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CANADIANART Canadianart.Ca SPRING 2013 CANADIANART canadianart.ca SPRING 2013 Fall 2009 canadianart.ca KIM DORLAND POWER PAINTING GORDON SMITH A N INCREDIBLE LIFE MARLA HLADY THE ART OF SOUND SCOTT CONARROE INSIDE CHINA BY RAIL MARGARET DRAGU THE DRAMA OF PERFORMANCE + SOBEY ART AWARD 10 Winning Years INFINITE PAINTING The restless art of Sky Glabush MEDIA KIT 2014 MEDIA KIT 2014 CANADIAN ART MAGAZINE Message from our Editor RBC CANADIAN PAINTING COMPETITION CELEBRATES 15 YEARS • TIM GARDNER Manscapes Passionate about art, people, places and ideas, our readers look CANADIANARTcanadianart.ca to Canadian Art for key information and thoughtful analysis. Fall 2009 canadianart.ca Every issue delivers precisely what our devoted readers want and Special issue need to be a part of creative Canada today. From in-depth features On Painting LAWRENCE PAUL on maverick personalities to brief reviews that take in the scope YUXWELUPTUN On a Good Day MARY PRATT A Labour of Love ANDRÉ ETHIER of our wide nation, Canadian Art’s editorial message is targeted at Portraits and Tactics IRIS HÄUSSLER The Mask Under the Face Canadians who are excited about art and ideas. We invite you to RYAN SLUGGETT California Classics share our community of readers who enjoy the best that the artfully engaged life has to offer. +5th Annual Art Schools Smart Guide CANADIANART canadianart.ca SPRING 2013 Our Editorial Approach Canadian Art delivers informed visual-arts coverage to a large and Fall 2009 canadianart.ca KIM DORLAND POWER PAINTING diverse national audience in well-written, well-edited stories that GORDON SMITH A N INCREDIBLE LIFE MARLA HLADY offer a dependable and relevant voice. Partnering magazine and THE ART OF SOUND SCOTT CONARROE INSIDE CHINA BY RAIL web editions, we create an authoritative, visually rich chronicle of MARGARET DRAGU THE DRAMA OF PERFORMANCE + the Canadian art world. We work coast to coast to coast, with an eye SOBEY ART AWARD on increasing international interest, and offer incisive writing by 10 Winning Years some of the country’s best art critics on leading artists and major INFINITE PAINTING The restless art of Sky Glabush exhibitions, as well as reportage and commentary across different tiers of gallery programming. With more than 20 contributors per issue and weekly web updates and stories, we create a compendium of voices that alerts readers to the diversity of the Canadian scene and keeps audiences abreast of new exhibitions on view and the latest news as it happens. Our Publisher Since its establishment in 1991, the Canadian Art Foundation has worked to advance the knowledge, understanding and appreciation of the visual arts in Canada through many channels: by publishing Canadian Art magazine, by establishing canadianart.ca, by creating Canadian Art in tablet form and by providing educational, provocative and lively opportunities for audiences to engage with artists and their work. All efforts are dedicated to creating a destination for artists and art enthusiasts to connect with and be inspired by art. These connections create greater local, national and global visibility for the extraordinary artistic talent in Canada. MEDIA KIT 2014 WELCOME Canadian Art delivers its expertise across multi-level platforms to a socially sophisticated audience CANADIAN ART MAGAZINE TABLET EDITION CANADIANART.CA CANADIANART canadianart.ca SPRING 2013 Fall 2009 canadianart.ca KIM DORLAND POWER PAINTING GORDON SMITH A N INCREDIBLE LIFE MARLA HLADY THE ART OF SOUND SCOTT CONARROE INSIDE CHINA BY RAIL MARGARET DRAGU THE DRAMA OF PERFORMANCE + SOBEY ART AWARD 10 Winning Years INFINITE PAINTING The restless art of Sky Glabush Average monthly visitors: 70,810 Frequency: 4x year Frequency: 4x year Average page views: 128,000 National paid circulation: 19,631 Cover price: $5.99 Readership: 105,400 Available on the App store Subscribers: 83% Newsstand: 14.9% Cover price: $9.95 E-WEEKLY SPONSORED SOCIAL MEDIA MESSAGE Facebook likes: 8,600 E-recipients: 13,500 E-Weekly Subscribers: 13,500 Twitter followers: 11,700 MEDIA KIT 2014 CANADIAN ART MAGAZINE In Every Issue OUR CONTRIBUTORS THIS ISSUE DAVID BALZER A letter from editor Richard Rhodes, one of the most respected LISA MOORE voices on the Canadian art scene, greets readers and introduces MURRAY WHYTE the highlights of the current issue. Pictures and bios also invite ADAM LAUDER readers to meet some of our prestigious contributors. BRYNE MCLAUGHLIN SARAH MILROY AGENDA CHRISTINA RITCHIE NOAH RICHLER One of the most popular sections of the magazine, this overview LISA STEELE provides brief, lively previews of top exhibitions across the nation JOHN BENTLEY MAYS and around the world. Short interviews with related artists and GARY MICHAEL DAULT curators add a personal dimension. NANCY TOUSLEY NOAH RICHLER READINGS R.M. VAUGHAN An authoritative roundup of the newest, hottest books on art, design PETER GODDARD and architecture for a Canadian audience. DAN ADLER CLINT BURNHAM FACES & PLACES JOHN KISSICK Strong photography and a brief, vibrant text puts the focus on ROBIN LAURENCE a must-know artist, collector or curator on the Canadian scene. PHILIP MONK BEN PORTIS FEATURES TERENCE DICK A mix of longer essays—from profiles of up-and-coming artists and DEBORAH CAMPBELL galleries to more wide-ranging analyses of new movements and LYNNE BELL trends in the art world. Travelogues, think pieces and long interviews REESA GREENBERG from leading contributors also engage the reader in the rich depths ISA TOUSIGNANT of creative people and practices. DANIEL BAIRD ROSEMARY HEATHER REVIEWS BILL CLARKE A compendium of thoughtfully written reviews provides a range of JAMES D. CAMPBELL art and opinion that’s as eclectic and exciting as the Canadian art LEAH SANDALS scene itself. CHRISTINE REDFERN CHRISTINA BAGATAVICIUS BACKSTORY AARON PECK The final page of the magazine offers the inside story on a particular DAVID JAGER artwork or exhibition. JON DAVIES MEDIA KIT 2014 CANADIAN ART MAGAZINE Portrait of a Canadian Art reader Canadian Art readers are people for whom art is essential. They are collectors, educators, gallery owners, art consultants and creative professionals, as well as those who enjoy a general interest in the world of art. They are affluent, well educated, creative leaders in their fields—people who influence opinion, start trends and enjoy active lifestyles. SNAPSHOT Average age Approx. 50/50 male/female 43 Average household income $92,500 Savings and investments of $500,000+ 18% Personal art collection 78% Post-grad education 73% ACTIVE IN THE REAL ESTATE MARKET Live in major urban centres 51% Own their own homes 78% PLACES GALERIE RENÉ BLOUIN BY BRYNE MCLAUGHLIN PHOTO PASCAL GRANDMAISON MONTREAL The most exciting art scene in the country right now may well be Montreal. It’s a DOWNTOWN reputation fuelled in no small part by the work of art dealer René Blouin. For more than 25 years, Blouin has been a cornerstone of the city’s commercial-gallery circuit. From his first gallery, which opened in 1986 DEVELOPERS and led a wave of art spaces in the Belgo Building on Ste-Catherine Street, to his recent sojourn at Arsenal in Montreal’s west end, Blouin has had a deft knack for pinpointing the pulse of contemporary art in the city. And he has the gallery roster to prove it, mixing blue-chip senior artists like Geneviève Cadieux and Pierre Dorion with up-and-comers like Pascal Grandmaison, Anthony Burnham, Patrick Coutu and Marie-Claire Blais, to name just a few. This spring, Blouin launched his latest gallery, a sprawling street-level industrial space tucked off the beaten track in the Cité du Multimédia district in Old Montreal. With nearly 6,000 square feet of exhibition space divided into three rooms, not to mention a massive storage area and loading dock, the King Street space doubles both of Blouin’s previous locations. It’s a neighbourhood with good company, too: Fonderie Darling and DHC/ART Fondation pour l’art contem- porain are just minutes away. “I was totally seduced and frightened,” recalls Blouin, on first seeing the space last September. “Seduced by the location, the building, the potential of the space. Frightened by how big it is.” Blouin’s newly named co-director, Sarah Pepin, interjects, with a laugh. “René had just returned from vacation. He was very relaxed, and I told him, ‘René, you’re going to sit.’ At first he didn’t want to see it. But I finally convinced him, and we visited the space and he loved it, and that’s it.” That personal dynamic between Blouin and Pepin, a rapport charged with reciprocal energy, says a lot about the gallery’s future, which is set to include a renewed focus on international artists and exchanges while maintaining a commitment to the local scene. “I’m very excited to see Sarah interested with the same kind of poetic eyes that I had when I started,” Blouin says. “I’m sure she’ll bring new vision, new sensibilities and artists with new ideas, new questioning and new forms. To me, that’s what matters. I’m not interested in showbiz and I’m not interested in banking. I’m serious about art and the gallery is about that. I play this much closer to the ground and in a more poetic way because that’s what makes me happy.” ■ Co-directors Sarah Pepin and René Blouin at Galerie René Blouin, Montreal, March 2013 58 CANADIAN A RT • SUMMER 2013 MEDIA KIT 2014 CANADIAN ART MAGAZINE Wealthy Collectors and Travelers STRONG ON INVESTING AND ART COLLECTING: Subscribers have a personal art collection 78% Subscribers will purchase art in the coming year 37% Subscribers have art collections 2% valued at $1,000,000+ Subscribers have investments
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