The Real Vampires of New Orleans and Buffalo: a Research Note Towards Comparative Ethnography
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Vampire Storytellers Handbook (3Rd Edition)
Vampire Storytellers Handbook 1 Vampire Storytellers Handbook By Bruce Baugh, Anne Sullivan Braidwood, Deird’re Brooks, Geoffrey Grabowski, Clayton Oliver and Sven Skoog Table of Contents Introduction............................................................................................................................................................................................4 The Most Important Part... ............................................................................................................................................................6 ...And the Most Important Rule .....................................................................................................................................................6 How to Use This Book...................................................................................................................................................................7 The Game as it is Played..............................................................................................................................................................7 Cool, Not Kewl ..............................................................................................................................................................................9 Violence is Prevalent but Desperate...........................................................................................................................................10 Vampire Music ............................................................................................................................................................................10 -
Film Appreciation Wednesdays 6-10Pm in the Carole L
Mike Traina, professor Petaluma office #674, (707) 778-3687 Hours: Tues 3-5pm, Wed 2-5pm [email protected] Additional days by appointment Media 10: Film Appreciation Wednesdays 6-10pm in the Carole L. Ellis Auditorium Course Syllabus, Spring 2017 READ THIS DOCUMENT CAREFULLY! Welcome to the Spring Cinema Series… a unique opportunity to learn about cinema in an interdisciplinary, cinematheque-style environment open to the general public! Throughout the term we will invite a variety of special guests to enrich your understanding of the films in the series. The films will be preceded by formal introductions and followed by public discussions. You are welcome and encouraged to bring guests throughout the term! This is not a traditional class, therefore it is important for you to review the course assignments and due dates carefully to ensure that you fulfill all the requirements to earn the grade you desire. We want the Cinema Series to be both entertaining and enlightening for students and community alike. Welcome to our college film club! COURSE DESCRIPTION This course will introduce students to one of the most powerful cultural and social communications media of our time: cinema. The successful student will become more aware of the complexity of film art, more sensitive to its nuances, textures, and rhythms, and more perceptive in “reading” its multilayered blend of image, sound, and motion. The films, texts, and classroom materials will cover a broad range of domestic, independent, and international cinema, making students aware of the culture, politics, and social history of the periods in which the films were produced. -
Vampires in Transition
VAMPIRES IN TRANSITION Daniel Berjano Rodríguez Utrecht University and Universidad de Granada GEMMA 2016-2018 Supervisor: Adelina Sánchez Espinosa (UGR) Second supervisor: Gianmaria Colpani (UU) July 2018 VAMPIRES IN TRANSITION ABSTRACT In Vampires in Transition, I develop semiotic analyses of two key films of the Spanish transition: Elisa, vida mia (Carlos Saura, 1977) and Arrebato (Ivan Zulueta, 1980). Building off Gilles Deleuze's semiotics (1986, 1989) and Teresa de Lauretis' film theory (1984, 1987) – both drawing on Charles Sanders Peirce (1930-35/1958), I have designed three inter-connected concepts in relation to the vampire figuration: 'vampire-images', 'camera-vampires', and the 'phoenix'. One one hand, these concepts aim to approach the films under study through decolonial and trans-feminist perspectives. On the other hand, they intend to draw meaningful insights on Hispanic film studies in relation to what Donna Haraway calls “informatics of domination” (1991c). Departing from one of the peripheral meanings of the vampire – a male sexual predator, the vampire has been designed as a perverse figuration of structural violence in cybernetic capitalism which could help us understand the relationship between massive addictive habits of digital machines and western patriarchal agendas, as Wendy Huy Kyong Chun studies (2016). Drawing on Teresa de Luretis (1984) and my own trans-faggot experience, vampire-images are designed to give an account of the processes of simulation that work to erase traces of exploitation. They depart from Gilles Deleuze's time-images of modern cinema (1989), which imply irrational cuts caused by particular relinkages of sound and visual data. In addition, as my analysis of Elisa, vida mia attempts to prove, vampire-images involve icons of women as objectified or subordinated to men. -
320+ Halloween Songs and Albums
320+ Halloween Songs and Albums Over 320 Songs for Halloween Theme Rides in Your Indoor Cycling Classes Compiled by Jennifer Sage, updated October 2014 Halloween presents a unique opportunity for some really fun musically themed classes—the variety is only limited by your imagination. Songs can include spooky, dark, or classic-but-cheesy Halloween tunes (such as Monster Mash). Or you can imagine the wide variety of costumes and use those themes. I’ve included a few common themes such as Sci-Fi and Spy Thriller in my list. Over the years I’ve gotten many of these song suggestions from various online forums, other instructors, and by simply searching online music sources for “Halloween”, “James Bond”, “Witch”, “Ghost” and other key words. This is my most comprehensive list to date. If you have more song ideas, please email them to me so I can continually update this list for future versions. [email protected]. This year’s playlist contains 50 new specific song suggestions and numerous new album suggestions. I’ve included a lot more from the “darkwave” and “gothic” genres. I’ve added “Sugar/Candy” as its own theme. Sources: It’s impossible to list multiple sources for every song but to speed the process up for you, we list at least one source so you don’t spend hours searching for these songs. As with music itself, you have your own preference for downloading sources, so you may want to check there first. Also, some countries may not have the same music available due to music rights. -
Call-For-Papers-Tsd-2016 1
FOURTH WORLD DRACULA CONGRESS Transylvanian Society of Dracula International Open Conference 2016 20 & 21 October 2016, at Trinity College, Dublin ( plus one-day tour) www.tsdcon25.com CALL FOR PAPERS For the upcoming Fourth World Dracula Congress , organised by The Transylvanian Society of Dracula (mother organisation in Bucharest) in cooperation with the national TSD chapters and Trinity College, Dublin, we invite all persons who are interested in speaking there to submit an abstract of 150 - max. 250 words plus a meaningful title indicating the planned content of your presentation. Please take a look at our website www.tsdcon25.com first. As you will see, we plan to have ten keynote speakers for the plenary sessions (2 mornings ) plus 2 x 4 = 8 different workshops (2 afternoons.) Please also indicate for which workshop you think that your presentation will be appropriate. We will try to accommodate all wishes, but the final result will also depend on the number and the content of the submitted abstracts. For workshop presentations please plan 25 minutes of presentation time. All submitted abstracts will be reviewed by the Organising Committee together with our Scientific Committee. Membership in the TSD or an academic title or profession are no requirement, but of course, we would like to see sound and well-researched stories with an interesting statement. At the conference, your presentation can be supported by overhead projection of PowerPoint or PDF files with text and/or illustrations. We strongly encourage such illustrated presentations. In Workshop Nr. 8 (creative workshop) speakers will be able to present costumes, poetry, fragments of short stories or novels, photography or graphic art, movie clips, or to report on the creation of such projects (e.g. -
SIRIUS XM to Launch 'Halloween Radio'
SIRIUS XM To Launch 'Halloween Radio' Dedicated 24/7 channel offers listeners of all ages the ultimate Halloween soundtrack with spooky, frightful, creepy sounds and effects, plus stories from SIRIUS XM hosts Across other SIRIUS XM channels get tips for amazing costumes and parties, classic "Dracula" broadcasts, and more NEW YORK, Oct 19, 2009 /PRNewswire-FirstCall via COMTEX News Network/ -- SIRIUS XM Radio (Nasdaq: SIRI) today announced it will launch SIRIUS XM Halloween Radio, a channel devoted to all things Halloween, offering listeners of all ages the ultimate 24/7 Halloween soundtrack. (Logo: http://www.newscom.com/cgi-bin/prnh/20080819/NYTU044LOGO) Halloween Radio--SIRIUS channel 126 and XM channel 120--will launch October 26 at 10:00 am ET and run until November 1 at 6:00 am ET. Halloween Radio will broadcast catchy, creepy, fun, scary sounds beginning at 5:00 pm October 30, including creaking doors, wolves baying, footsteps, bubbling potions, a fog horn, breaking glass, the sounds of being chased through the woods, eerie screams, the echo of dripping water, a heartbeat and thunder. Halloween Radio is the perfect atmosphere for Halloween parties at work or at home and to set the mood for trick-or-treating. Visit www.sirius.com/halloween to sample Halloween Radio by playing with the spooky sounds in our interactive soundboard. Plus, vote for your favorite scary noises, submit your own trick-or-treat tales to be read on-air and get details for Halloween Radio and all the special programming across SIRIUS XM. From October 26 to October 29 Halloween Radio will air Halloween-themed segments including favorite holiday stories and memories from a variety of SIRIUS XM hosts such as Martha Stewart, Cousin Brucie, Jane Pratt, Jay Thomas, Judith Regan, and Chris "Mad Dog" Russo. -
Sexuality in the Horror Soundtrack (1968-1981)
UNIVERSITY OF CALIFORNIA Los Angeles Monstrous Resonance: Sexuality in the Horror Soundtrack (1968-1981) A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Musicology by Morgan Fifield Woolsey 2018 © Copyright by Morgan Fifield Woolsey 2018 ABSTRACT OF THE DISSERTATION Monstrous Resonance: Sexuality in the Horror Soundtrack (1968-1981) by Morgan Fifield Woolsey Doctor of Philosophy in Musicology University of California, Los Angeles, 2018 Professor Raymond L. Knapp, Co-Chair Professor Mitchell Bryan Morris, Co-Chair In this dissertation I argue for the importance of the film soundtrack as affective archive through a consideration of the horror soundtrack. Long dismissed by scholars in both cinema media studies and musicology as one of horror’s many manipulative special effects employed in the aesthetically and ideologically uncomplicated goal of arousing fear, the horror soundtrack is in fact an invaluable resource for scholars seeking to historicize changes in cultural sensibilities and public feelings about sexuality. I explore the critical potential of the horror soundtrack as affective archive through formal and theoretical analysis of the role of music in the representation of sexuality in the horror film. I focus on films consumed in the Unites States during the 1970s, a decade marked by rapid shifts in both cultural understanding and cinematic representation of sexuality. ii My analyses proceed from an interdisciplinary theoretical framework animated by methods drawn from affect studies, American studies, feminist film theory, film music studies, queer of color critique, and queer theory. What is the relationship between public discourses of fear around gender, race, class, and sexuality, and the musical framing of sexuality as fearful in the horror film? I explore this central question through the examination of significant figures in the genre (the vampire, the mad scientist/creation dyad, and the slasher or serial killer) and the musical-affective economies in which they circulate. -
Dracula's Truth Claim and Its Consequences
Journal of Dracula Studies Volume 16 Number 1 Article 3 2014 Dracula's Truth Claim and Its Consequences Hans de Roos Follow this and additional works at: https://research.library.kutztown.edu/dracula-studies Part of the English Language and Literature Commons, Feminist, Gender, and Sexuality Studies Commons, and the Film and Media Studies Commons Recommended Citation de Roos, Hans (2014) "Dracula's Truth Claim and Its Consequences," Journal of Dracula Studies: Vol. 16 : No. 1 , Article 3. Available at: https://research.library.kutztown.edu/dracula-studies/vol16/iss1/3 This Article is brought to you for free and open access by Research Commons at Kutztown University. It has been accepted for inclusion in Journal of Dracula Studies by an authorized editor of Research Commons at Kutztown University. For more information, please contact [email protected]. Dracula's Truth Claim and Its Consequences Cover Page Footnote Hans Corneel de Roos studied Political and Social Sciences in Amsterdam and Berlin. In 2012, he published The Ultimate Dracula. Together with Dacre Stoker, he wrote Dracula by Bram Stoker - The Travel Guide. He just finished his translation of Makt Myrkranna, the Icelandic version of Dracula, to English and German. This article is available in Journal of Dracula Studies: https://research.library.kutztown.edu/dracula-studies/vol16/ iss1/3 Dracula’s Truth Claim and Its Consequences Hans de Roos [Hans Corneel de Roos studied Political and Social Sciences in Amsterdam and Berlin. In 2012, he published The Ultimate Dracula. Together with Dacre Stoker, he wrote Dracula by Bram Stoker - The Travel Guide. He just finished his translation of Makt Myrkranna, the Icelandic version of Dracula, to English and German.] “Begin at the beginning," the King said gravely, "and go on till you come to the end: then stop.” Lewis Carroll, Alice in Wonderland Although its name suggests otherwise, the preface of a book is usually written when all of its content has been completed. -
Bram Stoker's Notes for Dracula with Edward G. Pettit Syllabus
Bram Stoker’s Notes for Dracula with Edward G. Pettit Description For all you Dracuphiles, this course is for you! Bram Stoker’s Notes for Dracula is comprised of over 100 pages of outlines, early plot ideas, and research notes, compiled by the author over the seven years he developed and wrote his most famous novel. At each class meeting, we’ll take a close look at the Notes (you’ll get to handle them in person at The Rosenbach) to investigate the ways Stoker conceived and developed his characters and plot over time. Then we’ll discuss how the author’s research brings both his novel and vampire lore to life. Required Texts Drafts of Dracula, edited and annotated by Robert Eighteen-Bisang and Elizabeth Miller. (Tellwell Talent, 2019, ISBN 0228814294). This is the second edition of the facsimile edition of Stoker’s Notes that the editors published in 2008. This new edition contains ALL the text from the Notes, but does not include images from every page of the Notes. It also includes all the deleted text from the Dracula typescript (which is in the collection of the Museum of Pop Culture in Seattle Washington). We’ll be using this book throughout the course. Please read Dracula in its entirety before the first meeting. Any edition will do, as we’ll refer frequently to it during our meetings. If you are looking for a reliable text, Norton has just published a second Critical Edition of Dracula, edited by John Edgar Browning and David. J Skal (Norton, 2021, ISBN 0393679209) Here’s a brief overview of what we’ll examine in each meeting: Nov 15 We’ll examine how the Notes show Stoker’s original conception of his novel, including his early character lists (except Dracula, we’ll save him for the final meeting), and how he developed the plot over the early chapters. -
BAM Presents John Carpenter: Master of Fear, a Tribute to the Legendary Director and Composer, Feb 5—22
BAM presents John Carpenter: Master of Fear, a tribute to the legendary director and composer, Feb 5—22 Opens with a one-night-only conversation John Carpenter: Lost Themes with Brooke Gladstone Followed by a BAMcinématek retrospective of all of Carpenter’s feature films In conjunction with the release of Carpenter’s debut solo album, Lost Themes, out Feb 3 John Carpenter: Lost Themes with Brooke Gladstone BAM Howard Gilman Opera House (30 Lafayette Ave, Brooklyn) Feb 5 at 8pm Tickets: $25, 35, 50 John Carpenter: Master of Fear film retrospective BAM Rose Cinemas (30 Lafayette Ave, Brooklyn) Feb 6—22 Tickets: $14 general admission, $9 for BAM Cinema Club members Bloomberg Philanthropies is the 2014—2015 Season Sponsor. The Wall Street Journal is the title sponsor for BAM Rose Cinemas and BAMcinématek. Brooklyn, NY/Dec 15, 2014—Renegade auteur John Carpenter makes a rare New York appearance at BAM on Thursday, February 5 to discuss his legendary career and celebrate the release of his first solo album, Lost Themes. Boasting “one of the most consistent and coherent bodies of work in modern cinema” (Kent Jones, Film Comment), Carpenter injects B-movie genres—horror, sci-fi, action—with the bravura stylistic technique of classical Hollywood giants like Howard Hawks, John Ford, and Alfred Hitchcock, and composes the scores for nearly all of his films. He will be joined by Brooke Gladstone, host of NPR’s On the Media, for a wide-ranging discussion of his film and music. Lost Themes will be released in conjunction with the event on February 3 through Sacred Bones Records. -
Copyright by Katharine Griffin Austin 2015
Copyright by Katharine Griffin Austin 2015 The Thesis Committee for Katharine Griffin Austin Certifies that this is the approved version of the following thesis: Interview with the Southern Vampire: Reviving a Haunted History in Contemporary Film and Television APPROVED BY SUPERVISING COMMITTEE: Supervisor: Caroline Frick Kathryn Fuller-Seeley Interview with the Southern Vampire: Reviving a Haunted History in Contemporary Film and Television by Katharine Griffin Austin, B.A. Thesis Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Master of Arts The University of Texas at Austin May 2015 Acknowledgements I wish to thank my supervisor, Dr. Caroline Frick, for courageously taking on this project in spite of her unfamiliarity with (and at times fear of) vampires. Dr. Kathy Fuller-Seeley, who I could always count on for lively conversation and welcome encouragement. My friend and fellow vampire enthusiast Amina, who helped to shape this project from its earliest beginnings. And finally my Mom, who always supported my fascination with the macabre and appointed me her vampire expert. iv Abstract Interview with the Southern Vampire: Reviving a Haunted History in Contemporary Film and Television Katharine Griffin Austin, M.A. The University of Texas at Austin, 2015 Supervisor: Caroline Frick It is difficult to imagine a time without vampires, a fixture of Western popular culture since the nineteenth century. The vampires of today, however, are a far cry from Bram Stoker’s Dracula. Stoker’s creation is a monster, a metaphor for all things feared by Victorian culture. -
The Vampire in American Literature and Film
Universitatea „Alexandru Ioan Cuza”, Iaşi Şcoala Doctorală de Studii Filologice The Vampire in American Literature and Film Portrayal of the Undead Then and Now Rezumatul tezei de doctorat Coordonator ştiinţific Prof.univ.dr. Codrin Liviu Cuţitaru Doctorand Elena Atudosiei 2017 UNIVERSITATEA "ALEXANDRU IOAN CUZA" DIN IAŞI Şcoala Doctorală de Studii Filologice Anunț La data de 25.09.2017, orele 9:00, în sala 3.15, doamna Elena Atudosiei va susţine, în şedinţă publică, teza de doctorat cu titlul “The Vampire in American Literature and Film. Portrayal of the Undead Then and Now”, în vederea obţinerii titlului ştiinţific de doctor în domeniul Filologie. Comisia de doctorat are următoarea componenţă: Preşedinte Prof. univ. dr. Dorina Lăcrămioara Petrescu, Universitatea „Alexandru Ioan Cuza”, Iași Conducător ştiinţific Prof. univ. dr. Codrin Liviu Cuțitaru, Universitatea „Alexandru Ioan Cuza”, Iași Referenţi Prof. univ. dr. Virgil Stanciu, Universitatea „Babes Bolyai” din Cluj Napoca Prof. univ. dr. Michaela Mudure, Universitatea „Babes Bolyai” din Cluj Napoca Prof. univ. dr. Odette Irene Blumenfeld, Universitatea „Alexandru Ioan Cuza” din Iași Vă invităm să participaţi la şedinţa de susţinere a tezei. Teza poate fi consultată la Biblioteca Facultăţii de Litere. Cuprins Introduction ........................................................................................................................ 3 I The Vampire Myth ........................................................................................................... 12 I.1 Origins