Lettera Da San Giorgio Da San Lettera
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Lraniziooi NEWSLETTER of the ITALIAN FOLK ART FEDERATION of AMERICA
LRaniziooi NEWSLETTER OF THE ITALIAN FOLK ART FEDERATION OF AMERICA Volume 2 NO. 1 1981 The Revolutionary The Shirt of Sound RECIPIENT OF the Happy Man TOWARD AN UNDERSTANDING OF FROM ITALO CALVI NO'S ITALIAN FOLK MUSIC N.E.A. GRANT FIABE ITALIANE by Anna L. Chairetakis The National Endowment for (Recently we recommended the newly re the Arts, Washington, D.C. has leased English Translation,ltalian Folk Tales • • • • • awarded I.FAFA a $24,453.00 by George Martin. It has come to our atten tion that the first printing is sold out. While Part 1 established that the aesthetic grant. The purpose of the grant we wait for a reprint, it is our desire to share criteria by which we judge and respond to is to produce a series of L.P. with you the charm of one of these fables as our own music do not apply to most world albums of Italian folk music translated by Dr. Anthonly F. LePera.) music; what is needed is a new frame of re;erence. new ways 01 organizing our per and songs performed by first ceptions and of making sense of the pro generation Italian immigrants A king had an only son and lusion of musical styles which Italy has to living in the U.S. Anna Chaire loved him more than himself. This offer. takis is to supervise and direct prince was always unhappy and the project. (Details in next sad. He spent days staring out into Part II newsletter.) space. "What is it that you need?" the Let us outline the largest and most obvious contrast within Ital King would ask. -
Of the Eye and of the Hand: Performance in Early Modern Anatomy Rafael Mandressi
Of the Eye and of the Hand: Performance in Early Modern Anatomy Rafael Mandressi To cite this version: Rafael Mandressi. Of the Eye and of the Hand: Performance in Early Modern Anatomy. TDR, Massachusetts Institute of Technology Press (MIT Press), 2015, 59 (3), pp.60-76. 10.1162/dram_a_00491. hal-01510426 HAL Id: hal-01510426 https://hal.archives-ouvertes.fr/hal-01510426 Submitted on 26 Apr 2017 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. 2IWKH(\HDQGRIWKH+DQG3HUIRUPDQFHLQ(DUO\0RGHUQ 5DIDHO0DQGUHVVL(OL]DEHWK&ODLUH$QDWRP\ TDR: The Drama Review, Volume 59, Number 3, Fall 2015 (T227), pp. 60-76 (Article) 3XEOLVKHGE\7KH0,73UHVV For additional information about this article http://muse.jhu.edu/journals/tdr/summary/v059/59.3.mandressi.html Access provided by CNRS BiblioSHS (23 Sep 2015 08:06 GMT) Of the Eye and of the Hand Performance in Early Modern Anatomy Rafael Mandressi translated by Elizabeth Claire Staging Anatomy The history of the theatre belongs to the history of knowledge, and anatomy plays an impor- tant role in the history of the stage.1 These two assertions are linked. In order to demonstrate the correlation, it is necessary to point out that anatomy, a knowledge based in practice, can and should be considered as coming into existence through performance. -
Glassblowers of Venice Kept Their Art So Secret That It Almost Died out by Associated Press, Adapted by Newsela Staff on 02.11.16 Word Count 620
Glassblowers of Venice kept their art so secret that it almost died out By Associated Press, adapted by Newsela staff on 02.11.16 Word Count 620 Glassblower William Gudenrath puts enamel on a bowl with techniques used by Renaissance Venetians at the Corning Museum of Glass in Corning, New York, Jan. 22, 2016. Gudenrath spent decades researching how Renaissance glassmakers produced objects that are now considered works of art. Photo: AP/Mike Groll ALBANY, N.Y. — A modern-day glassblower believes he has unraveled the mysteries of Venetian glassmaking that was crafted during the Renaissance. The Renaissance was a cultural movement in Europe that lasted from the 1300s to the 1600s. During that period, glassmakers' secrets were closely guarded by the Venetian government. Anyone who spoke of them could be killed. Specially Skilled Craftsmen Today's glassblowers work with gas-fired furnaces and electric-powered ovens called kilns. Their studios are well lit and have proper air ventilation. The craftsmen of Murano, an island near Venice, Italy, did not have such technology. Yet they turned out pieces of art popular in museums today. The techniques, or the methods they used to make the objects, remained sought after for centuries. William Gudenrath spent years studying Venetian glass collections at American and European museums. He compared them with newer glasswork from Venice. He experimented on his own and traveled to Italy many times. Gudenrath combined all of his knowledge to produce an online guide. Guiding Modern Artists The guide is called "The Techniques of Renaissance Venetian Glassworking." It was recently posted on the website of the Corning Museum of Glass in New York. -
ART HISTORY of VENICE HA-590I (Sec
Gentile Bellini, Procession in Saint Mark’s Square, oil on canvas, 1496. Gallerie dell’Accademia, Venice ART HISTORY OF VENICE HA-590I (sec. 01– undergraduate; sec. 02– graduate) 3 credits, Summer 2016 Pratt in Venice––Pratt Institute INSTRUCTOR Joseph Kopta, [email protected] (preferred); [email protected] Direct phone in Italy: (+39) 339 16 11 818 Office hours: on-site in Venice immediately before or after class, or by appointment COURSE DESCRIPTION On-site study of mosaics, painting, architecture, and sculpture of Venice is the primary purpose of this course. Classes held on site alternate with lectures and discussions that place material in its art historical context. Students explore Byzantine, Gothic, Renaissance, Baroque examples at many locations that show in one place the rich visual materials of all these periods, as well as materials and works acquired through conquest or collection. Students will carry out visually- and historically-based assignments in Venice. Upon return, undergraduates complete a paper based on site study, and graduate students submit a paper researched in Venice. The Marciana and Querini Stampalia libraries are available to all students, and those doing graduate work also have access to the Cini Foundation Library. Class meetings (refer to calendar) include lectures at the Università Internazionale dell’ Arte (UIA) and on-site visits to churches, architectural landmarks, and museums of Venice. TEXTS • Deborah Howard, Architectural History of Venice, reprint (New Haven and London: Yale University Press, 2003). [Recommended for purchase prior to departure as this book is generally unavailable in Venice; several copies are available in the Pratt in Venice Library at UIA] • David Chambers and Brian Pullan, with Jennifer Fletcher, eds., Venice: A Documentary History, 1450– 1630 (Toronto: University of Toronto Press, 2001). -
Guide to Places of Interest
Guide to places of interest Lido di Jesolo - Venezia Cortina Oderzo Portogruaro Noventa di Piave Treviso San Donà di Piave Caorle Altino Eraclea Vicenza Jesolo Eraclea Mare Burano Cortellazzo Lido di Jesolo Dolo Venezia Verona Padova Cavallino Mira Cà Savio Chioggia Jesolo and the hinterland. 3 Cathedrals and Roman Abbeys . 10 Visits to markets Concordia Sagittaria, Summaga and San Donà di Piave Venice . 4 From the sea to Venice’s Lagoon . 11 St Mark’s Square, the Palazzo Ducale (Doge’s Palace) and the Caorle, Cortellazzo, Treporti and Lio Piccolo Rialto Bridge The Marchland of Treviso The Islands of the Lagoon . 5 and the city of Treviso . 12 Murano, Burano and Torcello Oderzo, Piazza dei Signori and the Shrine of the Madonna of Motta Verona and Lake Garda. 6 Padua . 13 Sirmione and the Grottoes of Catullo Scrovegni Chapel and Piazza delle Erbe (Square of Herbs) The Arena of Verona and Opera . 7 Vicenza . 14 Operatic music The Olympic Theatre and the Ponte Vecchio (Old Bridge) of Bas- sano del Grappa Cortina and the Dolomites . 8 The three peaks of Lavaredo and Lake Misurina Riviera del Brenta . 15 Villas and gardens The Coastlines . 9 Malamocco, Pellestrina, Chioggia 2 Noventa di Piave Treviso San Donà di Piave Eraclea Caorle Jesolo Eraclea Mare Lido di Jesolo Cortellazzo Cavallino Jesolo and the hinterland The lagoon with its northern appendage wends its way into the area of Jesolo between the river and the cultivated countryside. The large fishing valleys of the northern lagoon extend over an area that is waiting to be explored. Whatever your requirements, please discuss these with our staff who will be more than happy to help. -
Acting Hysteria: an Analysis of the Actress and Her Part
City University of New York (CUNY) CUNY Academic Works Dissertations, Theses, and Capstone Projects CUNY Graduate Center 1992 Acting Hysteria: An Analysis of the Actress and Her Part Lydia Stryk The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/4291 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. -
San Giorgio Terrace Suite - Italy, Venice
SAN GIORGIO TERRACE SUITE - ITALY, VENICE 4 GUESTS, 2 BEDROOMS SAN GIORGIO TERRACE SUMMARY SUITE City & lagoon views Italy, Venice Historic property Terrace 4 Guests Outdoor living & dining 2 Bedrooms Wi-Fi LOCATION Stunning two-bedroom suite with spacious terrace and unbeatable views Italy, Venice The San Giorgio Terrace Suite is an incredible suite within the Baglioni Hotel Luna in the heart of Venice, which dates GUESTS back to the 12th century. up to 4 Guests can reach the hotel by gondola or water taxi thanks to the small private jetty situated at its entrance. BEDROOMS The spacious private terrace with outdoor lounge is the 2 perfect place to spend a relaxing evening with a glass of wine or celebrate special occasions whilst admiring the RENTAL PERIOD spectacular views over the lagoon to San Giorgio Island. Nightly Designed by Milanese architects Rebosio and Spagnulo, it comprises a dining and living area, a kitchenette, and two luxurious bedrooms. Ideal for a romantic stay, the suite has PRICE been carefully decorated using handmade wood panelling and handmade Versailles parquet to ensure the utmost From 3,800 EUR comfort for guests. MORE The master bedroom boasts walk-through wardrobes leading to an expansive en-suite bathroom with a bathtub Price per night, available on and a separate double bathtub. The second bedroom is request. Minimum stays well-appointed and also has an en-suite bathroom with a apply. shower. Both bathrooms are elegantly decorated with Carrara and Grey stone marble. The furnishings and decorations are of the highest quality, featuring Venetian and French precious fabrics and Fortuny- style lamps amongst other beautiful detailing. -
MUSLAB UAM 00 10.Pdf
Paolo Pastorino (1983) is an italian guitarist, composer. UAM-X(sound installation with 3 bass loudspeakers and very Since 2006 he starts to work as sound engineer for some low frequency waves) and HF 114 (electronic composition Rock, Industrial and Nu-Metal bands. He studied and for 7 transmitters) more and more means from the graduated in computer music and sound technology at area of the electronic music, the sound design, the high- the Conservatory of Sassari (2015). frequency engineering and the internet are included in his artistic conception. In his works he use not only electronic instruments e electronic composition NEARNESS was published and algorithms realized by soware but also tradiional on the “Sonic Circuit” festival CD 2001. instruments electronically elaborated and others concrete e 3rd string quartet (1998/99) was played by the Nevsky elements existents in nature. His experience doesn´t string of Quartet St. Petersburg for the rst time. regards only traditional and electronic composing, but CD production for „Ich schulde der Welt einen Toten“ also the implementation of control systems, developed (theatre play 1997). on MAX MSP, for live electronics and for assisted He got the composition price of the city of Stuttgart (1982) and the composition price “Luis de Narvàez” Granada (1993) for the 1st and 2nd string quartet. Recordings made by WDR, ORF, Deutschlandradio, radio Koper, Ljubljana-TV and BR. Compositions for chamber ensemble, orchestra, Christoph eiler electronics, theatre and radio play. (1959/BRD) Concerts and performances in Austria, Germany, Switzerland, former Yugoslavia, Italy, Spain, Belgium, Paolo Pastorino “Raumloser Ort“ means Room-less place, a place with France, no dimensions. -
The Boundaries of Venice: Digitally Mapping Historical Venetian Borders and Their Modern Day Implications Dimitar M
Worcester Polytechnic Institute Digital WPI Interactive Qualifying Projects (All Years) Interactive Qualifying Projects December 2016 The Boundaries of Venice: Digitally Mapping Historical Venetian Borders and their Modern Day Implications Dimitar M. Vouldjeff Worcester Polytechnic Institute Jessica Lynn Wey Worcester Polytechnic Institute John W. Devine Worcester Polytechnic Institute Marcus Patrick Lundgren Worcester Polytechnic Institute Follow this and additional works at: https://digitalcommons.wpi.edu/iqp-all Repository Citation Vouldjeff, D. M., Wey, J. L., Devine, J. W., & Lundgren, M. P. (2016). The Boundaries of Venice: Digitally Mapping Historical Venetian Borders and their Modern Day Implications. Retrieved from https://digitalcommons.wpi.edu/iqp-all/3242 This Unrestricted is brought to you for free and open access by the Interactive Qualifying Projects at Digital WPI. It has been accepted for inclusion in Interactive Qualifying Projects (All Years) by an authorized administrator of Digital WPI. For more information, please contact [email protected]. The Boundaries of Venice Digitally Mapping Historical Venetian Borders and their Modern Day Implications An Interactive Qualifying Project Report submitted to the faculty of the WORCESTER POLYTECHNIC INSTITUTE in partial fulfillment of the requirements for the Degree of Bachelor of Science Submitted by: John DeVine, Jr. Marcus Lundgren Dimitar Vouldjeff Jessica Wey Submitted to: Prof. N. Aaron Deskins Prof. Fabio Carrera Sponsor: Venice Project Center [email protected] https://sites.google.com/site/ve16bound/ This report represents the work of WPI undergraduate students submitted to the faculty as evidence of completion of a degree requirement. WPI routinely publishes these reports on its website without editorial or peer review. For more information about the projects program at WPI, please see http://www.wpi.edu/academics/ugradstudies/project-learning.html The Boundaries of Venice Authorship John DeVine, Jr. -
— Da Gabriele D'annunzio a Eleonora Duse Ovvero Dal Fuoco Alle Laudi
A ELEONORA DUSE GABRIELE D’ANNUNZIO DA Italianistica 3 — Da Gabriele d’Annunzio a Eleonora Duse ovvero dal Fuoco MARIANO alle Laudi Emilio Mariano a cura di Maria Rosa Giacon Edizioni Ca’Foscari Da Gabriele d’Annunzio a Eleonora Duse ovvero dal Fuoco alle Laudi Italianistica Collana diretta da Tiziano Zanato 3 Edizioni Ca’Foscari Italianistica Direttore Tiziano Zanato (Università Ca’ Foscari Venezia, Italia) Comitato scientifico Alberto Beniscelli (Università di Genova, Italia) Giuseppe Frasso (Università Cattolica di Milano, Italia) Pasquale Guaragnella (Università di Bari, Italia) Niva Lorenzini (Università di Bologna, Italia) Cristina Montagnani (Università di Ferrara, Italia) Matteo Palumbo (Università di Napoli, Italia) Carla Riccardi (Università di Pavia, Italia) Lorenzo Tomasin (Università di Losanna, Svizzera) Comitato di redazione Saverio Bellomo (Università Ca’ Foscari Venezia, Italia) Ilaria Crotti (Università Ca’ Foscari Venezia, Italia) Serena Fornasiero (Università Ca’ Foscari Venezia, Italia) Pietro Gibellini (Università Ca’ Foscari Venezia, Italia) Daria Perocco (Università Ca’ Foscari Venezia, Italia) Ricciarda Ricorda (Università Ca’ Foscari Venezia, Italia) Silvana Tamiozzo (Università Ca’ Foscari Venezia, Italia) Piermario Vescovo (Università Ca’ Foscari Venezia, Italia) Direzione e redazione Dipartimento di Studi Umanistici Palazzo Malcanton Marcorà Dorsoduro 3484/D 30123 Venezia http://edizionicafoscari.unive.it/col/dbc/20/Italianistica Da Gabriele d’Annunzio a Eleonora Duse ovvero dal Fuoco alle Laudi Emilio Mariano -
2016-Program-Book-Corrected.Pdf
A flagship project of the New York Philharmonic, the NY PHIL BIENNIAL is a wide-ranging exploration of today’s music that brings together an international roster of composers, performers, and curatorial voices for concerts presented both on the Lincoln Center campus and with partners in venues throughout the city. The second NY PHIL BIENNIAL, taking place May 23–June 11, 2016, features diverse programs — ranging from solo works and a chamber opera to large scale symphonies — by more than 100 composers, more than half of whom are American; presents some of the country’s top music schools and youth choruses; and expands to more New York City neighborhoods. A range of events and activities has been created to engender an ongoing dialogue among artists, composers, and audience members. Partners in the 2016 NY PHIL BIENNIAL include National Sawdust; 92nd Street Y; Aspen Music Festival and School; Interlochen Center for the Arts; League of Composers/ISCM; Lincoln Center for the Performing Arts; LUCERNE FESTIVAL; MetLiveArts; New York City Electroacoustic Music Festival; Whitney Museum of American Art; WQXR’s Q2 Music; and Yale School of Music. Major support for the NY PHIL BIENNIAL is provided by The Andrew W. Mellon Foundation, The Fan Fox and Leslie R. Samuels Foundation, and The Francis Goelet Fund. Additional funding is provided by the Howard Gilman Foundation and Honey M. Kurtz. NEW YORK CITY ELECTROACOUSTIC MUSIC FESTIVAL __ JUNE 5-7, 2016 JUNE 13-19, 2016 __ www.nycemf.org CONTENTS ACKNOWLEDGEMENTS 4 DIRECTOR’S WELCOME 5 LOCATIONS 5 FESTIVAL SCHEDULE 7 COMMITTEE & STAFF 10 PROGRAMS AND NOTES 11 INSTALLATIONS 88 PRESENTATIONS 90 COMPOSERS 92 PERFORMERS 141 ACKNOWLEDGEMENTS THE NEW YORK PHILHARMONIC ORCHESTRA THE AMPHION FOUNDATION DIRECTOR’S LOCATIONS WELCOME NATIONAL SAWDUST 80 North Sixth Street Brooklyn, NY 11249 Welcome to NYCEMF 2016! Corner of Sixth Street and Wythe Avenue. -
Masses by Giovanni Francesco Capello, Bentivoglio Lev, and Ercole
Seventeenth-Centur,y Italian Sacred Music In Twenty-Five Volumes General Editor ANNE SCHNOEBELEN Riee University This page intentionally left blank VOLUME 2 Masses by Giovanni Francesco Capello Amadio Freddi Ercole Porta Ignazio Donati Edited with an Introduction by ANNE SCHNOEBELEN First published by Garland Publishing, Ine. This edition published 2013 by Routledge Routledge Routledge Taylor & Franeis Group Taylor & Franeis Group 711 Third Avenue 2 Park Square, Milton Park NewYork, NY 10017 Abingdon, Oxon OXI4 4RN Routledge is an imprint 0/ the Taylor & Francis Group, an informa business Copyright © 1995 by Anne Schnoebelen All rights reserved Library of Congress Cataloging-in-Publication Data Masses / by Giovanni Francesco Capello ... [et al.]; edited with an introduction by Anne Schnoebelen. 1 score. - (Seventeenth-century Italian sacred music ; v. 2) For 3 (1st work), 5 (2nd-3rd works), and 5 or 6 (4th work) voices with instrumental ensemble (1st 3 works) or continuo (4th work). Latin words. Inc1udes bibliographical references. Contents: Missa ad votum: from Motetti et dialoghi a cinque, sei, sette, et otto, con sinfonie, ritomelli et una messa nel fine, il tutto variamente concertato, con voci, & istromenti-opera settima / Giovanni Francesco Capello -Messa a cinque voci : From Messa vespro et compieta a cinque voci col suo basso continuo aggiuntovi un violino, & cometo per le sinfonie, & per li ripieni / Amadio Freddi - Missa secundi toni : from Sacro convito musi cale omato di varie, et diverse vivande spirituali auna, due, tre, quattro, cinque, & sei voci / Ercole Port~ - Messa a5 & a6 in concerto : From Messa a quattro, cinque, et sei voci parte da capella, e da concerto, con il basso per l'organo / Ignazio Donati.