Haiku in English: the First Hundred Years Pdf, Epub, Ebook

Total Page:16

File Type:pdf, Size:1020Kb

Haiku in English: the First Hundred Years Pdf, Epub, Ebook HAIKU IN ENGLISH: THE FIRST HUNDRED YEARS PDF, EPUB, EBOOK Jim Kacian,Philip Rowland,Allan Burns,Billy Collins | 464 pages | 29 Oct 2013 | WW Norton & Co | 9780393239478 | English | New York, United States Haiku in English: The First Hundred Years PDF Book Spiess was the editor of Modern Haiku , one of the best haiku magazines and one of the oldest that is still published. Quotes from Haiku in English This is such a wonderful anthology. Shipped from UK. United Kingdom. Once upon a time about eleven years ago, I had a haiku published in a sci-fi magazine called Scifaikuest. Seller Inventory B Goodreads helps you keep track of books you want to read. There are enough poems in this anthology that I could like many of them and still feel ambivalent about the collection as a whole. Oct 20, Ed Ashford rated it it was amazing Shelves: poetry. Jan 19, Bill Kerwin rated it really liked it Shelves: poetry. Probably not? I can't help but subconsciously run the three together and wonder how they look like as a whole. Average rating 4. The one that sticks the most in my mind is by Clare McCotter. On your next view you will be asked to log in to your subscriber account or create an account and subscribe purchase a subscription to continue reading. I think that's put me off sex for the rest of my life. Lorraine Ellis Harr, who has three haiku in this anthology, published my first haiku in her magazine, Dragonfly. Showing The former is a third edition of mainly North American Haijin the third edition IIRC dropped some important early contributors like Janice Bostok from Australia and it tends to provide a number of poems from prominent Haijin, enabling the reader to get a real sense of eac I previously reviewed The Haiku Anthology by Cor van den Heuvel, Haiku in English is perhaps best seen as a companion collection to it. Add to Basket New Condition: New. All pages are intact, and the cover is intact. Just a moment while we sign you in to your Goodreads account. I was fortunate to have dinner with the man one evening in Madison, WI where he lived. Haiku in English: The First Hundred Years Writer At times I just rolled my eyes and thought, "What would George Carlin do? Welcome, Guest. Goodreads helps you keep track of books you want to read. The book is still the best collection of haiku written in English. In that sense, English-language haiku has turned the page from the traditionally Japanese-only genre. Pages are intact and are not marred by notes or highlighting, but may contain a neat previous owner name. Sep 10, Paul rated it did not like it Shelves: completed , reviewed , cpl , non-art-photo , poetry , poetry-east. He's also responsible for an incredible amount of bad haiku -- or whatever passes for haiku in English these days. Haiku are often dutifully , but many are not; some haiku are but a single word; e. Then the anthology shifts to early haiku poets like Cor van den Heuvel who is best known for his anthology called The Haiku Anthology. To that end Haiku in English is more about the form and its English history than individual poets or groups of poets. Prior to working your way through the book, read the essay at the back - a great overview of Haiku poetry and its history. Near Fine in a Near Fine dust jacket. These comparative poems in miniature are, as might be expected, highly privileged in the introduction by Billy Collins. Out of the more than half a thousand haiku included in this volume, I give you twenty that gave me a touch of that zen koan experience. Covers a lot of ground. Purchase a Subscription. A copy that has been read, but remains in excellent condition. Condition: Very Good. Pasatiempo's most popular online content from the past seven days. Essential reading for any lover of haiku. In that case, we can't This is a nice little anthology which attempts to present the history of haiku in English, organized by publication date, beginning with Ezra Pound and moving forward. I think this would make a lovely gift for haiku lovers as well as those entirely new to poetry. More information about this seller Contact this seller 7. More Details There's a great mix of well known and little-known poets here, and a huge range of styles. I think that's put me off sex for the rest of my life. More information about this seller Contact this seller 2. Haiku is usually untitled -- but three or more haiku often appears on the same page. The most striking poem of the lot? On your next view you will be asked to log in to your subscriber account or create an account and subscribe purchase a subscription to continue reading. If Haiku is your thing this is your book. To put the book together, they obviously have read thousands of haiku published in the haiku magazines in the the last 60 years. If you enjoy haiku, pick this book up today. The English accent the editors so emphasize may often be a bit clunky, but it carries its own beauty. Seller Image. Established seller since Come for the haiku, stay for the excellent explanation. Book is in Used- Good condition. The overview of haiku in English at the end provides a nice prose history of the form. Haiku in English: The First Hundred Years Reviews Condition: Very Good. I want to press this into the hands of everybody who tells me haiku should follow the syllable rule. Marcy St. And each one is written by a poet I have never heard of before. That being said, this volume also offers a thorough overview of haiku in the english language by Jim Kacian. First Edition; First Printing. Published by W. Books by Philip Rowland. Near Fine in a Near Fine dust jacket. Shipped from UK. Clearly, he only had one small audience in mind when he wrote it. Some poets only have one Haiku listed and it may not be that which is considered best from their body of work, more that it might illustrate an important step in the tradition. The former is a third edition of mainly North American Haijin the third edition IIRC dropped some important early contributors like Janice Bostok from Australia and it tends to provide a number of poems from prominent Haijin, enabling the reader to get a real sense of eac I previously reviewed The Haiku Anthology by Cor van den Heuvel, Haiku in English is perhaps best seen as a companion collection to it. Although haiku originated as a J. Welcome back. May 08, Judith Schrauder rated it it was amazing. Purchase a Subscription. Although haiku originated as a Japanese art form, it has found a welcome home in the English-speaking world. Readers also enjoyed. It is the book that I would recommend to anyone interested in reading haiku. Toggle navigation Menu. More information about this seller Contact this seller 8. Pasatiempo's most popular online content from the past seven days. There are enough poems in this anthology that I could like many of them and still feel ambivalent about the collection as a whole. Haiku in English: The First Hundred Years Read Online Among the many poems on offer are organic form experiments by E. Yet the form still maintains a kind of curious hold over the popular imagination—the small, brief pops of curious comparison draws in readers as diverse as any. I find nothing to criticize, and am very impressed with the extra front and back matter, which round out the presentation of representative haiku from about some poets. This collection serves to head off this possibility. In that sense, English-language haiku has turned the page from the traditionally Japanese-only genre. I'm going to check out other haiku books from my library. Please purchase a subscription to read our premium content. I could have chosen many others as well. In general, Haiku in English just has too much cheesy subjectivity. Seller Rating:. Create a Want BookSleuth Can't remember the title or the author of a book? Toggle navigation Menu. Details if other :. Used items may not include supplementary materials such as CDs or access codes. There are enough poems in this anthology that I could like many of them and still feel ambivalent about the collection as a whole. Purchase a Subscription. The book has been read, but is in excellent condition. After the poems, there is a historical overview of haiku in English. So reading this book for me was like taking a trip down memory lane. Book is in Used-Good condition. More filters. I thought this was the best reason to read the book—and it wasn't the reason I chose it, so this was a pleasant surprise. And the fact that Billy Collins possibly the worst poet of his generation wrote the introduction is just the cherry on top. Welcome, Guest. Or John Taglibaue: A child looking at ants; an elephant looking at universes Was this written by a precocious five-year-old, or an actual adult in full possession of his faculties? Haiku in English is an anthology of more than brilliantly chosen poems that were originally written in English by over poets from around the world. https://cdn.starwebserver.se/shops/mimmilundqvistmm/files/little-brown-handbook-the-pearson-new-international-edition-185.pdf https://cdn.starwebserver.se/shops/robertperssonvj/files/university-calculus-2nd-edition-684.pdf https://files8.webydo.com/9583049/UploadedFiles/EEFD004A-0306-11AF-0EB2-CCD8F7F5E072.pdf https://files8.webydo.com/9583945/UploadedFiles/544F3097-48DE-59E9-AE78-7D59ED01E137.pdf https://cdn.starwebserver.se/shops/razmusblomqvistao/files/clinical-nursing-skills-and-techniques-304.pdf https://files8.webydo.com/9584490/UploadedFiles/F3E3575E-B7D9-DF7D-7220-CC93E47B3A48.pdf https://files8.webydo.com/9582800/UploadedFiles/9C584BAE-BC00-1366-2CCC-51291A29B9CA.pdf https://files8.webydo.com/9582883/UploadedFiles/58392889-3CF3-1E61-B021-D9267F87DB6C.pdf.
Recommended publications
  • October 2011 HSA Newsletter
    Ripples Volume 26, Number 3 Haiku Society of America Newsletter October 2011 From the President erate momentum within our organiza- support to tion. More and more people are offering contribute to help out. Our secretary, Angela Terry, to the haiku Dear Members: routinely sends me names of people and larger who have noted on their membership literary have really appreciated the chance to forms that they’d like to volunteer. I’ve communi- serve the HSA for a second year, and I enjoyed the chance to correspond with ties, and I I am especially thankful to the executive those members and to work with them am abso- committee officers and regional coordi- to find the best ways for them to con- lutely cer- nators for their dedication and hard tribute. In some cases, we’ve added tain that the work on behalf of the HSA and English- their names to a growing list as we de- work of HSA President Ce Rosenow language haiku. I’m also very grateful to velop more volunteer opportunities for volunteers at the Dodge Poetry Festival the many HSA members who have vol- in Newark, New Jersey on the future. In other cases, there have helps those unteered to lead workshops; to serve on October 8, 2010 been clear affiliations between the inter- communi- Photo by Charlie Larsson our education, history, and publicity ests of the volunteers and particular ties better committees; and to participate on HSA HSA needs. The HSA is a stronger, more understand, panels at conferences and meetings vibrant organization because of the gen- and make use of, what we have to offer.
    [Show full text]
  • Japanese Haiku and Contemporary English-Language Haiku
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE Japanese Haiku and Contemporary English-Language Haiku ガーガ リー GURGA Lee Introduction R.H. Blyth wrote that haiku is Japan’s greatest gift to world culture. Who am I to argue with that? It is a great gift and I am grateful to the Japanese people for it. I shall try to show my gratitude today by demonstrating that it has been embraced by the English-speaking world. I have been asked to address the following questions: • How are the haiku of Bashō and other Japanese poets understood and appreciated in the United States? • What kinds of haiku are considered good or are popular? • How do Americans accept haiku as literature? • What are the evaluation standards for selecting haiku? • When one composes a haiku, what are the crucial points? Bashō and Japanese haiku in the West To begin with the fi rst question: How are past Japanese haiku, for example those of Bashō, understood or appreciated in the United States? - 157 - You might be surprised to hear that a familiarity with haiku in general and Bashō in particular is widespread in the West. So widespread that even the writers of the TV series “The Simpsons” expect their audience to know who Bashō is. There are a surprising number of translations of Bashō’s haiku in English, and more seem to appear every year. This attests to the high regard in which classical Japanese haiku are held in the West. As a result of the introduction of haiku as a Zen art, it is seen by many to be part of a spiritual path.
    [Show full text]
  • View Digital Version
    JuxtaPOSITIONS 1.1 juxtatwo Research and Scholarship in Haiku 2016 The Haiku Foundation 1 JuxtaPOSITIONS 1.1 juxtatwo ISBN 978-0-9826951-3-5 Copyright © 2016 by The Haiku Foundation JUXTAtwo is the print version of Juxtapositions 2.1. A journal of haiku research and scholarship, Juxtapositions is published by The Haiku Foundation. The Haiku Foundation PO Box 2461 Winchester VA 22604-1661 USA www.thehaikufoundation.org/juxta Senior Editor Peter McDonald General Editors Stephen Addiss Randy M. Brooks Bill Cooper Review Editor Ce Rosenow Haiga Editor Stephen Addiss Managing Editor Jim Kacian Technical Manager Dave Russo Proofreader Sandra Simpson 2 JuxtaPOSITIONS 1.1 Contents Snapshots: Haiku in the Great War . Sandra Simpson …… 7 Haiga: “Christmas Eve” . Pamela A. Babusci ..… 47 Jo Ha Kyū and Fu Bi Xing . Judy Kendall ..… 49 Haiga: “first snow” . .Ion Codrescu ..… 85 Masaoka Shiki and the Origins of Shasei . Charles Trumbull ..… 87 Haiga: “coloring” . Terri L. French … 123 Deconstructing Haiku . Ian Marshall & Megan Simpson … 125 Haiga: “the first dip” . Ron C. Moss … 149 a stick over the falls: A Juxta Interview of Cor van den Heuvel … 151 Haiga: “on my own” . Marlene Mountain … 183 Do We Know What a Haiku Is? . Melissa Allen … 185 Cor’s Cores: Interpretations . Various Authors … 205 Unfolding Destiny . Michael DylanWelch … 217 Intertextual Poetics . Ce Rosenow … 233 Haiga: “Montauk IXX” . Ellen Peckham … 241 Haiku Theses and Dissertations . Randy. M. Brooks, Ph.D. … 243 Haiga: “willow fluff” . Stephen. Addiss … 281 Juxta Haiga Commentary . Stephen Addiss & Jim Kacian … 283 Juxta Contributors … 287 Juxta Staff … 291 3 JuxtaPOSITIONS 1.1 4 JuxtaPOSITIONS 1.1 Editor’s Welcome Welcome to JUXTATWO: Research and Scholarship in Haiku.
    [Show full text]
  • TWENTY-FOUR SHIKISHI Michael Dylan Welch
    ESSAYS 75 TOUCHING THE MOON: TWENTY-FOUR SHIKISHI Michael Dylan Welch we can almost touch the spring moon Teijo Nakamura n September 17, 1978, for the tenth anniversary of the Haiku Society of America, the society’s annual meeting in ONew York City was a particularly special occasion. It included a visit by a distinguished haiku scholar and notable poet from Japan, and the donation of twenty-four shikishi, or poem cards, to the society. Te society’s twentieth anniversary book, A Haiku Path, portrays the event as follows (163): and the haiku poet Sumio Mori were invited by the HSA to come from Japan to speak on haiku. Held on September 17 at Japan House in New York City, this historic occasion was opened by HSA President Cor van den Heuvel welcoming the distin- guished speakers and thanking those who had helped make the event possible, especially the co-sponsor, Japan Society, HSA of Haiku Literature, and Japan Air Lines. A short address by Yukio Sugano, representing the Consul General of Japan, stressed the universality of haiku and the value of the HSA’s - ers. Takako Lento interpreted for them as they gave their talks. A Haiku Path as being “the most influential haiku critic and commentator in 76 FROGPOND 41:1 the haiku journal Kanrai (Cold Tunder) from 1957 to 1971, and was one of Japan’s leading haiku poets. Te talks given by these two poets and scholars appeared in Frogpond 1:4, 1978, and in A Haiku Path (pages 163 to 173). As is common among the Japanese, the two visitors came with a generous gift, described as follows in A Haiku Path (174): Messrs.
    [Show full text]
  • MY HAIKU PATH by Cor Van Den Heuvel
    MY HAIKU PATH by Cor van den Heuvel Ladies and gentlemen, I'm honored to be here.i I am going to talk about my personal haiku path, a path I've been on since 1958-almost half a century. Before I came to it I'd already been trying for about ten years to be a writer. Pursuant to that ambition I had graduated from the University of New Hampshire with a degree in English Literature in 1957 and went to work as a newspaper reporter for the Concord Monitor in the state capital. After several months at this job I one day picked up a copy of the second issue of The Evergreen Review at a newsstand and read about the literary renaissance going on in San Francisco. The Bay Area poets Robert Duncan, Jack Spicer, and Gary Snyder were among its major figures as were several of the Beat writers, including Jack Kerouac and Allen Ginsberg. The selections from their writings that were in the review were so innovative and refreshing that I determined to go to San Francisco to experience the renaissance personally. I arrived in San Francisco in the early spring of 1958 and lived in a small residential hotel on the edge of Chinatown until late autumn, working at odd jobs-such as selling encyclopedias-and exploring the poetry scene in North Beach as often as I could. At the bar of a popular hangout for writers called The Place, I met one of the poets from the Duncan circle and was invited to attend their regular gatherings.
    [Show full text]
  • New Directions in English-Language Haiku: an Overview and Assessment
    The IAFOR Journal of Literature and Librarianship Volune 2 - Issue 2 - Autumn 2013 New Directions in English-language Haiku: An Overview and Assessment Philip Rowland ([email protected]) Abstract This paper gives an overview of innovations in English-language haiku over the past decade or so, focusing on American haiku in particular. These are described through discussion of examples drawn from contemporary journals and anthologies, and are seen to involve the freer use of metaphor and opaque language than is found in normative haiku. Broader contextual factors are also taken into account: most notably, the renewed awareness of modern Japanese haiku that has been enabled by recent works of criticism and translation. While haiku in English still occurs mostly within self- contained communities of writers and publishers, recent developments suggest possibilities for recognition of the genre in a wider field of poetry and literary criticism. 53 The IAFOR Journal of Literature and Librarianship Volune 2 - Issue 2 - Autumn 2013 The year 2013 marks the centenary of the publication of Ezra Pound’s “In a Station of the Metro,” widely recognized as the first fully achieved haiku in English. Although Pound’s poem is well known, the subsequent history of English-language haiku has long been neglected by the academic mainstream. This, then, is a timely moment to consider the current state of the art, and here I shall focus on developments of the past decade or so, particularly in relation to the one-line form as a vehicle for innovation. There has been a tendency among American haiku poets, especially, to use metaphor and opaque language more freely, against the grain of the received notion that haiku should be based on direct personal experience of a moment of “ordinary reality,” expressed in transparent, everyday language.1 In most of what follows, my aim is to illustrate this shift in haiku practice, but I shall also briefly outline some of the contextual factors that have enabled it.
    [Show full text]
  • Penny Harter Selected Publications
    PENNY HARTER tel & fax: 908-273-7170 P. O. Box 1402 e-mail: [email protected] Summit, NJ 07902 http://penhart.home.att.net SELECTED PUBLICATIONS BOOKS & BROADSIDES The Night Marsh. Cincinnati: WordTech Editions, in press 2008, poems. Along River Road. Summit, NJ: From Here Press, 2005, poems. Buried in the Sky. Albuquerque, NM: La Alameda Press, 2001, poems. Lizard Light: Poems from the Earth. Santa Fe, NM: Sherman Asher Publishing, 1998, poems. Turtle Blessing. Albuquerque, NM: La Alameda Press, 1996, poems. Grandmother's Milk. Canton, CT: Singular Speech Press, 1995, poems. Shadow Play: Night Haiku. NY: Simon & Schuster, 1994, illustrated by Jeffrey Greene, children's book. Stages and Views. Santa Fe, NM: Katydid Books, 1994, poems. Preface by Prof. Makoto Ueda, Chairman of East Asian Studies, Stanford University. At the Zendô. Santa Fe, NM: From Here Press, 1993, poems, haiku, journal. An Anthology of Haiku by People of the United States and Canada. NY: Japan Air Lines, Ltd., 1988, co-editor. The Monkey's Face. Fanwood, NJ: From Here Press, 1987, haiku. The Haiku Handbook: How to Write, Share, and Teach Haiku. NY: McGraw-Hill, 1985; Tokyo: Kodansha International, 1989, with William J. Higginson, non-fiction. In the Broken Curve. Sherbrooke, Quebec: Burnt Lake Press, 1984, haiku. White Flowers in the Snow. St. Paul, MN: New Rivers Press, 1981, poems and stories. Lovepoems. Fanwood, NJ: Old Plate Press, 1981. Between Two Rivers: Ten North Jersey Poets. Fanwood, NJ: From Here Press, 1981, co-editor and contributor of poems. Advance Token to Boardwalk: 28 New Jersey Poets. Scotch Plains, NJ: Poets & Writers of New Jersey, 1977, co-editor and contributor of poems.
    [Show full text]
  • Access Pj-Issue-1.Pdf
    ISSN 1945-8886 [Print] ISSN 1945-8894 [Digital] Issue 1 Winter 2009 Edited by Alexis Rotella MODERN ENGLISH TANKA PRESS Post Office Box 43717 Baltimore, Maryland 21236 USA www.modernenglishtankapress.com www.themetpress.com [email protected] Prune Juice: Journal of Senryu and Kyoka Issue 1 - Winter 2009 Copyright © 2009 by Modern English Tanka Press. Front cover art Copyright © 2008 by Alexis Rotella. All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means including information storage and retrieval systems without permission in writing from the publisher, except by reviewers and scholars who may quote up to six poems. Prune Juice: Journal of Senryu and Kyoka, a biannual print and digital journal, is dedicated to publishing and promoting fine senryu and kyoka in English. Send all submissions and editorial correspondence to: [email protected] Prune Juice: Journal of Senryu and Kyoka Issue 1 - Winter 2009 Published by MODERN ENGLISH TANKA PRESS PRINTED IN THE UNITED STATES OF AMERICA. 2009. Print Edition ISSN 1945-8886 Digital Edition ISSN1945-8894 [PDF & HTML versions] www.prunejuicejournal.com Editor’s Note “. lewdness and innocence [are] proper subjects of senryu. nothing is felt as disgusting; all things take their appointed place in the scheme of things.” —R.H. Blyth (Senryu, The Hokuseido Press, 1949) Welcome to the premier issue of Prune Juice dedicated solely to senryu and kyoka. Gathered here are well known and not so well known writers sharing their funny and not so funny moments. Several months ago as Denis Garrison and I were chatting over e mail, he said, “Alexis, you should start your own senryu journal.” “If you publish it, I will,” was my response and within seconds the deal was made—I would become an editor of a form I dearly love, but that I would also include kyoka, a form M.
    [Show full text]
  • Decatur Haiku Collection at Millikin University
    Haiku & Tanka Books and Journals: a Bibliography of Publications in the Decatur Haiku Collection Last updated: August 25, 2021 © 2021, Randy Brooks These print publications are available to students enrolled in courses at Millikin University for research on haiku, tanka, senryu and related haikai arts. If you have print haiku publications or collections you would like to donate to the Decatur Haiku Collection, please send them to: Dr. Randy Brooks Millikin University 1184 West Main Decatur, Illinois 62522 [email protected] Author, First Name. Title of the Book. Place: Publisher, date. Author, First Name. Translator. Title of the Book. Place: Publisher, date. Abbasi, Saeed. My Haiku. Toronto: Abbasi Studio, 2012. Abe, Ryan. Golden Sunrises . A Narrative in Haiku. San Mateo, CA, 1973. Addiss, Stephen. The Art of Haiku: Its History Through Poems and Paintings of the Japanese Masters. Boston & London: Shambala, 2012. Addiss, Stephen. Cloud Calligraphy. Winchester, VA: Red Moon Press, 2010. Addiss, Stephen. Haiga: Takebe Socho and the Haiku-Painting Tradition. Honolulu, HI: University of Hawaii Press, 1995. Addiss, Stephen. A Haiku Garden: The Four Seasons in Poems and Prints. New York: Weatherhill Press, 1996. Addiss, Stephen. Haiku Humor: Wit and Folly in Japanese Poems and Prints. New York: Weatherhill Press, 2007. Addiss, Stephen. Haiku Landscapes: In Sun, Wind, Rain, and Snow. New York: Weatherhill Press, 2002. Addiss, Stephen. A Haiku Menagerie: Living Creatures in Poems and Prints. New York: Weatherhill Press, 1992. Addiss, Stephen. Haiku People: Big and Small in Poems and Prints. New York: Weatherhill Press, 1998. Addiss, Stephen, Kris Kondo & Lidia Rozmus. Sumi-e Show: July 8-11, 1999 Northwestern University.
    [Show full text]
  • ****************************W********************************** * Reproductions Supplied by EDRS Are the Best That Can Be Made * * from the Original Document
    DOCUMENT RESUME ED 432 780 CS 216 827 AUTHOR Somers, Albert. B. TITLE Teaching Poetry in High School. INSTITUTION National Council of Teachers of English, Urbana, IL. ISBN ISBN-0-8141-5289-9 PUB DATE 1999-00-00 NOTE 230p. AVAILABLE FROM National Council of Teachers of English, 1111 W. Kenyon Road, Urbana, IL 61801-1096 (Stock No. 52899-0015: $14.95 members, $19.95 nonmembers). PUB TYPE Books (010) Guides - Classroom - Teacher (052) EDRS PRICE MF01/PC10 Plus Postage. DESCRIPTORS Class Activities; *English Instruction; High Schools; Internet; *Poetry; *Poets; Student Evaluation; Teaching Methods IDENTIFIERS Alternative Assessment ABSTRACT Suggesting that the teaching of poetry must be engaging as well as challenging, this book presents practical approaches, guidelines, activities, and scenarios for teaching poetry in high school. It offers 40 complete poems; a discussion of assessment issues (including authentic assessment); poetry across the curriculum; and addresses and annotations for over 30 websites on poetry. Chapters in the book are (1) Poetry in America; (2) Poetry in the Schools;(3) Selecting Poetry to Teach;(4) Contemporary Poets in the Classroom;(5) Approaching Poetry;(6) Responding to Poetry by Talking;(7) Responding to Poetry by Performing;(8) Poetry and Writing; (9) Teaching Form and Technique;(10) Assessing the Teaching and Learning of Poetry;(11) Teaching Poetry across the Curriculum; and (12) Poetry and the Internet. Appendixes contain lists of approximately 100 anthologies of poetry, 12 reference works, approximately 50 selected mediaresources, 4 selected journals, and 6 selected awards honoring American poets. (RS) *********************************************w********************************** * Reproductions supplied by EDRS are the best that can be made * * from the original document.
    [Show full text]
  • A Bibliography of Online Books, Journals and Exhibitions on Haiku, Senryu and Tanka in English
    A Bibliography of Online Books, Journals and Exhibitions on Haiku, Senryu and Tanka in English Randy M. Brooks, PhD Millikin University Decatur, Illinois Last updated: August 15, 2020 Journals, web sites, databases with books, journals and web-site exhibitions currently indexed in this bibliography (as of the latest update) include: Africa Haiku Network <https://africahaikunetwork.wordpress.com> AHA Poetry (and AHA Online Books) <http://www.ahapoetry.com/> Alaska Haiku Society <http://home.gci.net/~alaskahaiku/index.html> American Haiku Archives <https://www.americanhaikuarchives.org/> American Tanka <http://www.americantanka.com/> Anglo-Japanese Tanka Society <http://www.tankasociety.com/> Ardea <http://www.ardea.org.uk/index.html> Asashi Haikuist Network <http://www.asahi.com/ajw/special/haiku/> Atlas Poetica <http://atlaspoetica.org/> The Art of Haiku <http://www.geraldengland.co.uk/hk/> Bare Bones Bonze <http://edbaker.maikosoft.com/> Bones: Journal for Contemporary Haiku <http://www.bonesjournal.com/> Boulder Haiku Group <http://haikutimes.com/> British Haiku Society <http://britishhaikusociety.org.uk/> Brooks Books <http://www.brooksbookshaiku.com/> Cattails <http://www.unitedhaikuandtankasociety.com/> Chrysanthemum (Bregengemme) <http://www.bregengemme.net/> Contemporary Haibun Online <http://contemporaryhaibunonline.com/> Daily Haiga <http://www.dailyhaiga.org/> Daily Haiku <http://www.dailyhaiku.org/> Denis M. Garrison Poetry <https://denisgarrison.wordpress.com/> Eucalypt <http://www.eucalypt.info/> Failed Haiku <https://failedhaiku.wordpress.com/>
    [Show full text]
  • Haiku's Reception and Practice in Contemporary North American Poetry
    Dominican Scholar Literature and Languages | Faculty Literature & Languages | Faculty Scholarship Collections 2016 Haiku's Reception and Practice in Contemporary North American Poetry Ayako Takahashi University of Hyogo Judy Halebsky Dominican University of California, [email protected] Survey: Let us know how this paper benefits you. Recommended Citation Takahashi, Ayako and Halebsky, Judy, "Haiku's Reception and Practice in Contemporary North American Poetry" (2016). Literature and Languages | Faculty Scholarship. 12. https://scholar.dominican.edu/literature-languages-faculty-scholarship/12 This Article is brought to you for free and open access by the Literature & Languages | Faculty Collections at Dominican Scholar. It has been accepted for inclusion in Literature and Languages | Faculty Scholarship by an authorized administrator of Dominican Scholar. For more information, please contact [email protected]. Haiku's Reception and Practice in Contemporary North American Poetry Ayako Takahashi and Judy Halebsky Part 1: The Translation and Reception of Haiku In the Meiji Restoration of 1868, the Meiji government implemented a wealth and military strength policy. This policy invited employed foreigners from western countries to Japan in order to modernize the nation by importing western laws, technologies and systems. Through these employed foreigners, Japanese literacy and literature were abruptly introduced into western countries. The translation of haiku in French influenced Symbolist poets and the translation in English also greatly influenced Imagist poets in England and the United States. The term haiku, it has been used since Shiki Masaoka. Before him, the words of haikai and hokku were brought into use in western countries. The term haikai comes from a form of collaborative poetry called haikai renga or in shortened form, simply renga.
    [Show full text]