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Billy the Kid: More Than a Legend
National Park Service White Sands U.S. Department of the Interior White Sands National Monument Billy the Kid: More than a Legend he history of the American Southwest is chock full of legends and stories that truly live up to the epithet of the TWild West. The embellishment of these stories has allowed for the development of numerous movies and books but the true facts of these accounts are more interesting than any tall tale. Yes, the West really was wild! after Tunstall. According to most doubt he and other renowned William Henry McCarthy, accounts, he was shot unarmed characters of the time came across otherwise known as Billy the which was against “the code of the largerst gypsum dunefield in Kid, is a perfect example of how the West.” After Tunstall’s murder, the world as they traveled. Who untamed the now tranquil towns Billy and the Regulators swore knows what evidence of their of New Mexico used to be. It vengeance on Jesse Evans and his passage these ever-shifting dunes was no secret that Billy had a crew. might be hiding. rough past. His mother died of tuberculosis while he was just a As a result of one of the many —Sandra Flickinger, Student-Intern young boy and he had a history of skirmishes, Sheriff William Brady working odd jobs in combination was killed, putting Billy in the hot with a few illegal activities. seat as a murderer and sending him on the run. After many daring The real beginning of Billy’s career escapes, the new sheriff, Pat as an infamous gunman, however, Garrett, was finally successful in began in 1878 after he met a young arresting Billy. -
Ranching Catalogue
Catalogue Ten –Part Four THE RANCHING CATALOGUE VOLUME TWO D-G Dorothy Sloan – Rare Books box 4825 ◆ austin, texas 78765-4825 Dorothy Sloan-Rare Books, Inc. Box 4825, Austin, Texas 78765-4825 Phone: (512) 477-8442 Fax: (512) 477-8602 Email: [email protected] www.sloanrarebooks.com All items are guaranteed to be in the described condition, authentic, and of clear title, and may be returned within two weeks for any reason. Purchases are shipped at custom- er’s expense. New customers are asked to provide payment with order, or to supply appropriate references. Institutions may receive deferred billing upon request. Residents of Texas will be charged appropriate state sales tax. Texas dealers must have a tax certificate on file. Catalogue edited by Dorothy Sloan and Jasmine Star Catalogue preparation assisted by Christine Gilbert, Manola de la Madrid (of the Autry Museum of Western Heritage), Peter L. Oliver, Aaron Russell, Anthony V. Sloan, Jason Star, Skye Thomsen & many others Typesetting by Aaron Russell Offset lithography by David Holman at Wind River Press Letterpress cover and book design by Bradley Hutchinson at Digital Letterpress Photography by Peter Oliver and Third Eye Photography INTRODUCTION here is a general belief that trail driving of cattle over long distances to market had its Tstart in Texas of post-Civil War days, when Tejanos were long on longhorns and short on cash, except for the worthless Confederate article. Like so many well-entrenched, traditional as- sumptions, this one is unwarranted. J. Evetts Haley, in editing one of the extremely rare accounts of the cattle drives to Califor- nia which preceded the Texas-to-Kansas experiment by a decade and a half, slapped the blame for this misunderstanding squarely on the writings of Emerson Hough. -
History of Billy the Kid KID the BILLY of HISTORY Siringo A
History of Billy the Kid Charles A. Siringo HISTORY OF BILLY THE KID by Charles A. Siringo (1855-1928) “A cowboy outlaw whose youthful daring has never been equalled in the annals of criminal history. When a bullet pierced his heart he was less than twenty-two years of age, and had killed twenty-one men, Indians not included. The author feels that he is capable of writing a true and unvarnished history of "Billy the Kid," as he was personally acquainted with him, and assisted in his capture, by furnishing Sheriff Pat Garrett with three of his fighting cowboys--Jas. H. East, Lee Hall and Lon Chambers. “The facts set down in this narrative were gotten from the lips of "Billy the Kid," himself, and from such men as Pat Garrett, John W. Poe, Kip McKinnie, Charlie Wall, the Coe brothers, Tom O'Phalliard, Henry Brown, John Middleton, Martin Chavez, and Ash Upson. All these men took an active part, for or against, the "Kid." Ash Upson had known him from childhood, and was considered one of the family, for several years, in his mother's home. “Other facts were gained from the lips of Mrs. Charlie Bowdre, who kept "Billy the Kid," hid out at her home in Fort Sumner, New Mexico, after he had killed his two guards and escaped.” (Introduction by the author) Total running time: 2:19:31 Read by Roger Melin Charles A. Siringo HISTORY OF BILLY THE KID Cover design by Kathryn Delaney, using the only authenticated photograph of Billy the Kid . -
In the Shadow of Billy the Kid: Susan Mcsween and the Lincoln County War Author(S): Kathleen P
In the Shadow of Billy the Kid: Susan McSween and the Lincoln County War Author(s): Kathleen P. Chamberlain Source: Montana: The Magazine of Western History, Vol. 55, No. 4 (Winter, 2005), pp. 36-53 Published by: Montana Historical Society Stable URL: http://www.jstor.org/stable/4520742 . Accessed: 31/01/2014 13:20 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Montana Historical Society is collaborating with JSTOR to digitize, preserve and extend access to Montana: The Magazine of Western History. http://www.jstor.org This content downloaded from 142.25.33.193 on Fri, 31 Jan 2014 13:20:15 PM All use subject to JSTOR Terms and Conditions In the Shadowof Billy the Kid SUSAN MCSWEEN AND THE LINCOLN COUNTY WAR by Kathleen P. Chamberlain S C.4 C-5 I t Ia;i - /.0 I _Lf Susan McSween survivedthe shootouts of the Lincoln CountyWar and createda fortunein its aftermath.Through her story,we can examinethe strugglefor economic control that gripped Gilded Age New Mexico and discoverhow women were forced to alter their behavior,make decisions, and measuresuccess againstthe cold realitiesof the period. This content downloaded from 142.25.33.193 on Fri, 31 Jan 2014 13:20:15 PM All use subject to JSTOR Terms and Conditions ,a- -P N1878 southeastern New Mexico declared war on itself. -
Billy the Kid and the Lincoln County War 1878
Other Forms of Conflict in the West – Billy the Kid and the Lincoln County War 1878 Lesson Objectives: Starter Questions: • To understand how the expansion of 1) We have many examples of how the the West caused other forms of expansion into the West caused conflict with tension between settlers, not just Plains Indians – can you list three examples conflict between white Americans and of conflict and what the cause was in each Plains Indians. case? • To explain the significance of the 2) Can you think of any other groups that may Lincoln County War in understanding have got into conflict with each other as other types of conflict. people expanded west and any reasons why? • To assess the significance of Billy the 3) Why was law and order such a problem in Kid and what his story tells us about new communities being established in the law and order. West? Why was it so hard to stop violence and crime? As homesteaders, hunters, miners and cattle ranchers flooded onto the Plains, they not only came into conflict with the Plains Indians who already lived there, but also with each other. This was a time of robberies, range wars and Indian wars in the wide open spaces of the West. Gradually, the forces of law and order caught up with the lawbreakers, while the US army defeated the Plains Indians. As homesteaders, hunters, miners and cattle ranchers flooded onto the Plains, they not only came into conflict with the Plains Indians who already lived there, but also with each other. -
Review of Inventing Billy the Kid: Visions of the Outlaw in America, 1881-1981 by Stephen Tatum
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Great Plains Quarterly Great Plains Studies, Center for Summer 1984 Review of Inventing Billy the Kid: Visions of the Outlaw in America, 1881-1981 By Stephen Tatum Kent L. Steckmesser California State University-Los Angeles Follow this and additional works at: https://digitalcommons.unl.edu/greatplainsquarterly Part of the Other International and Area Studies Commons Steckmesser, Kent L., "Review of Inventing Billy the Kid: Visions of the Outlaw in America, 1881-1981 By Stephen Tatum" (1984). Great Plains Quarterly. 1798. https://digitalcommons.unl.edu/greatplainsquarterly/1798 This Article is brought to you for free and open access by the Great Plains Studies, Center for at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Great Plains Quarterly by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. 182 GREAT PLAINS QUARTERLY, SUMMER 1984 biography was formulated as a "romance." As a "bad" badman, a threat to the moral order, the Kid had to die so that civilization-repre sented by Sheriff Pat Garrett-could advance. This formula of conflict and resolution by death can be detected in dime novels and early magazine accounts, which dwell on the Kid's unheroic appearance and bloodthirsty char acter. After a period of meager interest, by the mid-1920s a quite different figure was being molded by biographers and film makers. This was the prototypical "good" badman, one who personifies a kind of idealism. In Walter Noble Burns's key biography in 1926 and in a 1930 film, the Kid becomes a redeemer who helps small farmers. -
The Wit & Wisdom of Doc Holliday
® Cowboy Action Shooting Stages & Scenarios 26 August 2012 The Wit & Wisdom Of Doc Holliday The Ten CAS Commandments 1. Thou shalt not allow thy muzzle to point at any person! Thou shalt keep thy muzzle pointed downrange when drawing or holstering from a Cross-Draw holster. Thou shalt not sweep thy neighbor, nor thy neighbor's wife, nor thy neighbor's ass (nor any other portion of his anatomy!) Safety! First, Last, and Always. 2. Thou shalt abide by all SASS Safety Rules, and thou shalt have FUN! 3. Protect thine eyes and ears at all times. Spectators shall do the same. 4. Except when shooting, loading, or unloading, thou shalt keep thy pistols holstered. 5. Thou shalt not close the action of thy rifle until thou loadest it at the Load Station. Thou shalt open thy rifle's action immediately after completing the rifle portion of the stage. Thou shalt not close thy shotgun except while holding it in thy hands at the firing line. 6. Suffer not thy gun to fall upon the ground, for a dropped gun is “Dead”. A loaded dropped gun is dead, and shall not rise again this day. Only the Range Officer may retrieve or pick up a dropped gun. NOTE: An empty long gun carefully staged against a barricade, wall, or other prop that subsequently slips and falls shall not result in any penalty. 7. There is no Rule #7. 8. Suffer not thine ammunition to fall upon the ground. Dropped ammo is "Dead", and may only be retrieved by the brass pickers, after the shooter has completed the stage. -
January 2015, There Was Also a Steampunk Vehicle May 2016, September 2016)
CONTENTS 3-4 COVER FEATURE Southern Missouri Rangers Fifth Annual Women’s Wild West Shootout 6-7 EDITORIALS How do we Stop the Loss of Members and Expand our Membership? Another Perspective Another Way of Looking at This SASS Divisional Championships Single Action Shooting Society® 8-9 COSTUMING CORNER 215 Cowboy Way, Edgewood, NM 87015 Wild Wild West and a Steampunk Convention 505-843-1320 • Fax 877-770-8687 © 2019 10-11 WILD BUNCH All rights reserved Oklahoma State Wild Bunch Championship 2018 The Cowboy Chronicle Magazine is Designed and Printed by 12-16 GUNS & GEAR The Single Action Shooting Society® Visit the SASS web site at: Dispatches From Camp Baylor—The Legend of “Heaven” and “Hell” www.sassnet.com BAMM Rifles 17-29 ANNUAL MATCHES EDITORIAL STAFF Rattlesnake Gulch Roundup 2018 Cowford Regulators 2018 Annual Match EDITOR-IN-CHIEF A Dark Day on The Santa Fe 2018 Skinny First Annual Shootout at The OK Corral SASS Pennsylvania State Championship 2018 MANAGING EDITOR Michigan State Championship Range War 2018 Misty Moonshine Appalachian Showdown XXVII EDITORS EMERITUS 30-35 PRODUCT REVIEW Cimarron’s Uberti 1858 Conversion Tex & Cat Ballou Swab-Its® Bore-Sticks™ ADVERTISING MANAGER 36-44 FICTION Square Deal Jim Small Creek: Kid Galena Rides—Chapter 9 410-531-5456 | [email protected] 45 HEALTH & FITNESS GRAPHIC DESIGN Stretching for Cowboy Action Shooters™ Mac Daddy 46-48 PROFILES 2018 Scholarship Recipient Diamond Kate, SASS #95104 STAFF WRITERS The Beginning of the End - Essay by Diamond Kate, SASS #95104 Big Dave, The Capgun Kid, Capt. George SASS Alias — Possibly the Best Part of the Game! Baylor, Col. -
Td Vancouver International Jazz Festival
Music is where we all belong. TD is a proud sponsor of over 90 music festivals and 100 community programs from coast to coast. #MusicMatters The TD logo and other trade-marks are the property of The Toronto-Dominion Bank. TDCT-0396_FestivalPrograms_Vancouver_5.25x8_v1.indd 1 2018-03-06 11:27 AM CHAN CENTRE PRESENTS SERIES SEP 22 Aida Cuevas: Totalmente Juan Gabriel SEP 30 I’m With Her OCT 21 Goran Bregović and His Wedding and Funeral Band NOV 13 Joshua Redman: Still Dreaming FEB 17 Bobby McFerrin: Circlesongs MAR 2 Ladysmith Black Mambazo with Habib Koité and Bassekou Kouyate APR 11 Cristina Pato Quartet APR 27 Anoushka Shankar BEYOND WORDS SERIES OCT 3 Kealoha FEB 24 No Blue Memories: The Life of Gwendolyn Brooks SUBSCRIPTIONS ON SALE NOW! Cristina Pato Joshua Redman I’m With Her Bobby McFerrin chancentre.com Welcome to the 33rd Annual TD Vancouver International Jazz Festival As a committed and long-standing supporter of Canadian music and artists, TD is thrilled to support the 2018 TD Vancouver International Jazz Festival, a world- class event celebrating the diversity of music across Canada and beyond. For 10 straight days the festival will erupt with the best jazz, blues and world music and has become a passport to a music-loving community where one can feel truly connected. From up-and-coming talent to acclaimed headliners, join us at the many events taking place around the city as we celebrate the love of music. At TD, we see music as a conversation-starter, something that has the power to bring communities together and give us all somewhere to belong. -
A History of Holbrook and the Little Colorado Country (1540-1962)
A history of Holbrook and the Little Colorado Country (1540-1962) Item Type text; Thesis-Reproduction (electronic) Authors Wayte, Harold Columbus, 1926- Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 10/10/2021 18:31:37 Link to Item http://hdl.handle.net/10150/551586 A HISTORY OF HOLBROOK AND THE LITTLE COLORADO COUNTRY . (1540-1962) A Thesis Submitted to the Faculty of the Department of History in Partial Fulfillment'of the Requirements for the Degree of M aster of Arts b y Harold C. Wayte, Jr. In the Graduate College UNIVERSITY OF ARIZONA 1962 STATEMENT BY AUTHOR This thesis has been submitted in partial fulfillment of require ments for an advanced degree at The University of Arizona and is deposited in The University Library to be made available to borrowers under rules of the Library. Brief quotations from this thesis are allowable without special permission, provided that accurate acknowledgment of source is made. Requests for permission for extended quotation from or reproduction of this manuscript in whole or in part may be granted by the head of the major department or the Dean of the Graduate College when in their judgment the proposed use of the m aterial is in the interests of scholarship. In all other instances, however, permission must be obtained from the author. -
4 X Wrangler Ace High Ace Mckenzie Admiral AJ Alamogordo Alice
4 X Wrangler Ace High Ace McKenzie Admiral AJ Alamogordo Alice Longshot Alvira Sullivan Earp Amarillo Amazed Amazing Grace Andrew the Judge Andy Adam's Angel Eyes Angel of Tombstone Annie Coyote Annie Sureshot Annie -Dote Apache Appaloosa Maiden Arizona Blue Arizona Pearl Astronomical Bad Al Zima Bad Ass Wallace Bad Barry Bad Bart Bad Blood Bad4U Bailup Baldy Bambino Bandicoot Bandito Brad Bartender Bass Strait Cowboy Bastard Bert Bean Bear Bear Paw Beau Maverick Belle Boyd Belle Starr Bent Bob Bernard McCrae Bessie Starlight Betsy Wesson Big Bad John Big Bang Big John Big John Big Mac BigA Bill -Henry Billy Dixon Billy Hustler Billy the Kid Bindi Bisbee Kid BJ Black Jack Black Jack Barrington Black Powder Bob Black To Hunga Blackhart Blackhawk Blackjack Al Blackjack Jenkins Blandford Blaze A Trail Blazer Blazing Dutchman Blitzer Maloney Blondee Blue Belle Blue Eyed Angel Blue Lightening Blue Man Blue Robin Blue Thunder Bob Dalton Bob Younger Bodie Bones Bonita Boots Bordello Baz Born Tothrill Bottlo John Brandin Iron Brandy Snaps Breaker Breedin the Kid Bridget O'Malley Broken Arrow Broken Knee Broken Spur Bronco Brushy Bill Buck Carbine Buck Garrett Buck N Bull Buck Ryder Buck Silverton Buckle Bill Buckshot (Bucky) Batters Buckshot Bill Buckshot Bodean Buckshot 'E' Bown Bull Whip Bullock Bullseye Bush Chook Brozzy Bushwacker Bushy Taylor Buster Giggs Butch cassidy C.T.M. Cactus Cactus Jack Slade Cage Jarrett Calamity Jane Calm Waters Calvin Candle Camel Broom Capt Casual Capt Jake Gutter Capt. Augustus McCrae Captain Black Captain Gil Captain J.C.Hays (Jack) Captain Jack Captain JC Jackson Captain Melville Captain Starlight Captain Whiplash Carbine's Kid Card Sharp Carter Moss Cartwheel Casey Jones Casper Kid Cassie Ballou Cat. -
Ranch Women of the Old West
Hereford Women Ranch Women of the Old West by Sandra Ostgaard Women certainly made very return to one’s hometown to find and the Jesse Evans Gang, Tunstall important contributions to a bride — or if the individual had hired individuals, including Billy America’s Western frontier. There a wife, to make arrangement to the Kid, Chavez y Chavez, Dick are some interesting stories about take her out West. This was the Brewer, Charlie Bowdre and the introduction of women in the beginning of adventure for many Doc Scurlock. The two factions West — particularly as cattlewomen a frontier woman. clashed over Tunstall’s death, with and wives of ranchers. These numerous people being killed women were not typical cowgirls. Susan McSween by both sides and culminating The frontier woman worked Susan McSween in the Battle of Lincoln, where hard in difficult settings and (Dec. 30, 1845- Susan was present. Her husband contributed in a big way to Jan. 3, 1931) was killed at the end of the civilizing the West. For the most was a prominent battle, despite being unarmed part, women married to ranchers cattlewoman of and attempting to surrender. were brought to the frontier after the 19th century. Susan struggled in the the male established himself. Once called the aftermath of the Lincoln County Conditions were rough in the “Cattle Queen of New Mexico,” War to make ends meet in the decade after the Civil War, making the widow of Alexander McSween, New Mexico Territory. She sought it difficult for men to provide who was a leading factor in the and received help from Tunstall’s suitable living conditions for Lincoln County War and was shot family in England.