DOCSLIB.ORG

International Protein Consortium

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
International Protein Consortium Guaymas to Tucson Corridor Some Places Are Special! Page 1 of 36 La Loma Grande Industrial Park ♦ PO Box 2080 ♦ Nogales Arizona 85628 La Loma Grande, LLC International Presence! Guaymas to Tucson Corridor: Guaymas to Tucson commercial corridor is one of the oldest in the United States. We don’t know where these people came from? We don’t know who these people were? We don’t know their names? We don’t know where they went? We don’t know their languages? Logistic Considerations: We do know they settled in a spectacular place! We know they build homes, traded, prospered, raised families, and survived for millenniums! We know these people by what they left Behind! Access to World’s Largest Markets! Page 2 of 36 La Loma Grande Industrial Park ♦ PO Box 2080 ♦ Nogales Arizona 85628 Nogales Port of Crossing: International Connections: Ports of Crossing: Douglas Arizona & Aqua Prieta Sonora Naco Arizona & Naco Sonora Nogales Arizona & Nogales Sonora International Trade: 60% of all winter produce consumed in the US and Canada passes through Nogales. Nogales represents $26 billion dollars of international trade into Arizona, the United States, and to world through the deep sea port Guaymas, Sonora, Mexico. 30,000 Mexican shoppers cross the US border daily. $650 billion in International Drug commerce generates additional trickle down value. Transportation: United States Interstate Highways I-10, I-8, and I-19 directs traffic in and out of Nogales. Mexico Federal Highway 15 provides access to the Port of Guaymas. CANAMEX Highway, crosses in Nogales, connecting Canada, the United States, and Mexico. International Ports of Entry are Morley Pedestrian Entry, Dennis Deconcini Pedestrian & Private Owned Vehicle Entry, Mariposa Commercial Entry (12 passenger vehicle inspection lanes and 8 commercial inspection lanes), and Nogales International Airport. Port of Crossing Annual Estimates: Commercial Trucks - 547,500 Private Owned Vehicle - 3,025,767 People (Pedestrian, bus, and POV) - 13,415,485 Page 3 of 36 La Loma Grande Industrial Park ♦ PO Box 2080 ♦ Nogales Arizona 85628 Nogales, Arizona United States of America Facts: Area 20.8 sq mi Elevation 3,832 ft Population 20,948 (2011) Density 1,001.6 sq mi Per Capita Income $13,278 ZIP codes 85600-85699 Area code(s) 520 FIPS code 04-49640 Website www.nogalesaz.gov Nogales Spanish for "Black Walnut" Santa Cruz County Rated Highest “Quality of Life” in Arizona! Nogales Arizona is best known for 250 years of Apache Wars, cowboys, gun fights, 35,000 head cattle ranches, 450,000 acre Spanish land grants, perfect weather, geological diversity, specialized plants and animals, natural beauty, lightening shows, and magical sunsets. Sonoran Desert culminates in grandeur encouraged by summer Monsoon, winter snow (Made possible by 9,453 ft. moisture grabbing elevations), mineralized soils, and adaptive vegetation. Page 4 of 36 La Loma Grande Industrial Park ♦ PO Box 2080 ♦ Nogales Arizona 85628 1901 the saguaro blossom was adopted as the official territorial flower. 1931 it was confirmed as the state flower. A unique state flower characterized by a waxy feel and fragrant aroma. There may be hundreds of flowers on a saguaro cactus blooming several at a time over a period of more than a month. Saguaro flowers are short lived opening at night and closing permanently the next day. Blossoms become pollinated and later in summer the flowers become red-fleshed fruits. Saguaro Blossom! Resourceful Adaptations! Page 5 of 36 La Loma Grande Industrial Park ♦ PO Box 2080 ♦ Nogales Arizona 85628 Nogales, Arizona Flag: February 17, 1917 state flag of Arizona was officially adopted. Designed by Colonel Charles W. Harris (adjutant general and chief administrative officer of Arizona) and was sewn by Nan D. Hayden. Page 6 of 36 La Loma Grande Industrial Park ♦ PO Box 2080 ♦ Nogales Arizona 85628 35 Endangered Species Reside within 5 Miles of the Center of Our Ranch! Local Jaguar Respectfully Enjoying a Mesquite Tree! Page 7 of 36 La Loma Grande Industrial Park ♦ PO Box 2080 ♦ Nogales Arizona 85628 Lightening Shows Greatest Strike rate in the World! Induced by Mineralized Soil & Monson Rains! Page 8 of 36 La Loma Grande Industrial Park ♦ PO Box 2080 ♦ Nogales Arizona 85628 Nogales, Sonora Mexico Facts: President Benito Juarez Monument: Founded 1884 July 11 Declared a city 1920 January 1 Area 1,675 km² Elevation 3,934 ft Population 220,292 (2010) Density 131.5/ km² Time zone MST (UTC-7) Area code(s) 631 92 Maquiladoras employ 35,000 workers. Poverty Life Quality Index Levels: 33.9% in Poverty 41.2% < 18 Years 32.9% > 65 Years Nogales, Sonora Mexico Flag: 1821 the first three color national flag was created following independence from Spain. Red, white, and green are also the colors of the Mexican National Liberation Army. The central emblem is the Aztec pictogram for Tenochtitlan (Mexico City) the center of their empire. Inspired by Aztec legend to settle on what was originally a lake-island, their gods told them to build a city where they spot an eagle holding a serpent in its talon, perched on a prickly pear cactus, and situated on a rock that rises above a lake. 1424 China Began Trading with the Aztec! Montezuma Likely Chinese! “Montezuma” Mythical God of the Indigence “Pimeria Alta” Tribes! Page 9 of 36 La Loma Grande Industrial Park ♦ PO Box 2080 ♦ Nogales Arizona 85628 Produce Production: Page 10 of 36 La Loma Grande Industrial Park ♦ PO Box 2080 ♦ Nogales Arizona 85628 Local Color and Action: Movies filmed Near Nogales! Three Amigos Geronimo: An American Legend Star Trek: Generations A Kiss Before Dying Glory Road Stargate A Star is Born Groom Lake Stay Tuned Aces: Iron Eagle III Gunfight at the O.K. Corral Stir Crazy Alice Doesn't Live Here Anymore Harley Davidson and the Marlboro Man Terminal Velocity Almost Famous Hawmps! The Bells of St. Mary's Along Came Jones Hombre The Cannonball Run Arizona How the West Was Won The Mine with the Iron Door Arizona Dream Jesus' Son The Outlaw Josey Wales Away We Go Lilies of the Field The Postman Baraka Los Locos The Quick and the Dead Battle Hymn Lost Horizon The Trial of Billy Jack Border Wars Major League The Villain Boys on the Side Mary Shelley's The Last Man The Westerner Broken Arrow McLintock! The Wraith Cannonball Run II Nemesis The Young Animals Can't Buy Me Love Night of the Lepus Tin Cup Captain Newman, M.D. Oklahoma! Tom Horn Clear and Present Danger Perdita Durango Tombstone Cold Feet Price of Glory Traffic Confessions of a Dangerous Mind Red River Transformers David and Bathsheba Revenge of the Nerds Transformers: Revenge of the Fallen Death Wish Rio Bravo Ulzana's Raid Duel in the Sun Rio Lobo Violent Saturday Easy Rider Roswell White Line Fever Eating Out Ruby Jean and Joe Winchester '73 El Dorado South of Heaven, West of Hell Wings Fire Birds Star Trek: First Contact World Gone Wild Young Guns II Sort of Entertaining! Page 11 of 36 La Loma Grande Industrial Park ♦ PO Box 2080 ♦ Nogales Arizona 85628 Shared Nogales History: 69,013 BP - Evidence suggests ocean going travelers, settling the Philippians, also acquainted them selves with western North America. 26,013 BP - European (Solutrean) people journeyed to southern Arizona (Bi-faces) 15,130 BP - Paloelithic tools began to appear in the area (Bi-faces). 13,013 BP - Asians began traveling to Nogales. 12,013 BP - Tucson’s Santa Cruz Valley experienced migrations of Paleoindian and Archaic hunters and gatherers. Tucson is the oldest continuously occupied city on earth. 4,483 BP - Cypriot Minoan copper mining initiated international trade between North America, Mexico, Europe and the Middle East. 3,013 BP - Elaborate irrigated farming communities established along the Santa Cruz River in Tucson. 1,113 BP (900 AD) - Europeans of all race, creed, and nationality regularly traveled to Nogales (Mustang Mountain Rune stones). Accepting huge “Risk” in search of their fortunes, thousands of adventures began traveling to Nogales! 326 BP (1687 AD) - A Mule Riding Italian Jesuit Priest, Father Eusebio Kino, came to Nogales. 1687 Father Kino visited the O’odham peoples living in the Sonoran desert along the Santa Cruz River. He introduced commercial specialized agriculture, ranching, education, cultural, community development, skilled trades, commercial enterprises, churches, documented local languages, built roads connecting the communities, and cared for the well- being of the indigenous inhabitants. Specialized skilled communities continue to maintain their traditional trades (Tile and brick production, musical instruments, ranching, fresh produce, weaving, felt hats, cotton garments and blankets, silver and gold jewelry, boots and shoes, saddles, copper pots and pans, stoves, terra cotta pottery, tequila, baskets, candles, glass, decorative iron, and art)! Beginning of Intense Trade! Page 12 of 36 La Loma Grande Industrial Park ♦ PO Box 2080 ♦ Nogales Arizona 85628 Missions: 1687 - Mission Nuestra Señora de los Dolores: founded on March 13, 1687. This was the first mission founded in the Pimaria Alta (Enrollment) by Father Kino. 1744 the mission was abandoned. 1687 - Nuestra Señora de los Remedios was founded in 1687. 1730 mission was abandoned (Nothing remains of this mission). 1687 - San Ignacio de Cabórica was founded in 1687 and is located in San Ignacio, Sonora. 1687 - Mission San Pedro y San Pablo del Tubutama was founded in 1687, in Tubutama, Sonora. 1687 - Santa Teresa de Atil was founded in 1687, in the small town of Atil, Sonora. 1687 - Santa Maria Magdalena was founded in 1687, located in Magdalena de Kino, Sonora. Padre Kino's grave is located here. 1687 - San José de Imuris was founded in 1687, in Imuris, Sonora. 1689 - Nuestra Señora del Pilar y Santiago de Cocóspera was founded in 1689 and located in Cocóspera, Sonora.
Load more

Recommended publications
  • MONDO TARANTINO MONDO TARANTINO COLEÇÃO CINUSP – Volume 4 Coordenação Geral Tradução Esther Hamburger E Patricia Moran David Donato
    MONDO TARANTINO MONDO TARANTINO COLEÇÃO CINUSP – vOLUME 4 COORDENAÇÃO GERAL TRADUÇÃO Esther Hamburger e Patricia Moran David Donato ORGANIZAÇÃO REVISÃO Marcos Kurtinaitis Luciana Tonelli PRODUÇÃO PROJETO GRÁFICO E DIAGRAMAÇÃO Thiago de André André Noboru Siraiama Uva Costriuba PESQUISA Henrique Figueiredo ILUSTRAÇÃO DA CAPA Yasmin Afshar Vitor Morinishi Kurtinaitis, Marcos (org.) Mondo Tarantino / Marcos Kurtinaitis São Paulo: Pró-reitoria de Cultura e Extensão Universitária – USP, 2013. 256 p.; 21 x 15,5 cm. ISBN 978-85-62587-09-2 1. Cineastas 2. Tarantino, Quentin (1963- ) I. Título CDD 791.43092 CDU 791 Ministério da Cultura apresenta Banco do Brasil apresenta e patrocina MONDO TARANTINO CCBB DF CCBB SP CINUSP 15 FEV A 17 MAR 20 FEV A 17 MAR 25 FEV A 15 MAR SCES, Trecho 2 Rua Álvares Penteado, 112 Rua do Anfiteatro, 181 61 3108 - 7600 Centro Colmeia Favo 04 twitter.com/ccbb_df 11 3113 - 3651 / 3652 11 3091 - 3540 fb.com/ccbb.brasilia twitter.com/ccbb_sp www.usp.br/cinusp fb.com/ccbbsp fb.com/cinusp.pauloemilio CORREALIZAÇÃO REALIZAÇÃO Pró-Reitoria de Cultura e Extensão Universitária da USP São Paulo – Fevereiro de 2013 O Ministério da Cultura e o Banco do Brasil apresentam, em parceria com o CINUSP Paulo Emílio, a mostra MONDO TARANTINO, ampla retrospectiva em homenagem ao cineasta que completa 20 anos de carreira. Prestes a completar também 50 anos de idade e contando com enorme prestígio, Quentin Tarantino é, sem dúvida, um dos mais influentes cineastas em atividade. Seus filmes, tamanha a originalidade, sempre provocam as mais acaloradas discussões. E, mais que isso, propiciam uma significativa mudança no cinema.
    [Show full text]
  • Click Here to Download The
    FREE EXAM Complete Physical Exam Included New Clients Only Must present coupon. Offers cannot be combined 4 x 2” ad Wellness Plans Extended Hours Multiple Locations www.forevervets.com Your Community Voice for 50 Years PONTEYour Community Voice VED for 50 YearsRA RRecorecorPONTE VEDRA dderer entertainment EEXXTRATRA! ! Featuring TV listings, streaming information, sports schedules, puzzles and more! October 8 - 14, 2020 has a new home at THE LINKS! Other stars 1361 S. 13th Ave., Ste. 140 make music for Jacksonville Beach ‘GRAMMY Salute’ Offering: · Hydrafacials on PBS special · RF Microneedling · Body Contouring Jimmy Jam hosts “Great · B12 Complex / Performances: GRAMMY Lipolean Injections Salute to Music Legends” INSIDE: Sports listings, Friday on PBS. sports quiz and Get Skinny with it! player profile (904) 999-09771 x 5” ad Pages 18-19 www.SkinnyJax.com Now is a great time to It will provide your home: List Your Home for Sale • Complimentary coverage while the home is listed • An edge in the local market Kathleen Floryan LIST IT because buyers prefer to purchase a Broker Associate home that a seller stands behind • Reduced post-sale liability with [email protected] ListSecure® 904-687-5146 WITH ME! https://www.kathleenfloryan.exprealty.com BK3167010 I will provide you a FREE https://expressoffers.com/exp/kathleen-floryan America’s Preferred Ask me how to get cash offers on your home! Home Warranty for your home when we put it on the market. 4 x 3” ad BY JAY BOBBIN A new ‘GRAMMY Salute to Music Legends’ honors John What’s Available NOW On Prine, Chicago and others Each year, several music icons get a special their horn parts.
    [Show full text]
  • Inventory to Archival Boxes in the Motion Picture, Broadcasting, and Recorded Sound Division of the Library of Congress
    INVENTORY TO ARCHIVAL BOXES IN THE MOTION PICTURE, BROADCASTING, AND RECORDED SOUND DIVISION OF THE LIBRARY OF CONGRESS Compiled by MBRS Staff (Last Update December 2017) Introduction The following is an inventory of film and television related paper and manuscript materials held by the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress. Our collection of paper materials includes continuities, scripts, tie-in-books, scrapbooks, press releases, newsreel summaries, publicity notebooks, press books, lobby cards, theater programs, production notes, and much more. These items have been acquired through copyright deposit, purchased, or gifted to the division. How to Use this Inventory The inventory is organized by box number with each letter representing a specific box type. The majority of the boxes listed include content information. Please note that over the years, the content of the boxes has been described in different ways and are not consistent. The “card” column used to refer to a set of card catalogs that documented our holdings of particular paper materials: press book, posters, continuity, reviews, and other. The majority of this information has been entered into our Merged Audiovisual Information System (MAVIS) database. Boxes indicating “MAVIS” in the last column have catalog records within the new database. To locate material, use the CTRL-F function to search the document by keyword, title, or format. Paper and manuscript materials are also listed in the MAVIS database. This database is only accessible on-site in the Moving Image Research Center. If you are unable to locate a specific item in this inventory, please contact the reading room.
    [Show full text]
  • DVD Laser Disc Newsletter DVD Reviews Complete Index June 2008
    DVD Laser Disc Newsletter DVD Reviews Complete Index June 2008 Title Issue Page *batteries not included May 99 12 "10" Jun 97 5 "Weird Al" Yankovic: The Videos Feb 98 15 'Burbs Jun 99 14 1 Giant Leap Nov 02 14 10 Things I Hate about You Apr 00 10 100 Girls by Bunny Yaeger Feb 99 18 100 Rifles Jul 07 8 100 Years of Horror May 98 20 1000 Eyes of Dr. Mabuse Sep 00 2 101 Dalmatians Jan 00 14 101 Dalmatians Apr 08 11 101 Dalmatians (remake) Jun 98 10 101 Dalmatians II Patch's London Adventure May 03 15 10:30 P.M. Summer Sep 07 6 10th Kingdom Jul 00 15 11th Hour May 08 10 11th of September Moyers in Conversation Jun 02 11 12 Monkeys May 98 14 12 Monkeys (DTS) May 99 8 123 Count with Me Jan 00 15 13 Ghosts Oct 01 4 13 Going on 30 Aug 04 4 13th Warrior Mar 00 5 15 Minutes Sep 01 9 16 Blocks Jul 07 3 1776 Sep 02 3 187 May 00 12 1900 Feb 07 1 1941 May 99 2 1942 A Love Story Oct 02 5 1962 Newport Jazz Festival Feb 04 13 1979 Cotton Bowl Notre Dame vs. Houston Jan 05 18 1984 Jun 03 7 1998 Olympic Winter Games Figure Skating Competit May 99 7 1998 Olympic Winter Games Figure Skating Exhib. Sep 98 13 1998 Olympic Winter Games Hockey Highlights May 99 7 1998 Olympic Winter Games Overall Highlights May 99 7 2 Fast 2 Furious Jan 04 2 2 Movies China 9 Liberty 287/Gone with the West Jul 07 4 Page 1 All back issues are available at $5 each or 12 issues for $47.50.
    [Show full text]
  • What Zombies Can Teach Law Students: Popular Text Inclusion in Law and Literature
    Mercer Law Review Volume 66 Number 3 Articles Edition Article 6 5-2015 What Zombies Can Teach Law Students: Popular Text Inclusion in Law and Literature Thomas E. Simmons Follow this and additional works at: https://digitalcommons.law.mercer.edu/jour_mlr Part of the Legal Education Commons Recommended Citation Simmons, Thomas E. (2015) "What Zombies Can Teach Law Students: Popular Text Inclusion in Law and Literature," Mercer Law Review: Vol. 66 : No. 3 , Article 6. Available at: https://digitalcommons.law.mercer.edu/jour_mlr/vol66/iss3/6 This Article is brought to you for free and open access by the Journals at Mercer Law School Digital Commons. It has been accepted for inclusion in Mercer Law Review by an authorized editor of Mercer Law School Digital Commons. For more information, please contact [email protected]. What Zombies Can Teach Law Students: Popular Text Inclusion in Law and Literature by Thomas E. Simmons* "You can't kill someone who's already dead.' I. INTRODUCTION The recent spike in tales about zombies has generated inspired responses from legal scholars.2 Films, such as World War Z (based on * Assistant Professor of Law, University of South Dakota School of Law. University of South Dakota (B.S., 1991); University of South Dakota School of Law (J.D., 1998). 1. JOHN A. LINDQVIST, HANDLING THE UNDEAD 345 (2005). 2. See, e.g., DANIEL W. DREzNER, THEORIES OF INTERNATIONAL POLITICS AND ZOMBIES (2011) (examining different theoretical responses to zombies, such as realpolitik and neoconservativism, along with their probable shortcomings); Julia Gruson-Wood, Zombies, Disability and Law, in BRAAAIIINNNSSs: FROM AcADEMIcS TO ZOMBIES 263 (Robert I.
    [Show full text]
  • Movie Riffing at B-Fest: an Exploration of Unscripted In-Theater Audience Participation As Embodied Performance of Film Criticism
    . Volume 18, Issue 1 May 2021 Movie riffing at B-Fest: An exploration of unscripted in-theater audience participation as embodied performance of film criticism Matt Foy, Upper Iowa University, USA Abstract: An increasingly rich area of interest in audience and media studies is the cultural practice of movie riffing: the performance of verbally or physically responding to a film with conspicuously critical and/or humorous observations. Riffing, a model of media consumption innovated and popularized by the cult television program Mystery Science Theater 3000, is a prominent feature of participatory audiencing rituals by which filmgoers and fan communities publicly engage in struggle over the meaning and value of mediated texts. Drawing on scholarship from cult audience, cultural and performance studies, this essay explores the state of ritual movie riffing at B-Fest, Northwestern University’s long- running annual twenty-four-hour celebration of ‘bad movies’ and the culture surrounding their public consumption. After riffing alongside B-Fest’s enthusiastic attendees, the author presents rhetorical strategies and discursive themes from B-Fest and considers movie riffing as a participatory, communal model of media criticism. Keywords: movie riffing, audiencing rituals, cult audiences, midnight movies One need only gaze across the landscape of McCormick Auditorium on the final weekend of January to know the attendees of B-Fest take their bad movies seriously. By 6:00 p.m. Friday each of McCormick’s 200-plus seats will be occupied with festival attendees and their belongings: winter coats, backpacks, blankets and pillows, knotted plastic grocery sacks of provisions, and hundreds of thin white paper plates.
    [Show full text]
  • Movie Monster Memories Pdf, Epub, Ebook
    GRAPHIC HORROR: MOVIE MONSTER MEMORIES PDF, EPUB, EBOOK John Edgar Browning | 192 pages | 28 Jul 2012 | Schiffer Publishing Ltd | 9780764340826 | English | Atglen, United States Graphic Horror: Movie Monster Memories PDF Book Cold War-era fare about an American android astronaut "Frank" battling Martians looking to breed with Earth women. The House of the Devil. While advances in digital monster creation have in turn increased audience sophistication, Ben Mauro, a freelance concept designer who recently worked with Weta on the Hobbit movies, cautions against letting them influence the creative process. Clover, however, argued the reverse: that these films are designed to align spectators not with the male tormentor, but with the female tormented--with the suffering, pain, and anguish that the "final girl," as Clover calls the victim-hero, endures before rising, finally, to vanquish her oppressor. Pamela Voorhees Mother Voorhees in the original version of slasher flick Friday the 13th This appreciation of the classics bodes well for Gareth Evans' Godzilla reboot, which hits cinemas next month. Photo Credit: miodrag ignjatovic. Sample Dialogue: "I'm an American, and we're tough! The Cave of the Demons. Note to filmmakers: You may want to reconsider your choice of animal villain if it can be defeated by common table salt. The Omen. What Is It? Friday the 13th Part III. He recently shared a shirtless Instagram photo of himself at the gym, captioning it: "Getting back into that fitlife. Want to find more? Do the pleasures of horror movies really begin and end in sadism? Unfortunately, it's not Die Hard with vampires.
    [Show full text]
  • Representation of Dinosaurs in 20Th Century Cinema
    DARWIN'S DAIKAIJU: REPRESENTATIONS OF DINOSAURS IN 20TH CENTURY CINEMA Nicholas B. Clark A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2018 Committee: Jeremy Wallach, Advisor Esther Clinton Erin Labbie © 2018 Nicholas B. Clark All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor The archetypal dragon, a composite of different living animals, has been popular for centuries, and we still tell stories about it today. One other monster seems to match the dragon in popularity, though it is not among the ranks of the traditional or legendary. Since their discovery in the late 18th century, dinosaurs have been wildly popular in both science and mass culture. The scientific status of dinosaurs as animals has not prevented people from viewing them as monsters, and in some cases, treating these prehistoric reptiles like dragons. This thesis investigates the relationship between the dragon and the dinosaur and the interplay between dragon iconography and dinosaur imagery in five dinosaur monster films from the mid-20th century: The Beast from 20,000 Fathoms (1953), Gojira (1954), Godzilla Raids Again (1955), Gorgo (1961), and Ghidorah, the Three-Headed Monster (1964). In addressing the arguments other critics have made against equating the dragon with the dinosaur, I will show that the two monstrous categories are treated as similar entities in specific instances, such as in monster- slaying narratives. The five films analyzed in this thesis are monster-slaying narratives that use the dinosaur in place of the dragon, thus “draconifying” the dinosaur.
    [Show full text]
  • Double Features References
    DOUBLE FEATURES BIG IDEAS IN FILM Reference List DOUBLE FEATURES BIG IDEAS IN FILM Reference List Yossarian Is Alive and Well in the Mexican Desert 4 Nora Ephron Countercultural Architecture and Dramatic Structure 6 David Mamet Shooting to Kill (selection) 7 Christine Vachon Laugh, Cry, Believe: Spielbergization and Its Discontents 10 J. Hoberman In the Blink of an Eye (selection) 15 Walter Murch “One Hang, We All Hang”: High Plains Drifter 16 Richard Hutson Lynch on Lynch (selection) 18 Chris Rodley, interview with David Lynch John Wayne: A Love Song 19 Joan Didion Nonstop Action: Why Hollywood’s Aging Heroes Won’t Give Up the Gun 20 Adam Mars-Jones Willing 23 Lorrie Moore The contents of this packet include proprietary trademarks and copyrighted materials, and may be used or quoted only with permission and appropriate credit to the Great Books Foundation. DOUBLE FEATURES Furiosa: The Virago of Mad Max: Fury Road 24 Jess Zimmerman Scary Movies 25 Kim Addonizio Skyshot 26 Manuel Muñoz Edward Hopper’s New York Movie 27 Joseph Stanton Why We Crave Horror Movies 28 Stephen King Matinée 32 Robert Coover The Last Movie 33 Rachel Hadas Some Months After My Father’s Death 34 Sheryl St. Germain The Birds (selection) 35 Camille Paglia Your Childhood Entertainment Is Not Sacred 37 Nathan Rabin Pygmalion’s Ghost: Female AI and Technological Dream Girls 38 Angelica Jade Bastién The Solace of Preparing Fried Foods and Other Quaint Remembrances from 1960s Mississippi: Thoughts on The Help 39 Roxane Gay Better Living Through Criticism: How to Think About Art, Pleasure, Beauty, and Truth (selection) 40 A.
    [Show full text]
  • Sunday Morning Grid 1/13/19 Latimes.Com/Tv Times
    SUNDAY MORNING GRID 1/13/19 LATIMES.COM/TV TIMES 7 am 7:30 8 am 8:30 9 am 9:30 10 am 10:30 11 am 11:30 12 pm 12:30 2 CBS CBS News Sunday Face the Nation (N) The NFL Today (N) Å Football Los Angeles Chargers at New England Patriots. (N) Å 4 NBC Today in L.A. Weekend Meet the Press (N) (TVG) NBC4 News Paid Program Naturally Saving Pets Champion Extra (N) Å 5 CW KTLA 5 Morning News at 7 (N) Å KTLA News at 9 KTLA 5 News at 10am In Touch Paid Program 7 ABC News This Week News News News Training Paid Eye on L.A. 9 KCAL KCAL 9 News Sunday (N) Jentzen Paid Mike Webb Paid Program 1 1 FOX Fox News Sunday News Tip-Off College Basketball Villanova at Creighton. (N) Laughs Paid DIY Sci Paid 1 3 MyNet Paid Program Fred Jordan Paid Program News Cops (TV14) 1 8 KSCI Paid Program Buddhism Paid Program 2 2 KWHY Paid Program Paid Program 2 4 KVCR Paint With Painting Joy of Paint Wyland’s Paint This Painting Cook Mexican Martha Belton Baking How To 2 8 KCET Zula Patrol Zula Patrol Mixed Nutz Edisons Curios -ity Biz Kid$ 28 Day Metabolism Makeover Live Better Now With Mimi Guarneri 3 0 ION Jeremiah Youseff In Touch Ankerberg NCIS: Los Angeles Å NCIS: Los Angeles Å NCIS: Los Angeles Å NCIS: Los Angeles Å 3 4 KMEX Conexión Paid Program Fútbol Fútbol Mexicano Primera División (N) República Deportiva (N) 4 0 KTBN James Win Walk Prince Carpenter Intend Min.
    [Show full text]
  • 'Why Wouldn't the Wilderness Fight Us?' American Eco-Horror and The
    5 ‘Why Wouldn’t the Wilderness Fight Us?’ American Eco-Horror and the Apocalypse Rachel Carson’s 1962 book The Silent Spring, perhaps the most influential work of environmental advocacy ever written, opens with a ‘Fable for Tomorrow’.1 She depicts a town completely at one with its pastoral surroundings: Even in winter the roadsides were places of beauty, where countless birds came to feed on the berries and on the seed heads of the dried weeds rising above the snow. The countryside was, in fact, famous for the abundance and variety of wildlife, and when the flood of migrants was pouring through in spring and autumn people travelled from great distances to observe them.2 It’s all too good to last. Soon, ‘a strange blight crept over the area and everything began to change’.3 It’s a development that she casts in dis- tinctly Gothic terms: ‘Some evil spell had settled on the community: mysterious maladies swept the flocks of chickens; the cattle and sheep sickened and died. Everywhere was a shadow of death.’4 One of the most eerie developments is the fact that there are no birds anymore: ‘It was a spring without voices.’ However, there is nothing supernatural about this ecological devastation: ‘No witchcraft, no enemy action had silenced the rebirth of new life in this stricken world.’ The awful truth is: ‘The people had done it themselves.’5 Carson made it clear that every disaster described in her ‘fable’ had already happened somewhere.6 Eco- logical catastrophe was no longer an alarmist fantasy, but a stark reality of late twentieth-century life.
    [Show full text]
  • Arizona Filmography
    7/20/2004 Arizona Filmography Arizona Film Office 2003 Feature Mona Lisa Smile Columbia Tri-Star / Revolution Films Director Mike Newell Arizona Locations: Parker (Hwy 60 & 72 near Vicksburg) Producer Starring: Julia Roberts, Dirsten Dunst, Julia Stiles Exec. Telefeature Hard Ground LLP (Larry Levinson Productions) Director Frank Dobbs Arizona Locations: Lake Havasu City Producer Starring: Burt Reynolds, Bruce Dern Producer Randy Pope, Lincoln Lageson Exec. Larry Levinson 2002 Feature Charlie's Angels II Columbia Pictures Director Arizona Locations: Page (Glen Canyon Dam, Glen Canyon Bridge) Producer Exec. Confessions Of A Dangerous Mind Mad Chase Productions Studio: Miramax Director George Clooney Arizona Locations: Tucson, Nogales Arizona, Nogales Sonora Mexico Producer Sudzin Starring: George Clooney, Drew Barrymore, Sam Rockwell, Julia Roberts, Brad Pitt Producer Andre Lazar, Steven Reuther, Jeffrey Exec. George Clooney, Stephen Evans (I), Angus Finney Destiny Destiny Productions Studio: Independent Director Katherine Makinney Arizona Locations: Phoenix, Flagstaff Producer Tom Tangen, Mitch Teemley Starring: Jerri Manthey, Stephanie Feury, Todd Cahoon, Tom Tangen, Nancy Stafford Producer Dominic Cianciolo, Michael C. Edwards, Exec. 1 Saguaro Ranch Summer Westpark Productions Director Joey Travolta Arizona Locations: Prescott (Courthouse, Hwy.), Phoenix (Saguaro Lake Guest Ranch) Producer Exec. The Brothel Mt. Parnassus Pictures/Emerging Pictures Studio: Independent Director Amy Waddell Arizona Locations: Jerome, Sedona, Cottonwood Producer Starring: Serena Scott-Thomas, Grace Zabriskie, Whip Hubley, Bruce Payne Producer Amy Waddell, Wade Danielson Exec. The Incredible Hulk Universal Pictures Director Arizona Locations: Page (Lake Powell) Producer Exec. The Reckoning VIG Global Capital, Inc. Director Dustin Rikert Arizona Locations: Tucson (Old Tucson) Producer Starring: Gary Busey Producer Renee Roland Exec.
    [Show full text]