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ONE PLUS ONE We picked these two artist to move your mind Adele 21 is the eagerly awaited sophomore album from British singer-songwriter Adele. It’s the follow up to Adele’s critically acclaimed, Grammy award winning debut album 19 (both named after her age at the time the songs were written). This new collection of songs showcases the growth of this incredible artist, who at the very young age of twenty two, exhibits the poise of a seasoned veteran. Adele’s music takes some new direction while staying true to her signature style. “I discovered lots of artists I’d never heard of, particularly Wanda Jackson, Allison Krauss, Yvonne Fair, Andrew Bird, Neko Case, Lady Antebellum and Steel Drivers who I fell in love with. Then I delved in to more from artists I’ve loved forever. The Help et during the nascent civil country club sets relies and mistrusts enlisting Srights movement in Jackson, the help of Aibileen, a maid who’s raised 17 Miss., where black women were children, and Aibileen’s best friend Minny, trusted to raise white children who’s found herself unemployed more but not to polish the household than a few times after mouthing off silver. Eugenia Skeeter is just to her white employers. Skeeter home from college in 1962, and, the courage to break down her anxious to become a writer, is personal boundaries and pursue her advised to hone her chops by dreams. writing about what disturbs you. The budding social activist for more information begins to collect the stories of visit www.itunes.com the black women on whom the www.amazon.com.

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Marc Shapiro
ADELE The Biography MARC SHAPIRO ST. MARTIN’S GRIFFIN NEW YORK adele. Copyright © 2012 by Marc Shapiro. All rights reserved. Printed in the United States of America. For information, address St. Martin’s Press, 175 Fifth Avenue, New York, N.Y. 10010. www .stmartins .com Design by Steven Seighman ISBN 978- 1- 250- 02516- 6 (trade paperback) ISBN 978- 1- 250- 02547- 0 (hardcover) ISBN 978- 1- 250- 02515- 9 (e-book) First Edition: July 2012 10 9 8 7 6 5 4 3 2 1 10. NO BALLAD, NO CRY dele began writing new material for her follow- up record in April 2009. But not before she agreed to take a ﬂ yer as an actress with a guest shot on the hit tele vi- sion sitcom Ugly Betty. It seemed like a harm- Aless diversion from all the drama and pressure in her life. She reasoned, how hard could it be to play herself? In the episode, Betty is dancing with her husband at their wedding when the couple is suddenly interrupted by Adele. Th ere is some harmless banter and the next thing we know Adele is up on stage singing the song “Right As Rain.” Adele realized that that kind of promotion in America was well worth the eﬀ ort, but would later acknowledge in Vogue that the Ugly Betty experience cured her of any future acting aspirations. “I can’t watch it. I was so uncomfortable. I am the worst actress of all time.” But Adele was thankful for the momentary respite from Marc Shapiro her day job as singer-songwriter on the rise.
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Psaudio Copper
Issue 116 JULY 27TH, 2020 “Baby, there’s only two more days till tomorrow.” That’s from the Gary Wilson song, “I Wanna Take You On A Sea Cruise.” Gary, an outsider music legend, expresses what many of us are feeling these days. How many conversations have you had lately with people who ask, “what day is it?” How many times have you had to check, regardless of how busy or bored you are? Right now, I can’t tell you what the date is without looking at my Doug the Pug calendar. (I am quite aware of that big “Copper 116” note scrawled in the July 27 box though.) My sense of time has shifted and I know I’m not alone. It’s part of the new reality and an aspect maybe few of us would have foreseen. Well, as my friend Ed likes to say, “things change with time.” Except for the fact that every moment is precious. In this issue: Larry Schenbeck finds comfort and adventure in his music collection. John Seetoo concludes his interview with John Grado of Grado Labs. WL Woodward tells us about Memphis guitar legend Travis Wammack. Tom Gibbs finds solid hits from Sophia Portanet, Margo Price, Gerald Clayton and Gillian Welch. Anne E. Johnson listens to a difficult instrument to play: the natural horn, and digs Wanda Jackson, the Queen of Rockabilly. Ken hits the road with progressive rock masters Nektar. Audio shows are on hold? Rudy Radelic prepares you for when they’ll come back. Roy Hall tells of four weddings and a funeral.
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Wanda Jackson: Rock's First Queen – Grade 10
Wanda Jackson: Rock’s First Queen – Grade 10 For too long, the history of rock ‘n’ roll has been written as though the entire genre were just a boy’s club. According to the traditional story, rock started with “Rocket 88” by Ike Turner and Jackie Brentson, became immensely popular with Elvis Presley, and became art with the Beatles. In other words, the history of rock ‘n’ roll is one of men influencing other men. Recent scholarship has tried to reverse this a little bit. Writers have argued that female singers at least influenced people such as Elvis and Chuck Berry. They have cited gospel singers such as Mahalia Jackson and blues singers such as Ma Rainey and Bessie Smith. Other writers have reminded us of the work of pioneering girl groups in the 1960s, groups such as the Shirelles and Motown’s the Supremes. But very few have written about the women who bridge the gap between influences and outcomes, the women who were there while rock ‘n’ roll was being born and who helped make rock ‘n’ roll the cultural force it became. By far, the most influential of these women was Wanda Jackson. Wanda Jackson’s musical odyssey began in Oklahoma City in 1954, months before Elvis would release the seminal “That’s All Right,” the first rock ‘n’ roll song to find a white audience and the song that would make him a star. There, Jackson was discovered by the country singer Hank Snow. In Nashville, she recorded a few songs with Snow’s band, one of which became a top country hit.
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Starr-Waterman American Popular Music Chapter 8: “Rock Around the Clock”: Rock ’N’ Roll, 1954‒1959 Key People
Starr-Waterman American Popular Music Chapter 8: “Rock Around the Clock”: Rock ’n’ Roll, 1954‒1959 Key People Alan Freed (1922‒1965): Disc jockey who discovered in the early 1950s that increasing numbers of young white kids were listening to and requesting rhythm & blues records played on his Moondog Show. Antoine “Fats” Domino (b. 1928): Singer, pianist, and songwriter, who was an established presence on the rhythm & blues charts for several years by the time he scored his first large-scale pop breakthrough with “Ain’t It a Shame” in 1955 and ultimately became the second best-selling artist of the 1950s. Barbra Streisand (b. 1942): Impactful recording artist who has delighted audiences on Broadway, in movies, and in concert, also known for her successful LP sales. Big Joe Turner (1911‒1985): Vocalist who began his career as a singing bartender in the Depression era nightclubs of Kansas City; one of Atlantic Records’ early starts, and recorded the original “Shake, Rattle, and Roll.” Bill Black (1926‒1965): String bassist who recorded with Scotty Moore and Elvis Presley for Sun Records. Bill Haley and the Comets: Influential rock ’n’ roll band influenced by western swing music who recorded the first number one rock ’n’ roll hit “Rock around the Clock.” Brenda Lee (Brenda Mae Tarpley) (b. 1944): Recording artist of the early 1960s known as “Little Miss Dynamite” who sang hits like “Sweet Nothin’s.” Buddy Holly (Charles Hardin Holley) (1936‒1959): Clean-cut, lanky, and bespectacled singer, songwriter, and guitarist of the 1950s who, along with his band, the Crickets, recorded influential hits like “That’ll Be the Day” and made frequent use of double- tracking.
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New Album in 2019
Wanda Jackson riginally hailing from small-town Oklahoma, Wanda Jackson came Oonto the music scene at the young age of 17 with her 1954 single, “You Can’t Have My Love.” Her unique growl electrified her audiences and fans, quickly earning her the title “Queen of Rockability.” “Hot Dog! That Made Him Mad” and “Let’s Have A Party” were two of her Self-Titled earliest hits in this vein. She made her chart debut with cross-over hits such as “Right Or Wrong” and Debut Album “In The Middle Of A Heartache,” which (1956) NEW ALBUM were Top 30 hits on both the Billboard Country charts, as well as the Hot IN 2019 100. Her 1963 Grammy- nominated album, Two Sides Of Wanda, helped BEING PRODUCED to further introduce her to Country BY JOAN JETT fans with hits like “The Box It Came In” and “Tears Will Be The Chaser For Your Wine.” In recent years, appreciation of Jackson and her music Autobiography, “Every have grown to include multiple generations. She is a member of Night is Saturday Night: the Oklahoma Music Hall of Fame and the Rockabilly Hall of Fame, as well as the Rock and Roll Hall of Fame. She was also named as A Country Girl’s one of CMT’s 40 Greatest Women In Country Music during a 2002 Journey To the Rock special, and was presented with the Lifetime Achievement Award & Roll Hall of Fame,” for Performance from the Americana Music Honors and Awards in 2010. Wanda released her newest album, The Party Ain’t Over, in out November 14, 2017 2011, earning rave reviews from critics.
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The Girls Band
2 www.northcoastvoice.com • (440) 415-0999 April 8 - 22, 2009 We would like to thank all of our sponsors and encourage our readers to patronize the fine businesses appearing in the North Coast VOICE. Geneva - Luisa’s Mexican Grill in Great place, great food, and a Jam that is presents “The Good Life Singers” Publisher/Editor downtown Geneva hosts a NEW Open surely in the top ten of NE Ohio! performing their “Hit Parade” on Friday Carol Stouder Mic on Wednesday evenings. The session is and Saturday, April 24 & 25 at 7:30 p.m. from 7:00 – 10:00 and hosted by a revolving Cleveland – Brother’s Lounge Every Tickets are $8 adults, $7 seniors. Advance Managing Editors roster of musicians from the area. You will Sunday @ 8:30 p.m. is a Rock and sale tickets will receive a $1 discount. The Sage Satori • Jim Ales hear everything from jazz to blues to country Blues Jam Night with the The Band Of Ashtabula Arts Center, also presents “2009 to folk/rock music here. The restaurant also Brothers , the official house band of Kiwanis Art Scholarship Competition Advertising & features live music on the first Friday of Brothers Lounge. Hosted by Professional Exhibit” On display April 1 through April Marketing Director the month , during dinner hour. Tableside Musicians; Jim “J.R”. Richley (Drums) with 29. Admission is free. Jim Ales entertainment is provided by Manos de Sede , Eric ‘EROC’ Sosinski (Bass), Jim Meese www.artscenternews.com or call (440) 964- a group of strolling Mexican musicians, (Keyboards), and Dwayne Dickman 3396 Staff Writers whose name means “ hands of silk.
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ROCK'n'roll's 1ST DECADE Week Three
ROCK'N'ROLL’S 1ST DECADE Week Three: Rock in the Mid-1950s Recommended Listening: Chuck Berry, The Anthology (Chess, 2000). Two-CD, 50-song compilation of his most essential tracks from the mid-1950s through the early 1970s, including hits and his most influential non- hits. These include some of the most familiar and most-covered songs in all of rock, important both for the quality of the songwriting and the many classic riffs in tunes like "Johnny B. Goode," "Roll Over Beethoven," "Rock and Roll Music," "Sweet Little Sixteen," and "Reelin' & Rockin'." The single-disc collection The Great Twenty-Eight contains most of his most well known songs. Johnny Cash, The Sun Years (Rhino, 1990). Cash is usually considered a country artist, not a rock one. There's no denying, however, that much of his mid-1950s material for Sun had a rockabilly and pop-rock flavor. This has his most popular recordings for the label, including the hits "I Walk the Line," "Ballad of a Teenage Queen," and "Folsom Prison Blues." Fats Domino, Fats Domino Jukebox: 20 Greatest Hits the Way You Originally Heard Them (Capitol, 2002). Fats Domino had more than 20 hits, but this has the most famous ones by the greatest exponent of New Orleans rock'n'roll, including "The Fat Man," "Ain't That a Shame," and "Blueberry Hill." Wanda Jackson, Queen of Rockabilly (Ace, 2000). Commonly and rightfully referred to as the best woman rock artist of the 1950s, Jackson was more than that. She was one of the best rockabilly singers, period.
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I Gotta Know (1956) Wanda Jackson
MUSC-21600: The Art of Rock Music Prof. Freeze I Gotta Know (1956) Wanda Jackson LISTEN FOR • Contrast of country and rock and roll instrumentation • Contrast of vocal style between verse and chorus • Contrast of country waltz and 12-bar blues forms and grooves CREATION Songwriters Thelma Blackmon Label Capitol 3485 Musicians Wanda Jackson(voice), Joe Maphis (lead guitar), Buck Owens (rhythm guitar), bass, drums, fiddle, steel guitar unknown Producer Ken Nelson Recording Capitol Studios (Hollywood); June 1956; mono Charts Country 15 MUSIC Genre Rockabilly, country Form Contrasting verse-chorus Key D Meter 3/4, 4/4 MUSC-21600 Listening Guide Freeze “I Gotta Know” (Wanda Jackson, 1956) LISTENING GUIDE Time Form Lyric Cue Listen For 0:00 Intro • Instrumental version of Chorus; country waltz featuring fiddle and steel guitar. 0:09 “Well!” • Waltz stops. 0:10 Verse 1 (12) “I thought that you” • Tempo picks up; meter changes to 4/4; 12-bar blues form; fiddle and steel guitar out. • Lead guitar plays rockabilly-style licks; strong backbeat with slapback echo on snare and rhythm guitar. 0:21 “I gotta know” • Stop-time; voice invokes Presley with stylized hiccups. 0:27 Chorus (4) “If our love’s the real thing” • Vocal styling emphasizes the shift to country; waltz again features fiddle and steel guitar. 0:35 “Yeah!” • Signals return to rock and roll. 0:36 Verse 2 (12) “We rocked and rolled” • Guitar licks become more prominent; otherwise similar to Verse 1. 0:52 Chorus (4) “If our love’s the real thing” • Country texture. 1:00 • Snare fill signals return to rock and roll.
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Muziek Voor Volwassenen 2021 Week 33.Xlsx
Muziek voor Volwassenen / Johan Derksen Album van de week: J.T. - Steve Earle 2021 #33: Maandag 16 augustus t/m Vrijdag 20 augustus 2021 Maandag 16 augustus Buddy Holly Bo Diddley Evie Sands I can't let go Johnny Kidd and the Pirates I can tell Merrilee Rush Angel of the morning The Shadows of Knight Oh yeah Arthur and Mary Is that you Delbert McClinton Before you accuse me Aretha Franklin I can't wait until I see my baby's face The Gants Crackin' up Steve Earle Champagne Corolla Tina Mason Any way that you want me The Everly Brothers Love is strange Billy Vera and Nona Hendryx Storybook children The Zombies Road runner The Hollies Son of a rotten gambler Los Lobos I'm sorry Stoney Edwards Blackbird Dinsdag 17 augustus The Iguanas Mona I need you baby O.V. Wright Blowin' in the wind John Hammond I'm a man Howard Tate Girl from the North country The Birds You don't love me Marion Williams I pity the poor immigrant Willie Cobbs She's fine she's mine Solomon Burke Maggies's farm Steve Earle The Saint of lost causes Dr. Feelgood Mama keep your big mouth shut The Persuasions The man in me Captain Beefheart Diddy wah diddy Major Harris Like a rolling stone The Animals The story of Bo Diddley The Neville Brothers With God on our side Woensdag 18 augustus Ronnie Hawkins Who do you love Bill Brandon I'll be your baby tonight Elvis Presley Clean up your own back yard Bobby Womack All along the watchtower Della Reese Brand new day Nina Simone Just like a woman Dion Abraham, Martin and John Freddie Scott I shall be released Steve Earle Last words The Four Seasons Saturday's father The Isley Brothers Lay lady lay The Beach Boys 4th of july Esther Phillips Tonight I'll be staying here with you Ray Stevens Mr.
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Roots and Branches Handout SESSIONS Revnov20
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8 Can a Fujiyama Mama Be the Female Elvis?
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