaders and Trendsetters
Like to lead others 185 index Consider myself to be very stylish 206 index Expert when it comes to new technology 146 index Challenge myself to be the best 122 index I can be in life Important to improve my status in society 161 index People would say I’m ambitious 136 index Don’t mind paying for quality 129 index Important to be individual and stand out 189 index from the crowd Appearance says a lot about who I am 140 index MEDIA KIT 2014 CANADIAN ART MAGAZINE
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Canadian Art magazine is the ideal distribution channel for your unique marketing material, whether you want to reach our full nationalINSERTS circulation or select regions. Preprinted& OUTSERTS inserts allow you to present your advertising message in a distinct stand-alone format. Canadian Art can carry your special exhibition invitation or catalogue in the pages of the magazine or in our subscriber magazine polybag. Inserts and Outserts There are four types of insert opportunities available for your advertising, nation-wide or regionally: Canadian Art magazine is the ideal distribution channel for your BLOW-IN: Your insert is tucked into the magazine as a “blow-in.” It falls on the lap of the reader Canadian Art magazine is the ideal distribution channel for your unique marketing material, whether unique marketing material, whether you want to reach our full and gets noticed immediately. you BOUND-IN:want to reach Your our full-page full national insert circulation is bound or directly select intoregions. the spine Preprinted of the insertsmagazine. allow you to present national circulation or select regions. Preprinted inserts allow you yourA advertising “bound-in” messageinsert appears in a distinct to be part stand-alone of the magazine format. Canadiancontent. Art can carry your special to present your advertising message in a distinct stand-alone exhibition invitation or catalogue in the pages of the magazine or in our subscriber magazine polybag. TIPPED-ON: Your “tipped-on” insert card is spot-glued to the “bound-in” page insert. format. Canadian Art can carry your special exhibition invitation The ‘tipped-on’ card is easily detached and the ‘bound-in’ insert page remains. TherePOLYBAG: are four Odd types shaped, of insert odd opportunities sized, or heavier available inserts for such your asadvertising, exhibition nation-widecatalogues andor regionally: or catalogue in the pages of the magazine or in our subscriber brochures can be carried in the magazine’s polybag. This direct-mail strategy is an effective magazine polybag. BLOW-IN:way to reach Your our insert exclusive is tucked subscriber into the base. magazine as a “blow-in.” It falls on the lap of the reader and gets noticed immediately. BOUND-IN: Your full-page insert is bound directly into the spine of the magazine. There are four types of insert opportunities available for your A “bound-in” insert appears to be part of the magazine content. advertising, nation-wide or regionally: TIPPED-ON:INSERTS Your “tipped-on” insert card is spot-glued to the “bound-in” & page insert.OUTSERTS The ‘tipped-on’ card is easily detached and the ‘bound-in’ insert page remains. POLYBAG: Odd shaped, odd sized, or heavier inserts such as exhibition catalogues and CONTACTbrochures can INFO: be carried Amy in Corner, the magazine’s Sales Director, polybag. ThisCanadian direct-mail Art strategy is an effective [416] 906-0224 [email protected] BLOW-IN: Your insert is tucked into the magazine as a “blow-in.” way to reach our exclusive subscriber base. It falls on the lap of the reader and gets noticed immediately.
BOUND-IN: Your full-page insert is bound directly into the spine of the magazine. A “bound-in” insert appears to be part of the magazine content. CONTACT INFO: Amy Corner, Sales Director, Canadian Art [416] 906-0224 [email protected] Canadian Art magazine is the ideal distribution channel for your unique marketing material, whether TIPPED-ON: Your “tipped-on” insert card is spot-glued to the “bound- you want to reach our full national circulation or select regions. Preprinted inserts allow you to present in” page insert. The ‘tipped-on’ card is easily detached and the your advertising message in a distinct stand-alone format. Canadian Art can carry your special ‘bound-in’ insert page remains. exhibition invitation or catalogue in the pages of the magazine or in our subscriber magazine polybag. POLYBAG: Odd shaped, odd sized, or heavier inserts such as exhibition catalogues and brochures can be carried in the magazine’s polybag. This direct-mail strategy is an effective way to reach our There are four types of insert opportunities available for your advertising, nation-wide or regionally: exclusive subscriber base.
BLOW-IN: Your insert is tucked into the magazine as a “blow-in.” It falls on the lap of the reader and gets noticed immediately. BOUND-IN: Your full-page insert is bound directly into the spine of the magazine. A “bound-in” insert appears to be part of the magazine content. TIPPED-ON: Your “tipped-on” insert card is spot-glued to the “bound-in” page insert. The ‘tipped-on’ card is easily detached and the ‘bound-in’ insert page remains. POLYBAG: Odd shaped, odd sized, or heavier inserts such as exhibition catalogues and brochures can be carried in the magazine’s polybag. This direct-mail strategy is an effective way to reach our exclusive subscriber base.
CONTACT INFO: Amy Corner, Sales Director, Canadian Art [416] 906-0224 [email protected] MEDIA KIT 2014 CANADIAN ART DIGITAL
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WEEKLY E-NEWSLETTER
UNIT DIMENSIONS FILE TYPE CPM** Newsletter Banner 160 x 300 px JPG $100 72dpi
**Cost per impression MEDIA KIT 2014 CANADIAN ART DIGITAL
Weekly Canadian Art Weekly is a free, award-winning e-newsletter that edits thousands of exhibitions, talks and screenings into a concise, informative and timely guide to the most vital art happenings in Canada.
Readers value its clean design, accessible approach and frequency— it arrives around 1 p.m. Eastern Time each Thursday.
RATE: $100 CPM (Cost per thousand recipients) One exclusive advertising banner. MEDIA KIT 2014 CANADIAN ART DIGITAL
Sponsored Message Customise a sponsored message to Canadian Art’s online community of art professionals, patrons, collectors and avid art enthusiasts.
Your unique and customised message includes: • An email subject line • Title • Lead image • Up to 500 words of body copy • 2 URL links • Your logo
RATE: $150 CPM (cost per thousand recipients) MEDIA KIT 2014 CANADIAN ART DIGITAL
Gallery Guide An essential and economical advertising option! Profile your gallery, promote your exhibitions and announce your openings and events to dedicated gallery-goers.
GOLD SILVER BRONZE PACKAGE PACKAGE PACKAGE
TEXT DESCRIPTION ✓ ✓ ✓ IMAGES 5 3 1 MAP ✓ ✓ no GALLERY CONTACT INFO ✓ ✓ no + URL LINK # OF CALENDAR LISTINGS 12 6 N/A RATE $660/YEAR $495/year $400/month or $55/month or $41.25/month /listing MEDIA KIT 2014 CANADIAN ART DIGITAL
School Guide
CONNECT TO PROSPECTIVE ART SCHOOL STUDENTS. Canadian Art’s School Guide for $660/year
An annual listing on our online School Guide includes: • Up to 5 images • Text and program information • Link to your school or faculty website • Map and contact info MEDIA KIT 2014 CANADIAN ART DIGITAL
Tablet edition Canadian Art, Canada’s leading visual arts magazine, is now available on the iPad. Filled with enhanced features, slideshows and videos,the app includes editorial content from the print issue, plus exclusive content from canadianart.ca.
RATES Full page ad: $1200
SPECS File format: PDF, TIFF or JPG Resolution: 300 dpi Colour: RGB Dimensions: 5.85” x 7.75” MEDIA KIT 2014
School Hop CANADIAN ART FOUNDATION
Three times a year, the Canadian Art Foundation immerses 400 high school students in an intensive day of art. The Foundation’s team of curators, art educators, and professional artists work in teams to take groups of up to 20 selected students on tours of commercial galleries, artist-run collectives, and public art institutions, o ering students access to and a signi cantly deeper understanding of Toronto’s diverse cultural ecology.
The School Hop is free of charge to secondary school students from the Toronto District School Board, and was designed to provide equal access to all students in the wake of diminishing art-focused educational resources in Toronto public schools.
The Canadian Art Foundation has steadily increased the reach of School Hop, hosting up to 30 students each year.
The Canadian Art Foundation provides transportation, lunch, and sketchbooks for each participating student.
Special e ort is made to accommodate schools with external
“My students were raving about the School Hop for days after our trip….We found our visit extremely educational and inspiring. Thank you for giving us this opportunity and continue the fantastic work of educating our youth about the contemporary world of art!” -Comments from MEDIA KIT 2014
Anne Lind International Program
The Anne Lind International Program provides an opportunity for dialogue among noted international artists, curators, and critics, and their Canadian counterparts. Past participants have included artists Diana Thater, Martin Kersels and Katy Schimert, as well as curators Peter Eleey (PS1), Jessica Morgan (Tate Modern), and Jens Ho man (CCA Wattis Institute), among other international luminaries.
The program honours Anne Lind, a former member of the Canadian Art Foundation board of directors and a devoted supporter of the arts. MEDIA KIT 2014
Tours CANADIAN ART FOUNDATION
Specially organized for patrons, Canadian Art Foundation Tours take participants behind the scenes in top studios, collections and galleries worldwide. These lively, stimulating trips and excursions have included Documenta, the Venice Biennale, the Frieze Art Fairs in London and New York, David Mirvish’s world-class private MEDIA KIT 2014
Gallery Hop CANADIAN ART FOUNDATION
Gallery Hop o ers a free day of art, conversation, and celebration including an artist panel, public tours, and expert talks at galleries around the city. These talks are presented by the city’s leading critics, curators, artists, and gallery owners.
Gallery Hop days are presented in Toronto, Vancouver, and beginning in 2014, Montreal.
Gallery Hops conclude with a wrap-up reception where members of the public can meet the artists whose work they have seen.
Signi cant media attention allows Gallery Hop to attract large MEDIA KIT 2014
Editorial Residency CANADIAN ART FOUNDATION
For the past nine years, the Editorial Residency has been one of the Canadian Art Foundation’s most successful programs, providing young arts professionals with valuable experience in criticism, writing, publishing, and recently, website editing.
Editorial Residents are awarded a ten-week summer residency at Canadian Art’s Toronto headquarters, working on both the summer and autumn issue of the magazine as well as our website, canadianart.ca.
Interns hone their writing and editing skills and learn production procedures under the supervision of the editorial sta of Canadian Art.
This year, our Mentorship program has expanded to include a nine-month editorial internship and a nine-month web internship during the school year.
“Interning with the Canadian Art Foundation has been an incredibly important opportunity for me to hone my voice as an emerging art critic. Canadian Art’s strong reputation for art writing and its environment of generous and supportive editorial mentors have been key to my development, pushing me to write precisely, honestly, and compellingly. As an emerging art writer and curator, I have welcomed the opportunity to immerse myself in the organization, gaining a stronger sense of the framework for conversations about art and ideas that Canadian Art provides.” Reel Artists Film Festival CANADIAN ART FOUNDATION
Now in its 11th year, the annual Reel Artists Film Festival is the only festival in North America devoted to showcasing leading documentaries about visual art and artists from around the world. Since its inception, the Reel Artists Film Festival has presented over 90 lms by directors from around the world, and welcomed artists and lmmakers to Toronto to share their stories about the people who shape the art world.
Past festival appearances include artists Michael Landy, Marina Abramovic, Kehinde Wiley, famed curator Germano Celant, artistic director at the Prada Foundation, and star collector Dorothy Vogel.
Film selections regularly include Canadian or North American premieres, in line with the Canadian Art Foundation’s mission to advance the knowledge of the visual arts in Canada. MEDIA KIT 2014
International Speaker Series CANADIAN ART FOUNDATION
The Canadian Art Foundation’s International Speaker Series brings stars of the international art world to Canada on speaking tours. In 2013, we brought 5 renowned authorities on Asia-Paci c art to Vancouver, Montreal, and Toronto on speaking engagements and convened a symposium in Toronto - “Paris/Toronto: The Ecology of an Art Scene” - where 5 gallery directors and collectors traveled from Paris to Toronto to participate in a weekend-long discussion.
Past speakers have included luminaries such as Sarah Thornton, James Turrell, Ross King, El Anatsui, Stan Douglas, and William Kentridge. MEDIA KIT 2014
Writing Prize CANADIAN ART FOUNDATION
Our writing prize is an annual juried prize designed to encourage new writers on contemporary art. The winner of this national competition is commissioned to write a feature story for Canadian Art and receives a $3,000 award, while two runners-up each receive recognition in the magazine and a $1,000 award.
2012 winner Michael Vass’s feature story, “Three Essential Erin Shirre MEDIA KIT 2014
Patron’s Club CANADIAN ART FOUNDATION
The Canadian Art Foundation Patron’s Club is an exclusive group of donors who seek a deeper and more meaningful way to connect with art. Art enthusiasts, collectors and local arts patrons can take advantage of a range of unique excursions designed to meet their interests.
Throughout the year the club organizes a variety of activities and events for its members, including stimulating trips to art destinations worldwide—Frieze in New York and London, the Venice Biennale and Documenta, studio visits with the most intriguing and innovative artists working today, behind-the-scenes tours of private and corporate collections, and intimate dinners with visiting speakers of note. MEDIA KIT 2014 MULTI LEVEL PLATFORM
Where People and Art Connect Canadian Art Foundation Multi-Level Platform
MAGAZINE
GALLERY HOP Toronto + Vancouver CANADIANART.CA
YOUTH + EDUCATION Weekly School Hop NEWSLETTER/ Mentors SPONSORED MESSAGE Word
SOCIAL MEDIA Facebook Twitter EXPERIENCES + EXCHANGE Tours International Exchange TABLET EDITION
TALK Speaker Series REEL ARTISTS FILM FESTIVAL Toronto + Calgary MEDIA KIT 2014 POLICIES, CREDITS, CONTACT
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Photo Credits
COVER: Top row, middle and far left and bottom row, far left and far right photos Emma McIntyre. Center row, far left photo Nicola Betts. PAGE 5: Far left, photo Emma McIntyre PAGE 7: Bottom row, center, photo Emma McIntyre PAGE 17: All photos Emma McIntyre
Contact Amy Corner, Sales Director [email protected] 416-906-0224