Penny Harter Selected Publications
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October 2011 HSA Newsletter
Ripples Volume 26, Number 3 Haiku Society of America Newsletter October 2011 From the President erate momentum within our organiza- support to tion. More and more people are offering contribute to help out. Our secretary, Angela Terry, to the haiku Dear Members: routinely sends me names of people and larger who have noted on their membership literary have really appreciated the chance to forms that they’d like to volunteer. I’ve communi- serve the HSA for a second year, and I enjoyed the chance to correspond with ties, and I I am especially thankful to the executive those members and to work with them am abso- committee officers and regional coordi- to find the best ways for them to con- lutely cer- nators for their dedication and hard tribute. In some cases, we’ve added tain that the work on behalf of the HSA and English- their names to a growing list as we de- work of HSA President Ce Rosenow language haiku. I’m also very grateful to velop more volunteer opportunities for volunteers at the Dodge Poetry Festival the many HSA members who have vol- in Newark, New Jersey on the future. In other cases, there have helps those unteered to lead workshops; to serve on October 8, 2010 been clear affiliations between the inter- communi- Photo by Charlie Larsson our education, history, and publicity ests of the volunteers and particular ties better committees; and to participate on HSA HSA needs. The HSA is a stronger, more understand, panels at conferences and meetings vibrant organization because of the gen- and make use of, what we have to offer. -
Shamans Drum Back Issues.Pdf
Shaman’s Drum Foundation www.shamansdrumfoundation.org Shaman’s Drum back issues available as of November 2020 $5.00 each plus shipping (see last page of this list for shipping rates) To order, email: [email protected] No. 82 / 2010 The Transformative Rituals of a Huachumero by R. Donald Skillman The Outsider Woman: An Interview with a San Pedro Healer by Ross Heaven, PhD Between Heaven and Earth: Mongolian Shamans Today by Donna Todd The Way of Light: A Healing Journey with Ayahuasca by Rak Razam A Stimulating Guide to Transpersonal Shamanisms (review of Shamanism for Beginners) by Timothy White No. 81 /2009 The Gift of Premonitions by Larry Dossey, MD The Shamanic Heritage of a Korean Mudang by Cheryl Pallant Ayahuasca as Healer of the Soul: An Interview with Silvia Polivoy by Matthew Callaway, PhD An Ayahuasca Healing Retreat in Brazil by Jack Lieberman and Chloe Lieberman Mongolian Healings for the Horse Boy by Rupert Isaacson No. 80 / 2009 SPECIAL ISSUE ON AMAZONIAN SHAMANISM When the Student Is Ready: Apprenticing with the Visionary Vine by Leo Panthera Finding the Jaguar: Tracking the Spirit of Indigenous Healing by Vance Gellert, PhD On Preserving the Diversity of the Ethnosphere by Wade Davis, PhD Seekers of the Mystery on the Ayahuasca Trail by Rak Razam No. 79 / 2009 SPECIAL ISSUE ON SHAMANIC USES OF SALVIA DIVINORUM Martin Pinedo: The Condor of Huasao by Michael Verrilli, DO, and Rev. Deborah Karen Uller Beautiful Painted Arrow’s Sun Moon Dance by Marsha Scarbrough The Spirit of La Pastora by Kathleen Harrison Salvia Divinorum A-Z: An Interview with Daniel Siebert by Martin Ball, PhD Embracing the Sacred Spirit of Salvia Divinorum by Martin Ball, PhD Working with Mazatec Psychoactive Plants by Bret Blosser No. -
Language, Intertextuality, and Subjectivity in the Poetry of Diane
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Louisiana State University Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2005 Sites of resistance: language, intertextuality, and subjectivity in the poetry of Diane Wakoski Cordelia Maxwell Hanemann Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the English Language and Literature Commons Recommended Citation Hanemann, Cordelia Maxwell, "Sites of resistance: language, intertextuality, and subjectivity in the poetry of Diane Wakoski" (2005). LSU Doctoral Dissertations. 1092. https://digitalcommons.lsu.edu/gradschool_dissertations/1092 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. SITES OF RESISTANCE: LANGUAGE, INTERTEXTUALITY, AND SUBJECTIVITY IN THE POETRY OF DIANE WAKOSKI A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of English by Cordelia Maxwell Hanemann B.A., University of Southwestern Louisiana, 1970 M.A., University of Southwestern Louisiana, 1975 May 2005 © Copyright 2005 Cordelia Maxwell Hanemann All rights reserved ii Acknowledgements The completion of this dissertation owes much to the impetus and efforts of many people. Without the support of my family, my colleagues, and my friends, I would not have persevered: I especially thank my partner, William Birmingham; my children, Louis, Benjamin, and Craig; and my good friend, Lisa Gibbs. -
Introduction
Cambridge University Press 978-1-107-04036-6 - The Cambridge Companion to Modern American Poetry Edited by Walter Kalaidjian Excerpt More information WALTER KALAIDJIAN Introduction Increasingly, contemporary critical accounts of what William Carlos Williams called “the local conditions” ( 1948 , 146) of modern American poetry have engaged more worldly expanses of time and space, reading American verse written over the past century in the contexts of United States history and culture that participate in a decidedly global community. This collection in particular stretches the more narrow period term of literary modernism – works published between, say, 1890 and 1945 – favoring a more capacious and usable account of poetry’s “modern” evolution over the entire twenti- eth century up to the present . Supplementing the protocols of literary “close reading” advanced by the so-called American New Critics, studies of mod- ern American poetry have moved beyond attention to the isolated work of literature, the focus on a single author, and the domestic containments of national narration . Not unlike Ezra Pound’s 1934 description of the American epic as a “poem containing history,” contemporary criticism of American verse has sought to contextualize canonical and emerging poems against wider political, social, and cultural fi elds and forces. These and other advances in the reception of modern American poetry refl ect broader and concerted efforts to question, revise, and expand the received canon of American literature. Such revisionary initiatives date back to the latter decades of the twentieth century with Paul Lauter’s “Reconstructing American Literature” project. It began as a series of conferences sponsored by the Rockefeller Foundation and Lilly Endowment, later published in the critical volume Reconstructing American Literature (1983) followed by Sacvan Bercovitch’s scholarly col- lection Reconstructing American Literary History (1986). -
African-American Poetry an Anthology, 1773-1930 1St Edition PDF Book
AFRICAN-AMERICAN POETRY AN ANTHOLOGY, 1773- 1930 1ST EDITION PDF, EPUB, EBOOK Joan R Sherman | 9780486296043 | | | | | African-American Poetry An Anthology, 1773-1930 1st edition PDF Book Spriggs and the term they coined "Wemembering," meaning "culturally based observations. The growth in the popularity of graduate creative writing programs has given poets the opportunity to make a living as teachers. He reminds us in a poem that "Christ washed the feet of Judas! To ask other readers questions about African-American Poetry , please sign up. A distinctly American lyric voice of the colonial period was Phillis Wheatley , a slave whose book "Poems on Various Subjects, Religious and Moral," was published in Jerome Rothenberg born is well known for his work in ethnopoetics , but he was the coiner of the term " deep image ", which he used to describe the work of poets like Robert Kelly born , Diane Wakoski born and Clayton Eshleman born Help Learn to edit Community portal Recent changes Upload file. On the surface, these two poets could not have been less alike. The final emergence of a truly indigenous English-language poetry in the United States was the work of two poets, Walt Whitman — and Emily Dickinson — O kinsmen! Best poerty book I've read so far this year. John , whose practice of poetry is a model of their maternal grandmother and grandfather "who believed the function of racism is to deny us possibility," I think of my grandparents on my mother's side. Oh, Liberty! But I behold the scalding tear, Now stealing from my eye, To think my wife—my only dear, A slave must live and die. -
Jeffers Studies
Jeffers Studies Robert J. Brophy Department of English California State University QQQ Long Beach, CA 90840 Demo XPress Quark QQQ Jeffers Studies VolumeQuark 3 Number 2 Spring 1999 XPress Jointly Sponsored by Occidental College DemoCalifornia State University Long Beach Robinson Jeffers Association Jeffers Studies VolumeQuark 3 Number 2 Spring 1999 CONTENTS News and Notes 1 Progress Report on Stanford University Press Projects 4 Bibliographical Items 4 QQ Robinson Jeffers Association Bulletin 6 Abstracts of Dissertations, Masters Theses, and Articles 8 Musings on Contemporary Theologys Readings of Judas: A Note 16 RobertXPress Brophy Abstracts of Jeffers Papers Read at the Western Literature Association Conference West of the West: California and the American West Held at Sacramento, 1316 October 1999 18 Appearing simultaneously on the World Wide Web Jeffers Studies Online page: Slip, Shift, and Speed Up: The Influence of Robinson Jefferss Narrative Syntax MarkDemo Jarman QQQ Jeffers Studies (ISSN 1096-5076) is published quarterly by California State University Long Beach, co- sponsoring with Occidental College and the Robinson Jeffers Association. Triquarterly (Winter, Spring, Summer) issues follow a format similar to that of the preceding Robinson Jeffers Newsletter, including news and notes, memoirs, reviews, abstracts, short refereed articles, bibliography, and the Una Jeffers Correspondent series. The final issue each year, a perfect-bound annual, includes up to six longer scholarly articles, each exploring in depth some aspect of Jefferss life, work, or times. After acceptance for publication, theseQuark articles will be available in electronic format through Jeffers Studies Online at <www.jeffers.org>, the Internet complement to the print journal. Editorial Board: Robert Brophy, Senior Editor; Terry Beers, Co-Editor; Robert Kafka, Managing Editor; Peter Quigley, World Wide Web Editor. -
View Entire Issue As
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Language, Intertextuality, and Subjectivity in the Poetry of Diane
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2005 Sites of resistance: language, intertextuality, and subjectivity in the poetry of Diane Wakoski Cordelia Maxwell Hanemann Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the English Language and Literature Commons Recommended Citation Hanemann, Cordelia Maxwell, "Sites of resistance: language, intertextuality, and subjectivity in the poetry of Diane Wakoski" (2005). LSU Doctoral Dissertations. 1092. https://digitalcommons.lsu.edu/gradschool_dissertations/1092 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. SITES OF RESISTANCE: LANGUAGE, INTERTEXTUALITY, AND SUBJECTIVITY IN THE POETRY OF DIANE WAKOSKI A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of English by Cordelia Maxwell Hanemann B.A., University of Southwestern Louisiana, 1970 M.A., University of Southwestern Louisiana, 1975 May 2005 © Copyright 2005 Cordelia Maxwell Hanemann All rights reserved ii Acknowledgements The completion of this dissertation owes much to the impetus and efforts of many people. Without the support of my family, my colleagues, and my friends, I would not have persevered: I especially thank my partner, William Birmingham; my children, Louis, Benjamin, and Craig; and my good friend, Lisa Gibbs. -
Japanese Haiku and Contemporary English-Language Haiku
View metadata, citation and similar papers at core.ac.uk brought to you by CORE Japanese Haiku and Contemporary English-Language Haiku ガーガ リー GURGA Lee Introduction R.H. Blyth wrote that haiku is Japan’s greatest gift to world culture. Who am I to argue with that? It is a great gift and I am grateful to the Japanese people for it. I shall try to show my gratitude today by demonstrating that it has been embraced by the English-speaking world. I have been asked to address the following questions: • How are the haiku of Bashō and other Japanese poets understood and appreciated in the United States? • What kinds of haiku are considered good or are popular? • How do Americans accept haiku as literature? • What are the evaluation standards for selecting haiku? • When one composes a haiku, what are the crucial points? Bashō and Japanese haiku in the West To begin with the fi rst question: How are past Japanese haiku, for example those of Bashō, understood or appreciated in the United States? - 157 - You might be surprised to hear that a familiarity with haiku in general and Bashō in particular is widespread in the West. So widespread that even the writers of the TV series “The Simpsons” expect their audience to know who Bashō is. There are a surprising number of translations of Bashō’s haiku in English, and more seem to appear every year. This attests to the high regard in which classical Japanese haiku are held in the West. As a result of the introduction of haiku as a Zen art, it is seen by many to be part of a spiritual path. -
Amiri Baraka Papers
http://oac.cdlib.org/findaid/ark:/13030/kt0199p2w7 No online items Amiri Baraka papers Finding aid prepared by Tine Brouwer; re-processed by Doug Johnson, October, 2016; machine-readable finding aid created by Caroline Cubé UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA, 90095-1575 (310) 825-4988 [email protected] Online finding aid last updated 5 July 2017. Amiri Baraka papers 491 1 Title: Amiri Baraka papers Collection number: 491 Contributing Institution: UCLA Library Special Collections Language of Material: English Physical Description: 1.6 linear feet(4 boxes) Date: 1952-1966 Abstract: Amiri Baraka (1934-2014) was the founder and editor of the literary journals Yugen and Kulchur. An outspoken public intellectual, he was the author of poetry, plays, novels, and essays. The collection consists of poetry manuscripts and correspondence submitted to Baraka while editor of Yugen. Some material relates to Kulchur. Language of Materials: The material is primarily in English, with a small amount in French. Physical location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact the UCLA Library Special Collections Reference Desk for paging information. Creator: Baraka, Amiri, 1934-2014 Conditions Governing Access COLLECTION STORED OFF-SITE AT SRLF: Open for research. Advance notice required for access. Contact the UCLA Library Special Collections Reference Desk for paging information. Conditions Governing Reproduction and Use Property rights to the physical object belong to UCLA Library Special Collections. Literary rights, including copyright, are retained by the creators and their heirs. It is the responsibility of the researcher to determine who holds the copyright and pursue the copyright owner or his or her heir for permission to publish where The UC Regents do not hold the copyright. -
Many Ways, Middle Way, No Way
Praise for Many Ways, Middle Way, No Way Hollywood Buddhism Sizzles! Michael Attie knows his dharma, and understands show-biz, and he puts the two together in this profound, lighthearted and often touching book. Attie will take you with him to visit the esteemed Zen master Sasaki Roshi or the Hindu saint Neem Karoli Baba, and then to meditate in his ‘Don't Worry Zendo’ or at the Playmates lingerie meditation hall. Can you find universal consciousness through the Feather Boa Dance? Read this book and find out! You'll have a good time on the way. —Wes Nisker, author Crazy Wisdom, (Ten Speed Press) Michael Attie’s Many Ways, Middle Way, No Way examines Buddhism’s many facets—its principles and practices, its lineages, and its consonance with other disciplines—all the time reminding us not to take anything too seriously. Attie’s approach is encyclopedic, thoughtful, compassionate, and best of all, gently outrageous. —Jeff Kane, author The Healing Companion, (HarperSanFrancisco) A witty, compassionate, reverential and wise description of meditation and ordinary spiritual practice by a wandering pilgrim whose understanding matured immeasurably at midlife when he became the owner of “the world’s largest lingerie store.” Based upon his personal experiences, Attie describes an unconventional, self-authenticated, non- authoritarian spiritual practice drawn from Eastern devotional traditions and meditation techniques that embraces everyday life and promotes relationship and the collective experience. Attie’s romp through Eastern mysticism and practice illuminates, instructs and celebrates life’s juxtaposition of chaos, passion, music, poetry, art, travel and people with spiritual practice. His world is a warm place filled with love, humor and appreciation. -
OVERTHROWING CAPITALISM Volume Five
OVERTHROWING CAPITALISM Volume Five Edited by Jack Hirschman Rosemary Manno John Curl 1 Special thanks to all who made generous contributions to this publication. 2 OVERTHROWING CAPITALISM Volume Five Revolutionary Poets Brigade 3 Copyright © 2018 by Kallatumba Press. Edited by Jack Hirschman, Rosemary Manno, and John Curl All rights reserved. No part of this book may be reproduced by any means, including information storage and retrieval or photocopying, except for short excerpts in critical articles, without written permission of the publisher. Intellectual property reverts back to the individual poets and translators upon publication. ISBN-978-0-578-12735-4 Kallatumba Press 858A Union Street San Francisco, CA 94133 http://revolutionarypoetsbrigade.org/ Cover Painting by Dorothy Payne: Freedom Printed in the United States of America. 4 CONTENTS INTRODUCTION ... 9 OPAL PALMER ADISA ... 10 ROBERT ANBIAN ... 11 LILIANA ARENA (ITALY) ... 12 HANAN AWWAD (PALESTINE) ... 14 AYO AYOOLA-AMALE (NIGERIA) ... 18 IDLIR AZIZAJ (ALBANIA) ... 20 MAHNAZ BADIHIAN (IRAN) ... 24 LISBIT BAILEY ... 26 ALESSANDRA BAVA (ITALY) ... 27 ATAOL BEHRAMOGLU (TURKEY) ... 28 LINCOLN BERGMAN ... 34 JUDITH AYN BERNHARD ... 38 CHARLES CURTIS BLACKWELL ... 40 JOHN BRANDI ... 41 KRISTINA BROWN ... 42 FERRUCCIO BRUGNARO (ITALY) ... 44 TOM BURON (FRANCE) ... 46 YOLANDA CATZALCO ... 50 NEELI CHERKOVSKI ... 52 DOMINIQUE CHRISTINA ... 53 MARCO CINQUE (ITALY) ... 56 BOBBY COLEMAN ... 62 FRANCIS COMBES (FRANCE) ... 64 JUANITA CONEJERO (CUBA) ... 66 PAULINE CRAIG ... 68 WILLIAM CROSSMAN ... 72 THOMAS RAIN CROWE ... 73 ANITA ODENA CRUZ ... 75 ROMEO ALCALA CRUZ ... 77 JOHN CURL ... 80 NAJWAN DARWISH (PALESTINE) ... 82 DIEGO DE LEO ... 85 5 CAROL DENNEY ... 86 TONGO EISEN-MARTIN ... 87 ELIAS ... 89 AGNETA FALK ... 91 MAURO FORTISSIMO ..