Adso and Omen III: the Antichrist in the Tenth and Twentieth Centuries
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The Devil We Already Know: Medieval Representations of a Powerless Satan in Modern American Cinema
Journal of Religion & Film Volume 8 Issue 3 October 2004 Article 7 October 2004 The Devil We Already Know: Medieval Representations of a Powerless Satan in Modern American Cinema Kelly J. Wyman University of Missouri - Kansas City, [email protected] Follow this and additional works at: https://digitalcommons.unomaha.edu/jrf Recommended Citation Wyman, Kelly J. (2004) "The Devil We Already Know: Medieval Representations of a Powerless Satan in Modern American Cinema," Journal of Religion & Film: Vol. 8 : Iss. 3 , Article 7. Available at: https://digitalcommons.unomaha.edu/jrf/vol8/iss3/7 This Article is brought to you for free and open access by DigitalCommons@UNO. It has been accepted for inclusion in Journal of Religion & Film by an authorized editor of DigitalCommons@UNO. For more information, please contact [email protected]. The Devil We Already Know: Medieval Representations of a Powerless Satan in Modern American Cinema Abstract The character of Satan has been explored repeatedly in American films, although neither film noreligion r scholars have extensively investigated the topic. This article examines the medieval Christian roots of Satan as seen in American cinema and proposes that the most identifiable difference between the medieval Devil and the Satan shown in American films is his level of power over humanity. Hollywood's Satans echo medieval depictions of Satan in form, appearance, and ways of interacting with humans. Although less frightening, pop culture's view of Satan - even when he is treated humorously - is thus linked through movies to medieval religious beliefs. This article is available in Journal of Religion & Film: https://digitalcommons.unomaha.edu/jrf/vol8/iss3/7 Wyman: The Devil We Already Know Introduction From George Méliès' 1896 film La Manoir Du Diable (The Devil's Manor), to more recent productions such as Roman Polanski's Rosemary's Baby (1968) and The Ninth Gate (1999), diabolism has been a significant foundation for films which explore religious subject matter. -
Yearbooks Are Going on Sale Who Consistently Lives Life to the Fullest
October 15, 2014 Volume XXI Hawk Issue 2 Happenings A Publication of Hamburg Area High School, Windsor Street, Hamburg, PA 19526 HAHS adopts Root Word of the Week Brooke Buckley Julian Warner - 12 is Hamburg’s Thorough consideration, the fall of the Hamburg Area High School Latin program, and untapped standardized testing potential has coalesced into an initiative to permeate the ancient Greek and Latin lexicons throughout the entire student body. It is known as the Outstanding Young “Root Word[s] of the Week”. The ostensible arbitrariness of the initiative has left students curious, indifferent, or sometimes dubious. Nevertheless, approbating administrative figures offer research-backed certitude that there is, indeed, method to the madness. Woman Since the 2012-2013 school year, elementary schools in the Hamburg Area School Sarah Hanlon – 12 District have embraced the Root Word of the Week System. Since doing so, the idea has spread throughout all of the levels of primary education in Hamburg, eventually arriving at On Saturday, October 4, Brooke Buckley HAHS. Teachers of varying subjects review the root words, along with their applications represented Hamburg Area High School in the Berks to modern English, with the students throughout the week. Typically, the words are County Outstanding Young Woman program. Brooke selected thematically from a larger list of pre-selected root words. During the Labor Day was one of 19 female high school seniors in Berks holiday, for example, oper- and erg- (both meaning “work”) were taught as root words. County who participated in the scholarship event. The The root word initiative is not exclusive to the Hamburg education system, contestants participated in a yearly competition that and it can be found in numerous schools throughout the United States, both focuses on academic and community service excellence, as well as performing arts and nearby and afar. -
Exorcism Part 1
Exorcism 101 Let us start by Explaining what Exorcism is Not. Exorcism is not a Game it is quite real if you do not believe this, please do not try to do, or play at trying to do, An Exorcism; it can get you Killed,, or the one you are helping Killed those around you killed; the best trick the devil did is convince others He does not exist. He does not need you to believe to be real; he is, whether you like it our not; he does not play games. Evil will fight for what they think is theirs; just remember the Movie the EXORCIST it was and really did happen but it was a Young Man not a Girl and priests were killed and others very badly injured; there are others as well. Not so well known, in each case the Exorcist forgot the First Rule: YOU Are not the one casting it out, God working in you is and do not lose your faith; Fast, Prayer, Confession. Be for ever trying and remember I Repeat it again: ITS the Power OF God Not you, Casting out the Evil. Another mistake: they forget to Bind it way from all, so it can do no harm, and never think you are stronger than what you are fighting; you are not. This said let us go on to what Exorcism is for there is a lot of info. I will use things already out on the web to save time from scanning and up-loading out of my own notes and add to them what I think may be missing; let us begin with: CATHOLIC ENCYCLOPEDIA (See also DEMONOLOGY, DEMONIACS, EXORCIST, POSSESSION.) Exorcism is (1) the act of driving out, or warding off, demons, or evil spirits, from persons, places, or things, which are believed to be possessed or infested by them, or are liable to become victims or instruments of their malice; (2) the means employed for this purpose, especially the solemn and authoritative adjuration of the demon, in the name of God, or any of the higher power in which he is subject. -
Philosophy and Critical Theory
STANFORD UNIVERSITY PRESS PHILOSOPHY AND CRITICAL THEORY 20% DISCOUNT ON ALL TITLES 2021 TABLE OF CONTENTS The Complete Works of Friedrich Nietzsche .......... 2-3 Political Philosophy ................ 3-5 Ethics and Moral Philosophy ..................................5-6 Phenomenology and Critical Theory ..........................6-8 Meridian: Crossing Aesthetics ...................................8-9 Cultural Memory in the Present .................................9-11 Now in Paperback ....................... 11 Examination Copy Policy ........ 11 The Case of Wagner / Unpublished Fragments ORDERING Twilight of the Idols / from the Period of Human, Use code S21PHIL to receive a 20% discount on all ISBNs The Antichrist / Ecce Homo All Too Human I (Winter listed in this catalog. / Dionysus Dithyrambs / 1874/75–Winter 1877/78) Visit sup.org to order online. Visit Nietzsche Contra Wagner Volume 12 sup.org/help/orderingbyphone/ Volume 9 Friedrich Nietzsche for information on phone Translated, with an Afterword, orders. Books not yet published Friedrich Nietzsche Edited by Alan D. Schrift, by Gary Handwerk or temporarily out of stock will be Translated by Adrian Del Caro, Carol charged to your credit card when This volume presents the first English Diethe, Duncan Large, George H. they become available and are in Leiner, Paul S. Loeb, Alan D. Schrift, translations of Nietzsche’s unpublished the process of being shipped. David F. Tinsley, and Mirko Wittwar notebooks from the years in which he developed the mixed aphoristic- The year 1888 marked the last year EXAMINATION COPY POLICY essayistic mode that continued across of Friedrich Nietzsche’s intellectual the rest of his career. These notebooks Examination copies of select titles career and the culmination of his comprise a range of materials, includ- are available on sup.org. -
Creative Consultant Teller and Composer Sir John Tavener Help Make the Exorcist a Sensory Feast
CREATIVE CONSULTANT TELLER AND COMPOSER SIR JOHN TAVENER HELP MAKE THE EXORCIST A SENSORY FEAST Director John Doyle’s Creative Team Also Includes Tony Award Winning Scenic/Costume Designer Scott Pask, Lighting Designer Jane Cox and Sound Designer Dan Moses Schreier LOS ANGELES, May 29, 2012 — In addition to an accomplished cast, the Geffen Playhouse’s world premiere stage adaptation of The Exorcist showcases an award-winning design team – including world-renowned creative consultant Teller and internationally acclaimed spiritual composer Sir John Tavener – to bring playwright John Pielmeier’s script and Tony Award winning director John Doyle’s vision to life on stage. The team also includes Tony Award winning scenic/costume designer Scott Pask, lighting designer Jane Cox and sound designer Dan Moses Schreier. Working with Doyle, the design team will be tasked with creating a theatrical experience that engages the senses in a way that is unique to live performance. As the designers create ambiance and atmosphere, the actors taking center stage include Brooke Shields and Richard Chamberlain in the iconic roles of Chris MacNeil and Father Merrin, respectively, as well as Broadway actor David Wilson Barnes as the troubled young priest Father Damien Karras, Tony Award nominee Harry Groener takes on the role of Chris’ charismatic director Burke Dennings and UCLA School of Theater, Film and Television graduate Emily Yetter plays the young Regan MacNeil. The world premiere cast also includes Stephen Bogardus, Manoel Felciano, Tom Nelis and Roslyn Ruff. The Exorcist opens in the Gil Cates Theater at the Geffen Playhouse on July 11, 2012 and runs through August, 12, 2012. -
Film Reviews
Page 117 FILM REVIEWS Year of the Remake: The Omen 666 and The Wicker Man Jenny McDonnell The current trend for remakes of 1970s horror movies continued throughout 2006, with the release on 6 June of John Moore’s The Omen 666 (a sceneforscene reconstruction of Richard Donner’s 1976 The Omen) and the release on 1 September of Neil LaBute’s The Wicker Man (a reimagining of Robin Hardy’s 1973 film of the same name). In addition, audiences were treated to remakes of The Hills Have Eyes, Black Christmas (due Christmas 2006) and When a Stranger Calls (a film that had previously been ‘remade’ as the opening sequence of Scream). Finally, there was Pulse, a remake of the Japanese film Kairo, and another addition to the body of remakes of nonEnglish language horror films such as The Ring, The Grudge and Dark Water. Unsurprisingly, this slew of remakes has raised eyebrows and questions alike about Hollywood’s apparent inability to produce innovative material. As the remakes have mounted in recent years, from Planet of the Apes to King Kong, the cries have grown ever louder: Hollywood, it would appear, has run out of fresh ideas and has contributed to its evergrowing bank balance by quarrying the classics. Amid these accusations of Hollywood’s imaginative and moral bankruptcy to commercial ends in tampering with the films on which generations of cinephiles have been reared, it can prove difficult to keep a level head when viewing films like The Omen 666 and The Wicker Man. -
Catholics, Whiteness, and the Movies, 1928 - 1973 Albert William Vogt III Loyola University Chicago, [email protected]
Loyola University Chicago Loyola eCommons Dissertations Theses and Dissertations 2013 The oC stumed Catholic: Catholics, Whiteness, and the Movies, 1928 - 1973 Albert William Vogt III Loyola University Chicago, [email protected] Recommended Citation Vogt, Albert William III, "The osC tumed Catholic: Catholics, Whiteness, and the Movies, 1928 - 1973" (2013). Dissertations. Paper 693. http://ecommons.luc.edu/luc_diss/693 This Dissertation is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Dissertations by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 2013 Albert William Vogt III LOYOLA UNIVERSITY CHICAGO THE COSTUMED CATHOLIC: CATHOLICS, WHITENESS, AND THE MOVIES, 1928–1973 A DISSERTATION SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY PROGRAM IN AMERICAN HISTORY BY ALBERT W. VOGT III CHICAGO, ILLINOIS AUGUST 2013 Copyright by Albert W. Vogt III, 2013 All rights reserved. To my parents TABLE OF CONTENTS LIST OF FIGURES v ABSTRACT vi CHAPTER ONE: INTRODUCTION 1 CHAPTER TWO: THE CLOAK OF WHITENESS POPULAR REPRESENTATIONS OF CATHOLCS IN THE NINETEENTH AND EARLY TWENTIETH CENTURIES 43 CHAPTER THREE: MAKING THE CATHOLIC WHITE THE RISE OF CATHOLIC INFLUENCE ON THE MOVIES, 1928–49 92 CHAPTER FOUR: REMOVING THE WHITE MASK THE DECLINE OF CATHOLIC -
Islam in Apocalyptic Perspective the History of American Apocalyptic Thought Offers Much Reason for Discouragement
Islam in Apocalyptic Perspective The history of American apocalyptic thought offers much reason for discouragement. Christians have been too eager to gloss biblical prophecy with extra-biblical assertions and morbid scenarios of Islam’s demise. Christian Reflection Prayer A Series in Faith and Ethics Scripture Reading: Mark 13:28-37 Meditation† There is certainly a shadowy and sinister side to apocalyptic, or should we say pseudo-apocalyptic,…[that encourages] sectarian- ism and exclusivism…. Focus Article: Here we can appeal to the apocalyptic vision itself, which is Islam in Apocalyptic universal and cosmic. God’s redemptive act in Jesus Christ Perspective restores humanity and the entire created order, and we move (Apocalyptic Vision, toward the end of history not aimlessly, but with the renewing pp. 46-53) and transforming of divine energies within us…. What is God’s intent? The redemption of humanity and the cosmos. That should be our interpretive lens. There is nothing in apocalyptic theology that demands that our outlook be sectarian or exclusive. Scott M. Lewis, S.J. Reflection Many Christians want to know more about Islamic practices, the Prophet Muhammad, the Qur’an, and how Muslim societies are organized. They may be ministering to Muslim immigrants or meeting new coworkers, guiding missionary projects or organizing business activities around the world, traveling more widely or retreating in fear of jihadist violence. Unfortunately, looming over their newfound interest are the terrorist attacks of 9/11. Some are misconstruing Islam through events in Revelation. “The horrific collapse of the World Trade Center towers might well turn one’s thoughts to the apocalypse, but something more than horror is What do you think? at work,” Thomas Kidd writes. -
Bible Verses: 1 John 4:1-6 Beloved, Do Not Trust Every Spirit but Test The
Overcoming the Spirit of the Antichrist Bible verses: 1 John 4:1-6 Beloved, do not trust every spirit but test the spirits to see whether they belong to God, because many false prophets have gone out into the world. This is how you can know the Spirit of God: every spirit that acknowledges Jesus Christ come in the flesh belongs to God, and every spirit that does not acknowledge Jesus* does not belong to God. This is the spirit of the antichrist that, as you heard, is to come, but in fact is already in the world. You belong to God, children, and you have conquered them, for the one who is in you is greater than the one who is in the world. They belong to the world; accordingly, their teaching belongs to the world, and the world listens to them. We belong to God, and anyone who knows God listens to us, while anyone who does not belong to God refuses to hear us. This is how we know the spirit of truth and the spirit of deceit. Ask everyone in the group to have their Bibles with them. Ask one person to read the passage out loud. Encourage them to have their pens and to underline things that strike them, especially later when you go through the key words and phrases. Also, encourage them to make notes. After the reading of the passage is complete, explain the context. Context “The Community of the Beloved Disciple” had the Jews to reject them. They had the Romans to reject them. -
1 Introduction the Empire at the End of Decadence the Social, Scientific
1 Introduction The Empire at the End of Decadence The social, scientific and industrial revolutions of the later nineteenth century brought with them a ferment of new artistic visions. An emphasis on scientific determinism and the depiction of reality led to the aesthetic movement known as Naturalism, which allowed the human condition to be presented in detached, objective terms, often with a minimum of moral judgment. This in turn was counterbalanced by more metaphorical modes of expression such as Symbolism, Decadence, and Aestheticism, which flourished in both literature and the visual arts, and tended to exalt subjective individual experience at the expense of straightforward depictions of nature and reality. Dismay at the fast pace of social and technological innovation led many adherents of these less realistic movements to reject faith in the new beginnings proclaimed by the voices of progress, and instead focus in an almost perverse way on the imagery of degeneration, artificiality, and ruin. By the 1890s, the provocative, anti-traditionalist attitudes of those writers and artists who had come to be called Decadents, combined with their often bizarre personal habits, had inspired the name for an age that was fascinated by the contemplation of both sumptuousness and demise: the fin de siècle. These artistic and social visions of degeneration and death derived from a variety of inspirations. The pessimistic philosophy of Arthur Schopenhauer (1788-1860), who had envisioned human existence as a miserable round of unsatisfied needs and desires that might only be alleviated by the contemplation of works of art or the annihilation of the self, contributed much to fin-de-siècle consciousness.1 Another significant influence may be found in the numerous writers and artists whose works served to link the themes and imagery of Romanticism 2 with those of Symbolism and the fin-de-siècle evocations of Decadence, such as William Blake, Edgar Allen Poe, Eugène Delacroix, the Pre-Raphaelite Brotherhood, Charles Baudelaire, and Gustave Flaubert. -
The Preservation of Scripture
DBSJ 5 (Fall 2000): 3–44 THE PRESERVATION OF SCRIPTURE by William W. Combs∗ ne of the many issues in the current debate about Greek manuscript Otext-types and English versions is the question of the preservation of Scripture. In fact, as one analyzes the arguments for the King James- only, Textus Receptus (TR), and Majority Text (MT) positions, it soon becomes obvious that the doctrine of the preservation of Scripture is at the heart of many of these viewpoints. It may be helpful, at the outset, to note the major differences among these three perspectives. The MT position differs from the TR position in that it argues that the text of the autographs is more perfectly preserved in the thousands of manuscripts that are part of the Byzantine text-type. Since, therefore, these manuscripts represent a majority of all extant Greek manuscripts, a Greek text derived from a consensus of these manuscripts can be called the Majority Text.1 The TR viewpoint, on the other hand, suggests that the various printed editions of the Greek New Testament, beginning with Erasmus in 1516, more perfectly preserve the autographs. The name Textus Receptus was not formally attached to these printed editions until 1633.2 Though the TR is Byzantine in char- acter, yet, because it is based on only about seven out of the thousands of Byzantine-type manuscripts, it differs from the more broadly based MT. Daniel Wallace has counted 1,838 differences between the TR and the Majority Text of Hodges and Farstad.3 There has been no English translation based on the MT. -
The Omen! BLOODY VALENTINES Exploitation Movie King John Dunning Interviewed!
THE DEVIL’S CHILD THE MAKinG OF THE Omen! BLOODY VALENTINES EXPLOitatiON MOvie KinG JOHN DunninG IntervieWED! MEDIEVAL MADNESS THE BLOOD On Satan’S SCARY MOVIE ClaW! ROUNDUP NEW DVDS and Blu-Rays DSD RevieWED! FREE! 06 Check out the teaser issue of CultTV Times... covering everything from NCIS to anime! Broadcast the news – the first full issue of Cult TV Times will be available to buy soon at Culttvtimes.com Follow us on : (@CultTVTimes) for the latest news and issue updates For subscription enquiries contact: [email protected] Introduction MACABRE MENU A WARM WELCOME TO THE 4 The omen 09 DVD LIBRARY 13 SUBS 14 SATAn’S CLAW DARKSIDe D I G I TA L 18 John DUnnIng contributing scripts it has to be good. I do think that Peter Capaldi is a fantastic choice for the new Doctor, especially if he uses the same language as he does in The Thick of It! Just got an early review disc in of the Blu-ray of Corruption, which is being released by Grindhouse USA in a region free edition. I have a bit of a vested interest in this one because I contributed liner notes and helped Grindhouse’s Bob Murawski find some of the interview subjects in the UK. It has taken some years to get this one in shops but the wait has been worthwhile because I can’t imagine how it could have been done better. I’ll be reviewing it at length in the next print issue, out in shops on October 24th. I really feel we’re on a roll with Dark Side at present.