Book Backgrounder: Jonny Appleseed
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Here Is the Canada Reads 2020 Longlist | CBC Books CBC
1/9/2020 Here is the Canada Reads 2020 longlist | CBC Books CBC Canada Reads Here is the Canada Reads 2020 longlist This year's theme is one book to bring Canada into focus CBC Books · Posted: Jan 08, 2020 8:30 AM ET | Last Updated: January 8 The Canada Reads debates will take place March 16-19, 2020. (CBC, covers submitted by various publishers, see individual pages for credit) comments Fifteen books are on the Canada Reads longlist for 2020. From deeply personal memoirs to poetry and speculative fiction, this year's longlisted books speak to the theme: One book to bring Canada into focus. https://www.cbc.ca/books/canadareads/here-is-the-canada-reads-2020-longlist-1.5411178 1/16 1/9/2020 Here is the Canada Reads 2020 longlist | CBC Books We're looking at Canada's 2020 vision. How do we move forward together? These books inspire readers to think twice about the lens through which they see themselves and Canada. The final five books and their champions will be revealed on Jan. 22, 2020. The debates will take place March 16-19, 2020 and will be hosted by Ali Hassan. The debates will be broadcast on CBC Radio One, CBC TV, CBC Gem and on CBC Books. Ticket information to attend the live debates will be announced on Jan. 22. The Canada Reads 2020 longlist is: NDN Coping Mechanisms by Billy-Ray Belcourt Small Game Hunting at the Local Coward Gun Club by Megan Gail Coles Radicalized by Cory Doctorow Sputnik's Children by Terri Favro Amphibian by Carla Gunn We Have Always Been Here by Samra Habib Love Lives Here by Amanda Jetté Knox The Dishwasher by Stéphane Larue, translated by Pablo Strauss Son of a Trickster by Eden Robinson The Youth of God by Hassan Ghedi Santur From the Ashes by Jesse Thistle The Lesser Blessed by Richard Van Camp Worry by Jessica Westhead The Rage of Dragons by Evan Winter Dear Scarlet by Teresa Wong You can learn more about all 15 of the longlisted books below. -
Fiction ISBN 978-1-55152-725-3 $17.95 Canada | $15.95 USA Arsenal Pulp Press
“You’re gonna need a rock and a whole lotta medicine” Whitehead is a mantra that Jonny Appleseed, a young Two-Spirit/Indigiqueer and NDN glitter princess, Joshua Joshua repeats to himself in this vivid and utterly compelling debut novel by Joshua Whitehead. Off the rez and trying to find ways to live, love, and survive in the big city, Jonny has one week before he must return to his home—and his former life—to attend the funeral of his stepfather. The seven days that follow are like a fevered dream: stories of love, trauma, sex, kinship, ambition, and heartbreaking recollections of his beloved kokum (grandmother). Jonny’s life is a series of breakages, appendages, and linkages—and as he goes through the motions of preparing to return home, he learns how to put together the pieces of his life. JONNY APPLESEED HIGHLIGHTS Jonny Appleseed is a unique, shattering vision of Indigenous life, full of grit, glitter, and dreams. “Joshua Whitehead redefines what queer Indigenous writing can be in his powerful debut novel. Jonny Appleseed transcends genres of writing to blend the sacred and the sexual into a vital expression of Indigenous desire and love. Reading it is a coming home to bodies, stories, and experiences of queer Indigenous life that has never been so richly and honestly shown before. This book is an honour song to every queer NDN body who has ever lived and it will transform the universe with its beauty and magic.” FROM THE BACKLIST —Gwen Benaway, author of Passage “If we’re lucky, we’ll find one or two books in a lifetime that change the language of story, that manage to illuminate new curves in the flat vessels of old letters and words. -
Harpercollins Announces Audio Edition of the Book of Negroes by Lawrence Hill
Contact Colleen Simpson Publicity Director 416.515.2358 [email protected] HARPERCOLLINS ANNOUNCES AUDIO EDITION OF THE BOOK OF NEGROES BY LAWRENCE HILL FOR IMMEDIATE RELEASE (Toronto; August 10, 2016) HarperCollins Publishers Ltd announces the audio edition of the much-loved novel The Book of Negroes by Lawrence Hill. The audio book, produced by Jody Colero for Silent Joe Inc., is unabridged, with a running time of 15 hours, 45 minutes. Upon publication, The Book of Negroes was met with critical acclaim and was soon awarded the prestigious Rogers Writers’ Trust Fiction Prize and the Commonwealth Writers’ Prize for Overall Best Book. The Book of Negroes then went on to win Canada Reads and has been published around the world. In January 2015, it was adapted as an award-winning miniseries that aired on CBC Television. Lawrence Hill says, “I am so delighted that HarperCollins has released an audio version of The Book of Negroes. Many readers have asked for an audio version, and I hope this offers much pleasure to those who love to listen to books.” The Book of Negroes audio edition will be available for download on August 16, 2016. ABOUT Lawrence Hill Lawrence Hill has written 10 books, including four novels. Two of his novels, The Illegal and The Book of Negroes, won CBC’s Canada Reads. The Book of Negroes is an international bestseller and the winner of various awards, including the Commonwealth Writers’ Prize. Hill travelled widely to deliver the 2013 Massey Lectures, based on his non-fiction book Blood: The Stuff of Life. -
About the Author
Lawrence Hill: About the Author Hill is the author of ten books of fiction and non-fiction. In 2005, he won his first Writing literary honour: a National Magazine Award for the article “Is Africa’s Pain Black America’s Burden?” published in The Walrus. His first two novels were Some Great Thing and Any Known Blood, and his first non-fiction work to attract national attention was the memoir Black Berry, Sweet Juice: On Being Black and White in Canada. But it was his third novel, The Book of Negroes (HarperCollins Canada, 2007) — published in some countries as Someone Knows My Name and in French as Aminata — that attracted widespread attention in Canada and other countries. Lawrence Hill’s non-fiction book, Blood: The Stuff of Life was published in September 2013 by House of Anansi Press. Blood is a personal consideration of the physical, social, cultural and psychological aspects of blood, and how it defines, unites and divides us. Hill drew from the book to deliver the 2013 Massey Lectures across Canada. In 2013, Hill published the essay Dear Sir, I Intend to Burn Your Book: An Anatomy of a Book Burning (University of Alberta Press). His fourth novel, The Illegal, was published by HarperCollins Canada in 2015 and by WW Norton in the USA in 2016. Hill is currently writing a new novel and a children’s book, and is a professor of creative writing at the University of Guelph, in Ontario. Personal Lawrence Hill is the son of American immigrants — a black father and a white mother — who came to Canada the day after they married in 1953 in Washington, D.C. -
Final Text 9/5/07 12:57 PM Page 11
final text 9/5/07 12:57 PM Page 11 Danielle Fuller Listening to the Readers of “Canada Reads” Across the developed world fewer people are reading more books. Perhaps we should be asking how they are reading them. David Finkelstein and Alistair McCleery, An Introduction to Book History Why does the idea of celebrities championing Canadian literature on CBC radio and television make academics laugh? During the lively discussions at the “TransCanada” conference in June , almost everyone giggled when Barbara Godard pointed out that the CBC chose pop stars rather than academics to appear on CBC Radio One’s “Canada Reads” series. Now, this reaction may have been a brief outburst of conference-induced mass hysteria, but it was also an intriguing moment. What was so funny? Was it the idea that Canada has produced celebrities? Was it the juxtaposed image of pop star (connoting popular, media-savvy, access to a mass audience) and Canadian literature that provoked amuse- ment? Did the laughter indicate concern about a “watered-down” literary critique aired on radio by “unqualified” readers? How much professional anxiety about the impact of our role as teachers and thinkers on the world outside the university campus prompted our laughter? Or, was this the laughter of dismissal and the rejection of a popular program format? Mass reading events such as “Canada Reads” and “One Book, One Community” programs have certainly attracted criticism for their vulgariza- tion of a cultural practice (literary interpretation) and their pandering to “the prizes and showbiz mentality” that has “infiltrated” Canadian literary culture (Henighan ). -
The Canadian Broadcasting Corporation's Annual Report For
ANNUAL REPORT 2001-2002 Valuable Canadian Innovative Complete Creative Invigorating Trusted Complete Distinctive Relevant News People Trust Arts Sports Innovative Efficient Canadian Complete Excellence People Creative Inv Sports Efficient Culture Complete Efficien Efficient Creative Relevant Canadian Arts Renewed Excellence Relevant Peopl Canadian Culture Complete Valuable Complete Trusted Arts Excellence Culture CBC/RADIO-CANADA ANNUAL REPORT 2001-2002 2001-2002 at a Glance CONNECTING CANADIANS DISTINCTIVELY CANADIAN CBC/Radio-Canada reflects Canada to CBC/Radio-Canada informs, enlightens Canadians by bringing diverse regional and entertains Canadians with unique, and cultural perspectives into their daily high-impact programming BY, FOR and lives, in English and French, on Television, ABOUT Canadians. Radio and the Internet. • Almost 90 per cent of prime time This past year, • CBC English Television has been programming on our English and French transformed to enhance distinctiveness Television networks was Canadian. Our CBC/Radio-Canada continued and reinforce regional presence and CBC Newsworld and RDI schedules were reflection. Our audience successes over 95 per cent Canadian. to set the standard for show we have re-connected with • The monumental Canada: A People’s Canadians – almost two-thirds watched broadcasting excellence History / Le Canada : Une histoire CBC English Television each week, populaire enthralled 15 million Canadian delivering 9.4 per cent of prime time in Canada, while innovating viewers, nearly half Canada’s population. and 7.6 per cent share of all-day viewing. and taking risks to deliver • The Last Chapter / Le Dernier chapitre • Through programming renewal, we have reached close to 5 million viewers for its even greater value to reinforced CBC French Television’s role first episode. -
Canada Reads 2012 and the Effects of Reading Memoir in Public
“True Stories,” Real Lives: Canada Reads 2012 and the Effects of Reading Memoir in Public Danielle Fuller and Julie Rak or the 2012 instalment of the competitive reading radio show Canada Reads,1 the producers decided to feature what they called “true stories,” with the winner declared as the non-fictional work Fthat all Canadians should read. This was the first year of Canada Reads to feature a theme and the first to focus on non-fiction. However, the producers’ decision to switch from fiction to non-fiction had sever- al unforeseen effects in both the show and the public realm. When celebrity advocate Anne-France Goldwater said on the show’s first day that Marina Nemat’s Prisoner of Tehran was untrue and then accused Carmen Aguirre of being a terrorist, Canada Reads abruptly stopped being a game show about nationalist forms of reading and became the focus of a serious discussion about memoir, nationalism, and ethics. Goldwater’s connection of the work of memoir with the lives and ideas of the authors, a common effect of memoir as a genre, echoed throughout the rest of Canada Reads 2012. In this essay, we propose that the prominence of the memoir on Canada Reads 2012 created a series of effects on the show and among the public that disrupted the usual “show business” of the program as public entertainment and eco- nomic catalyst, helping to create a controversy during the series itself. Carmen Aguirre, whose memoir won the contest in 2012, notes in the afterword to the 2014 edition of Something Fierce that, in addition to benefiting in terms of media exposure, book sales, and new opportun- ities to promote her book in person across Canada, the effects of the controversy included heightened public exposure and threats to her own safety. -
Cloudfront.Net
Canadian Broadcasting Corporation Societe Radio-Canada ••• CBC est!' Radio-Canada Mr. Jason Plotz 2-44 Clarey Avenue Ottawa, Ontario KI S 2R 7 Our file: A-2015-00 I 02 I YJP Dear Mr. Plotz, This is in response to your request under the Access to Information Act (Act) dated March 21, 2016, received by our office on March 24, 2016, for the following: ""Provide copies of all documents, including memos, briefingnotes, e-mails, correspondence, etc. regarding any discussions about sponsorships or coverage to mark David Suzuki's 80th Birthday, since Janua,y 1, 2016. "" Attached are copies of all the accessible documents which you requested under the Act. Please note that certain information has been severed from them pursuant to sections 16(2), l 8(b ), 19( I) and 21( I)(b) of the Act. Some of the requested infom1ationrelates also to our programming activities, and is excluded from t e application of the Act pursuant to section 68.1, which states: "68.1 This Act does not apply to any information that is under the contr I of th� a adian Broadcasting Corporation that relates to its journalistic, creative or programming acti 'ties other than information that relates to its general administration." Please note that CBC reserves the right to claim exemptions pursuant to the Act. Please be advised that you are entitled to complain to the Information Commissioner concerning the processing of your request within sixty days of the receipt of this notice. In the event you decide to avail yourself of this right, your notice of complaint should be addressed to: Office of the Information Commissioner of Canada 30 Victoria Street Gatineau, Quebec KI A I H3 Should you have any questions concerning the processing of your request, please contact Yves Lapierre at 613-288-6248. -
Pride Collection Brochure
2SLGBTQ+ BOOKS & DVDs PICTURE BOOKS Diversity: Gay: All Families Are Special by Norma Simon From Archie to Zak by Vincent Kirsch A Church for All by Gayle E. Pitman Ghost’s Journey by Robin Stevenson Families, Families, Families by Suzanne Lang Harriet Gets Carried Away by Jessie Sima The Family Book by Todd Parr Jerome by Heart by Thomas Scotto A Family Is a Family Is a Family by Sara O’Leary Old Macdonald Had a Baby by Emily Snape Over the Shop by JonArno Lawson A Plan for Pops by Heather Smith Pride Puppy by Robin Stevenson Prince and Knight by Daniel Haack This Day in June by Gayle E. Pitman Stella Brings the Family by Miriam B. Schiffer A Tale of Two Daddies by Vanita Oelschlager And Tango Makes Three by Justin Richardson Uncle Bobby’s Wedding by Sarah S. Brannen Lesbian: Asha’s Mums by Rosamund Elwin Donovan’s Big Day by Lesléa Newman Happy Birthday, Alice Babette by Monica Culling Heather Has Two Mommies by Lesléa Newman In Our Mothers’ House by Patricia Polacco Plenty of Hugs by Fran Manushkin Gender Nonconforming & Nonbinary: Angus All Aglow by Heather Smith From the Stars In the Sky to the Fish in the Sea by Kai Cheng Thom I Love My Purse by Belle DeMont Introducing Teddy by Jessica Walton Julián is a Mermaid by Jessica Love Morris Micklewhite and the Tangerine Dress by Christine Baldacchino Red: A Crayon’s Story by Michael Hall William’s Doll by Charlotte Zolotow Worm Loves Worm by J.J. Austrian BOARD BOOKS Daddy, Papa and Me by Lesléa Newman Mommy, Mama and Me by Lesléa Newman Pride Colors by Robin Stevenson JUVENILE GRAPHIC NOVELS The Breakaways by Cathy G. -
Unsettling the White Noise: Deconstructing the Nation-Building
Unsettling the White Noise: Deconstructing the Nation-Building Project of CBC Radio One’s Canada Reads By Emily M. Burns A thesis submitted to the Graduate Program in the Department of Gender Studies in conformity with the requirements for the Degree of Master of Arts Queen’s University Kingston, Ontario, Canada August, 2012 Copyright @ Emily M. Burns, 2012 Abstract The Canadian Broadcasting Corporation’s Canada Reads program, based on the popular television show Survivor, welcomes five Canadian personalities to defend one Canadian book, per year, that they believe all Canadians should read. The program signifies a common discourse in Canada as a nation-state regarding its own lack of coherent and fixed identity, and can be understood as a nationalist project. I am working with Canada Reads as an existing archive, utilizing materials as both individual and interconnected entities in a larger and ongoing process of cultural production – and it is important to note that it is impossible to separate cultural production from cultural consumption. Each year offers a different set of insights that can be consumed in their own right, which is why this project is written in the present tense. Focusing on the first ten years of the Canada Reads competition, I argue that Canada Reads plays a specific and calculated role in the CBC’s goal of nation-building: one that obfuscates repressive national histories and legacies and instead promotes the transformative powers of literacy as that which can conquer historical and contemporary inequalities of all types. This research lays bare the imagined and idealized ‘communities’ of Canada Reads audiences that the CBC wishes to reflect in its programming, and complicates this construction as one that abdicates contemporary responsibilities of settlers. -
2018 Ivas Pamphlet
the INDIGENOUS LITERARY STUDIES ASSOCIATION Presents the First Annual I N D I G E N O U S VOICES AWARDS GALA 29 May 2018 Oskana kâ-asastêki / Regina, SK Design and production: Rachel Taylor › racheltaylorpublishingservices.wordpress.com Indigenous Voices Awards Board Membership 2017-18: CO-CHAIR: Sam McKegney, ILSA Past President 2016-17 › [email protected] CO-CHAIR: Deanna Reder, ILSA Past President 2017-18 › [email protected] Daniel Heath Justice, ILSA Founding Member › [email protected] Sophie McCall, ILSA Secretary 2016-17 › [email protected] Jesse Archibald-Barber, ILSA President 2017-18 › [email protected] Michelle Coupal, ILSA President-Elect 2017-18 › [email protected] Sarah Henzi, ILSA Secretary 2017-19 › [email protected] Aubrey Hanson, ILSA Treasurer 2016-18 › [email protected] Svetlana Seibel, Early Career Member 2017-19 › [email protected] Jordan Abel, Graduate Representative 2017-18 › [email protected] Special thanks to Deborah Smith and Sarah Hedley for their office support. CONTENTS Welcome! 3 The Indigenous Voices Awards: Background 4 Thank You 5 Letter to an Emerging Indigenous Writer Daniel Heath Justice 6 2018 Jurors 11 2018 Finalists 13 On the Indigenous Voices Awards Sam McKegney 19 Indigenous Voices Inspire a New Association: ILSA Deanna Reder 20 Indigenous Literary Studies Association 21 Book Launches 23 An Invitation to Donate 24 Donors to the Emerging Indigenous Voices Fundraiser 25 WELCOME! e are thrilled to announce the finalists in this year’s competition, celebrating the very best in literary art by emerging Indigenous Wwriters. A jury of renowned Indigenous writers and prominent figures from the Canadian literary world has identified finalists in catego- ries for published and unpublished writing. -
Canada Reads Throughout the Years
CANADA READS THROUGHOUT THE YEARS An attempt to form a cross country book clu b and bring Canadians together to experience and share great Canadian literature. Canada Reads is Born 2002 Canada reads is introdu ced with Here We the intention of creating a mass Canadian Book Club in hopes to increase the circulation and Go Again readership of Canadian Literature throughout the years. This Canada Reads ha d Canada Reads was broadcast such success the through CBC Radio One and previous year that initially received criticism for its CBC Radio One lack of bilingual and multicultural continued to 2003 content presented through the broadcast the five books that were chosen. program. We're On T.V.! 2004 CBC Newsworld broadcasts Canada Reads on television as well as CBC Radio One. This is the first year that Canada Reads has been broadcast on two mass mediums. Criticism? The Canada Reads show defends itself in saying that the reason celebrities were " The producers of " Canada chosen was to appeal to a Reads" are neither younger audience, thus resulting in spreading academics nor litera ry Canading Literature to future reviewers: they are experienced readers. mass media professionals who make radio programs for 2005 Canada's public broadcaster" (Fuller, 2007, p.3) A Change Many viewers become skeptical of In Format Canada Reads. People begin to In previous years , question if turning panelists were allowed to Canadian Literature 2006 choose five books they into a mass media 2005 spectacle is wanted to defend. It appropriate. wasn't until this year that they were only able to choose one book to Redemption! defend.