Third Quarter, 2001

Total Page:16

File Type:pdf, Size:1020Kb

Load more

S VER LO D A E P S Land Conservancy P E A PEN PACES N L O S I N S U Volume 13, Number 3 Palos Verdes Peninsula Land Conservancy Third Quarter, 2001 $1.8 Million in Upgrades Planned for White Point Nature Preserve rants totaling nearly $1.8 mil- www.pvplc.org). The committee has Council, the funding will be made lion that will substantially im- representatives from LA Department available for the Conservancy-led res- Gprove the environmental and of Recreation and Parks and Council- toration of the property. “Our goal is visitor-serving aspects of the new woman Janice Hahn’s office, as well to begin a 3.5 year habitat restoration White Point Nature Preserve are as several homeowner’s associations effort in January 2002,” said DeRoy. working their way through the ap- adjacent to the property, San Pedro “We expect to complete restoration of proval process. The first major up- residents, and local environmental 90 acres by June 2005.” grades are scheduled to begin early groups. The committee will remain The restoration will be accom- next year. active throughout the restoration pro- plished using a combination of PVPLC At its August 30 meeting, the State cess. crews, Conservation Corps labor, and Wildlife Conservation volunteers. Individuals Board approved an interested in volunteer- $810,000 grant to the ing should attend one of Conservancy for native our monthly cleanup ac- plant restoration on the tivities at the site (see 102 acre White Point our web page for par- Nature Preserve. The ticulars). Los Angeles City Coun- Other funding in the cil approved the com- works include: mitment on September • A $445,000 7, leaving approval of state grant to enhance the final plan for the the educational aspects property and the Envi- of the Preserve (Sena- ronmental Impact Re- tor Betty Karnette has port (EIR) as the last nominated the Conser- hurdles before initiation vancy). These include of major work on the a demonstration garden, property. interpretive signage, This is the first large grant ap- “Working with so many high-level and bathroom facilities (required to proved for the restoration of coastal agencies has been quite a challenge,” accommodate school groups at the sage habitat anywhere in the State, said DeRoy, “but I have been im- site). and we are most pleased that the work pressed with the support of the • $260,000 in discretionary fund- will be done here on the Peninsula. “I community’s vision for this prop- ing for public access improvements think that these actions show that the erty.” set aside by LA City Councilwoman plan developed by the community In her statement before the vote by Janice Hahn. and the Conservancy is held in high the LA City Council, Councilwoman • A grant for $301,000 from the regard by these agencies,” noted Janice Hahn stated that “This grant Metropolitan Transit Authority for White Point project leader Loren … provides for the restoration and installation of a parking area at the DeRoy. preservation of beautiful (coastal) site. The Master Plan for the White Point land in Los Angeles, and is critical for All of this funding and initiation of Nature Preserve was prepared by the the vitality of this project.” The coun- the specified activities await final ap- Conservancy-led White Point Steer- cil unanimously supported the project. proval of the EIR and Master Plan, ing Committee (the plan draft is avail- Once the EIR and Master Plan have which is scheduled to occur before the able on the Conservancy’s web site, received final approval by the City end of October. Palos Verdes Peninsula Land Conservancy Third Quarter 2001, Page 2 Preservation of Conservancy, Community Reach Preservation Crossroad Open Spaces-- By Keith Lenard, Executive Director hirteen years ago, a group of far- day strategic retreat to map out our A Statement of Tsighted citizens led by Bill Ailor future. On the top of our list are key Purpose assembled for the purpose of saving questions that address our capacity to open space—a simple proposition, achieve mission success. but one that came in complex times. • How can we make our work more The Palos Verdes Pen- A few donations and a little legal visible and valuable to the community insula Land Conservancy work later and our board of directors we serve? is a nonprofit, non-politi- convened as the Palos Verdes Penin- • How can we assure the success of cal, public-benefit corpo- sula Land Conservancy. our efforts to raise $6 million in private ration formed to preserve In that first year, we had an operat- donations as part of the effort to save undeveloped land in per- ing budget of less than $30,000 and Portuguese Bend? petuity as open space for high hopes. We started our nature • What kind of board and staff do historical, educational, walk program to raise awareness of we need to help us attract the necessary ecological, recreational Peninsula open space and began print- level of support? and scenic purposes. ing this newsletter to keep you in- • What will our organization look A diverse group of vol- formed. like in five years? unteers from the South Bay At that time, few would have fore- But the Land Conservancy is not the makes up the PVPLC's seen that saving land would evolve only group at a crossroad. Our commu- managing Board of Direc- into running an education program nity faces its last significant land use tors and its adjunct advi- for our third-grade children so that decisions (see related article), decisions sory board. These private new families would have a connec- that will forever mark our Peninsula citizens have been drawn tion to open space. Or that it would and determine our land legacy. together by their belief that include hiring science and steward- It is clear is that the interests of open open space is crucial to ship staff charged with restoring lost space and the interests of our commu- the well-being of our com- wildlife habitat. Or that we would nity are joined at this crossroad. The munity. one day be communicating with 1,200 Land Conservancy has arrived here af- Land acquisition by the members annually. At our October ter 13 years of mounting successes and PVPLC is through pur- meeting, the Board approved an an- now faces questions that will define our chase and gift. In addition nual operating budget of just over organization into the future to the good will engen- $800,000 in order to sustain this re- The community, too, has arrived here dered by gift giving, land- markable array of activities. for exactly the same reason: Our Penin- owners and others who do- This impressive increase over our sula is a special place and has remained nate land or funds to the history is not unique. The Nature so because of the skill and leadership PVPLC may realize sig- Conservancy (TNC), a national land that precedes us. But it also is con- nificant tax benefits. trust that started almost 50 years ago, fronted with choices that will perma- raised over $750,000,000 last year, nently determine its future character. making it the 12th largest charity in These challenges are blessings and our country. Observing an organiza- speak to the special qualities that define tion like TNC confirms that saving this community. But let’s not allow our Open Spaces land is limited only by the funds one good fortune to make us complacent. In A Newsletter Published by the can raise. this time of national trouble, let us not Palos Verdes Peninsula With our growth has also come be distracted from the obligation to take Land Conservancy some soul searching. This Novem- decisive and farsighted action in prepa- PO Box 3427 ber, our Board will gather for a two- ration for the future. Palos Verdes Peninsula, CA 90274 Office Telephone: (310) 541-7613 Conservancy Receives Largest Individual Donation Office Fax: (310) 541-7623 E-mail: [email protected] Michael and Virginia Cicoria of Rancho Palos Verdes have donated $50,000 Home Page: www.pvplc.org to the Conservancy, our largest donation from an individual or family. We sincerely thank the Cicorias for their generosity. Palos Verdes Peninsula Land Conservancy Third Quarter 2001, Page 3 Nell Mirels Retires from Board eteran Conservancy member Nell Mirels has retired Vfrom the Board after serving for more than eleven years, ten of those as Treasurer. Mirels joined the Board when she retired from the Rolling Hills Estates City Council in 1990, and has played an important role in the development of the organization. As treasurer, she shepherded our finances as they grew from a yearly budget of less than $30,000 in 1990 to over $800,000 today. Throughout those years, Nell’s husband Hal has pro- vided technical assistance, managing the organization's books on his home computer. We are extremely grateful that Nell and Hal have donated eleven years to our organization. Those eleven years were critical to the evolution of the Conservancy and their able and dedicated support helped make us what we are today. Please join us in thanking them for their service Bill Ailor thanks retiring Board member and treasurer to our community. Nell Mirels and her husband and assistant treasurer, Hal. Board Elects Scharffenberger, Selects Officers for 2002 ong-time Peninsula resident Dr. Jim man of the Medical Staff, Committee LScharffenberger was elected to the for Campaign 2000 for Little Com- Conservancy’s Board at our October meet- pany. ing. The Board also selected a slate of Jim and his wife Tracy live in Roll- officers for the 2002 fiscal year.
Recommended publications
  • Marvel Universe 3.75" Action Figure Checklist

    Marvel Universe 3.75" Action Figure Checklist

    Marvel Universe 3.75" Action Figure Checklist Series 1 - Fury Files Wave 1 • 001 - Iron Man (Modern Armor) • 002 - Spider-Man (red/blue costume) (Light Paint Variant) • 002 - Spider-Man (red/blue costume) (Dark Paint Variant) • 003 - Silver Surfer • 004 - Punisher • 005 - Black Panther • 006 - Wolverine (X-Force costume) • 007 - Human Torch (Flamed On) • 008 - Daredevil (Light Red Variant) • 008 - Daredevil (Dark Red Variant) • 009 - Iron Man (Stealth Ops) • 010 - Bullseye (Light Paint Variant) • 010 - Bullseye (Dark Paint Variant) • 011 - Human Torch (Light Blue Costume) • 011 - Human Torch (Dark Blue Costume) Wave 2 • 012 - Captain America (Ultimates) • 013 - Hulk (Green) • 014 - Hulk (Grey) • 015 - Green Goblin • 016 - Ronin • 017 - Iron Fist (Yellow Dragon) • 017 - Iron Fist (Black Dragon Variant) Wave 3 • 018 - Black Costume Spider-Man • 019 - The Thing (Light Pants) • 019 - The Thing (Dark Pants) • 020 - Punisher (Modern Costume & New Head Sculpt) • 021 - Iron Man (Classic Armor) • 022 - Ms. Marvel (Modern Costume) • 023 - Ms. Marvel (Classic Red, Carol Danvers) • 023 - Ms. Marvel (Classic Red, Karla Sofen) • 024 - Hand Ninja (Red) Wave 4 • 026 - Union Jack • 027 - Moon Knight • 028 - Red Hulk • 029 - Blade • 030 - Hobgoblin Wave 5 • 025 - Electro • 031 - Guardian • 032 - Spider-man (Red and Blue, right side up) • 032 - Spider-man (Black and Red, upside down Variant) • 033 - Iron man (Red/Silver Centurion) • 034 - Sub-Mariner (Modern) Series 2 - HAMMER Files Wave 6 • 001 - Spider-Man (House of M) • 002 - Wolverine (Xavier School)
  • Read It Here

    Read It Here

    Case 5:13-cv-05570-JLS Document 64 Filed 03/11/14 Page 1 of 30 UNITED STATES DISTRICT COURT EASTERN DISTRICT OF PENNSYLVANIA DISNEY ENTERPRISES, INC., et al., Plaintiffs, Case No: 5:13-cv-05570 (JSL) VS. ENTERTAINMENT THEATRE GROUP d/b/a AMERICAN MUSIC THEATRE; JAMES D. MARTIN; FREDERICK W. STEUDLER, JR.; and DWIGHT H. BRUBAKER, Defendants, and STAN LEE MEDIA, INC., Defendant / Intervenor. ENTERTAINMENT THEATRE GROUP d/b/a AMERICAN MUSIC THEATRE, Counterclaim-Plaintiff, and Case No: 5:13-cv-05570 (JSL) STAN LEE MEDIA, INC. Counterclaim-Plaintiff/Intervenor, -against- DISNEY ENTERPRISES, INC.; and MARVEL CHARACTERS, INC., Deadline.comCounterclaim-Defendants. DEFENDANTS' OPPOSITION IN RESPONSE TO PLAINTIFFS' MOTION TO DISMISS AMENDED COUNTERCLAIMS AND INTERVENOR COMPLAINT AND TO STRIKE AMENDED AFFIRMATIVE DEFENSES Case 5:13-cv-05570-JLS Document 64 Filed 03/11/14 Page 2 of 30 Table of Contents Page I. INTRODUCTION 1 II. BACKGROUND 3 III. ARGUMENT 6 A. Legal Standard 6 B. Res Judicata Does Not Bar AMT's Counterclaims And Affirmative Defenses As The Causes Of Action At Issue In This Litigation Are Not The Same Causes Of Action At Issue In The Prior SLMI-Related Litigations. 7 1. The Present Litigation Does Not Involve The Same Cause Of Action As The Prior SLMI-Related Litigations. 8 2. AMT Is Not In Privity With SLMI Or The Abadin Plaintiffs And, Thus, AMT Cannot Be Bound By The Decisions Reached In The Prior SLMI-Related Litigations. 12 C. Collateral Estoppel Or Issue Preclusion Does Not Bar AMT's Counterclaims As Identical Issues Are Not Present And The Issue Of Ownership Has Never Been Actually Litigated 15 D.
  • ABSTRACT the Pdblications of the Marvel Comics Group Warrant Serious Consideration As .A Legitimate Narrative Enterprise

    ABSTRACT the Pdblications of the Marvel Comics Group Warrant Serious Consideration As .A Legitimate Narrative Enterprise

    DOCU§ENT RESUME ED 190 980 CS 005 088 AOTHOR Palumbo, Don'ald TITLE The use of, Comics as an Approach to Introducing the Techniques and Terms of Narrative to Novice Readers. PUB DATE Oct 79 NOTE 41p.: Paper' presented at the Annual Meeting of the Popular Culture Association in the South oth, Louisville, KY, October 18-20, 19791. EDFS PRICE MF01/PCO2 Plus Postage." DESCRIPTORS Adolescent Literature:,*Comics (Publications) : *Critical Aeading: *English Instruction: Fiction: *Literary Criticism: *Literary Devices: *Narration: Secondary, Educition: Teaching Methods ABSTRACT The pdblications of the Marvel Comics Group warrant serious consIderation as .a legitimate narrative enterprise. While it is obvious. that these comic books can be used in the classroom as a source of reading material, it is tot so obvious that these comic books, with great economy, simplicity, and narrative density, can be used to further introduce novice readers to the techniques found in narrative and to the terms employed in the study and discussion of a narrative. The output of the Marvel Conics Group in particular is literate, is both narratively and pbSlosophically sophisticated, and is ethically and morally responsible. Some of the narrative tecbntques found in the stories, such as the Spider-Man episodes, include foreshadowing, a dramatic fiction narrator, flashback, irony, symbolism, metaphor, Biblical and historical allusions, and mythological allusions.4MKM1 4 4 *********************************************************************** * Reproductions supplied by EDRS are the best that can be made * * from the original document. * *********************************************************************** ) U SOEPANTMENTO, HEALD.. TOUCATiONaWELFARE NATIONAL INSTITUTE CIF 4 EDUCATION THIS DOCUMENT was BEEN N ENO°. DOCEO EXACTLY AS .ReCeIVED FROM Donald Palumbo THE PE aSON OR ORGANIZATIONORIGuN- ATING T POINTS VIEW OR OPINIONS Department of English STATED 60 NOT NECESSARILY REPRf SENT OFFICIAL NATIONAL INSTITUTE OF O Northern Michigan University EDUCATION POSITION OR POLICY CO Marquette, MI.
  • (“Spider-Man”) Cr

    (“Spider-Man”) Cr

    PRIVILEGED ATTORNEY-CLIENT COMMUNICATION EXECUTIVE SUMMARY SECOND AMENDED AND RESTATED LICENSE AGREEMENT (“SPIDER-MAN”) CREATIVE ISSUES This memo summarizes certain terms of the Second Amended and Restated License Agreement (“Spider-Man”) between SPE and Marvel, effective September 15, 2011 (the “Agreement”). 1. CHARACTERS AND OTHER CREATIVE ELEMENTS: a. Exclusive to SPE: . The “Spider-Man” character, “Peter Parker” and essentially all existing and future alternate versions, iterations, and alter egos of the “Spider- Man” character. All fictional characters, places structures, businesses, groups, or other entities or elements (collectively, “Creative Elements”) that are listed on the attached Schedule 6. All existing (as of 9/15/11) characters and other Creative Elements that are “Primarily Associated With” Spider-Man but were “Inadvertently Omitted” from Schedule 6. The Agreement contains detailed definitions of these terms, but they basically conform to common-sense meanings. If SPE and Marvel cannot agree as to whether a character or other creative element is Primarily Associated With Spider-Man and/or were Inadvertently Omitted, the matter will be determined by expedited arbitration. All newly created (after 9/15/11) characters and other Creative Elements that first appear in a work that is titled or branded with “Spider-Man” or in which “Spider-Man” is the main protagonist (but not including any team- up work featuring both Spider-Man and another major Marvel character that isn’t part of the Spider-Man Property). The origin story, secret identities, alter egos, powers, costumes, equipment, and other elements of, or associated with, Spider-Man and the other Creative Elements covered above. The story lines of individual Marvel comic books and other works in which Spider-Man or other characters granted to SPE appear, subject to Marvel confirming ownership.
  • Fantastic Four Volume 3: Back in Blue Free

    Fantastic Four Volume 3: Back in Blue Free

    FREE FANTASTIC FOUR VOLUME 3: BACK IN BLUE PDF Leonard Kirk,James Robinson | 120 pages | 05 May 2015 | Marvel Comics | 9780785192206 | English | New York, United States Fantastic Four Vol. 3: Back in Blue (Trade Paperback) | Comic Issues | Comic Books | Marvel Uh-oh, it looks like your Internet Explorer is out of date. For a better shopping experience, please upgrade now. Javascript is not enabled in your browser. Enabling JavaScript in your browser will allow you to Fantastic Four Volume 3: Back in Blue all the features of our site. Learn how to enable JavaScript on your browser. Home 1 Books 2. Add to Wishlist. Sign in to Purchase Instantly. Explore Now. Buy As Gift. Overview Collects Fantastic Four The Fantastic Four must deal with the Council of Dooms, who treat that event as their nativity - and who have trevaled there to witness it! To make matters worse, Mr. Fantastic's sickness spreads to the Fantastic Four Volume 3: Back in Blue - and someone may be behind the illness that's befallen the First Family! The team must mastermind a planetary heist for technology that could save their lives, but spacetime has had enough of their traveling back and forth across it - and they soon find themselves trapped in a universe where the only five things left alive are themselves Product Details About the Author. About the Author. He lives in Portland, OR. Related Searches. The time-displaced young X-Men continue to adjust to a present day that's simultaneously more awe-inspiring The time-displaced young X-Men continue to adjust to a present day that's simultaneously more awe-inspiring and more disturbing than any future the young heroes had ever imagined for themselves.
  • PDF EPUB} U.S.Avengers Vol

    PDF EPUB} U.S.Avengers Vol

    Read Ebook {PDF EPUB} U.S.Avengers Vol. 1 American Intelligence Mechanics by Al Ewing U.S.Avengers Vol 1 4. Appearing in "Monsters N’ S.H.I.E.L.D. #Alpha - Here Be Monsters. " Featured Characters: (Main story and flashback) Supporting Characters: (Main story and flashback) (Only in flashback) Antagonists: Other Characters: (On-screen) (Only in flashback) (Mentioned) (Only in flashback) Unnamed agent. Races and Species: (Only in flashback) (On-screen) (Main story and flashback) (Main story and flashback) (Only in flashback) (Only in flashback) (Behind the scenes) (Behind the scenes on-screen) (Unnamed) (Mentioned) "Monster Juice" (Behind the scenes) (Unnamed) Synopsis for "Monsters N’ S.H.I.E.L.D. #Alpha - Here Be Monsters. " Synopsis not yet written. Appearing in "Deadpool Into Fear #π - And the Beast Cried. BLURGH! " Featured Characters: (Main story and flashback) Supporting Characters: Antagonists: (First appearance) (Only in flashback) (Only in flashback) Other Characters: (Mentioned) (Only in flashback) (Mentioned) (Only in flashback) (Mentioned) (Only in flashback) (Referenced) (Referenced) Races and Species: (Main story and flashback) (Only in flashback) (Mentioned) (Only in flashback) (Main story and flashback) (Main story and flashback) (Main story and flashback) (Only in flashback) (Behind the scenes) (Main story and flashback) (Destruction) (Only in flashback) (Mentioned) "Monster Juice" (First appearance chronologically) (Only in flashback) (Unnamed) Synopsis for "Deadpool Into Fear #π - And the Beast Cried. BLURGH! " Synopsis not yet written. Appearing in "Hulk: King of the In-Crowd #57 - WHAAAMM: Dawn of Justice" Featured Characters: Supporting Characters: Antagonists: Other Characters: (Mentioned) (Mentioned) (Mentioned) Races and Species: (Real name first revealed) (Destroyed) "Monster Juice" (Real name first revealed) (Behind the scenes) Synopsis for "Hulk: King of the In-Crowd #57 - WHAAAMM: Dawn of Justice" Synopsis not yet written.
  • A Specialised Hunting Strategy Used to Overcome Dangerous Spider Prey

    A Specialised Hunting Strategy Used to Overcome Dangerous Spider Prey

    www.nature.com/scientificreports OPEN Nest usurpation: a specialised hunting strategy used to overcome dangerous spider prey Received: 18 January 2019 Ondřej Michálek 1, Yael Lubin 2 & Stano Pekár 1 Accepted: 14 March 2019 Hunting other predators is dangerous, as the tables can turn and the hunter may become the hunted. Published: xx xx xxxx Specialized araneophagic (spider eating) predators have evolved intriguing hunting strategies that allow them to invade spiders’ webs by adopting a stealthy approach or using aggressive mimicry. Here, we present a newly discovered, specialized hunting strategy of the araneophagic spider Poecilochroa senilis (Araneae: Gnaphosidae), which forces its way into the silk retreat of the potential spider prey and immobilizes it by swathing gluey silk onto its forelegs and mouthparts. Poecilochroa senilis has been reported from the nests of a several, often large, spider species in the Negev desert (Israel), suggesting specialization on spiders as prey. Nevertheless, in laboratory experiments, we found that P. senilis has a wider trophic niche, and fed readily on several small insect species. The specialized nest-invading attack was used more frequently with large spiders, and even small juvenile P. senilis were able to attack and subdue larger spiders. Our observations show that specifc hunting tactics, like nest usurpation, allow specialized predators to overcome defences of dangerous prey. Evolutionary arms races between prey and predators lead to the evolution of various defence mechanisms of the prey and counter-adaptations of predators to subdue such a prey1. Predator-prey arms races are ofen asym- metrical, as a prey organism is under stronger selection pressure2.
  • About Goliath Academy ====

    About Goliath Academy ====

    GOLIATH ACADEMY SCHOOL CATALOG 2013 - 2014 ADMISSIONS OFFICE 15165 NW 77th Avenue, Suite 2011 TEL:(305) 512-5994 Miami Lakes, Florida 33014 FAX:1(305) 768-8468 http://www.goliathacademy.org SATELLITE 6685 Forest Hill Blvd., Suite 206 TEL:(561) 642-9123 Greenacres, Florida 33413 FAX:1(305) 768-8468 Goliath Academy is a Private, Christian High School duly listed with the Florida Department of Education, registered number #134083 and awards diplomas based on the Sunshine State Standards required (24) twenty-four Carnegie credits and (GPA) grade- point-average of 2.0 or above. A Message from The President Welcome to Goliath Academy. You are starting one of the most exciting and rewarding experiences of your life. You have joined a school that strives to prepare graduates for success in an ever-increasing competitive work market. At Goliath Academy our motto is “You’re on your way to a better future”. We are committed to helping you succeed by offering you the opportunity to obtain your High School Diploma and advance professionally, and/or academically. In today’s hard times, with a market full of educated competition, it is imperative that everyone obtain a High School Diploma. Take advantage of the opportunity that Goliath Academy is offering you. We are here to help you grow to your fullest potential. Mrs. Consuelo B. Goliath President 2 Table Of Contents PAGE Accreditation……………………………………... 7 Statement of Control……………………………… 7 Approvals-Memberships and Affiliations………... 7 Philosophy………………………………………... 9 Missions-Goals and Objectives…………………... 9 Student Expectations & Admissions……………... 10 Entrance Requirements……………………… 10 Application Procedures……………………… 11 Florida Virtual School……………………….
  • Edible Insects

    Edible Insects

    1.04cm spine for 208pg on 90g eco paper ISSN 0258-6150 FAO 171 FORESTRY 171 PAPER FAO FORESTRY PAPER 171 Edible insects Edible insects Future prospects for food and feed security Future prospects for food and feed security Edible insects have always been a part of human diets, but in some societies there remains a degree of disdain Edible insects: future prospects for food and feed security and disgust for their consumption. Although the majority of consumed insects are gathered in forest habitats, mass-rearing systems are being developed in many countries. Insects offer a significant opportunity to merge traditional knowledge and modern science to improve human food security worldwide. This publication describes the contribution of insects to food security and examines future prospects for raising insects at a commercial scale to improve food and feed production, diversify diets, and support livelihoods in both developing and developed countries. It shows the many traditional and potential new uses of insects for direct human consumption and the opportunities for and constraints to farming them for food and feed. It examines the body of research on issues such as insect nutrition and food safety, the use of insects as animal feed, and the processing and preservation of insects and their products. It highlights the need to develop a regulatory framework to govern the use of insects for food security. And it presents case studies and examples from around the world. Edible insects are a promising alternative to the conventional production of meat, either for direct human consumption or for indirect use as feedstock.
  • Thor: Ragnarok the Official Movie Special Book Pdf, Epub, Ebook

    Thor: Ragnarok the Official Movie Special Book Pdf, Epub, Ebook

    THOR: RAGNAROK THE OFFICIAL MOVIE SPECIAL BOOK PDF, EPUB, EBOOK Titan Magazines | 96 pages | 07 Nov 2017 | Titan Comics | 9781785866371 | English | United States Thor: Ragnarok the Official Movie Special Book PDF Book In the movie, he ends up battling the Hulk and getting thrown off of Asgard. Where to Stream: Thor: Ragnarok. He leads the Asgardian army into battle against her, and is the last man standing after Hela unleashes her powers. Thor: Ragnarok marks the potential end of an era. Oh, Marvel. Join now. Planet of the Apes. And major characters are killed and quickly forgotten. More On: Thor: Ragnarok. Stay up to date on new reviews. The Parent Trap. No thanks, I'm not interested. The movie is loosely based on the children's book by William Steig. Furthermore, in order to defeat her, Thor had to destroy Asgard completely to take away the source of her power, which means that Asgard itself is officially dead. What's the impact of media violence on kids? What to know about the first two Thor movies before watching Thor: Ragnarok may surprise you, though, because you don't actually have to know that much. He was keen, but then he was doing some other thing, so he couldn't come. Skip to Content. Who is the 'WandaVision' Beekeeper? View this post on Instagram. So, put her down as "mostly dead" heading into Avengers: Infinity War. Marvel Comics As crazy as Thor: Ragnarok may be , it's totally cool to go into the film just knowing the basics. And as Hela, Blanchett kills it.
  • Superheroes & Stereotypes: a Critical Analysis of Race, Gender, And

    Superheroes & Stereotypes: a Critical Analysis of Race, Gender, And

    SUPERHEROES & STEREOTYPES: A CRITICAL ANALYSIS OF RACE, GENDER, AND SOCIAL ISSUES WITHIN COMIC BOOK MATERIAL Gabriel Arnoldo Cruz A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY December 2018 Committee: Alberto González, Advisor Eric Worch Graduate Faculty Representative Joshua Atkinson Frederick Busselle Christina Knopf © 2018 Gabriel Arnoldo Cruz All Rights Reserved iii ABSTRACT Alberto González, Advisor The popularity of modern comic books has fluctuated since their creation and mass production in the early 20th century, experiencing periods of growth as well as decline. While commercial success is not always consistent from one decade to the next it is clear that the medium has been and will continue to be a cultural staple in the society of the United States. I have selected this type of popular culture for analysis precisely because of the longevity of the medium and the recent commercial success of film and television adaptations of comic book material. In this project I apply a Critical lens to selected comic book materials and apply Critical theories related to race, class, and gender in order to understand how the materials function as vehicles for ideological messages. For the project I selected five Marvel comic book characters and examined materials featuring those characters in the form of comic books, film, and television adaptations. The selected characters are Steve Rogers/Captain America, Luke Cage, Miles Morales/Spider-Man, Jean Grey, and Raven Darkholme/Mystique. Methodologically I interrogated the selected texts through the application of visual and narrative rhetorical criticism.
  • THE INCREDIBLE HULK CHARACTER CARDS Original Text

    THE INCREDIBLE HULK CHARACTER CARDS Original Text

    THE INCREDIBLE HULK CHARACTER CARDS Original Text ©2011 WIZKIDS/NECA, LLC. TM & © 2011 Marvel & Subs. PRINTING INSTRUCTIONS 1. From Adobe® Reader® or Adobe® Acrobat® open the print dialog box (File>Print or Ctrl/Cmd+P). 2. Click on Properties and set your Page Orientation to Landscape (11 x 8.5). 3. Under Print Range>Pages input the pages you would like to print. (See Table of Contents) 4. Under Page Handling>Page Scaling select Multiple pages per sheet. 5. Under Page Handling>Pages per sheet select Custom and enter 2 by 2. 6. If you want a crisp black border around each card as a cutting guide, click the checkbox next to Print page border. 7. Click OK. ©2011 WizKids/NECA LLC. TM & © 2011 Marvel & Subs. TABLE OF CONTENTS Abomination™, 9 Bruce Banner™, 5 General Thunderbolt Ross™, 11 Hulk™, 4 Hulkbuster Squad Leader™, 6 The Leader™, 12 Punisher™, 8 Red Hulk™, 13 She-Hulk™, 7 Skaar™, 10 ©2011 WizKids/NECA LLC. TM & © 2011 Marvel & Subs. 201 HULK™ Brute, Monster *BOUNCE* (Invulnerability) GROW! (Regeneration) SMASH! (Charge) *PING* (Toughness) POUND! (Flurry) Guns Make Hulk Mad! Modify Hulk’s attack and damage values by +1 for each time he was targeted by a ranged combat FLATTEN! (Leap/Climb) attack since your last turn. CRUSH! (Super Strength) REAL NAME: Bruce Banner SIGNIFICANT APPEARANCE: Incredible Hulk #1 (1962) BACKGROUND: A veritable force of nature, the Hulk possesses near Leave Hulk Alone! All damage dealt by Hulk causes knock limitless strength and a deceptive cunning. The Hulk has acted as both friend back. and foe to many heroes, and no one enters battle with him lightly.