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Wanda Jackson riginally hailing from small-town Oklahoma, Wanda Jackson came Oonto the music scene at the young age of 17 with her 1954 single, “You Can’t Have My Love.” Her unique growl electrified her audiences and fans, quickly earning her the title “Queen of Rockability.” “Hot Dog! That Made Him Mad” and “Let’s Have A Party” were two of her Self-Titled earliest hits in this vein. She made her chart debut with cross-over hits such as “Right Or Wrong” and Debut Album “In The Middle Of A Heartache,” which (1956) NEW ALBUM were Top 30 hits on both the Billboard Country charts, as well as the Hot IN 2019 100. Her 1963 Grammy- nominated album, Two Sides Of Wanda, helped BEING PRODUCED to further introduce her to Country BY JOAN JETT fans with hits like “The Box It Came In” and “Tears Will Be The Chaser For Your Wine.” In recent years, appreciation of Jackson and her music Autobiography, “Every have grown to include multiple generations. She is a member of Night is Saturday Night: the Oklahoma Music Hall of Fame and the Rockabilly Hall of Fame, as well as the Rock and Roll Hall of Fame. She was also named as A Country Girl’s one of CMT’s 40 Greatest Women In Country Music during a 2002 Journey To the Rock special, and was presented with the Lifetime Achievement Award & Roll Hall of Fame,” for Performance from the Americana Music Honors and Awards in 2010. Wanda released her newest album, The Party Ain’t Over, in out November 14, 2017 2011, earning rave reviews from critics. She still continues to work on new music as she looks forward to the release of her autobiography, “Every Night is Saturday Night: A Country Girl’s Journey To the Rock & Roll Hall of Fame.” For more info: wandajackson.com • One of CMT’s 40 Greatest Women In Country Music • Inducted into the Rock N’ Roll Hall of Fame in 2009: First woman to record a Rock n’ Roll song • 2011 critically acclaimed album produced by JACK WHITE • Known as the “Queen of Rockabilly” & “First lady of Rock N’ Roll” • More than 40 albums! Jeremy Westby • [email protected] • 833-537-2911 x800 Jason Ashcraft • [email protected] • 833-537-2911 x801.

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Marc Shapiro
ADELE The Biography MARC SHAPIRO ST. MARTIN’S GRIFFIN NEW YORK adele. Copyright © 2012 by Marc Shapiro. All rights reserved. Printed in the United States of America. For information, address St. Martin’s Press, 175 Fifth Avenue, New York, N.Y. 10010. www .stmartins .com Design by Steven Seighman ISBN 978- 1- 250- 02516- 6 (trade paperback) ISBN 978- 1- 250- 02547- 0 (hardcover) ISBN 978- 1- 250- 02515- 9 (e-book) First Edition: July 2012 10 9 8 7 6 5 4 3 2 1 10. NO BALLAD, NO CRY dele began writing new material for her follow- up record in April 2009. But not before she agreed to take a ﬂ yer as an actress with a guest shot on the hit tele vi- sion sitcom Ugly Betty. It seemed like a harm- Aless diversion from all the drama and pressure in her life. She reasoned, how hard could it be to play herself? In the episode, Betty is dancing with her husband at their wedding when the couple is suddenly interrupted by Adele. Th ere is some harmless banter and the next thing we know Adele is up on stage singing the song “Right As Rain.” Adele realized that that kind of promotion in America was well worth the eﬀ ort, but would later acknowledge in Vogue that the Ugly Betty experience cured her of any future acting aspirations. “I can’t watch it. I was so uncomfortable. I am the worst actress of all time.” But Adele was thankful for the momentary respite from Marc Shapiro her day job as singer-songwriter on the rise.
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Psaudio Copper
Issue 116 JULY 27TH, 2020 “Baby, there’s only two more days till tomorrow.” That’s from the Gary Wilson song, “I Wanna Take You On A Sea Cruise.” Gary, an outsider music legend, expresses what many of us are feeling these days. How many conversations have you had lately with people who ask, “what day is it?” How many times have you had to check, regardless of how busy or bored you are? Right now, I can’t tell you what the date is without looking at my Doug the Pug calendar. (I am quite aware of that big “Copper 116” note scrawled in the July 27 box though.) My sense of time has shifted and I know I’m not alone. It’s part of the new reality and an aspect maybe few of us would have foreseen. Well, as my friend Ed likes to say, “things change with time.” Except for the fact that every moment is precious. In this issue: Larry Schenbeck finds comfort and adventure in his music collection. John Seetoo concludes his interview with John Grado of Grado Labs. WL Woodward tells us about Memphis guitar legend Travis Wammack. Tom Gibbs finds solid hits from Sophia Portanet, Margo Price, Gerald Clayton and Gillian Welch. Anne E. Johnson listens to a difficult instrument to play: the natural horn, and digs Wanda Jackson, the Queen of Rockabilly. Ken hits the road with progressive rock masters Nektar. Audio shows are on hold? Rudy Radelic prepares you for when they’ll come back. Roy Hall tells of four weddings and a funeral.
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Wanda Jackson: Rock's First Queen – Grade 10
Wanda Jackson: Rock’s First Queen – Grade 10 For too long, the history of rock ‘n’ roll has been written as though the entire genre were just a boy’s club. According to the traditional story, rock started with “Rocket 88” by Ike Turner and Jackie Brentson, became immensely popular with Elvis Presley, and became art with the Beatles. In other words, the history of rock ‘n’ roll is one of men influencing other men. Recent scholarship has tried to reverse this a little bit. Writers have argued that female singers at least influenced people such as Elvis and Chuck Berry. They have cited gospel singers such as Mahalia Jackson and blues singers such as Ma Rainey and Bessie Smith. Other writers have reminded us of the work of pioneering girl groups in the 1960s, groups such as the Shirelles and Motown’s the Supremes. But very few have written about the women who bridge the gap between influences and outcomes, the women who were there while rock ‘n’ roll was being born and who helped make rock ‘n’ roll the cultural force it became. By far, the most influential of these women was Wanda Jackson. Wanda Jackson’s musical odyssey began in Oklahoma City in 1954, months before Elvis would release the seminal “That’s All Right,” the first rock ‘n’ roll song to find a white audience and the song that would make him a star. There, Jackson was discovered by the country singer Hank Snow. In Nashville, she recorded a few songs with Snow’s band, one of which became a top country hit.
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Starr-Waterman American Popular Music Chapter 8: “Rock Around the Clock”: Rock ’N’ Roll, 1954‒1959 Key People
Starr-Waterman American Popular Music Chapter 8: “Rock Around the Clock”: Rock ’n’ Roll, 1954‒1959 Key People Alan Freed (1922‒1965): Disc jockey who discovered in the early 1950s that increasing numbers of young white kids were listening to and requesting rhythm & blues records played on his Moondog Show. Antoine “Fats” Domino (b. 1928): Singer, pianist, and songwriter, who was an established presence on the rhythm & blues charts for several years by the time he scored his first large-scale pop breakthrough with “Ain’t It a Shame” in 1955 and ultimately became the second best-selling artist of the 1950s. Barbra Streisand (b. 1942): Impactful recording artist who has delighted audiences on Broadway, in movies, and in concert, also known for her successful LP sales. Big Joe Turner (1911‒1985): Vocalist who began his career as a singing bartender in the Depression era nightclubs of Kansas City; one of Atlantic Records’ early starts, and recorded the original “Shake, Rattle, and Roll.” Bill Black (1926‒1965): String bassist who recorded with Scotty Moore and Elvis Presley for Sun Records. Bill Haley and the Comets: Influential rock ’n’ roll band influenced by western swing music who recorded the first number one rock ’n’ roll hit “Rock around the Clock.” Brenda Lee (Brenda Mae Tarpley) (b. 1944): Recording artist of the early 1960s known as “Little Miss Dynamite” who sang hits like “Sweet Nothin’s.” Buddy Holly (Charles Hardin Holley) (1936‒1959): Clean-cut, lanky, and bespectacled singer, songwriter, and guitarist of the 1950s who, along with his band, the Crickets, recorded influential hits like “That’ll Be the Day” and made frequent use of double- tracking.
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The Girls Band
2 www.northcoastvoice.com • (440) 415-0999 April 8 - 22, 2009 We would like to thank all of our sponsors and encourage our readers to patronize the fine businesses appearing in the North Coast VOICE. Geneva - Luisa’s Mexican Grill in Great place, great food, and a Jam that is presents “The Good Life Singers” Publisher/Editor downtown Geneva hosts a NEW Open surely in the top ten of NE Ohio! performing their “Hit Parade” on Friday Carol Stouder Mic on Wednesday evenings. The session is and Saturday, April 24 & 25 at 7:30 p.m. from 7:00 – 10:00 and hosted by a revolving Cleveland – Brother’s Lounge Every Tickets are $8 adults, $7 seniors. Advance Managing Editors roster of musicians from the area. You will Sunday @ 8:30 p.m. is a Rock and sale tickets will receive a $1 discount. The Sage Satori • Jim Ales hear everything from jazz to blues to country Blues Jam Night with the The Band Of Ashtabula Arts Center, also presents “2009 to folk/rock music here. The restaurant also Brothers , the official house band of Kiwanis Art Scholarship Competition Advertising & features live music on the first Friday of Brothers Lounge. Hosted by Professional Exhibit” On display April 1 through April Marketing Director the month , during dinner hour. Tableside Musicians; Jim “J.R”. Richley (Drums) with 29. Admission is free. Jim Ales entertainment is provided by Manos de Sede , Eric ‘EROC’ Sosinski (Bass), Jim Meese www.artscenternews.com or call (440) 964- a group of strolling Mexican musicians, (Keyboards), and Dwayne Dickman 3396 Staff Writers whose name means “ hands of silk.
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ROCK'n'roll's 1ST DECADE Week Three
ROCK'N'ROLL’S 1ST DECADE Week Three: Rock in the Mid-1950s Recommended Listening: Chuck Berry, The Anthology (Chess, 2000). Two-CD, 50-song compilation of his most essential tracks from the mid-1950s through the early 1970s, including hits and his most influential non- hits. These include some of the most familiar and most-covered songs in all of rock, important both for the quality of the songwriting and the many classic riffs in tunes like "Johnny B. Goode," "Roll Over Beethoven," "Rock and Roll Music," "Sweet Little Sixteen," and "Reelin' & Rockin'." The single-disc collection The Great Twenty-Eight contains most of his most well known songs. Johnny Cash, The Sun Years (Rhino, 1990). Cash is usually considered a country artist, not a rock one. There's no denying, however, that much of his mid-1950s material for Sun had a rockabilly and pop-rock flavor. This has his most popular recordings for the label, including the hits "I Walk the Line," "Ballad of a Teenage Queen," and "Folsom Prison Blues." Fats Domino, Fats Domino Jukebox: 20 Greatest Hits the Way You Originally Heard Them (Capitol, 2002). Fats Domino had more than 20 hits, but this has the most famous ones by the greatest exponent of New Orleans rock'n'roll, including "The Fat Man," "Ain't That a Shame," and "Blueberry Hill." Wanda Jackson, Queen of Rockabilly (Ace, 2000). Commonly and rightfully referred to as the best woman rock artist of the 1950s, Jackson was more than that. She was one of the best rockabilly singers, period.
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I Gotta Know (1956) Wanda Jackson
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Muziek Voor Volwassenen 2021 Week 33.Xlsx
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Roots and Branches Handout SESSIONS Revnov20
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8 Can a Fujiyama Mama Be the Female Elvis?
8 CAN A FUJIYAMA MAMA BE THE FEMALE ELVIS? The wild, wild women of rockabilly David Sanjek I don't want a headstone for my grave. I want a fucking monument! (Jerry Lee Lewis) 1 You see, I was always a well-endowed girl, and the guys used to tell me that they didn't know how to fit a 42 into a 331!3. (Sun Records artist Barbara Pittman ) 2 Female artists just don't really sell. (Capital Records producer Ken Nelson) 3 In the opening scene of the 199 3 film True Romance (directed by Tony Scott from a script by Quentin Tarantino), Clarence Worly (Christian Slater) perches on a stool in an anonymous, rundown bar. Addressing his com ments to no one in particular, he soliloquises about 'the King'. Simply put, he asserts, in Jailhouse Rock (19 5 7), Elvis embodied everything that rocka billy is about. 'I mean', he states, 'he is rockabilly. Mean, surly, nasty, rude. In that movie he couldn't give a fuck about nothin' except rockin' and rollin' and livin' fast and dyin' young and leavin' a good lookin' corpse, you know.' As he continues, Clarence's admiration for Elvis transcends mere identification with the performer's public image. He adds, 'Man, Elvis looked good. Yeah, I ain't no fag, but Elvis, he was prettier than most women, most women.' He now acknowledges the presence on the barstool next to him of a blank-faced, blonde young woman. Unconcerned that his overheard thoughts might have disturbed her, he continues, 'I always said if I had to fuck a guy - had to if my life depended on it - I'd 137 DAVID SANJEK THE WILD,~ WOMEN OF ROCK~BILLY fuck Elvis.' The woman concurs with his desire to copulate with 'the and Roll; rockabilly, he writes, 'suggested a young white man celebrating King', but adds, 'Well, when he was alive, not now.' freedom, ready to do anything, go anywhere, pausing long enough for In the heyday of rockabilly, one imagines more than a few young men apologies and recriminations, but then hustling on towards the new'.
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Xcel Energy Center Timeline
TIMELINE September 29, 2000 – November 1, 2018 (Minnesota Wild hockey games not listed) 2018 October 22 Fleetwood Mac October 21 TWENTY ØNE PILØTS / AWOLNATION / Max Frost October 18 Foo Fighters / Gangs of Youths October 14 Rod Stewart / Cyndi Lauper October 7 Sesame Street Live! Let’s Party! October 5 Lynyrd Skynyrd and Bad Company / Jamey Johnson September 28-29 Justin Timberlake / Francesco Yates September 19 USA Hockey All American Prospects Game September 18 Maroon 5 / Julia Michaels September 11-12 Bruno Mars / Charlie Wilson August 24-25 Joyce Meyer Ministries August 19 The Smashing Pumpkins / Metric August 14 Sam Smith / Beth Ditto August 8 Charlie Puth / Hailee Steinfeld July 1 Harry Styles / Kacey Musgraves June 22 James Taylor & His All-Star Band / Bonnie Raitt June 15 Steely Dan and The Doobie Brothers June 8 Paul Simon May 16 Daryl Hall & John Oates and Train May 15 Shania Twain / Bastian Baker May 6 Stars on Ice April 28 Bon Jovi / The Missing Letters April 21 Marco Antonio Solis April 5,7 NCAA Frozen Four March 23 Lorde / Tove Stryke / Run The Jewels March 16-17 NCHC Frozen Faceoff March 12 P!NK March 7-10 MSHSL Boys’ State Hockey Tournament March 1-3 MSHSL State Wrestling Tournament February 21-24 MSHSL Girls’ State Hockey Tournament February 3 The Night Before – Dave Matthews Band January 29 Super Bowl Opening Night Fueled by Gatorade January 17 The Killers / Alex Cameron January 5-6 World’s Toughest Rodeo – Dylan Scott 2017 December 30 Trans-Siberian Orchestra December 7-10 Marvel Universe LIVE! Age of Heroes 1 December 4 101.3 KDWB Jingle Ball - Fall Out Boy / Kesha / Charlie Puth / Halsey / Niall Horan / Camila Cabello / Liam Payne / Julia Michaels / Why Don't We December 3 U.S.
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Rock Around the Clock Musical2
The Birth of Rock n’ Roll! ! ! CAST:! ! CAST:! CAST:! Lead1*! ! Duke Ellington Buddy Holly! Lead2! ! Robert Johnson! The Big Bopper! Friend 1! ! Ray Charles! Ritchie Valens! Friend 2! ! Beatles:! (Hippies)! (Teacher/ Class)! ! John, Paul, Hippie #1! Elvis Presley*! ! George, Ringo! Hippie #2! (Prisoners)! ! Chuck Berry! Joey Ramone! Lead Prisoner ! ! Little Richard! Tommy Ramone! Lead Belly! ! Wanda Jackson! ! Jimmie Rodgers! ! Bill Haley! Stage Manager! Trixie Smith! ! The Coasters (4)! Curtain Engineer Robert Palmer*! ! Fats Domino ! ! ! ! ! SET:! • 2-4 Pedestals for statues! • Standing Arch with big sign [ROCK n’ ROLL MUSEUM] with working door/ OPEN/CLOSED sign.! !• Risers! ! ! ACT ONE - SCENE ONE - INTRO! Class and teacher are at the last exhibit of the ROCK AND ROLL MUSEUM. As the teacher is lining !the kids up to leave she takes a head count. After she counts the last student! [CURTAIN]! Music starts and curtain opens: Kiss’s I WANT TO ROCK AND ROLL ALL NIGHT! Students roam around the stage chatting and looking at an Elvis statue on a pedestal. ! TEACHER: ! [The second the music stops -shouting] C’mon class! We need to shake a leg or we will miss the bus!! Teacher leads the class towards the exit.! TEACHER: !Alright students, partner up -PARTNER-UP!! Students start lining up and joining their partners, teacher assists. Students and teacher’s backs are to the statue! ELVIS !! [statue sings and thrusts his pelvis] [Sung] Well it’s one for the money! No one notices but LEAD 1! LEAD 1:! [nudges his/her friend] Hey! Did you see that?! LEAD 2: ! See what? You’re so weird, just listen to the teacher will you?!! ELVIS: ! [Sung and moves to the beat] Two for the show!! Still, no one notices.
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