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Johnny O'neal
OCTOBER 2017—ISSUE 186 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM BOBDOROUGH from bebop to schoolhouse VOCALS ISSUE JOHNNY JEN RUTH BETTY O’NEAL SHYU PRICE ROCHÉ Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East OCTOBER 2017—ISSUE 186 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 NEw York@Night 4 Laurence Donohue-Greene: Interview : JOHNNY O’NEAL 6 by alex henderson [email protected] Andrey Henkin: [email protected] Artist Feature : JEN SHYU 7 by suzanne lorge General Inquiries: [email protected] ON The Cover : BOB DOROUGH 8 by marilyn lester Advertising: [email protected] Encore : ruth price by andy vélez Calendar: 10 [email protected] VOXNews: Lest We Forget : betty rochÉ 10 by ori dagan [email protected] LAbel Spotlight : southport by alex henderson US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or VOXNEwS 11 by suzanne lorge money order to the address above or email [email protected] obituaries Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Fred Bouchard, Festival Report Stuart Broomer, Robert Bush, 13 Thomas Conrad, Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, Tom Greenland, special feature 14 by andrey henkin Anders Griffen, Tyran Grillo, Alex Henderson, Robert Iannapollo, Matthew Kassel, Marilyn Lester, CD ReviewS 16 Suzanne Lorge, Mark Keresman, Marc Medwin, Russ Musto, John Pietaro, Joel Roberts, Miscellany 41 John Sharpe, Elliott Simon, Andrew Vélez, Scott Yanow Event Calendar Contributing Writers 42 Brian Charette, Ori Dagan, George Kanzler, Jim Motavalli “Think before you speak.” It’s something we teach to our children early on, a most basic lesson for living in a society. -
The Klondike Clan
THE KLONDIKE CLAN A TALE OF THE GREAT STAMPEDE > BY S. HALL YOUNG Author of " Alaska Day* with John Muir " ILLUSTRATED New York Chicago Tobonto Fleming H. Revell Company London and Edinburgh THE NEW YGft K I PUBLJC LIBRARY ._. AW TUJDKN FOON»ATION3 1817 L Copyright, 1916, by FLEMING H. REVELL COMPANY New York : 158 Fifth Avenue Chicago : 17 N. Wabash Ave. Toronto : 25 Richmond St., W. London : 21 Paternoster Square Edinburgh : 100 Princes Street By S. HALL YOUNG, P.P. Alaska Days with John Muir. Il lustrated, I2mo, cloth — net $1.00 " Do you remember Stickeen, the canine hero of John Muir's dog story ? Here is a book by the man who owned Stickeen and was Muir's companion on the adventurous trip among the Alas kan glaciers. This is not only a breezy outdoor book, fall of the wild beauties of the Alaskan wilderness, it is also a living portrait of John Muir in the great moments of his career."— New York Times. " I can see only one fault with the book, it is far too short. I should love to read such a book as big as the diction ary. Thank you very much ! "—Gene Stratton-Porter. " One need not be an admirer of John Muir to be thoroughly entertained by the lively pages. The Muir of this book is the familiar vibrant personality. This little book, the record of these trips, is written in a style animated and vivid without being journalistic— a style not unlike that of the lover of glaciers him self."— The Nation. -
Appendix 1: Short Introduction to Film Study
Appendix 1: Short Introduction to Film Study The next few pages offer an alphabetical list of topics often used in the critical evaluation of film with sample questions to aid in the critical discussion.1 Acting/Actors/Stars The cinema has long been driven by the visual appeal of its actors. Acting styles have changed since the silent days from the pantomime of the dive to the preference for nonpro- fessionals in the neorealist period to the present close connection between television, new media, and film. Silent-era actors in particular were universally popular because of the lack of linguistic barriers in their performances. Over the decades the personas of certain actors has even become identified with national, cultural, and class identities as well as with the style of living and attitudes in various time periods. In Italy, actors such as Alberto Sordi and Marcello Mastroianni were widely identified with the basic character traits of the Italian populace as were female stars such as Sophia Loren, Monica Vitti, or Anna Magnani. What type of acting style is used (nonprofessionals, method acting, theatrical, star persona)? Audience Film industries, including Italy, have periodically changed the type of films they produce in response to changes in target audiences. In the United States for example, Hollywood film production was targeted toward a female audience until the 1960s when the target audience became increasingly younger and male. In Italy, production in the 1960s and 1970s and thereafter introduced entertainment (art cinema, erotically charged cinema) not available on television because of censorship codes. What was the intended audience of the film? How was the film received when released? How has the film aged? Camera techniques Film theorists such as Christian Metz and Pier Paolo Pasolini wrote of the ability of shot selection to provide a language for film.2 The image on the screen has been filmed through the eye of a camera, which approaches its subject from certain angles and movements. -
Michael Bisio
Michael Bisio Contact [email protected] 917.968.0579 Summary of Qualifications Bassist, composer, project leader, educator, collaborator and producer working in creative music for more than twenty five years. "In the end, while influences are heard, the sound and approach are clearly Bisio's own." John Ephland, Down Beat As a Leader * Michael Bisio Quintet: Covert Choreography (Cadence), Undulations (Omnitone) * Michael Bisio Quartet: In Seattle (Silkheart), Connections (CIMP), CIMP 360: Circle This, AM (CIMP) * The Carter Jefferson Memorial Ensemble: an eighteen piece band including 2 bassists, 2 drummers, vocalist and poet. * Michael Bisio Sextet: Ours (CT Records) * Thundering Brass: an ensemble featuring 2 trumpets, 2 basses and drums * Michael Bisio Trio: Composance ( Cadence) * Various duo and solo efforts: MBEK (Meniscus), Zebulon (CIMP), Primal Intentions (Cadence) * Collar City Createology "Bisio is an adept performer at all levels, from his blistering solo barrages to his more intricate larger ensemble work." Andrew Bartlett, Encyclopedia of Northwest Music As a Bassist * Matthew Shipp Trio * Jason Koa Hwang"s Spontaneous River * Stephen Gauci's Basso Continuo * Tomas Ulrich's Cargo Cult * Matthew Shipp String Ensemble, Sacred Geometry * Joe McPhee/Michael Bisio Duo: Finger Wigglers (CIMP), Zebulon (CIMP) * Charles Gayle Trio * Vinny Golia Quintet: Dante No Longer Repents (Music and Arts) * Pacific Northwest Ballet Orchestra * Duo with violinist, Eyvind Kang: MBEK (Meniscus) * The Bluette: a quartet with Joe McPhee, Joe Giardullo, -
Introduction 1. a Note on Titles. on the First Mention of a Film, I Give The
Notes Introduction 1. A note on titles. On the first mention of a film, I give the original Italian title, followed by the English language title used for interna- tional release, or my translation where no such title exists. Subsequent mentions of film titles are in the original Italian; English titles are available in the Filmography. 2. For a full list of the corpus I consulted, see the Filmography. 3. Unless stated otherwise, all translations are my own. 1 Cinema, Space, Gender 1. In Gender, Space, Architecture: An Interdisciplinary Introduction (2000), editors Jane Rendell, Barbara Penner, and Iain Borden set out an overview of the issues linking gender and space in architec- tural studies. In film studies, although we have volumes which link space and cinema (e.g., Konstantarakos, 2000; Everett and Goodbody, 2005; Rhodes and Gorfinkel, 2011a), we currently lack a volume simi- lar to Rendell et al.’s which provides an account of the link between the three concepts space, gender, and cinema. 2. For an overview of the “spatial turn,” see Warf and Arias (2009). 3. For a useful discussion of De Certeau’s take on the terms space and place, see Rhodes and Gorfinkel (2011b: xi). Citing Margaret Kohn, the authors argue that “de Certeau’s terms and his definitions of them are actually ‘poorly chosen metaphors for a politics of domina- tion or nostalgia’” (Kohn, 2003: 21, cited in Rhodes and Gorfinkel, 2011b: xi). 4. On the national archive and the status of its documentation in the Italian filmmaking process, see Pauline Small’s useful overview (2009: 127–8). -
Pilot Earth Skills Earth Kills Murphy's Law Twilight's Last Gleaming His Sister's Keeper Contents Under Pressure Day Trip Unity
Pilot Earth Skills Earth Kills Murphy's Law Twilight's Last Gleaming His Sister's Keeper Contents Under Pressure Day Trip Unity Day I Am Become Death The Calm We Are Grounders Pilot Murmurations The Dead Don't Stay Dead Hero Complex A Crowd Of Demons Diabolic Downward Spiral What Ever Happened To Baby Jane Hypnos The Comfort Of Death Sins Of The Fathers The Elysian Fields Lazarus Pilot The New And Improved Carl Morrissey Becoming Trial By Fire White Light Wake-Up Call Voices Carry Weight Of The World Suffer The Children As Fate Would Have It Life Interrupted Carrier Rebirth Hidden Lockdown The Fifth Page Mommy's Bosses The New World Being Tom Baldwin Gone Graduation Day The Home Front Blink The Ballad Of Kevin And Tess The Starzl Mutation The Gospel According To Collier Terrible Swift Sword Fifty-Fifty The Wrath Of Graham Fear Itself Audrey Parker's Come And Gone The Truth And Nothing But The Truth Try The Pie The Marked Till We Have Built Jerusalem No Exit Daddy's Little Girl One Of Us Ghost In The Machine Tiny Machines The Great Leap Forward Now Is Not The End Bridge And Tunnel Time And Tide The Blitzkrieg Button The Iron Ceiling A Sin To Err Snafu Valediction The Lady In The Lake A View In The Dark Better Angels Smoke And Mirrors The Atomic Job Life Of The Party Monsters The Edge Of Mystery A Little Song And Dance Hollywood Ending Assembling A Universe Pilot 0-8-4 The Asset Eye Spy Girl In The Flower Dress FZZT The Hub The Well Repairs The Bridge The Magical Place Seeds TRACKS TAHITI Yes Men End Of The Beginning Turn, Turn, Turn Providence The Only Light In The Darkness Nothing Personal Ragtag Beginning Of The End Shadows Heavy Is The Head Making Friends And Influencing People Face My Enemy A Hen In The Wolf House A Fractured House The Writing On The Wall The Things We Bury Ye Who Enter Here What They Become Aftershocks Who You Really Are One Of Us Love In The Time Of Hydra One Door Closes Afterlife Melinda Frenemy Of My Enemy The Dirty Half Dozen Scars SOS Laws Of Nature Purpose In The Machine A Wanted (Inhu)man Devils You Know 4,722 Hours Among Us Hide.. -
Stevehoffman.Tv for Discussions on Lps, Sacds, Hi-End Audio Etc
Acoustic Sounds, Inc. Volume 7 Volume Inc. Sounds, Acoustic The world’s largest selection of audiophile recordings • Published 06/03 Published • recordings audiophile of selection largest world’s The The world’s largest selection of audiophile recordings PO Box 1905, Salina, Kansas 67402-1905 USA • (785) 825-8609 • FAX (785) 825-0156 • ORDERS 1-800-716-3553 • www.acousticsounds.com HOW SMART ARE YOU? Get your Ph.D. for $3,000. Introducing the battery-powered Sutherland Ph.D. Phono Preamp. “I don’t know why anyone would spend more than $3,000 on a phono stage now that the Ph.D. is available.” John Blando, President of Electronic Marketing Associates Hear the music,not the noise. After about 800 hours of playing time (roughly half AC power lines create noise. Period. There’s only one the life of a cartridge), a feasible way around that annoyance. Batteries. red light will indicate BINGO! Designer Ron Sutherland brings us a new that your batteries are battery-powered phono stage with smart circuitry that running low. allows this preamp to turn on and off automatically, Replacements cost about thereby maximizing the life of your batteries. a buck a piece. One of the noisiest components in your home stereo is The Ph.D. turns on the incoming AC power. Even if it were delivered to your the moment your stylus is stimulated. From there, the home as idealized 60 Hz sine wave, it would not stay that unit automatically looks for a signal every half-hour for way long. The audio power amplifier does not draw just a fraction of a second. -
Scarica Il Programma
Come ama definirlo il direttore artistico Peter von Bagh, il Cinema Ritrovato è il paradiso dei cinefili! 28 anni fa una meravigliosa macchina capace di viaggiare nel tempo e nello spazio è stata lanciata da Bologna verso il resto del mondo, trasportando i cinefili in un fantastico viaggio attraverso espe- rienze estetiche, spettacoli storici, innovazioni linguistiche e vette di classicità, bianco e nero, film a colori e colorati a mano, sonori o muti accompagnati dal vivo dai migliori musicisti, film in pellicola e in digitale. In programma 360 film dal 1895 fino a oggi (tutti tradotti in italiano e in inglese) dalla mattina alla sera in cinque sale cinematografiche e proiezioni serali all’aperto nella meravigliosa Piazza Maggiore di Bologna e nel cortile della Cineteca in Piazzetta Pasolini. Otto giorni indimen- ticabili per scoprire le migliori pellicole e i migliori restauri dei più importanti archivi del mondo e per confrontarsi con le grandi figure della storia del cinema e di quello di oggi. Quest’anno, dal 25 al 28 giugno, Il Cinema Ritrovato sarà preceduto da Cent’anni di Charlot, un convegno internazio- nale organizzato in collaborazione con l’Associazione Chaplin/Roy Export Company. Una tre giorni di eventi e conferenze per celebrare il centesimo anniversario della nascita della maschera di Charlot. Le serate in Piazza Maggiore La serata d’apertura, sabato 28 giugno, sarà dedicata a una stella sotto le stelle: James Dean nel capolavoro di Nicholas Ray Rebel without a Cause (Gioventù bruciata, 1955) illuminerà il grande schermo di Piazza Maggiore. La serata finale, sabato 5 luglio, sarà all’insegna dell’eterna musica dei Beatles: il regista Richard Lester introdurrà A Hard Day’s Night (Tutti per uno, 1964) in occasione del 50° anniversario dalla sua prima uscita. -
Presentazione E Schede Dei Film (Dal Catalogo Del
L’ITALIA IN CORTO. PRIMA PARTE (1952-1968) Short Italian Style. Part I (1952-1968) Programma a cura di / Programme curated by Goffredo Fofi e Paolo Mereghetti Note di / Notes by Goffredo Fofi, Paolo Mereghetti e Alice Autelitano 256 Sebbene non solo italiano, il film a episodi ha avuto in Italia Although they were not exclusively Italian, episode films had una diffusione superiore a tutte le altre cinematografie. Le greater success in Italy than elsewhere. The reasons for this ragioni di questa fioritura, che tra la metà degli anni Cin- flourishing, which produced over two hundred films between quanta e quella degli anni Settanta è letteralmente esplo- the mid-fifties and the mid-seventies, can partly be found in sa superando i duecento titoli, si può cercare da una parte the importance novellas and short stories had in Italian lit- nell’importanza che la novella o il racconto breve hanno erature, in particular over the last two centuries (which the avuto nella nostra letteratura, specie degli ultimi due secoli importance of Pietro Pancrazi’s 1939 anthology, Racconti e (e che l’eco dell’antologia fatta da Pietro Pancrazi nel 1939 novelle dell’Ottocento, published by Sansoni, bears witness – Racconti e novelle dell’Ottocento, pubblicata da Sansoni – è to). Reasons can also be found in the attention that a certain lì a testimoniare), e dall’altra nell’attenzione che una certa interpretation of Neorealism had for everyday things found in vulgata del neorealismo aveva innescato a favore della nota- newspapers, seen as the possible starting point for more general zione spicciola, dell’attenzione al piccolo fatto (di cronaca) reflection. -
April 13, 2010 (XX:13) Federico Fellini, GINGER & FRED (1985, 125 Min)
April 13, 2010 (XX:13) Federico Fellini, GINGER & FRED (1985, 125 min) Directed by Federico Fellini Screenplay by Tonino Guerra & Tullio Pinelli Cinematography by Tonino Delli Colli and Ennio Guarnieri Giulietta Masina...Amelia Bonetti / Ginger Marcello Mastroianni...Pippo Botticella / Fred Franco Fabrizi...Show host Friedrich von Ledebur...Admiral Aulenti Jacques Henri Lartigue…Brother Gerolamo FEDERICO FELLINI (20 January 1920, Rimini, Emilia-Romagna, Italy -31 October 1993, Rome, Italy, of a heart attack) directed 25 films, some of which were La voce della luna (1990), Intervista (1987), Ginger e Fred/ Ginger and Fred (1986), E la nave va/ And the Ships Sails On (1983), La città delle donne/ City of Women (1980),Prova d'orchestra / Orchestra Rehearsal(1978), Il Casanova di Federico Fellini/ Fellini’s Casanova (1976), Amarcord (1973), Roma (1972), I clowns/ The Clowns (1970) (TV), Fellini - Satyricon (1969), Block-notes di un regista/ Fellini: A TONINO GUERRA (16 March 1920, Santarcangelo di Romagna, Director’s Notebook (1969) (TV), Giulietta degli spiriti/ Juliet of Emilia-Romagna, Italy) wrote for 103 films, some of which were the Spirits (1965), 8½ (1963), Boccaccio '70 (1962) (segment "Le Everybody's Fine (2009), Tierra del fuego (2000), To vlemma tou tentazioni del dottor Antonio"), La dolce vita (1960), Le notti di Odyssea/ Ulysses’ Gaze (1995), Stanno tutti bene/ Everybody’s Cabiria/ Nights of Cabiria (1957), Il bidone/ The Swindle (1955), Fine (1990), Good Morning, Babylon (1987), Ginger e Fred (1986), La strada/ The Road(1954), L'amore in città/ Love in the City Kaos /Chaos(1984), Andrei Tarkovsky (1984), E la nave va/ And (1953) (segment "Agenzia matrimoniale, Un'’), I vitelloni (1953), the Ship Sails On (1983), Nostalghia (1983), Tempo di Lo sceicco bianco/ The White Sheik (1952), and Luci del varietà/ viaggio/Voyage in Time (1983), Amarcord (1973), Flesh for Variety Lights (1950). -
October 2005 AAJ-NY.Qxd
NEW YORK October 2005 | No. 42 Your FREE Monthly Guide to the New York Jazz Scene newyork.allaboutjazz.com A Bowl full of Don Cherry George Lewis • Taso Music • Saint Peter’s • Benoît Delbecq • Event Calendar piano by WORLD’S FINEST JAZZ CLUB & RESTAURANT • 131 W 3RD ST NYC • 212 475-8592 • WWW.BLUENOTEJAZZ.COM SUNDAY JAZZ BRUNCH • 12:30&2:30PM MASTER CLASS • SAT OCT 8 2PM • DAFNIS PRIETO MONDAY NIGHTS • 8 & 10:30PM COMBO NUVO Oct 2 LATE NIGHT GROOVE SERIES • 12:30AM JOHN ELLIS Oct 3 SAYURI GOTO TRIO FEAT: LONNIE PLAXICO & GENE JACKSON Oct 9 CATÉ Fri Sept 30 BIG BROOKLYN RED Sat Oct 15 NEW SOUND OF SOUL JAZZ SERIES JEREMIAH Oct 10 AVI BORTNICK & CORNPONE Sat Oct 1 BRIAN HAAS OF JFJO Fri Oct 21 JUN MIYAKE QUARTET FEAT: REGGIE WORKMAN Oct 16 DEBORAH DAVIS SINGS STEVIE WONDER Fri Oct 7 w/BENEVENTO/RUSSO DUO & FRIENDS JJ SANSEVERINO Oct 17 RE-IMAGINING TOM WAITS Sat Oct 8 ED CHERRY Sat Oct 22 MIKI HAYAMA QUARTET Oct 23 FEAT: CARLTON J. SMITH RUDRESH MAHANTHAPPA Oct 24 BEATBOX JAZZ feat: BABA ISRAEL,Fri Oct 14 ADAM DEITCH PROJECT Fri Oct 28 HIRONOBU SAITO W/DOMINICK FARINACCI Oct 30 KID LUCKY,JASON LINDNER & MORE JIM PAYNE BAND Sat Oct 29 NEW SOUND OF SOUL JAZZ SERIES SELAN Oct 31 NEW YORK MILAN TOKYO OSAKA NAGOYA NEW YORK New York@Night Recent tragic events in the Gulf Coast region of the United States have 4 demonstrated both the good and bad sides of jazz. Good because of the numerous Interview: George Lewis benefits held throughout the city in September, continuing into the coming months no doubt, to provide relief to the residents of the stricken area. -
October 2018 2018 EARSHOT JAZZ FESTIVAL Welcome to Earshot Jazz Festival #30!
2017 Alex Dugdale, Om Johari, Industrial Revelation, Overton Berry Trio, Edmonds-Woodway HS Band w/ Roxy Coss, Danilo Perez w/ Ben Street & Adam Cruz, LaVon Hardison Quartet, Jameel Moondoc, Nathan Breedlove, Jamael Nance, Gordon Grdina, Mark Guiliana Jazz Quartet, Happy Orchestra, Mostly Other People Do the Killing, The Bloodroot, Daniel Barry’s Celestial Rhythm Orchestra, Joe Sanders Quartet, Jason Moran, Roxy Cross Homecoming, Syrinx Effect, Naomi Moon Siegel Band, Dawn Clement Duos, Omar Sosa Quarteto AfroCubano, T.S. Monk: Monk on Monk, Taylor McFerrin, SassyBlack, Elliott Sharp plays Monk, Greg Sinibaldi, McTuff ft. Will Bernard & Skerik, HUDSON: Jack DeJohnette, Lary Grenadier, John Medeski, John Scofield, Marquis Hill Blacktet, Kassa Overall Quartet ft. Aaron Parks, Pandit Debi Prasad Chatterjee & Neil Welch, Johnaye Kendrick Quartet, Ballake Sissoko & Vincent Segal, Marc Seales Band, Matt Mitchell, Garfield HS Jazz Band, Seattle Women’s Jazz Orchestra, Brad Mehldau Robin Holcomb Trio, Mikolaj Trzaska, Roosevelt HS Jazz Band w/ Matt Wilson, Matt Wilson’s Big Happy Family & Friends, Briggan Krauss: Strings & Reeds, Ivan Arteaga’s CMD (Computers Music Dance), Matt Wilson: Honey and Salt, Trombone Insurgency: Joe McPhee, Steve Swell, Dick Griffin, Noel Brass Jr., The Baylor Project, Wayfaring Syncopated Classics Band, Birch Pereira & The Gin Joints, Porter Ray, Bad Luck, The Sky Is A Suitcase, King Tears Bat Trip, DoNormaal, The Baby Snakes play ZAPPA, Gregory Porter, Black Rock Coalition Get-Down Revue, Burnt Sugar Arkestra, Paul