Study of Sacred Geometry in Islamic Architecture
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Sacred Geometry in Masonry: Basic Concepts by Bro
Sacred Geometry in Masonry: Basic Concepts By Bro. David Lang Masonic District No. 2 Education Officer Grand Lodge of Virginia Sacred geometry is a term used to describe repeating patterns found in the natural world from the subatomic to the galactic and beyond. These patterns have been recognized since the earliest days of recorded history and duplicated in art, architecture, and philosophy. Sacred geometry is also incorporated into Masonic ritual and teaching and forms the basis for many common Masonic symbols. This is emphasized to us as new Fellowcrafts when we are introduced to the Seven Liberal Arts and Sciences, arrested by the fifth science, or Geometry, and reminded that this science treats the powers and properties of magnitudes in general. It is noteworthy that the word magnitudes is capitalized in the Manual of Work thus hinting at the significance of the concept. We are then informed that the superstructure of Masonry is erected upon geometry and that by geometry we may trace the windings of nature to her most concealed recesses and discover the power, wisdom, and goodness of the Grand Artificer of the Universe. Building Blocks: The Golden Rectangle One of the basic concepts of sacred geometry is the Golden Rectangle, Golden Section, Golden Ratio, or Divine Proportion. Based upon the irrational number Phi (φ) or 1.618033…, the Golden Rectangle (or oblong square as it is known in Masonry) describes many proportions in nature and is frequently replicated in architecture, art, and music as a representation of perfect beauty. More importantly, the existence of the Golden Rectangle in everything from the path of elementary particles to the structure of the known universe provides compelling evidence for the idea of intelligent design or the presence of the divine in everything around us. -
Architecture and Urbanism in the Middle East
Viewpoints Special Edition Architecture and Urbanism in the Middle East The Middle East Institute Middle East Institute The mission of the Middle East Institute is to promote knowledge of the Middle East in Amer- ica and strengthen understanding of the United States by the people and governments of the region. For more than 60 years, MEI has dealt with the momentous events in the Middle East — from the birth of the state of Israel to the invasion of Iraq. Today, MEI is a foremost authority on contemporary Middle East issues. It pro- vides a vital forum for honest and open debate that attracts politicians, scholars, government officials, and policy experts from the US, Asia, Europe, and the Middle East. MEI enjoys wide access to political and business leaders in countries throughout the region. Along with information exchanges, facilities for research, objective analysis, and thoughtful commentary, MEI’s programs and publications help counter simplistic notions about the Middle East and America. We are at the forefront of private sector public diplomacy. Viewpoints is another MEI service to audiences interested in learning more about the complexities of issues affecting the Middle East and US relations with the region. To learn more about the Middle East Institute, visit our website at http://www.mideasti.org Cover photos, clockwise from the top left hand corner: Abu Dhabi, United Arab Emirates (Imre Solt; © GFDL); Tripoli, Libya (Patrick André Perron © GFDL); Burj al Arab Hotel in Dubai, United Arab Emirates; Al Faisaliyah Tower in Riyadh, Saudi Arabia; Doha, Qatar skyline (Abdulrahman photo); Selimiye Mosque, Edirne, Turkey (Murdjo photo); Registan, Samarkand, Uzbekistan (Steve Evans photo). -
The Dual Language of Geometry in Gothic Architecture: the Symbolic Message of Euclidian Geometry Versus the Visual Dialogue of Fractal Geometry
Peregrinations: Journal of Medieval Art and Architecture Volume 5 Issue 2 135-172 2015 The Dual Language of Geometry in Gothic Architecture: The Symbolic Message of Euclidian Geometry versus the Visual Dialogue of Fractal Geometry Nelly Shafik Ramzy Sinai University Follow this and additional works at: https://digital.kenyon.edu/perejournal Part of the Ancient, Medieval, Renaissance and Baroque Art and Architecture Commons Recommended Citation Ramzy, Nelly Shafik. "The Dual Language of Geometry in Gothic Architecture: The Symbolic Message of Euclidian Geometry versus the Visual Dialogue of Fractal Geometry." Peregrinations: Journal of Medieval Art and Architecture 5, 2 (2015): 135-172. https://digital.kenyon.edu/perejournal/vol5/iss2/7 This Feature Article is brought to you for free and open access by the Art History at Digital Kenyon: Research, Scholarship, and Creative Exchange. It has been accepted for inclusion in Peregrinations: Journal of Medieval Art and Architecture by an authorized editor of Digital Kenyon: Research, Scholarship, and Creative Exchange. For more information, please contact [email protected]. Ramzy The Dual Language of Geometry in Gothic Architecture: The Symbolic Message of Euclidian Geometry versus the Visual Dialogue of Fractal Geometry By Nelly Shafik Ramzy, Department of Architectural Engineering, Faculty of Engineering Sciences, Sinai University, El Masaeed, El Arish City, Egypt 1. Introduction When performing geometrical analysis of historical buildings, it is important to keep in mind what were the intentions -
Revitalization of the Bazaar Neighborhood in Tehran
REVITALIZATION OF THE BAZAAR NEIGHBORHOOD IN TEHRAN BY PARDIS MOINZADEH THESIS Submitted in partial fulfillment of the requirements for the degree of Master of Landscape Architecture in Landscape Architecture in the Graduate College of the University of Illinois at Urbana-Champaign , 2014 Urbana, Illinois Adviser: P Professor D. Fairchild Ruggles Abstract The word “bazaar” comes from an ancient word “wazaar” meaning market. The word “baza” has been used in other countries such as Turkey, Arabic countries and India as well.1 Bazaars are historic market places that provide trade services as well as other functions. Their historic buildings are renowned for their architectural aesthetics, and in old cities such as Tehran (Iran) they are considered the centerpiece of activities with architectural, cultural, historical, religious, and commercial values. However, during the past 400 years, they have undergone social and environmental changes. The neighborhood of the Tehran Bazaar has in recent decades become degraded, which has consequently decreased the social value of the historic Bazaar. The ruined urban condition makes it impossible for contemporary visitors to have a pleasurable experience while visiting the Bazaar, although that was historically their experience. As Tehran began to grow, much of the trade and finance in the city has moved to the newly developed section of the city, diminishing the importance of the bazaars. Today, shoppers and residents living in the Bazaar neighborhood inhabit dilapidated buildings, while customers and tourists—when they go there at all—experience a neighborhood that lacks even the most basic urban amenities such as sidewalks, drainage, benches, trees and lighting. This design study required a number of investigations. -
Bazaars and Bazaar Buildings in Regency and Victorian London’, the Georgian Group Journal, Vol
Kathryn Morrison, ‘Bazaars and Bazaar Buildings in Regency and Victorian London’, The Georgian Group Journal, Vol. XV, 2006, pp. 281–308 TEXT © THE AUTHORS 2006 BAZAARS AND BAZAAR BUILDINGS IN REGENCY AND VICTORIAN LONDON KATHRYN A MORRISON INTRODUCTION upper- and middle-class shoppers, they developed ew retail or social historians have researched the the concept of browsing, revelled in display, and Flarge-scale commercial enterprises of the first discovered increasingly inventive and theatrical ways half of the nineteenth century with the same of combining shopping with entertainment. In enthusiasm and depth of analysis that is applied to the devising the ideal setting for this novel shopping department store, a retail format which blossomed in experience they pioneered a form of retail building the second half of the century. This is largely because which provided abundant space and light. Th is type copious documentation and extensive literary of building, admirably suited to a sales system references enable historians to use the department dependent on the exhibition of goods, would find its store – and especially the metropolitan department ultimate expression in department stores such as the store – to explore a broad range of social, economic famous Galeries Lafayette in Paris and Whiteley’s in and gender-specific issues. These include kleptomania, London. labour conditions, and the development of shopping as a leisure activity for upper- and middle-class women. Historical sources relating to early nineteenth- THE PRINCIPLES OF BAZAAR RETAILING century shopping may be relatively sparse and Shortly after the conclusion of the French wars, inaccessible, yet the study of retail innovation in that London acquired its first arcade (Royal Opera period, both in the appearance of shops and stores Arcade) and its first bazaar (Soho Bazaar), providing and in their economic practices, has great potential. -
Geometric Patterns and the Interpretation of Meaning: Two Monuments in Iran
BRIDGES Mathematical Connections in Art, Music, and Science Geometric Patterns and the Interpretation of Meaning: Two Monuments in Iran Carol Bier Research Associate, The Textile Museum 2320 S Street, NW Washington, DC 20008 [email protected] Abstract The Alhambra has often served in the West as the paradigm for understanding geometric pattern in Islamic art. Constructed in Spain in the 13th century as a highly defended palace, it is a relatively late manifestation of an Islamic fascination with geometric pattern. Numerous earlier Islamic buildings, from Spain to India, exhibit extensive geometric patterning, which substantiate a mathematical interest in the spatial dimension and its manifold potential for meaning. This paper examines two monuments on the Iranian plateau, dating from the 11 th century of our era, in which more than one hundred exterior surface areas have received patterns executed in cut brick. Considering context, architectural function, and accompanying inscriptions, it is proposed that the geometric patterns carry specific meanings in their group assemblage and combine to form a programmatic cycle of meanings. Perceived as ornamental by Western standards, geometric patterns in Islamic art are often construed as decorative without underlying meanings. The evidence presented in this paper suggests a literal association of geometric pattern with metaphysical concerns. In particular, the argument rests upon an interpretation of the passages excerpted from the Qur' an that inform the patterns of these two buildings, the visual and verbal expression mutually reinforcing one another. Specifically, the range and mUltiplicity of geometric patterns may be seen to represent the Arabic concept of mithal, usually translated as parable or similitude. -
Sacred Geometry, Mandalas, Crop Circles, Fractals and the NDE Phillip S
Sacred Geometry, Mandalas, Crop Circles, Fractals and the NDE Phillip S. Mitchell's research Phillip S. Mitchell, M.A., M.F.T., M.A.C. is an enthusiast and researcher of sacred geometry, crop circles, fractals and spiritual teaching. He has worked in the mental health field for over thirty years in various capacities and holds a Masters Degree in Humanistic and Transpersonal Psychology. Phillip currently serves as a licensed therapist and lecturer. The following pages describe some of his research and its relationship to the near-death experience. Have you noticed similarities among mandala motifs, crop circles and fractal images? Have you noticed that they are frequently reported as being seen in dazzling beauty by many who share their reports of near-death experience and other altered states of consciousness? (Note: See the UFO/NDE connection page) Similarities and connections abound. As Pythagoras taught, Sacred Geometry is an ancient, universal language (land-guage). Geometric formations hold information and communicate ideas; not necessarily at a cognitive level, but often at a cellular level. They in-form us cellularly, just as our cells, the building blocks of our physiology, inform our bodies, providing a template for our development. Our cells are vehicles of involution; the movement from spirit to matter, as well as vehicles of evolution; movement from matter to spirit. One such tool of Sacred Geometry is the Phi Ratio, the number 1.6180339... (1.618 is commonly used) The progression or development of the whole of nature, from the subatomic to the supergalactic, follows this ratio. The twelfth century Italian mathematician, Leonardo P. -
The Change of the Hospital Architecture from the Early Part of 20Th Century to Nowadays: an Example of Konya
New Trends and Issues Proceedings on Humanities and Social Sciences Volume 4, Issue 11, (2017) 23-34 ISSN:2547-8818 www.prosoc.eu Selected Paper of 6th World Conference on Design and Arts (WCDA 2017), 29 June – 01 July 2017, University of Zagreb, Zagreb – Croatia The Change of the Hospital Architecture from the Early Part of 20th Century to Nowadays: An Example of Konya Dicle Aydin a*, Department of Architecture, Necmettin Erbakan University, 42090 Konya, Turkey. Esra Yaldiz b, Department of Architecture, Necmettin Erbakan University, 42090 Konya, Turkey. Suheyla Buyuksahin c, Department of Architecture, Selcuk University, 42075 Konya, Turkey. Suggested Citation: Aydin, D., Yaldiz, E. & Buyuksahin, S. (2017). The change of the hospital architecture from the early part of 20th century to nowadays: an example of Konya. New Trends and Issues Proceedings on Humanities and Social Sciences. [Online]. 4(11), 23-34. Available from: www.prosoc.eu Selection and peer review under responsibility of Prof. Dr. Ayse Cakir Ilhan, Ankara University, Turkey. ©2017 SciencePark Research, Organization & Counseling. All rights reserved. Abstract The hospitals that served in the name of ‘darussifa’ in Seljuk Empire period in Anatolia continued their service during Ottoman Empire period. The health institutions in different areas in Ottoman period were replaced by ‘Gureba hospitals’ in 19th century. The change in Anatolia was realised, after the declaration of the Republic and with the development of its economy, and lived in every area; hospital buildings were constructed first as ‘Gureba hospitals’ then as ‘country hospitals’ in Anatolia cities like Konya after the big cities like İstanbul, Ankara and İzmir. -
Historical Analysis of the Role of Bazaar on the Formation of Iranian
Armanshahr Architecture & Urban Development, 12(26), 89-101, Spring 2019 ISSN: 2008-5079 / EISSN: 2538-2365 DOI: 10.22034/AAUD.2019.89058 Historical Analysis of the Role of Bazaar on the Formation of Iranian Islamic Urban Forms; Case Study: Shiraz, Iran Ali Reza Sadeghia, Mehdi Khakzandb*, Sina Jangjooc a Assistant Professor of Urban Planning and Design, Faculty of Art and Architecture, Shiraz University, Shiraz, Iran. b Assistant Professor of Architecture, Department of Architecture, Faculty of Architecture & Urban Planning, Iran University of Science & Technology, Tehran, Iran. c M.A. of Urban Planning, Faculty of Art and Architecture, Shiraz University, Shiraz, Iran. Received 06 November 2018; Revised 27 February 2019; Accepted 09 June 2019; Available Online 19 June 2019 ABSTRACT: Iranian Islamic city is a physical entity that represents social, cultural and political mechanisms in the Iranian territory where forms, elements, and rules governing the interaction of the inhabitants and the environment are based on the Islamic worldview. Physical, functional, and spatial centers constitute the main form of the city. Also, Bazaar is one of the main elements of traditional Islamic- Iranian cities which has been originally developed for the fulfilment of commercial and manufacturing functions. The present study attempts to analyze these important factors in the formation process of Bazaar structure, as an important factor shaping the ancient Islamic Iranian cities, and to investigate the relationship of these changes with the changes of the urban community. In order to investigate the role of Bazaar in the integrity of the physical form and the main structure of historic cities of Iran in the present study, a combination of descriptive, historical, and comparative research method was used through reviewing texts, sources and visual documents, and the analysis of the evolution of urban Bazaars in shaping the form of ancient Islamic Iranian cities. -
SACRED GEOMETRY* Steve Hendricks†
SACRED GEOMETRY SACRED GEOMETRY* Steve Hendricks† or most of the history of mankind, Beauty was not in the eye of the Fbeholder. For the craftsmen and artists who built the first Gothic cathedrals, their work in wood and stone was made so the beauty of the permanent could shine through into the world of the transient. They were known as the masters of the compass rather than architects. This saying of a medieval stone mason’s guild reveals their source of beauty: A point that goes into the circle, Inscribed in the square and the triangle; If you find this point, you possess it; And are freed from care and danger; Herein you have the whole of art, If you do not understand this, all is in vain. The art and science of the circle Which, without God, no one possesses Guilds were established in most of the trades for teaching, preserving, and protecting the knowledge that informed their art. It was not necessary * Keynote Address at the inauguration ceremonies for Dr. Christopher Clark, President of Bryn Athyn College, Bryn Athyn, Pennsylvania, September 25, 2009. Our company was very pleased and honored when asked to provide a design for the entryway to the Brickman Center and we are grateful to be here today as we welcome the first President of the Bryn Athyn College. I am not an expert in the subject of contemplative or sacred geometry. I have taken a few classes and workshops in architectural proportion over a period of years and am fortunate to have teachers who approach these subjects from what might be called a perennial tradition. -
Math Morphing Proximate and Evolutionary Mechanisms
Curriculum Units by Fellows of the Yale-New Haven Teachers Institute 2009 Volume V: Evolutionary Medicine Math Morphing Proximate and Evolutionary Mechanisms Curriculum Unit 09.05.09 by Kenneth William Spinka Introduction Background Essential Questions Lesson Plans Website Student Resources Glossary Of Terms Bibliography Appendix Introduction An important theoretical development was Nikolaas Tinbergen's distinction made originally in ethology between evolutionary and proximate mechanisms; Randolph M. Nesse and George C. Williams summarize its relevance to medicine: All biological traits need two kinds of explanation: proximate and evolutionary. The proximate explanation for a disease describes what is wrong in the bodily mechanism of individuals affected Curriculum Unit 09.05.09 1 of 27 by it. An evolutionary explanation is completely different. Instead of explaining why people are different, it explains why we are all the same in ways that leave us vulnerable to disease. Why do we all have wisdom teeth, an appendix, and cells that if triggered can rampantly multiply out of control? [1] A fractal is generally "a rough or fragmented geometric shape that can be split into parts, each of which is (at least approximately) a reduced-size copy of the whole," a property called self-similarity. The term was coined by Beno?t Mandelbrot in 1975 and was derived from the Latin fractus meaning "broken" or "fractured." A mathematical fractal is based on an equation that undergoes iteration, a form of feedback based on recursion. http://www.kwsi.com/ynhti2009/image01.html A fractal often has the following features: 1. It has a fine structure at arbitrarily small scales. -
Moroccan Architecture, Traditional and Modern
Moroccan Architecture, traditional and modern - A field study in Casablanca, Morocco LTH School of Engineering at Campus Helsingborg Housing Development & Management Bachelor thesis: Tove Brunzell Sanaa Duric Copyright Tove Brunzell, Sanaa Duric LTH School of Engineering Lund University Box 882 SE-251 08 Helsingborg Sweden LTH Ingenjörshögskolan vid Campus Helsingborg Lunds universitet Box 882 251 08 Helsingborg Printed in Sweden Media-Tryck Biblioteksdirektionen Lunds universitet Lund 2012 Abstract This thesis is about traditional and modern architecture in Casablanca, Morocco. Morocco is located in north-western Africa and Casablanca is the country's largest city with a population of 3.3 million (2011). Morocco has a long history with many different rulers which have left its mark on the country's architecture. The old, traditional architecture of Casablanca is in the old medina, Medina Qdima, which was built in the late 18th and early 19th century. The medina and the traditional Arabic houses that it is composed of are very similar to those in other Arab countries, and the structure of the medina and the houses follow the Islamic laws on private and public areas. The public areas are commercial streets and squares and the private are residential blocks, all the streets in the medina are narrow and winding and the size of the streets varies with how private or public they are. The buildings in the Medina stand very dense and the residential areas are built around a street from where dead-end alleyways go out, along these alleyways are clusters of dwellings. The traditional Arabic houses are perhaps better known as houses with courtyards, but they are also called dar.