ALEXANDER Literary Firsts & Poetry RARE BOOKS

Total Page:16

File Type:pdf, Size:1020Kb

ALEXANDER Literary Firsts & Poetry RARE BOOKS ALEXANDER Literary Firsts & Poetry RARE BOOKS CATALOGUE THIRTY-FIVE Mark Alexander Alexander Rare Books 234 Camp Street Barre, VT 05641 (802) 476-0838 [email protected] All items are US, UK or CN First Editions, First Printings, unless otherwise stated. All items guaranteed & are fully refundable for any reason within 30 days; orders subject to prior sale. VT residents please add 6% sales tax. Checks, money orders, PayPal, and most credit cards accepted. Net 30 days. Institutions billed according to need. Reciprocal terms offered to the trade. Shipping is free in the US (via Priority or First Class Mail); Canada $10 per shipment; elsewhere $20 per shipment. Visit AlexanderRareBooks.com for scans of most items. We encourage you to visit for the latest acquisitions. Thank you in advance for perusing this list [printed on recycled paper] Catalogue 35 Literary Mags 1. ADDRESS Vol. I, No. 2. NY: Keim Publishing, July- August 1987. Jones, Alan (ed.). First Edition. Stapled wrappers with illustrated paper wrappers; oblong 4to. Poems by William Bronk, Rainer Maria Gerhardt, Denis Goacher, Barry Goldensohn, Mary de Rachewiltz, Frank Samperi and Nathaniel Tarn. Creased with soling; about very good. [12434] $25.00 2. AGENDA: Louis Zukofsky Special Issue: Vol. 3; No. 6. London, December 1964. Stapled green wrappers; 8vo. 36 pp. Special Issue entirely devoted to LZ, and edited by Charles Tomlinson. Zukofsky's own copy, signed and dated on inside of the front cover. With 8 corrections to the text by LZ, including two textual ones. Purchased from the Zukofsky's by the Gotham Book Mart in 1972--- pencil docket in rear. Near fine copy. [12517] $200.00 3. AHNOI! #3. N. Bergen, NJ: Lewis, 1980. Lewis, Joel (ed.). First Edition. Side stapled mimeograph, with hand-colored covers. Cover by Rochelle Kraut, lettering by Eileen Myles. Third issue. A wide-range of avant garde poets including Ginsberg "Garden State", Tom Savage, Padgett, Theodore Enslin (his copy - though not noted, but the cover illustration does seem to be specially colored - by Kraut?), Notley, Hollo, Waldman, Margaret Randall, Myles, Kraut, Baraka, and others. Unevenly toned, else about very good. [12281] $50.00 4. BEZOAR Vol. 17, #4. Gloucester: Folding, 1979. First Edition. Eight sheets stapled, folded. Prose by Joanne Kyger (six sheets) and Lee Harwood. Unusual little mag along the lines of Floating Bear. This issue seems to have had difficulty reaching the recipient poet Ted Enslin, and there are stamps of the postage and postage due type as well as a return to sender stamp. Folded, some minor soiling, else about very good. [12261] $15.00 5. BITS 10. Cleveland: Case Western, 1979. Abbott, Lee et al. (ed.). First Edition. Sewn illus. wrappers. Poetry anthology with short poems Sheila Nickerson, Doyle W. Walls, Peter Wild, William J. Smith, John Druska, Jared Carter, Leonard Nathan, Jim Handlin, Robley Wilson, Jr., Reg Saner, Merry Speece, Albert Goldbarth, Scott Simmer, John Fandel, Dennis Trudell, Jean Balderson, Frank Short, William Hoagland, Sonia Gernes, and Joseph Bruchac. Near fine. [12264] $20.00 6. THE CAMEL'S HUMP No. 5. Reno, NV: Morris, 1967. Richard Morris (ed.). First Edition. Four single sheets stapled at one corner and folded for mailing. A poetry newsletter "put out now and again", and devoted to individual poets; here with short poems by Besmilr Brigham. Mentions of other similar small presses, including The Jim Lowell Defense Fund. Heavily wrinkled and toned. Addressed to poet Ted Enslin. Good. [12295] $25.00 7. CENTER #12. Alburgurque, NM, 1979. Berge, Carol (ed.). First Edition. Stapled wrappers; 4to. 68 pp. Errata slip laid in. Begun in 1970 in Woodstock, NY as a mimeo, this penultimate issue was printed. Decidedly avant garde, most of the work short fiction, with Erica Jong, Gene Frumkin, et al. Clay Phillips pp. 204-205. Edges toned, else about very good. [12280] $20.00 8. THE DIFFICULTIES Vol. 1, No. 2. Kent, OH: Viscerally Press, Winter 1980-1981. Beckett, Tom (ed.) First Edition. Original illustrated wraps; 4to. Second issue of this little magazine that lasted about a decade, often single issues exploring a poet; this with work by Cid Corman, Ron Silliman, Charles Bernstein, Lyn Hejinian, Ted Enslin, Bob Perelman, Larry Eigner, and several others. A bit rubbed, else very good. [12284] $45.00 Eight Issues with work by John Updike 9. HARVARD LAMPOON. Cambridge: Harvard Lampoon, 1950-1953. First edition. 24 - 28 pp. each; stapled Illus. covers. Eight issues, all with prose, poetry, art or cartoons by John Updike (class of 1954), of this scarce humor magazine published by Harvard Students. Beginning with the Vol. CXL, No.2, October (?) 1950 issue (Updike began classes in September, and according to the recent Arlen biography Updike didn't wait according to custom until the Spring semester, but began submitting to the Lampoon as soon as he arrived) with a poem, cartoon and signed illus.; June 1951, two poems by Updike; Sept. 1951, one poem, five pieces of art/cartoons; Nov., 1951(Yale Game issue - he is listed on the masthead as "Narthex" - one of three designated editorial positions) a poem and seven art/cartoons; March 1952, the "Movie Issue" with "Worst Pictures" etc. ending with a poem from JHU to Errol Flynn, a second film related poem and three signed illustrations; May 1952, two poems, four cartoons (one full-page) and a two page article "Summer of the Ivy"; June 1952 (Updike is listed as "Ibis", nothing signed), a Fred Gwynne cartoon; April 1953, Updike also dominates this issue with at least two poems, seven signed art/cartoons, AlexanderRareBooks.com (802) 476-0838 p.3 two prose pieces, one sharing credit, one a long piece on "Little Schism", and he is listed on the masthead as President. Michael J. Arlen and Fred Gwynne appear frequently, Updike with easily with the most contributions. All about very good or better, covers still bright, the first issue with a few pages separating, and only minor wear and stains. Quite scarce especially in this condition. [12511] For eight issues: $395.00 The Harvard Lampoon which occupies one of the most interesting buildings on any campus anywhere began in 1876; among its many notable alumni are William Randolph Hearst, Robert Benchley, George Santayana, George Plimpton, Fred Gwynne, and Conan O'Brien. One could claim that it is the most infuential humor magazine ever in the US, with its numerous spinoffs like Bored of the Rings, and alumni contributing heavily to The National Lampoon, Saturday Night Live and The Simpsons, among many other TV shows. 10. HIP POCKET POETS: Number 2. Hanover: The Pinwheel Press, 1960. Snyder, Emile; Jack Hirschman (ed.); First Edition. Blue stapled wrappers; near miniature. Translations of Enzensberger, Cesaire, Lorca, and four poems by Weldon Kees, among others. Sunned spine; a few leaves heavily acidic and brown; about very good. [12303] $15.00 11. HIP POCKET POETS: Number 4. White stapled wrappers; near miniature. Poems by Levertov, Houser, Eshleman, Hirschman, Robert Kelly, and others. Staples rusty, covers a bit soiled, about very good. [12304] $15.00 12. INSERT. Portland, OR: V. H. Flach jr., 1955. First Edition. Stapled wrappers with black and white graphic designed by Vic Flack; thin 8vo. Evidently the first and only issue: a platform for the editors Flack and G. R. Speeden; only one other poet Richard Dixon Schade is represented. Avant-garde prose and poetry, most apparently written in Korea, printed in Japan. Staples rusty, else very good. [12516] $20.00 13. LIGHT no. 29; nos. 40-41 A Quarterly of Light Verse. Chicago: Light, 2000; 2003. John Mella (ed.). First Edition. [64 pp.] [96 pp.]. Two issues (one a double) of this literary journal specializing in light verse. Review copies with slips laid in. A poem each by A.E. Stallings and Thomas Disch in each issue, and many other poets. Uncommon. Light wear, top tips bumped, still close to fine, with mailing label on back cover. For the pair. [7056] $35.00 14. LUNA TACK, a magazine, #2. Iowa City: Dog Hair Press, 1982. First edition. Includes two early Hoagland poems ("Pastoral" and "The Question") published while he was studying for his MFA, a decade before his first full-length collection. Also early work by "Poetry Comics" graphic artist and "Actualist Poet" Dave Morice. Published in March 1982, basically a "mimeo" magazine, stapled into green illustrated wraps, 36 pages. 200 copies printed. All corners bumped, but AlexanderRareBooks.com (802) 476-0838 p.5 interior fresh and clean. A gem of early work. (Two of Cinda Kornblum's poems are here: wife of Alan Kornblum and co-publisher of Toothpaste Press.) [9702]$ 35.00 15. OROGRANDE: Issue Six. San Francisco:, 1981. Kunz, Peter; Pat Phelan (eds.) First Edition. Stapled handpainted (likely) covers; 4to. [8 pp.] Scarce poetry journal, this with poems by Stanley Noyes and one by Eleny Akers and Brian Unger. Covers heavily and unevenly toned, good. Holding at UC Berkeley only. [12431] $15.00 16. OROGRANDE: Issue Three. San Francisco, 1980. Kunz, Peter; Pat Phelan (eds.) First Edition. Stapled handpainted (likely) covers; 4to. [8 pp.] Scarce poetry journal, this with a poem by Larry Eigner, Keith Wilson, Paul Galos and Merry White. Covers heavily and unevenly toned, good. Holding at UC Berkeley only. [12430] $15.00 17. THE PENNY DREADFUL: One, One. Bowling Green: Bowling Green University English Dept., [1972]. DeHaven, Tom and Steve Crowe (ed.). First Edition. Tabloid newspaper format (though not on newsprint); 6 pp. A student literary newspaper, "Being a periodical of fiction, poems, articles, reviews, interviews.", with a short short story by Philip F. O'Connor and featuring part 1 of a two part interview with Diane Wakoski. Three entries on WorldCat.
Recommended publications
  • Ishmael Reed Interviewed
    Boxing on Paper: Ishmael Reed Interviewed by Don Starnes [email protected] http://www.donstarnes.com/dp/ Don Starnes is an award winning Director and Director of Photography with thirty years of experience shooting in amazing places with fascinating people. He has photographed a dozen features, innumerable documentaries, commercials, web series, TV shows, music and corporate videos. His work has been featured on National Geographic, Discovery Channel, Comedy Central, HBO, MTV, VH1, Speed Channel, Nerdist, and many theatrical and festival screens. Ishmael Reed [in the white shirt] in New Orleans, Louisiana, September 2016 (photo by Tennessee Reed). 284 Africology: The Journal of Pan African Studies, vol.10. no.1, March 2017 Editor’s note: Here author (novelist, essayist, poet, songwriter, editor), social activist, publisher and professor emeritus Ishmael Reed were interviewed by filmmaker Don Starnes during the 2014 University of California at Merced Black Arts Movement conference as part of an ongoing film project documenting powerful leaders of the Black Arts and Black Power Movements. Since 2014, Reed’s interview was expanded to take into account the presidency of Donald Trump. The title of this interview was supplied by this publication. Ishmael Reed (b. 1938) is the winner of the prestigious MacArthur Fellowship (genius award), the renowned L.A. Times Robert Kirsch Lifetime Achievement Award, the Lila Wallace-Reader's Digest Award, a Guggenheim Fellowship, and a Rosenthal Family Foundation Award from the National Institute for Arts and Letters. He has been nominated for a Pulitzer and finalist for two National Book Awards and is Professor Emeritus at the University of California at Berkeley (a thirty-five year presence); he has also taught at Harvard, Yale and Dartmouth.
    [Show full text]
  • 227-Newsletter.Pdf
    THE POETRY PROJECT NEWSLETTER www.poetryproject.org APR/MAY 2011 #227 LETTERS POEM NATHANIEL MACKEY INTERVIEW CARLA HARRYMAN & LYN HEJINIAN TALK WITH CORINA COPP CALENDAR PATRICK JAMES DUNAGAN REVIEWS CHAPBOOKS BY ARIEL GOLDBERG, JESSICA FIORINI, JIM CARROLL, ALLI WARREN & NICHOLAS JAMES WHITTINGTON CATHERINE WAGNER REVIEWS ANDREA BRADY CACONRAD REVIEWS SUSIE TIMMONS FARRAH FIELD REVIEWS PAUL LEGAULT CARLEY MOORE REVIEWS EILEEN MYLES ERIK ANDERSON REVIEWS RENEE GLADMAN DAVID BRAZIL REVIEWS MINA PAM DICK STEPHANIE DICKINSON REVIEWS LEWIS WARSH MATT LONGABUCCO REVIEWS MIŁOSZ BIEDRZYCKI JAMIE TOWNSEND REVIEWS PAUL FOSTER JOHNSON ABRAHAM AVNISAN REVIEWS CAROLINE BERGVALL NICOLE TRIGG REVIEWS JULIANA LESLIE ERICA KAUFMAN REVIEWS KARINNE KEITHLEY $5? 02 APR/MAY 11 #227 THE POETRY PROJECT NEWSLETTER NEWSLETTER EDITOR: Corina Copp DISTRIBUTION: Small Press Distribution, 1341 Seventh St., Berkeley, CA 94710 The Poetry Project, Ltd. Staff ARTISTIC DIRECTOR: Stacy Szymaszek PROGRAM COORDINATOR: Arlo Quint PROGRAM ASSISTANT: Nicole Wallace MONDAY NIGHT COORDINATOR: Macgregor Card MONDAY NIGHT TALK SERIES COORDINATOR: Michael Scharf WEDNESDAY NIGHT COORDINATOR: Joanna Fuhrman FRIDAY NIGHT COORDINATORS: Brett Price SOUND TECHNICIAN: David Vogen VIDEOGRAPHER: Alex Abelson BOOKKEEPER: Stephen Rosenthal ARCHIVIST: Will Edmiston BOX OFFICE: Courtney Frederick, Kelly Ginger, Vanessa Garver INTERNS: Nina Freeman, Stephanie Jo Elstro, Rebecca Melnyk VOLUNTEERS: Jim Behrle, Rachel Chatham, Corinne Dekkers, Ivy Johnson, Erica Kaufman, Christine Kelly, Ace McNamara, Annie Paradis, Christa Quint, Judah Rubin, Lauren Russell, Thomas Seely, Erica Wessmann, Alice Whitwham, Dustin Williamson The Poetry Project Newsletter is published four times a year and mailed free of charge to members of and contributors to the Poetry Project. Subscriptions are available for $25/year domestic, $45/year international.
    [Show full text]
  • On Gary Snyder's This Present Moment
    ANQ: A Quarterly Journal of Short Articles, Notes and Reviews ISSN: 0895-769X (Print) 1940-3364 (Online) Journal homepage: http://www.tandfonline.com/loi/vanq20 Both Sides Now: On Gary Snyder’s This Present Moment Mark Gonnerman To cite this article: Mark Gonnerman (2017) Both Sides Now: On Gary Snyder’s This Present Moment, ANQ: A Quarterly Journal of Short Articles, Notes and Reviews, 30:2, 88-92, DOI: 10.1080/0895769X.2016.1277128 To link to this article: http://dx.doi.org/10.1080/0895769X.2016.1277128 Published online: 15 Mar 2017. Submit your article to this journal View related articles View Crossmark data Full Terms & Conditions of access and use can be found at http://www.tandfonline.com/action/journalInformation?journalCode=vanq20 Download by: [Mark Gonnerman] Date: 20 March 2017, At: 09:02 ANQ: A QUARTERLY JOURNAL OF SHORT ARTICLES, NOTES, AND REVIEWS 2017, VOL. 30, NO. 2, 88–92 http://dx.doi.org/10.1080/0895769X.2016.1277128 Both Sides Now: On Gary Snyder’s This Present Moment Mark Gonnerman William James Center for Consciousness Studies, Palo Alto, California, USA To finish the moment, to find the journey’s end in every step of the road, to live the greatest number of good hours is wisdom. … Since our office is with moments, let us husband them. —Ralph Waldo Emerson, “Experience” (1844) In This Present Moment: New Poems (hereafter cited as TPM), Gary Snyder circles back to and corrals many of the basic themes that have defined his long life as an artivist (activist artist): the Wild, reinhabitation, work, play, myth, ritual, poetics, epistemology, ethics, impermanence, con- noisseurship, and the endless work of cultural transmission and translation.
    [Show full text]
  • Reading Julia De Burgos with the FBI HARRIS FEINSOD
    98 CENTRO JOURNAL VOLUME XXVI • NUMBER II • FALL 2014 Between Dissidence and Good NeighBor Diplomacy: Reading Julia de Burgos with the FBI HARRIS FEINSOD ABSTRACT Little is known about Julia de Burgos’s six months as an audit clerk at the Offi ce of the Co- ordinator of Inter-American Affairs in Washington, D.C. (1944-1945). This article recounts this interlude in Burgos’s career by focusing on her FBI fi le and the Hatch Act investigation that led to her termination as a federal employee. Reading the FBI fi le in the vein of literary criticism, the article shows how bureau ghosttranslators characterized Burgos’s political poems as works of dissident Nationalism. In so far as Burgos’s poems navigate the compet- ing ideologies of Puerto Rican Nationalism and Good Neighbor diplomacy, the article links them to a hemispheric matrix of writing—by Elizabeth Bishop, Pablo Neruda, Luis Palés Matos, Samuel Putnam and William Carlos Williams, among others—in which Puerto Rican decolonial politics intersect international communism and anticommunism. [Keywords: Julia de Burgos; Pablo Neruda; Elizabeth Bishop; Federal Bureau of Investigations; Good Neigh- bor Policy; Puerto Rican Nationalism] The author ([email protected]) is Assistant Professor in the Department of English and the Program in Comparative Literary Studies at Northwestern University. His current book project is Fluent Mundo: Inter-American Poetry from Good Neighbors to Countercultures. His recent writing appears or is forthcoming in American Literary History, American Quarterly, Arcade, Chicago Review, and the Princeton Encyclopedia of Poetry and Poetics: Fourth Edition, for which he was assistant editor.
    [Show full text]
  • Literary Scholars Association Critics
    The 14th Annual Conference of The Association of October 24-26, 2008 Literary Scholars Sheraton Society Hill Hotel Critics and Philadelphia, Pennsylvania Literature Titles from Oxford Journals www.adaptation.oxfordjournals.org www.camqtly.oxfordjournals.org www.english.oxfordjournals.org www.alh.oxfordjournals.org www.cww.oxfordjournals.org ADAPTATION AMERICAN LITERARY THE CAMBRIDGE CONTEMPORARY ENGLISH Adaptation provides an HISTORY QUARTERLY WOMEN’S WRITING Published on behalf of international forum to Covering the study of US The Cambridge Quarterly CWW assesses writing The English Association, theorise and interrogate the literature from its origins was established on the by women authors from English contains essays phenomenon of literature through to the present, principle that literature is an 1970 to the present. It on major works of English on screen from both a American Literary History art, and that the purpose of reflects retrospectively on literature or on topics of literary and film studies provides a much-needed art is to give pleasure and developments throughout general literary interest, perspective. forum for the various, enlightenment. It devotes the period, to survey the aimed at readers within often competing voices itself to literary criticism variety of contemporary universities and colleges of contemporary literary and its fundamental aim work, and to anticipate and presented in a lively inquiry. is to take a critical look at the new and provocative and engaging style. accepted views. women’s writing. www.fmls.oxfordjournals.org
    [Show full text]
  • Senses of Place in the Poetry of Gary Snyder and Derek Walcott
    RE-INHABITING THE ISLANDS: SENSES OF PLACE IN THE POETRY OF GARY SNYDER AND DEREK WALCOTT A thesis presented to the faculty of the Graduate School of Western Carolina University in partial fulfillment of the requirements for the degree of Master of Arts in English. By Jason T. Hertz Director: Dr. Laura Wright Associate Professor of English English Department Committee Members: Dr. Catherine Carter, English Prof. Deidre Elliott, English May 2011 ACKNOWLEDGEMENTS I would like to thank my committee members and director for their assistance and encouragement. I am especially grateful to Professor Laura Wright for being a wise and reliable adviser. I also extend sincere thanks to the following people, without whom this thesis would not have been possible: Mom and Dad, Tristan and Rikki, Michael, and Miranda. I offer my warmest regards and thanks to my extended family for their continued love and support. Above all, I thank my grandmother Lorraine. TABLE OF CONTENTS Abstract . 4 Introduction: Recasting the Castaway as an Island Re-Inhabitant . 6 Chapter One: Regarding Wave and Suwanose-Jima . 18 Chapter Two: O-Mer-Os, Singing the Sea‘s Quiet Culture . 37 Chapter Three: Snyder‘s and Walcott‘s Bioregional Muse . 56 Conclusion . 78 Works Cited . 83 ABSTRACT RE-INHABITING THE ISLANDS: SENSES OF PLACE IN THE POETRY OF GARY SNYDER AND DEREK WALCOTT Jason T. Hertz, M.A. Western Carolina University (May 2011) Director: Dr. Laura Wright Building on the castaway narratives in both Gary Snyder‘s and Derek Walcott‘s poetry, I use Yann Martel‘s novel Life of Pi as a contemporary analogue for reading Snyder‘s Pacific journeys, in Regarding Wave and Turtle Island, and the quests of Omeros’ fisherman protagonist, Achille.
    [Show full text]
  • JK Bloomsday Interview
    A Bloomsday Interview With Joanne Kyger in New York Trevor Carolan “I don’t think it was until I moved to Bolinas in 1969 that I really entered into a close relationship with the land around me in my writing. About the birds who live here, to this day the quail are probably my closest neighbors.” * “Poetry has a lot to do with awakening,” Joanne Kyger has noted. I came to appreciate this while teaching a humanities seminar at Simon Fraser University in Vancouver. The readings included a constellation of writers associated with “San Francisco: the Athens of the American West”, a large number of whom were Buddhist-influenced. I noticed how young male students gravitated to work by Jack Kerouac, Allen Ginsberg, Gary Snyder, Lawrence Ferlinghetti, or Kenneth Rexroth; by contrast, women students responded strongly to the poetry and poetics of Joanne Kyger and Diane di Prima. Accordingly, I began paying closer attention to the transpacific inflections that percolate through the work of other women writers like Maxine Hong Kingston, Amy Tan, Alice Walker, Jane Hirschfield, and bell hooks. In June, 2008, Joanne Kyger was a featured speaker at The Beats In India, an Asia Centre symposium in New York. The event celebrated the journey made in 1962 by Kyger, her then-husband Snyder, and fellow American poets Ginsberg and Peter Orlovsky, and addressed ‘what drew the Beats to India and how they inspired successive generations of Americans to turn to the East for spiritual and creative wisdom’. There was a sense of historical importance about the gathering. Two days later on Bloomsday, I spoke with Kyger at the loft home office of Vincent Katz, publisher of Kyger’s poetry collection, Not Veracruz (Libellum Books).
    [Show full text]
  • WLA Conference 2013 COVER
    Mural of Queen Califia and her Amazons, Mark Hopkins Hotel in San Francisco – Maynard Dixon and Frank Von Sloun The name of California derives from the legend of Califia, the queen of an island inhabited by dark- skinned Amazons in a 1521 novel by Garci Ordóñez de Montalvo, Las Sergas de Esplandián. Califia has been depicted as the Spirit of California, and she often figures in the myth of California's origin, symbolizing an untamed and bountiful land prior to European settlement. California has been calling to the world ever since, as land of promise, dreams and abundance, but also often as a land of harsh reality. The 48th annual conference of the Western Literature Association welcomes you to Berkeley, California, on the marina looking out to the San Francisco Bay. This is a place as rich in history and myth as Queen Califia herself. GRATEFUL ACKNOWLEDGEMENTS go to the following sponsors for their generous support of the 2013 Western Literature Conference: • The Redd Center for Western Studies • American Studies, UC Berkeley • College of Arts & Humanities, UC Berkeley • English Department, UC Berkeley SPECIAL THANKS go to: • The Doubletree by Hilton Hotel • Aileen Calalo, PSAV Presentation Services • The Assistants to the President: Samantha Silver and George Thomas, Registration Directors; and Alaska Quilici, Hospitality and Event Coordinator • Sabine Barcatta, Director of Operations, Western Literature Association • William Handley, Executive Secretary / Treasurer, Western Literature Association • Paul Quilici, Program Graphic Designer • Sara Spurgeon, Kerry Fine, and Nancy Cook • Kathleen Moran • The ConfTool Staff Registration/ Info Table ATM EMC South - Sierra Nevada Islands Ballroom (2nd floor) (1st floor) Amador El Dorado Yerba Buena Belvedere Island Mariposa Treasure Island Angel Island Quarter Deck Islands Foyer Building (5) EMC North Conference Center (2nd floor) (3rd floor) (4th floor) Berkeley Sacramento Restrooms California Guest Pass for Wireless Access: available in the Islands Ballroom area and Building 5 1.
    [Show full text]
  • Readykeulous by Ridykeulous: This Is What Liberation Feels Like™
    Readykeulous by Ridykeulous: This is What Liberation Feels Like™ Kathy Acker Letter to Dennis Cooper, 1981 Dennis Cooper Letter to Kathy Acker, 1981 1 Typescripts Dennis Cooper papers, Fales Library and Special Collections, New York University Mike Albo Untitled, 2014 2 Courtesy the artist Abe Ajay Letter to Ad Reinhardt (with Reinhardt's handwritten response in the margins around the original letter), February 2, 1963 3 Typescript Ad Reinhardt papers, Archives of American Art, Smithsonian Institution Readykeulous by Ridykeulous: This is What Liberation Feels Like™ Checklist Artists Poster Committee (Frazier Dougherty, Jon Hendricks, Irving Petlin) Q: And Babies?, 1970 4 Offset lithograph 25 x 38 inches Collection of David Platzker and Susan Inglett Kathe Burkhart Suck My Dick: from the Liz Taylor Series (Candid shot), 2004 5 Acrylic, singed rejection letters from publishers, museums and galleries, dildo on canvas 90 x 60 x 9 ½ inches Courtesy the artist Nao Bustamante To Nao and to Wow, 2011 6 Photographic fleece, letters 60 x 40 inches, Edition of 11 Courtesy the artist Jibz Cameron Breakup Day, 2011 7 Paper bag and pencil Courtesy the artist 2 Readykeulous by Ridykeulous: This is What Liberation Feels Like™ Checklist Leidy Churchman Hardbacks: Ridykeulous, 2010 8 Oil on wood 10 x 7 inches Courtesy the artist and SILBERKUPPE, Berlin Zackary Drucker A vacuum of fucking in a world in which we don't really exist, 2011 10 C-print, iShuffle, audio (6:19m) 10 x 8 inches Courtesy the artist and Luis De Jesus, Los Angeles Nicole Eisenman Welcome
    [Show full text]
  • Language, Intertextuality, and Subjectivity in the Poetry of Diane
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Louisiana State University Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2005 Sites of resistance: language, intertextuality, and subjectivity in the poetry of Diane Wakoski Cordelia Maxwell Hanemann Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the English Language and Literature Commons Recommended Citation Hanemann, Cordelia Maxwell, "Sites of resistance: language, intertextuality, and subjectivity in the poetry of Diane Wakoski" (2005). LSU Doctoral Dissertations. 1092. https://digitalcommons.lsu.edu/gradschool_dissertations/1092 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. SITES OF RESISTANCE: LANGUAGE, INTERTEXTUALITY, AND SUBJECTIVITY IN THE POETRY OF DIANE WAKOSKI A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of English by Cordelia Maxwell Hanemann B.A., University of Southwestern Louisiana, 1970 M.A., University of Southwestern Louisiana, 1975 May 2005 © Copyright 2005 Cordelia Maxwell Hanemann All rights reserved ii Acknowledgements The completion of this dissertation owes much to the impetus and efforts of many people. Without the support of my family, my colleagues, and my friends, I would not have persevered: I especially thank my partner, William Birmingham; my children, Louis, Benjamin, and Craig; and my good friend, Lisa Gibbs.
    [Show full text]
  • Introduction
    Cambridge University Press 978-1-107-04036-6 - The Cambridge Companion to Modern American Poetry Edited by Walter Kalaidjian Excerpt More information WALTER KALAIDJIAN Introduction Increasingly, contemporary critical accounts of what William Carlos Williams called “the local conditions” ( 1948 , 146) of modern American poetry have engaged more worldly expanses of time and space, reading American verse written over the past century in the contexts of United States history and culture that participate in a decidedly global community. This collection in particular stretches the more narrow period term of literary modernism – works published between, say, 1890 and 1945 – favoring a more capacious and usable account of poetry’s “modern” evolution over the entire twenti- eth century up to the present . Supplementing the protocols of literary “close reading” advanced by the so-called American New Critics, studies of mod- ern American poetry have moved beyond attention to the isolated work of literature, the focus on a single author, and the domestic containments of national narration . Not unlike Ezra Pound’s 1934 description of the American epic as a “poem containing history,” contemporary criticism of American verse has sought to contextualize canonical and emerging poems against wider political, social, and cultural fi elds and forces. These and other advances in the reception of modern American poetry refl ect broader and concerted efforts to question, revise, and expand the received canon of American literature. Such revisionary initiatives date back to the latter decades of the twentieth century with Paul Lauter’s “Reconstructing American Literature” project. It began as a series of conferences sponsored by the Rockefeller Foundation and Lilly Endowment, later published in the critical volume Reconstructing American Literature (1983) followed by Sacvan Bercovitch’s scholarly col- lection Reconstructing American Literary History (1986).
    [Show full text]
  • African-American Poetry an Anthology, 1773-1930 1St Edition PDF Book
    AFRICAN-AMERICAN POETRY AN ANTHOLOGY, 1773- 1930 1ST EDITION PDF, EPUB, EBOOK Joan R Sherman | 9780486296043 | | | | | African-American Poetry An Anthology, 1773-1930 1st edition PDF Book Spriggs and the term they coined "Wemembering," meaning "culturally based observations. The growth in the popularity of graduate creative writing programs has given poets the opportunity to make a living as teachers. He reminds us in a poem that "Christ washed the feet of Judas! To ask other readers questions about African-American Poetry , please sign up. A distinctly American lyric voice of the colonial period was Phillis Wheatley , a slave whose book "Poems on Various Subjects, Religious and Moral," was published in Jerome Rothenberg born is well known for his work in ethnopoetics , but he was the coiner of the term " deep image ", which he used to describe the work of poets like Robert Kelly born , Diane Wakoski born and Clayton Eshleman born Help Learn to edit Community portal Recent changes Upload file. On the surface, these two poets could not have been less alike. The final emergence of a truly indigenous English-language poetry in the United States was the work of two poets, Walt Whitman — and Emily Dickinson — O kinsmen! Best poerty book I've read so far this year. John , whose practice of poetry is a model of their maternal grandmother and grandfather "who believed the function of racism is to deny us possibility," I think of my grandparents on my mother's side. Oh, Liberty! But I behold the scalding tear, Now stealing from my eye, To think my wife—my only dear, A slave must live and die.
    [Show full text]