"Broadway's My Beat" Episodic
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Summer 2017 • Volume 26 • Number 2
sUMMER 2017 • Volume 26 • Number 2 Welcome Home “Son, we’re moving to Oregon.” Hearing these words as a high school freshman in sunny Southern California felt – to a sensitive teenager – like cruel and unusual punishment. Save for an 8-bit Oregon Trail video game that always ended with my player dying of dysentery, I knew nothing of this “Oregon.” As proponents extolled the virtues of Oregon’s picturesque Cascade Mountains, I couldn’t help but mourn the mountains I was leaving behind: Space, Big Thunder and the Matterhorn (to say nothing of Splash, which would open just months after our move). I was determined to be miserable. But soon, like a 1990s Tom Hanks character trying to avoid falling in love with Meg Ryan, I succumbed to the allure of the Pacific Northwest. I learned to ride a lawnmower (not without incident), adopted a pygmy goat and found myself enjoying things called “hikes” (like scenic drives without the car). I rafted white water, ate pink salmon and (at legal age) acquired a taste for lemon wedges in locally produced organic beer. I became an obnoxiously proud Oregonian. So it stands to reason that, as adulthood led me back to Disney by way of Central Florida, I had a special fondness for Disney’s Wilderness Lodge. Inspired by the real grandeur of the Northwest but polished in a way that’s unmistakably Disney, it’s a place that feels perhaps less like the Oregon I knew and more like the Oregon I prefer to remember (while also being much closer to Space Mountain). -
Literariness.Org-Mareike-Jenner-Auth
Crime Files Series General Editor: Clive Bloom Since its invention in the nineteenth century, detective fiction has never been more pop- ular. In novels, short stories, films, radio, television and now in computer games, private detectives and psychopaths, prim poisoners and overworked cops, tommy gun gangsters and cocaine criminals are the very stuff of modern imagination, and their creators one mainstay of popular consciousness. Crime Files is a ground-breaking series offering scholars, students and discerning readers a comprehensive set of guides to the world of crime and detective fiction. Every aspect of crime writing, detective fiction, gangster movie, true-crime exposé, police procedural and post-colonial investigation is explored through clear and informative texts offering comprehensive coverage and theoretical sophistication. Titles include: Maurizio Ascari A COUNTER-HISTORY OF CRIME FICTION Supernatural, Gothic, Sensational Pamela Bedore DIME NOVELS AND THE ROOTS OF AMERICAN DETECTIVE FICTION Hans Bertens and Theo D’haen CONTEMPORARY AMERICAN CRIME FICTION Anita Biressi CRIME, FEAR AND THE LAW IN TRUE CRIME STORIES Clare Clarke LATE VICTORIAN CRIME FICTION IN THE SHADOWS OF SHERLOCK Paul Cobley THE AMERICAN THRILLER Generic Innovation and Social Change in the 1970s Michael Cook NARRATIVES OF ENCLOSURE IN DETECTIVE FICTION The Locked Room Mystery Michael Cook DETECTIVE FICTION AND THE GHOST STORY The Haunted Text Barry Forshaw DEATH IN A COLD CLIMATE A Guide to Scandinavian Crime Fiction Barry Forshaw BRITISH CRIME FILM Subverting -
The Digital Deli Online - List of Known Available Shows As of 01-01-2003
The Digital Deli Online - List of Known Available Shows as of 01-01-2003 $64,000 Question, The 10-2-4 Ranch 10-2-4 Time 1340 Club 150th Anniversary Of The Inauguration Of George Washington, The 176 Keys, 20 Fingers 1812 Overture, The 1929 Wishing You A Merry Christmas 1933 Musical Revue 1936 In Review 1937 In Review 1937 Shakespeare Festival 1939 In Review 1940 In Review 1941 In Review 1942 In Revue 1943 In Review 1944 In Review 1944 March Of Dimes Campaign, The 1945 Christmas Seal Campaign 1945 In Review 1946 In Review 1946 March Of Dimes, The 1947 March Of Dimes Campaign 1947 March Of Dimes, The 1948 Christmas Seal Party 1948 March Of Dimes Show, The 1948 March Of Dimes, The 1949 March Of Dimes, The 1949 Savings Bond Show 1950 March Of Dimes 1950 March Of Dimes, The 1951 March Of Dimes 1951 March Of Dimes Is On The Air, The 1951 March Of Dimes On The Air, The 1951 Packard Radio Spots 1952 Heart Fund, The 1953 Heart Fund, The 1953 March Of Dimes On The Air 1954 Heart Fund, The 1954 March Of Dimes 1954 March Of Dimes Is On The Air With The Fabulous Dorseys, The 1954 March Of Dimes Is On The Air, The 1954 March Of Dimes On The Air 1955 March Of Dimes 1955 March Of Dimes Is On The Air, The 1955 March Of Dimes, The 1955 Pennsylvania Cancer Crusade, The 1956 Easter Seal Parade Of Stars 1956 March Of Dimes Is On The Air, The 1957 Heart Fund, The 1957 March Of Dimes Galaxy Of Stars, The 1957 March Of Dimes Is On The Air, The 1957 March Of Dimes Presents The One and Only Judy, The 1958 March Of Dimes Carousel, The 1958 March Of Dimes Star Carousel, The 1959 Cancer Crusade Musical Interludes 1960 Cancer Crusade 1960: Jiminy Cricket! 1962 Cancer Crusade 1962: A TV Album 1963: A TV Album 1968: Up Against The Establishment 1969 Ford...It's The Going Thing 1969...A Record Of The Year 1973: A Television Album 1974: A Television Album 1975: The World Turned Upside Down 1976-1977. -
Engineers News
OPERA ~.-.; · NG ·ENGINEERS . LOC,Al 3 STATIONARY ENGINEERS lOCAl -39 I VOL a-No; 5 .-:D SAN FRANCISCO, CALif. -- Mav 15. 1950 --------------------~--~~--------~------------------------ .. Members Must ~ ' .... ~- . .. I I Have :O.nJy ,' State. ... f Dis~bility Plan t ByP. E:VANDEWARI{ . I Assistant Local Union. ·Manager .Again it is 1iec'essary to call. at ROOSEVELT, MltLER GET .FULL AFL BACKING; ~e ntion to the brothers that · a · re DISTRICT CONGRESSMEN ARE ENDORSED jlewed drive· is being made · upon California voters will go to the polls on June 6 to vote on ~he_ private ~nsura;nce - companj.ei\i , jobs, a matter carrying disability insurance -plans· I vital to the daily comfort and year-round se Calling for ·cancellatio.n of ·· such curity for themselves and.Jheil" families and now being loudly IJlaus. · · championed by candidates for public office. Bu~iness representatives of. the The stat.e's bigg.est labor organi- orgal)ization . will again. be calling I' upon Bew:are Th;s Vici,.ftus zation, a million-member chunk of . you to . sign. a release, which . ..,. U U H nn.; the American Federation of Labor, will be .presented to your employ- ENGINEERS BRING WATER-Shown ubove· at the grcund-b:reaking believes that James Roosevelt, eld- ei· 0 , if you are covered by a· private of a $12 million water pipeline project are union and city officials. B~ est son of the late great FDR, hi'S irsurance t H plan ana have- not al- : B~o. Victor Swanson, business manager of Loca.} 3, is seMnd :from . ;OW ·. ous~ng the most praetical solutions to the , rea a. -
The Beatles on Film
Roland Reiter The Beatles on Film 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 1 ) T00_01 schmutztitel - 885.p 170758668456 Roland Reiter (Dr. phil.) works at the Center for the Study of the Americas at the University of Graz, Austria. His research interests include various social and aesthetic aspects of popular culture. 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 2 ) T00_02 seite 2 - 885.p 170758668496 Roland Reiter The Beatles on Film. Analysis of Movies, Documentaries, Spoofs and Cartoons 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 3 ) T00_03 titel - 885.p 170758668560 Gedruckt mit Unterstützung der Universität Graz, des Landes Steiermark und des Zentrums für Amerikastudien. Bibliographic information published by Die Deutsche Bibliothek Die Deutsche Bibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.ddb.de © 2008 transcript Verlag, Bielefeld This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License. Layout by: Kordula Röckenhaus, Bielefeld Edited by: Roland Reiter Typeset by: Roland Reiter Printed by: Majuskel Medienproduktion GmbH, Wetzlar ISBN 978-3-89942-885-8 2008-12-11 13-18-49 --- Projekt: transcript.titeleien / Dokument: FAX ID 02a2196899938240|(S. 4 ) T00_04 impressum - 885.p 196899938248 CONTENTS Introduction 7 Beatles History – Part One: 1956-1964 -
Exposing Minstrelsy and Racial Representation Within American Tap Dance Performances of The
UNIVERSITY OF CALIFORNIA Los Angeles Masks in Disguise: Exposing Minstrelsy and Racial Representation within American Tap Dance Performances of the Stage, Screen, and Sound Cartoon, 1900-1950 A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Culture and Performance by Brynn Wein Shiovitz 2016 © Copyright by Brynn Wein Shiovitz 2016 ABSTRACT OF THE DISSERTATION Masks in Disguise: Exposing Minstrelsy and Racial Representation within American Tap Dance Performances of the Stage, Screen, and Sound Cartoon, 1900-1950 by Brynn Wein Shiovitz Doctor of Philosophy in Culture and Performance University of California, Los Angeles, 2016 Professor Susan Leigh Foster, Chair Masks in Disguise: Exposing Minstrelsy and Racial Representation within American Tap Dance Performances of the Stage, Screen, and Sound Cartoon, 1900-1950, looks at the many forms of masking at play in three pivotal, yet untheorized, tap dance performances of the twentieth century in order to expose how minstrelsy operates through various forms of masking. The three performances that I examine are: George M. Cohan’s production of Little Johnny ii Jones (1904), Eleanor Powell’s “Tribute to Bill Robinson” in Honolulu (1939), and Terry- Toons’ cartoon, “The Dancing Shoes” (1949). These performances share an obvious move away from the use of blackface makeup within a minstrel context, and a move towards the masked enjoyment in “black culture” as it contributes to the development of a uniquely American form of entertainment. In bringing these three disparate performances into dialogue I illuminate the many ways in which American entertainment has been built upon an Africanist aesthetic at the same time it has generally disparaged the black body. -
The Escape! Radio Program Dee-Scription: Home >> D D Too Home >> Radio Logs >> Escape!
The Escape! Radio Program Dee-Scription: Home >> D D Too Home >> Radio Logs >> Escape! Background Dramas of escape, romance and adventure comprised a great deal of the drama anthologies during the Golden Age of Radio. One might well make the argument that adventure dramas broadcast over one canon or another throughout the era were among the top five most popular genres of the era. They also found their way into any number of adventure productions, a sampling of which follow: 1930 World Adventures 1931 Strange Adventure 1932 Bring'em Back Alive 1932 Captain Diamond’s Adventures 1932 Captain Jack 1932 The Elgin Adventurer's Club 1932 World Adventurer's Club 1933 The Stamp Adventurer’s Club 1935 The Desert Kid 1935 Magic Island 1937 The Cruise of The Poll Parrot 1937 True Adventures 1937 Your Adventurers 1939 Imperial Intrigue 1939 The Order of Adventurers 1940 Thrills and Romance 1941 Adventure Stories 1942 Road to Danger 1942 The Whistler 1943 Escape From . 1943 Foreign Assignment 1943 Romance 1944 Adventure Ahead 1944 Dangerously Yours 1944 Stories of Escape 1944 The Man Called 'X' 1944 Vicks Matinee Theater 1945 Adventure 1946 Tales of Adventure 1947 Adventure Parade 1947 Escape! 1947 High Adventure 1947 The Adventurer's Club 1948 This Is Adventure 1949 Dangerous Assignment 1950 Stand By for Adventure 1952 Escape with Me 1953 The Adventurer 1974 CBS Radio Mystery Theater 1977 General Mills Radio Adventure Theater 1977 CBS Radio Adventure Theater Announcement of Escape to air in the summer of 1947 During an era when the word 'romance' still implied adventure as well as emotional and physical passion, the words 'romance' and 'adventure' were often viewed as synonymous with each other in the titles of hundreds of Radio canons of both the earliest and latest Golden Age Radio broadcasts. -
The Voyage of the Scarlet Queen , He and Aurandt Worked Together on the Green Stories of Men Who Made Them Monuments
voyage.qxd:8 pg. Booklet 6/1/10 10:05 PM Page 1 CD 6 The Courtship of Anna May Lamour - 9/18/1947 THE VOYAGE OF Shore Leave and the Unhappy Wife - 9/25/1947 THE SCARLET QUEEN CD 7 The Fat Trader and the Sword of Apokaezhan - Program Guide by Jack French 10/2/1947 The Tattooed Beaver and Baby Food for Pare Pare - The rare combination of talent that went into producing The Voyage 10/9/1947 of the Scarlet Queen can best be described as “the perfect storm.” It brought together two excellent lead actors, a superb duo of radio’s best writers, a highly CD 8 skilled trio of sound effects artists, and a respected musician to compose a lavish Ah Sin and the Balinese Beaux Arts Ball - Scarlet Queen regular Barton Yarborough and distinctive score to blend it together. The result was certainly the best radio 10/16/1947 series that ever aired on the Mutual Network. Grafter’s Fort and the Black Pearl of Galahla Bay - 10/23/1947 Elliott Lewis (1917-1990) deserves all the credit for putting this remarkable series together in 1947, just two years after World War II ended. CD 9 This series, telling the fascinating and exotic story of a sailing vessel in its quest King Ascot And The Maid In Waiting - 10/30/1947 for a Chinese treasure, would take listeners on dozens of remarkable adventures Lonely Sultan of Isabella De Basilan - 11/6/1947 in ports of call throughout the Pacific Ocean and the China Sea. -
Ielb, #75 NBC 7 =243 -: APRIL 13, 1954
• /~ . *Mi'KT'"y' `'l', -~K{ ql.•? r4Y Y' l~} 1L: } ~J 1 < u - •y + 1 r`5: ~ {t'C .~~ i • . I ~~ ,a Y ! :. d ~j~N~ .j vT.' . ` { 2 .L~M t't L . ` s e _ wry., : CHEST1 'IELb, #75 NBC 7 =243 RELEASE DATE : -: APRIL 13, 1954 DfIECTOR : JACK_ WEBB SPONSOR : CHESTERFT [D CIGARETTE S WRITER : JOHN ROBINSON .AGENCY: CUNNINGHAM-WALSH MUSIC : WALTER SCHUMANN COI,SERCT21L SUPERVISOR : PETE PETERSON SCRIPT :. JEAN MILES TECIBlICAL ADVISORS : SOUND: BUD TOT1 FSON & SGT . MARTY WYNN L .A .P .D. WAYNE KENNIORTHY SGT . VANCE BRASHER : L.A.P.D. ENGI : RAOUL MURPHY CAPT . JOHN DONOHOE : L .A .P.D. ANNCR . T-1 : GEORGE I ENNEMA N ANNOR . #2 : HAL GIBNE•'Y, NBC CASE : "THE BIG NOTE " REHEARSAL SCHEDULE : RECORDING : SUNDAY, APRIL U., 1954 CAST AND SOUND : 12 :00-2 :30 P.M. EDITING: T .B .A . .,,SCORING: 14ONDAY, APRIL 12, 1954 ORCHESTRA : 8 :30 - 10 :30 P .M . ANNOUNCERS : (COIMRC IAL ) nunnTy Aqm . tZ .nn - Z .-zn n *R LG 0182820 "DRAGNET" TUESDAY, APRIL 13, 1954 "THE BIG NOTE D CAS T SGT . JOE FRIDAY . JACK WEBB OFF . FLANK SMITH . B3 AIJEXANDER EWA McGUIRE. JOYCE McCLUSKEY VINCENT BEAL . JACK KRUSCHEN KATHRYN P ILGRAM . CAROLYN JONES ROBERT P IL GRAM . HARRY BARTELL LG 0182821 1 DRAGNET - RADIO "THE BIG NOTE " NBC ?,`243 CIIESTEFIE[D ,~75 FOR BROADCAST : APRIL 13 : 1954 1 MUSIC : SIGNATURE 2 FENN : (EASILY) Ladies and gentlemen, the story you are about 3 to hear is true . The names have been changed to protect 4 the innocent . 5 MUSIC : DRUM ROLL UNDER 6 GIBNEY : Dragnet is brought to you by Chesterfield, made by 7 Liggett and Myers, first major tobacco company to bring 8 you a complete line of quality cigarettes . -
Broadway's My Beat Naming Standard
Broadway’s My Beat Anthology Broadway Is My Beat ..................................................................................................................... 1 From Wikipedia, the free encyclopedia .......................................................................................... 1 Broadway Is My Beat Special Edition ............................................................................................ 2 eBay Offering: The other "Beat" .................................................................................................... 2 Pre-emptive Events: ........................................................................................................................ 3 Radios Census ................................................................................................................................. 3 "Broadway is My Beat" Streeter Click .......................................................................................... 3 OLD RADIO TIMES ...................................................................................................................... 4 Broadway's My Beat Cast and Crew .............................................................................................. 5 From Times Square to Columbus Circle ........................................................................................ 6 Broadway Is My Beat From Wikipedia, the free encyclopedia Anthony Ross as Detective Danny Clover in Broadway Is My Beat Broadway Is My Beat, a radio crime drama, ran on CBS from February -
Completeandleft
MEN WOMEN 1. JA Jason Aldean=American singer=188,534=33 Julia Alexandratou=Model, singer and actress=129,945=69 Jin Akanishi=Singer-songwriter, actor, voice actor, Julie Anne+San+Jose=Filipino actress and radio host=31,926=197 singer=67,087=129 John Abraham=Film actor=118,346=54 Julie Andrews=Actress, singer, author=55,954=162 Jensen Ackles=American actor=453,578=10 Julie Adams=American actress=54,598=166 Jonas Armstrong=Irish, Actor=20,732=288 Jenny Agutter=British film and television actress=72,810=122 COMPLETEandLEFT Jessica Alba=actress=893,599=3 JA,Jack Anderson Jaimie Alexander=Actress=59,371=151 JA,James Agee June Allyson=Actress=28,006=290 JA,James Arness Jennifer Aniston=American actress=1,005,243=2 JA,Jane Austen Julia Ann=American pornographic actress=47,874=184 JA,Jean Arthur Judy Ann+Santos=Filipino, Actress=39,619=212 JA,Jennifer Aniston Jean Arthur=Actress=45,356=192 JA,Jessica Alba JA,Joan Van Ark Jane Asher=Actress, author=53,663=168 …….. JA,Joan of Arc José González JA,John Adams Janelle Monáe JA,John Amos Joseph Arthur JA,John Astin James Arthur JA,John James Audubon Jann Arden JA,John Quincy Adams Jessica Andrews JA,Jon Anderson John Anderson JA,Julie Andrews Jefferson Airplane JA,June Allyson Jane's Addiction Jacob ,Abbott ,Author ,Franconia Stories Jim ,Abbott ,Baseball ,One-handed MLB pitcher John ,Abbott ,Actor ,The Woman in White John ,Abbott ,Head of State ,Prime Minister of Canada, 1891-93 James ,Abdnor ,Politician ,US Senator from South Dakota, 1981-87 John ,Abizaid ,Military ,C-in-C, US Central Command, 2003- -
DRAGNET the Big Blast
CD 8A: “The Big Hands” - 11/22/1951 Who strangled a well-to-do woman in a cheap hotel? DRAGNET CD 8B: “The Big Affair” - 11/29/1951 Friday and Romero investigate a violent jewel robbery. The Big Blast CD 9A: “The Big Canaries” - 12/06/1951 A forty-year-old divorcee with a sixteen-year-old daughter Program Guide by Elizabeth McLeod has been murdered. Jack Webb Whenever vintage radio or television programs come up for discussion, Dragnet CD 9B: “The Big Overtime” - 12/13/1951 always stands out as broadcast media’s ultimate accomplishment in police Kidnappers hold a banker’s daughter for $30,000 ransom. procedural drama. There is a long line of subsequent programs, right down to the present day, owing a great debt to Jack Webb’s laconic, methodical exploration CD 10A: “The Big Red - Part One” - 01/03/1952 of the daily routine of a typical Los Angeles plainclothes cop. From the premiere Friday infiltrates a major heroin operation. of the radio series in the fall of 1949 to the final network broadcast of the television spin-off in 1970, Jack Webb’s vision shaped how Americans looked CD 10B: “The Big Red - Part Two” - 01/10/1952 at law enforcement. Operating undercover, Friday brings down a heroin ring. Jack Webb (the man) was so inextricably linked to Joe Friday (the character), and Webb’s distinctive approach to acting and directing so indelibly marked ev- ery aspect of Dragnet’s production and presentation, that it’s easy to consider him a unique, singular talent -- perhaps even on a level com- Elizabeth McLeod is a journalist, author, and broadcast historian.