Jay-Z Track: the 45 King from the Album: Vol
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Adult Contemporary Radio at the End of the Twentieth Century
University of Kentucky UKnowledge Theses and Dissertations--Music Music 2019 Gender, Politics, Market Segmentation, and Taste: Adult Contemporary Radio at the End of the Twentieth Century Saesha Senger University of Kentucky, [email protected] Digital Object Identifier: https://doi.org/10.13023/etd.2020.011 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Senger, Saesha, "Gender, Politics, Market Segmentation, and Taste: Adult Contemporary Radio at the End of the Twentieth Century" (2019). Theses and Dissertations--Music. 150. https://uknowledge.uky.edu/music_etds/150 This Doctoral Dissertation is brought to you for free and open access by the Music at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Music by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. -
Annie Role Breakdown
Adult Roles Oliver Warbucks : Must be able to appear age 40-65, Male. A powerful billionaire, who always has his mind on business, but has a kind heart looking for someone to love. Sings “Something Was Missing” and “I Don’t Need Anything But You”. (Vocal Range: Baritone to a high F.) Must be able to sing and act. The role involves a very small amount of dance. May be required to SHAVE head. Grace Farrell : Must be able to appear age 25-35, Female. Loyal and intelligent private secretary to Oliver Warbucks. She brings Annie and Warbucks together. Sings “I think I’m Gonna Like It Here”, “NYC”, “You Won’t Be an Orphan For Long” and “I Don’t Need Anything But You”. (Vocal Range: Soprano to high G). Must be able to sing, act and dance. Miss Hannigan : Must be able to appear age 35-60, Female. Desperate and unhappy with her lot in life, she is the alcoholic orphanage matron who is Annie’s nemesis. Sings, “Little Girls” and “Easy Street”. (Vocal Range: Alto A to D) Must be able to sing, act and dance. Lily St. Regis : Must be able to appear age 25 – 35, Female. Shady, floozy girlfriend of Rooster. Sings “Easy Street”. (Vocal Range: Soprano up to a high G) Must be able to sing, act, and dance. Rooster : Must be able to appear age 25-45. Male. Miss Hannigan’s greedy and dishonest brother. Sings “Easy Street” (Vocal Range: Tenor to high G). Must be able to sing, act, and dance. Roosevelt : Age 40-65, Male. -
Distance and Empathy: Constructing the Spectator of Annie Sprinkle's Post-POST PORN MODERNIST—Still in Search of the Ultimate Sexual Experience
Spring 1993 177 Distance and Empathy: Constructing the Spectator of Annie Sprinkle's Post-POST PORN MODERNIST—Still in Search of the Ultimate Sexual Experience Angelika Czekay Today, after seventeen years in the porn industry, ex-sex worker Annie Sprinkle is a performance artist. In her recent performance piece "Post-Post Porn Modernist Still in Search of the Ultimate Sexual Experience," Sprinkle talks about her life as a former porn star and ex-prostitute. The show's topic is sex, which Sprinkle "understands as her hobby, politics, spiritual experience, expertise, main subject matter . and the key to her great health and happiness" (Program note, Theatre Oobleck, October 1991). The performance is visually graphic: Sprinkle urinates and douches on stages, invites the spectator to look at her cervix, performs a "bosom ballet," and introduces sex toys for the fulfillment of various sexual desires. In a series of loosely linked segments, her narration moves through the different stages in her life and reveals its changes, both in job and attitude. To complement her stories, Sprinkle uses sets of slides; for instance, the "pornstistics" [sic], showing an image of the Empire State Building as a demonstration of the length of all the penises she "sucked," or a diagram that reveals in percentages her reasons for becoming a sex worker. I had the opportunity to see Sprinkle's performance piece on two separate occasions and in two different cultural contexts in 1991, once in Berlin in July and once in Chicago in October. Although the performance had basically remained the same, my reactions were almost directly opposite. -
The Life & Rhymes of Jay-Z, an Historical Biography
ABSTRACT Title of Dissertation: THE LIFE & RHYMES OF JAY-Z, AN HISTORICAL BIOGRAPHY: 1969-2004 Omékongo Dibinga, Doctor of Philosophy, 2015 Dissertation directed by: Dr. Barbara Finkelstein, Professor Emerita, University of Maryland College of Education. Department of Teaching and Learning, Policy and Leadership. The purpose of this dissertation is to explore the life and ideas of Jay-Z. It is an effort to illuminate the ways in which he managed the vicissitudes of life as they were inscribed in the political, economic cultural, social contexts and message systems of the worlds which he inhabited: the social ideas of class struggle, the fact of black youth disempowerment, educational disenfranchisement, entrepreneurial possibility, and the struggle of families to buffer their children from the horrors of life on the streets. Jay-Z was born into a society in flux in 1969. By the time Jay-Z reached his 20s, he saw the art form he came to love at the age of 9—hip hop— become a vehicle for upward mobility and the acquisition of great wealth through the sale of multiplatinum albums, massive record deal signings, and the omnipresence of hip-hop culture on radio and television. In short, Jay-Z lived at a time where, if he could survive his turbulent environment, he could take advantage of new terrains of possibility. This dissertation seeks to shed light on the life and development of Jay-Z during a time of great challenge and change in America and beyond. THE LIFE & RHYMES OF JAY-Z, AN HISTORICAL BIOGRAPHY: 1969-2004 An historical biography: 1969-2004 by Omékongo Dibinga Dissertation submitted to the Faculty of the Graduate School of the University of Maryland, College Park, in partial fulfillment of the requirements for the degree of Doctor of Philosophy 2015 Advisory Committee: Professor Barbara Finkelstein, Chair Professor Steve Klees Professor Robert Croninger Professor Derrick Alridge Professor Hoda Mahmoudi © Copyright by Omékongo Dibinga 2015 Acknowledgments I would first like to thank God for making life possible and bringing me to this point in my life. -
An Incredible New Sound for Engineers
An Incredible New Sound for Engineers Bruce Swedien comments on the recording techniques and production HIStory of Michael Jackson's latest album by Daniel Sweeney "HIStory" In The Making Increasingly, the launch of a new Michael Jackson collection has taken on the dimensions of a world event. Lest this be doubted, the videos promoting the King of Pop's latest effort, "HIStory", depict him with patently obvious symbolism as a commander of armies presiding over monster rallies of impassioned followers. But whatever one makes of hoopla surrounding the album, one can scarcely ignore its amazing production values and the skill with which truly vast musical resources have been brought to bear upon the project. Where most popular music makes do with the sparse instrumentation of a working band fleshed out with a bit of synth, "HIStory" brings together such renowned studio musicians and production talents as Slash, Steve Porcaro, Jimmy Jam, Nile Rodgers, plus a full sixty piece symphony orchestra, several choirs including the Andrae Crouch Singers, star vocalists such as sister Janet Jackson and Boys II Men, and the arrangements of Quincy Jones and Jeremy Lubbock. Indeed, the sheer richness of the instrumental and vocal scoring is probably unprecedented in the entire realm of popular recording. But the richness extends beyond the mere density of the mix to the overall spatial perspective of the recording. Just as Phil Spector's classic popular recordings of thirty years ago featured a signature "wall of sound" suggesting a large, perhaps overly reverberant recording space, so the recent recordings of Michael Jackson convey a no less distinctive though different sense of deep space-what for want of other words one might deem a "hall of sound". -
MTO 11.4: Spicer, Review of the Beatles As Musicians
Volume 11, Number 4, October 2005 Copyright © 2005 Society for Music Theory Mark Spicer Received October 2005 [1] As I thought about how best to begin this review, an article by David Fricke in the latest issue of Rolling Stone caught my attention.(1) Entitled “Beatles Maniacs,” the article tells the tale of the Fab Faux, a New York-based Beatles tribute group— founded in 1998 by Will Lee (longtime bassist for Paul Schaffer’s CBS Orchestra on the Late Show With David Letterman)—that has quickly risen to become “the most-accomplished band in the Beatles-cover business.” By painstakingly learning their respective parts note-by-note from the original studio recordings, the Fab Faux to date have mastered and performed live “160 of the 211 songs in the official canon.”(2) Lee likens his group’s approach to performing the Beatles to “the way classical musicians start a chamber orchestra to play Mozart . as perfectly as we can.” As the Faux’s drummer Rich Pagano puts it, “[t]his is the greatest music ever written, and we’re such freaks for it.” [2] It’s been over thirty-five years since the real Fab Four called it quits, and the group is now down to two surviving members, yet somehow the Beatles remain as popular as ever. Hardly a month goes by, it seems, without something new and Beatle-related appearing in the mass media to remind us of just how important this group has been, and continues to be, in shaping our postmodern world. For example, as I write this, the current issue of TV Guide (August 14–20, 2005) is a “special tribute” issue commemorating the fortieth anniversary of the Beatles’ sold-out performance at New York’s Shea Stadium on August 15, 1965—a concert which, as the magazine notes, marked the “dawning of a new era for rock music” where “[v]ast outdoor shows would become the superstar standard.”(3) The cover of my copy—one of four covers for this week’s issue, each featuring a different Beatle—boasts a photograph of Paul McCartney onstage at the Shea concert, his famous Höfner “violin” bass gripped in one hand as he waves to the crowd with the other. -
Municipal Civil Service Commission
r THE CITY RECORD VoL. LXXIV NUMBER 22249 WEDNESDAY, SEPTEMBER 4, 1946 PRICE 10 CENTS THE CITY RECORD 400155 MUNICIPAL CIVIL SERVICE COMMISSION OFFICIAL JOURNAL OF THE CITY OF NEW YOLK Published Under Authority of Section 8724 of the New York City Charter Applications are being received continuously for the following license examina- tions: Master and Special Electrician; Master Plumber; Master Rigger; Motion STEPHEN G. KELLEY, Syrttavnoa Picture Operator; Portable Engineer (any motive power except steam) ; Portable WILLIAM VIERTEL, Elmo. Engineer (steam) ; Refrigerating Machine Operator (ten ton capacity) ; Refriger- 2213 Municipal Building, Manhattan, N. Y. 7. WO rth 2.1800 ating Machine Operator (unlimited capacity) ; Special Rigger; Stationary Engi- neer, First, Second and Third Grades; Stationary Fireman; Structural Welder; Published daily, at 9 a. m., except Sundays and legal holidays. Oil Burning Equipment Installation. Subscription: $20 a year; $10 six months; $5 three months. Daily issue, 10 cents a copy (by mail, 15 cents). License applications and detailed information may be obtained at the Applica- Entered as Second.Class Matter, Post Office at New York. N. Y. tion Bureau of the Municipal Civil Service Commission, 96 Duane Street, Man- OTHER CITY RECORD PUBLICATIONS Order must be accompanied by:. currency, money order, or cheek drawn to the order of hattan, N. Y. 7. "Supervisor of THE CITY RECORD." Checks for 13 or more Mlle be certified. By Mail Ry Mai, Assessed Valuation of Real Estate New York City Charter and Ad- (106 Sections) Prices Vary. ministrative Code, Amendment. Changes in Departments, Etc. num; Mack B. Goldstein, at $3,110 per an- to- Canvass of Votes $1.00 $1.10 num ; George Shapiro, at $3,050 per an- Cumulative to July 1, 1941 $1 . -
Annie Belle Boss Papers (League of Women Voters) 1914-1931 (3 Hollinger Legal Size Boxes) (1 Flat Box with 1 Scrapbook (16” X 10 1/2” X 4”), with Deed of Gift)
IUSB Archives Inventory of Collections Annie Belle Boss Papers (League of Women Voters) 1914-1931 (3 Hollinger legal size boxes) (1 Flat Box with 1 Scrapbook (16” X 10 1/2” X 4”), with Deed of Gift). The papers pertain to the Woman’s Franchise League of Indiana and its successor, the Indiana League of Women Voters, and especially to the activities of Annie Belle Rittel Boss (Mrs. John C. Boss) (circa 1874-1946), a middle-class woman of Elkhart, Indiana who was active in these organizations on the local, district and state levels. Mrs. Boss’s papers became the property of her daughter, Helen K. Boss Winterhoff, and upon Mrs. Winterhoff’s death were obtained by members of the League of Women Voters of Elkhart. They presented the collection to IUSB in 1984. These papers include publications, correspondence, internal records and other memorabilia of the Woman’s Franchise League of Indiana (1915-1920) and the Indiana League of Women Voters (1920-1931) as well as a history of the latter organization compiled in 1977. Some of the materials concern the local Elkhart branch of the two organizations. Many of the items originated with Helen Beardsley of Elkhart, who founded the Elkhart chapter of the Woman’s Franchise League of Indiana in April, 1913. Serving on the board of the state organization, she became the first president of the Indiana League of Women Voters in 1920. During her years as president (1920 - 1922), the state headquarters was at Elkhart, after which time it was moved to Indianapolis. Mrs. Beardsley was the wife of Andrew Hubble Beardsley, a leading Elkhart businessman, who as a state legislator included woman suffrage in his platform and was influential in the passage of suffrage legislation in Indiana. -
Annie Morris, 1978 —
Annie Morris, 1978 — London-based artist Annie Morris was born in 1978. Morris studied at the École Nationale Supérieure des Beaux-Arts, Paris between 1997 and 2001 under Giuseppe Penone before completing her education at the Slade School of Fine Art in London. Morris’s multi-disciplinary practice draws on both personal experience and the history of art. Encompassing sculpture, tapestry, painting and drawing, Morris’s intuitive use of line weaves between abstraction and representation. Morris’s most recognizable body of work is her ‘Stack’ series, begun in 2014 and inspired by the artist’s grief following a stillbirth. The sculptures, which are comprised of irregular spheres precariously arranged into tall columns, evoke the swell of pregnancy. Sculpted in plaster or cast in bronze, the forms are painted with hand-sourced, raw pigments in vivid hues such as Ultramarine, Viridian and Ochre, which give Morris's lumpen orbs a rich, vibrant hue. Morris uses the same deep pigments in her drawing and tapestry practice, which combines personal ciphers with abstract mark-making and grid-like structures. London | New York [email protected] timothytaylor.com Biography 1978 Born in England 1997 Studies at Central St. Martin's School of Art and Design, London, UK 1998 Studies at École de Beaux-Arts, Paris, France 2003 Studies at Slade School of Art, London, UK Selected Solo Exhibitions 2021 (Forthcoming) Annie Morris: When a Happy Thing Falls, Weston Gallery, Yorkshire Sculpture Park, UK 2020 Annie Morris: Diaries (online), Timothy Taylor, London, -
Unreal Estate Real Property 8 Paper’S Content Centers on the Spatial Implications of Epochal Shifts in Technology, Economy and Society Today
November 19, 2010 The New City Reader is a newspaper on architecture, public space and the city, published as part of “The Last Newspaper,” Peter Tolkin an exhibition running at the New Museum of Contemporary 2 5 Art from October 6, 2010 – January 9, 2011. Conceived by Mabel O. Wilson executive editors Joseph Grima and Kazys Varnelis, the news UNREAL ESTATE REAL PROPERTY 8 paper’s content centers on the spatial implications of epochal shifts in technology, economy and society today. The New Carmen Argote City Reader will consist of one edition published over the REAL MONEY, FAKE LAND course of the project, with a new section produced weekly Chloë Bass 3 from within the museum’s gallery space, each led by a differ ent guest editorial team of architects, theorists and research Brigette Borders REAdiNG THE REAL 3 groups. These sections will be available free at the New GOWN TROUNCES Museum and—in emulation of a practice common in the John Cantwell nineteenthcentury American city and still popular in China TOWN, 2–0 ESTATE SECTION and other parts of the world today—will be posted in public on walls throughout the city for collective reading. Catherine 4 5 The next issue will be BUSINESS, guest edited by Frank 6 Pasquale & Kevin Slavin, and LEGAL, guest edited by Eyal Ingraham Weizman, Centre for Research Architecture at Goldsmiths. Marisa Jahn/ SidEWALK SALE Y… 7 6 SUFFERing FROM CUP SIDEWALK RAGE? 7 Let it out at the Olalekan NEW CITY READER assembl CLASSIFIEDS Jeyifous BATTLE FOR -- REAL wall 2 1 Advertise for free Klaus INSECT KiNG OF OR lgnlgn.com F -- NEW YORK #rantsandraves Alexandra #lgnlgn Lange OF TimESHARES The New City Reader Guest Editors Elizabeth E AND TENEMENTS EXECUTIVE ART DIRECTOR CITY FOOD MUSIC “The Last STATE EDITORS Neil Donnelly Network Park (Will Prince & DJ N-RON & Newspaper” is Joseph Grima Architecture Lab, Krista Ninivaggi) & DJ/rupture curated by Richard Lasater Kazys Varnelis DESIGNER Columbia University Nicola Twilley Flood and Benjamin WHO MAKES THE RENT? Chris Rypkema Graduate School STYLE Godsill. -
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, -fo Oc Cs>fiifr[tfTk<l- — Lof <r - : OXAK" — *5h(VF 6&i-f[/N3 uUPcflUY- J[« (JobL 3 %OAArLdc Mk/J /\ifaxir\Q fU> fbbxJ JUtkLsMc •» • 3 • \HxKxapai tfom pxrz. 5(o '<3>^ 55 5\ 5o (o-3-&\ fa tlJt Brot&* {) 5-22- 45 . c^ J .^^"io^U; 1&uuu^ajp<& CM-M^cyL5ta^ l i /cto^TLT. 6LO^ h&cQtyOte 51 . a -t 15* 35 <?4 u S3 •52. U -CjLl€hj01&-- Iv3l ^tcL?U J^UMj^tO^ zi ^ _.Ei-ciw_p4#_ QoU_. GIMJX ^c^co6 &cJ._^st. Z3 C^dLG— Cr?. fihfoJ^dtf'Gsi 2.2, ^ (jo Z( 2O Q 16 w 17 i ^ 15 4-2-5? <fl 13 II -uSj-f <n. fads - Ste&ttelL TcujrNztrtLti-. .. IP.. of q ..s. - past _ i A 1-13- Q od. .c?_ ttCJL 3 a 2 (-15-59 u % 7 i* DEPARTMEN O F PA R K S ARSENAL, CENTRAL PARK REGENT 4-1000 FOR RELEASE THURSDAY, DECEMBER 24, 1959 l-l-l-60M-707199(58) 114 The Department of Parks announces that a •baby- female hippopotamus weighing approximately 70 lbs. was born on November 24, 1959, at the Prospect Park &oo in Brooklyn. The mother, Betsy, now 9 years old, arrived at the Prospect Park &oo on September 8, 1953, and the sire, "Dodger", was 3 years old v/hen he arrived in 1951. However, "Dodger" passed away on October 8, 1959, and will not be around to hand out cigars. The new offspring has been named "'Annie". N.B. s Press photographs may be taken at tine* 12/23/59 DEPARTMEN O F PA R K S ARSENAL, CENTRAL PARK REGENT 4-1000 FOR RELEASE SUHDAY, D5CBMHBR 20, 1959 M-l-60M-529Q72(59) 114 The Borough President of Richmond and the Department of Parks announce the award of contracts, in the amount of $2,479,487, for the second stage of construction of the South Beach improvement in Staten Islitnd. -
Procurement Summary
Procurement Summary Basic Information Procurement Title: Cornerstone Program – Marcy Houses Agency: Department of Youth and Community Development Agency Email Contact: [email protected] The Department of Youth and Community Development (DYCD) Cornerstone program is a joint project of New York City Housing Authority (NYCHA) and DYCD whereby DYCD- funded programs serving youth and adults are located in NYCHA community centers. In 2010, DYCD established the first Cornerstones in 25 NYCHA developments. NYCHA community centers have always been a focal point for residents. Located in NYCHA developments, Cornerstones are ideal gateways through which participants of all ages can engage in activities, access multiple services, and build the community. The overall goal of the Cornerstone initiative is to create vibrant, multi-generational Procurement Description: community centers that engage youth, families, and adults are responsive to local needs; and improve quality of life and well-being of neighborhood residents. DYCD is seeking appropriately qualified nonprofit organizations to operate innovative Cornerstone community center programs for youth and adults to be located at Marcy Houses located in Brooklyn. Cornerstone Programs will provide holistic services that respond to the needs of residents and build on community assets. HHS Accelerator Service To receive this RFP in the HHS Accelerator system, you must have an Applications: approved Service Application for at least one of the following: • Academic Supports • Community Engagement • Life Skills • Literacy • Job Placement Services • Job/Vocational Training • Work Readiness • Mental Health Services • Case Management • Conflict Resolution/Mediation • Preventive Services .