Fryer Folios Volume 9 Issue 1 2014
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UQFL139 Queensland Art Fund Collection
FRYER LIBRARY Manuscript Finding Aid UQFL139 Queensland Art Fund Collection Size 7 boxes Contents Minutes of meetings, annual reports, circulars, correspondence and financial records, correspondence regarding nomination of trustee, Art Library records, newspaper clippings, press publicity reports, papers on the Queensland Art Fund lunch hour talks. Biography The Queensland Art Fund was organized by Vida Lahey and Daphne Mayo to promote public interest in the Queensland Art Gallery. Through purchases and gifts, the Fund acquired paintings, books and a collection of 2000 photographs given by the Carnegie Corporation, New York. When Art Fund activities ceased, the collections were divided among the Queensland Art Gallery, the Queensland University and other public bodies. Notes Open access Minutes of Meetings, Annual Reports and Circulars Box 1 One volume—minutes of general meetings, annual reports and circulars, 1930-1945. Contains minutes, newspaper clippings, financial statements, annual reports etc One volume—minute book of executive meetings of Queensland Art Fund, 5 Dec 1927- 25 Nov 1947 (Handwritten notes stuck to back cover, names and addresses of committee members stuck to front cover, also loose list of members’ names) One notebook—Queensland Art Funds sub-committee, minutes, 5 Jun 1929-8 Oct 1930. (Handwritten minutes) One notebook—Queensland Art Fund Ladies committee, minutes Apr 19??-Jun 1930. (Handwritten minutes) One notebook—Queensland Art Fund Ladies committee, minutes, 21 Mar 1930- 4 Apr 1930. One folder—notices, invitations etc, contains blank subscription receipt book, invitations One folder—loose minutes, agendas (Some undated, others dated 8 May 1929- Feb 1932) One folder—loose annual reports, contains report to members Feb 1930, report to first annual meeting (six copies), report 1942-1945. -
Appendices 2011–12
Art GAllery of New South wAleS appendices 2011–12 Sponsorship 73 Philanthropy and bequests received 73 Art prizes, grants and scholarships 75 Gallery publications for sale 75 Visitor numbers 76 Exhibitions listing 77 Aged and disability access programs and services 78 Aboriginal and Torres Strait Islander programs and services 79 Multicultural policies and services plan 80 Electronic service delivery 81 Overseas travel 82 Collection – purchases 83 Collection – gifts 85 Collection – loans 88 Staff, volunteers and interns 94 Staff publications, presentations and related activities 96 Customer service delivery 101 Compliance reporting 101 Image details and credits 102 masterpieces from the Musée Grants received SPONSORSHIP National Picasso, Paris During 2011–12 the following funding was received: UBS Contemporary galleries program partner entity Project $ amount VisAsia Council of the Art Sponsors Gallery of New South Wales Nelson Meers foundation Barry Pearce curator emeritus project 75,000 as at 30 June 2012 Asian exhibition program partner CAf America Conservation work The flood in 44,292 the Darling 1890 by wC Piguenit ANZ Principal sponsor: Archibald, Japan foundation Contemporary Asia 2,273 wynne and Sulman Prizes 2012 President’s Council TOTAL 121,565 Avant Card Support sponsor: general Members of the President’s Council as at 30 June 2012 Bank of America Merill Lynch Conservation support for The flood Steven lowy AM, Westfield PHILANTHROPY AC; Kenneth r reed; Charles in the Darling 1890 by wC Piguenit Holdings, President & Denyse -
A Eudaimonistic Model for Femininity in the Art of Vida Lahey (1882-1968 )
‘Wanted, a strong girl, able to milk and make herself agreeable’: A Eudaimonistic Model for Femininity in the Art of Vida Lahey (1882-1968 ) Author Lovell, Susan Published 2008 Journal Title Australian Feminist Studies DOI https://doi.org/10.1080/08164640802020576 Copyright Statement © 2008 Taylor & Francis. This is the author-manuscript version of the paper. Reproduced in accordance with the copyright policy of the publisher.Please refer to the journal link for access to the definitive, published version. Downloaded from http://hdl.handle.net/10072/22869 Link to published version http://www.tandf.co.uk/journals/carfax/08164649.html Griffith Research Online https://research-repository.griffith.edu.au 'Wanted, a strong girl, able to milk and make herself agreeable' : A Eudaimonistic Model for Femininity in the Art of Vida Lahey (1882- 1968) In 1916 the Australian artist Vida Lahey came to London to form a home base for her three brothers and 12 cousins who were fighting in Europe. The visit was also an opportunity to connect to her Irish heritage. During some 'off duty' time, as she was cycling through the Irish countryside, she came across the notice that forms the title of this paper: 'Wanted, a strong girl, able to milk and make herself agreeable' (Lahey 1919, 9). That Vida even recorded the advertisement in her journal says something about the impression that it made on her. The roles of domestic worker and 'agreeable' object form the twin poles of an ideologically determined continuum along which single women have traditionally been expected to define themselves. It is a short, rather constrained continuum because the definition of femininity has been articulated in tandem with the heterosexual institution of the family. -
Graham Clifton Southwell
Graham Clifton Southwell A thesis submitted in fulfilment of the requirement for the degree of Master of Arts (Research) Department of Art History Faculty of Arts and Social Sciences University of Sydney 2018 Bronze Southern Doors of the Mitchell Library, Sydney A Hidden Artistic, Literary and Symbolic Treasure Table of Contents Abstract Acknowledgements Chapter One: Introduction and Literature Review Chapter Two: The Invention of Printing in Europe and Printers’ Marks Chapter Three: Mitchell Library Building 1906 until 1987 Chapter Four: Construction of the Bronze Southern Entrance Doors Chapter Five: Conclusion Bibliography i! Abstract Title: Bronze Southern Doors of the Mitchell Library, Sydney. The building of the major part of the Mitchell Library (1939 - 1942) resulted in four pairs of bronze entrance doors, three on the northern facade and one on the southern facade. The three pairs on the northern facade of the library are obvious to everyone entering the library from Shakespeare Place and are well documented. However very little has been written on the pair on the southern facade apart from brief mentions in two books of the State Library buildings, so few people know of their existence. Sadly the excellent bronze doors on the southern facade of the library cannot readily be opened and are largely hidden from view due to the 1987 construction of the Glass House skylight between the newly built main wing of the State Library of New South Wales and the Mitchell Library. These doors consist of six square panels featuring bas-reliefs of different early printers’ marks and two rectangular panels at the bottom with New South Wales wildflowers. -
Legislative Assembly Hansard 1973
Queensland Parliamentary Debates [Hansard] Legislative Assembly WEDNESDAY, 1 AUGUST 1973 Electronic reproduction of original hardcopy 4 Special Adjournment [1 AUGUST 1973] Papers WEDNESDAY, 1 AUGUST 1973 Mr. SPEAKER (Hon. W. H. Lonergan, Flinders) read prayers and took the chair at 11 a.m. ABSENCE OF THE CLERK Mr. SPEAKER: I have to inform the House that the Clerk of the Parliament has been granted leave of absence to attend the 19th Commonwealth Parliamentary Confer ence in London as the secretary to the Australian States' delegation. OPPOSITION WHIP RESIGNATION OF MR. D. J. SHERRINGTON Mr. SPEAKER: I also have to inform the House that, on 30 June 1973, Mr. D. J. Sherrington tendered his resignation from the position of Opposition Whip. PAPERS The following papers were laid on the table, and ordered to be printed: Reports- Public Accountants Registration Board, for the year 1972. Under Secretary for Mines, for the year 1972. The following papers were laid on the table:- Proclamations under- Racing and Betting Act 1954-1972. Door to Door (Sales) Act Amendment Act 1973. Metric Conversion Act 1972. Justices Act Amendment Act 1973. Small Claims Tribunals Act 1973. The Justices Acts, 1886 to 1968. Jury Act Amendment Act 1972. Elections Act and the Criminal Code Amendment Act 1973. Unordered Goods and Services Act 1973. Mock Auctions Act 1973. District Courts Act 1967-1972. The Maintenance Act of 1965. Water Act and Another Act Amendment Act 1973. Pollution of Water by Oil Act 1973. Orders in Council under- Audit Acts Amendment Act 1926-1971. State and Regional Planning and Dev elopment, Public Works Organization and Environmental Control Act 1971- 1973. -
Early History of the City of Redcliffe Chess Club. Chess in The
Early History of the City of Redcliffe Chess Club. Chess in the wilderness of the Redcliffe Peninsula was hampered by the presence of Bramble Bay, the Pine River and mangrove swamps which cut off Redcliffe from civilized Brisbane where chess clubs abounded. There was a long way via Petrie that was subject to closure by flooding. To make the boat trip you boarded the Olivine at Sandgate or used smoke and mirrors to whistle up Charles and Martha Cutts to row you across. A Pleasant Outing for the Brisbane City Chess club 1922. “Another of those enjoyable little outings of the City Club took place on Monday at Seacamp, Redcliffe when the B Grade team were the guests of Mr Thomas Podmore. ( CAQ President in 1917) A scratch match was played, “Seacamp” v “Freenezy” the team representing the former winning by 2½ games to ½ After dinner, motoring, bathing, cricket and sundry other sports were indulged in. The voyage home per Olivine was somewhat adventurous by reason of a small mishap in the shape of a rope fouling the propeller of the boat. However, Sandgate was eventually reached, although a trifle late.” From Trove The Queenslander, Saturday 7 January 1922. Early History taken from the CRCC Monthly Minutes Book AGM President Secretary Captain Venue Treasurer 1960 1961 1962 1963 Fred Ward Mike Dyer Mike Dyer Redcliffe Youth Club Hall 1964 Fred Ward G R Pevitt Mike Dyer Redcliffe Youth Club Hall 1965 Fred Ward Viv Greenelsh Mike Dyer Humpy Bong Yacht Club Jul 1966 Fred Ward Viv Greenelsh Mike Dyer Humpy Bong Yacht Club Jul 1967 Fred Ward Viv -
Houghton Highway Duplication Project: Construction Update
Construction Update April 2010 Houghton Highway Duplication Project The Department of Transport and Main Roads is delivering the landmark $315 million Houghton Highway Duplication Project. The project involves construction of a new 2.7km road, cycle and pedestrian bridge between Brisbane and Redcliffe. ABOVE: Installation of a temporary steel falsework structure in progress alongside the Clontarf end of the old Hornibrook Bridge. This will be used to assist construction of a new recreational / fishing platform, which will extend 100m into Hays Inlet from the Clontarf portal of the old bridge. • Installation of a temporary steel falsework structure is Current works underway alongside the Clontarf end of the old Hornibrook Bridge. This structure will assist the project team to build a • Completion works for the new Ted Smout Memorial Bridge new recreational / fishing platform, which will extend 100m are continuing across Bramble Bay. The bridge is being into Hays Inlet from the Clontarf entry portal of the old bridge. progressively fitted-out with expansion joints, asphalt road Restoration of the heritage-listed entry portal is also underway. surface, concrete footpaths, traffic barriers, guard rails, electrical conduit, and overhead gantries. • Development of the northern embankment of the new Ted Smout Memorial Bridge is continuing at Clontarf Point. Works • Construction of the new Pine River fishing platform is in progress in this area include construction of foreshore continuing in the middle of the bay. The fishing platform is landscape features and the northern approach roads to the being built on the seaward side of the Ted Smout Memorial new bridge. Bridge, next to the main channel into the Pine River. -
Jiiilmlir X0177289
~Iufni!jiiilmlir X0177289 g Queensland Government 09 RfC~ ,1f/fD J -j 0 M4N File no: 500/00701 ..,t~ Sc 201S SIc '/., Nal11l'C \./"' 011, Mr John Knaggs , ;., " . ,- j.. '. 2 Chief Executive Officer \ Sunshine Coast Council Locked Bag 72 Sunshine Coast Mail Centre Qld 4560 For your information, - for Doug Wass District Director (North Coast) 25 March 2015 Department of Transport and Main Roads .. Queensland Government Ourrer 500/00701-68228 Department of Your ref SC-4922 Transport and Main Roads Enquiries: Mr Bill McRuvie Imm 25 March 2015 Mr Sean Dwyer Civil Engineer Empire Engineering PO Box 102 Mooloolaba aid 4557 [email protected] Dear Mr Dwyer Sunshine Coast Council Maroochydore Road Proposed accesses to Service Station Project Number: SC-4922 TMR DA Reference Number: TMR14-011616 Property description: lot 1 RP202696 Site Address: 9 Church Street, Maroochydore Approximate TMR through chainage: 9.90-10.00 this office with attached details of the Thank you for your recent email addressed to proposed works. The Department of Transport and Main Roads (TMR)have no objections to the proposed works as shown on the Empire Engineering plans numbered C001; COOS; C010; C011; C020; C025; C030; C040; and C050 (all Rev A and dated 9 March 2015) for project number SC- 4922, subject to the following conditions: 1. Standard Conditions of Approval for Minor Works The works must be constructed in accordance with the attached Standard Conditions of District. Approval Minor Works on State-Controlled Roads-North Coast 2. Approval to Commence Work work within the This letter is not an authority to start work and you must not commence boundaries of the state-controlled road until the requirements of condition 3 of the Standard Conditions have been complied with. -
Education Resource About the Artist
EDUCATION RESOURCE ABOUT THE ARTIST Lloyd Rees was born in Brisbane on 17 March 1895. He was well known for his sketches of Brisbane at the time and studied at the Central Technical College. Rees moved to Sydney in 1917 to work for Sydney Ure Smith at the Smith & Julius Studio, one of Australia’s earliest advertising agencies to feature art works and colour printing, which provided regular work for artists and set new standards for the advertising industry. Ure Smith encouraged and commissioned Rees to draw the architecture and landscapes of Sydney. In this exhibition, you can see his observations of Brisbane buildings, streets and landscapes, and his fascination with the effect of light on his subjects, which continued throughout his career. In his later years, Lloyd Rees’s works became more abstract as he began to focus specifically on sources and effects of light. Despite his rapidly failing eyesight, Rees continued to paint, claiming that a benefit of its deterioration was that he was able to look directly at the sun. Key ideas to explore • Portraiture • Draughting • Architecture • Illustration • Drawing • Urban scenery • Landscape • Scale Lloyd Rees as a young man / Image courtesy: Fryer Library, University of Queensland DID YOU KNOW? Lloyd Rees painted The sunlit tower 1986 when he Lloyd Rees’s art works have been included was 91 years old. This work won the Queensland in major surveys of Australian art since 1923, Art Gallery’s Jack Manton Prize in 1987 and is and he is represented in all public and many included in this exhibition. private collections throughout the country. -
Posties, Cops and Ferrymen
Posties, Cops and Ferrymen Part One of a paper covering the provision of government services in the early days of the suburb of St Lucia Andrew Darbyshire St Lucia History Group Research Paper No 7 St Lucia History Group CONTENTS Introduction and Authors Notes, References 2 Postal Services Brief History Post & Telegraph Services in Queensland 5 West Milton 8 Dart’s Sugar mill, Indooroopilly 9 St Lucia Ferry 10 Guyatt’s Store 10 Brisbane University 11 St Lucia 11 Taringa East 12 Toowong 19 Indooroopilly 22 Witton Park 27 Taringa 28 Police Stations Introduction to Research Notes 33 Toowong 34 Indooroopilly 38 Taringa 44 Ferries West End Ferries 50 Indooroopilly Ferry 67 Andrew Darbyshire March 2017 Private Study Paper – not for general publication Issue No 1 (Draft for Comment) - February 2004 Issue No 2 (Supplementary Info) – November 2004 Issue No 3 (Supplementary Info) – March 2005 Issue No 4 (Supplementary Info) – May 2005 Issue No 5 (Supplementary Info) – September 2005 Issue No 6 (Supplementary Info/Images added) – February 2007 Formatting and minor edits, WE Ferries updated – January 2010 Re-shuffle of Post Office notes – March 2017 St Lucia History Group PO Box 4343 St Lucia South QLD 4067 [email protected] brisbanehistorywest.wordpress.com ad/history/posties cops and ferrymen Page 1 of 69 St Lucia History Group INTRODUCTION AND AUTHORS NOTES Considering its closeness to the city the current day area of the suburb of St Lucia must have been a government administrators dream when it came to spending on public works and services. Primarily a semi rural/small farming community until the 1920’s the suburban building boom largely by-passed most of St Lucia until the 1940’s when construction of the new campus and relocation of the University created the impetus for residential development. -
Urban Fish Habitat Management (UFHM) Research Program
vation lopment and Inno mic Deve nt, Econo Employme nt of rtmeaDep nt of Urban fish habitat management [UFHM] research program Innovations in urban fish habitat management: balancing the needs of the community and fisheries resources © The State of Queensland, Department of Employment, Economic Development and Innovation, 2010. Published 2005 as Urban fish habitat management [UFHM] research program 2005/6 and beyond; revised March 2007, March 2008, March 2009, March 2010. Except as permitted by the Copyright Act 1968, no part of the work may in any form or by any electronic, mechanical, photocopying, recording, or any other means be reproduced, stored in a retrieval system or be broadcast or transmitted without the prior written permission of the Department of Employment, Economic Development and Innovation. The information contained herein is subject to change without notice. The copyright owner shall not be liable for technical or other errors or omissions contained herein. The reader/user accepts all risks and responsibility for losses, damages, costs and other consequences resulting directly or indirectly from using this information. Enquiries about reproduction, including downloading or printing the web version, should be directed to [email protected] or telephone +61 7 3225 1398. Contents Contents 1 Overview 1 UFHM Research Program objectives 2 Table 1 UFHM Research Program research streams 3 Stream 1 – Fish habitat utilisation 4 Stream 2 – Impacts on fish habitats 4 Stream 3 – Intertidal and subtidal structures as fish habitats -
Art Training in Brisbane to 1991
Chapter 2 Those who started, those who stayed, those who departed, those who strayed: Art training in Brisbane to 1991 Glenn R. Cooke Preamble Throughout the second half of the twentieth century the higher education sector in Australia went through a series of reorganisations culminating in the Dawkins Report 1988 which recommended that the various technical colleges, teachers’ colleges and colleges of advanced education be incorporated into a system of multi-campus universities. Negotiations were put underway so that on 1 July 1991 the Queensland Conservatorium of Music amalgamated with Griffith University. The art, craft and design courses and students of the Queensland College of Art, from Associate Diploma level on, also joined Griffith University and on 1 January 1992 an independent history of 110 years was brought to a close. The history of the college over this time also reflected a series of restructures to mirror perceived educational needs and the political agendas of Queensland governments. The Brisbane School of Arts was founded in 1881 and incorporated into the Brisbane Technical College in 1884. As a result of the Technical Instruction Act of 1908, the suburban technical colleges at South Brisbane and West End were merged with Brisbane to form the Central Art training in Brisbane to 1991 Glenn R. Cooke Technical College (CTC) in 1909. When the Queensland Institute of Technology was established in 1965 on the same site, the CTC and its Art Branch retained their independence. In 1972 the Art Branch separated from the CTC to become the College of Art (CoA) which, two years later moved from George Street to purpose- built premises shared with the Seven Hills TAFE and was formally renamed the Queensland College of Art (QCA) in 1982.