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Shiva's Waterfront Temples
Shiva’s Waterfront Temples: Reimagining the Sacred Architecture of India’s Deccan Region Subhashini Kaligotla Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2015 © 2015 Subhashini Kaligotla All rights reserved ABSTRACT Shiva’s Waterfront Temples: Reimagining the Sacred Architecture of India’s Deccan Region Subhashini Kaligotla This dissertation examines Deccan India’s earliest surviving stone constructions, which were founded during the 6th through the 8th centuries and are known for their unparalleled formal eclecticism. Whereas past scholarship explains their heterogeneous formal character as an organic outcome of the Deccan’s “borderland” location between north India and south India, my study challenges the very conceptualization of the Deccan temple within a binary taxonomy that recognizes only northern and southern temple types. Rejecting the passivity implied by the borderland metaphor, I emphasize the role of human agents—particularly architects and makers—in establishing a dialectic between the north Indian and the south Indian architectural systems in the Deccan’s built worlds and built spaces. Secondly, by adopting the Deccan temple cluster as an analytical category in its own right, the present work contributes to the still developing field of landscape studies of the premodern Deccan. I read traditional art-historical evidence—the built environment, sculpture, and stone and copperplate inscriptions—alongside discursive treatments of landscape cultures and phenomenological and experiential perspectives. As a result, I am able to present hitherto unexamined aspects of the cluster’s spatial arrangement: the interrelationships between structures and the ways those relationships influence ritual and processional movements, as well as the symbolic, locative, and organizing role played by water bodies. -
Paper Teplate
Volume-04 ISSN: 2455-3085 (Online) Issue-06 RESEARCH REVIEW International Journal of Multidisciplinary June-2019 www.rrjournals.com[UGC Listed Journal] Origin and Evolution of Hero Stones in Karnataka – A Analysis Dr.B.Suresha Associate Professor of History, Govt Arts College(Autonomous), Chitradurga, Karnataka-577501 (India) ARTICLE DETAILS ABSTRACT Article History Hero-stones are slabs with an image of a man, who had performed some heroic deed, Published Online: 12 June 2019 carved on it to commemorate his act of valour. This hero could have participated in a war, or could have saved his village from bandits or marauding wild animals and ultimately lost Keywords his life. Kannada, Hero-stones, Hero-stones, Vedic literature, narrative of epic battle, Janamejaya pariksita, memorial monuments, ornaments such as garlands, armlets, anklets, bangles, ear studs and etc. *Corresponding Author Email: sureshbalenahally[at]gmail.com The term veeragal means hero-stones in Kannada In the Sangam literature, we find number of memorial language. Hero-stones are slabs with an image of a man, who monuments variously assigned from 3rd BC and 3rd AD. These had performed some heroic deed, carved on it to monuments refer to an established custom of erecting a commemorate his act of valour. This hero could have menhir in memory of the dead. Tolakapiam itself utilities the participated in a war, or could have saved his village from hero-stone details and offers several interesting data on its bandits or marauding wild animals and ultimately lost his life. features, as collected at the time of its compassion. The Most times, there will be an inscription alongside giving details significance reference to the memorial or hero stones as part of the hero. -
South India Economy Under the Chalukyas of Kalyana and Kalachuris
South India Economy under the Chalukyas of Kalyana and Kalachuris 5.1 Do you know Description Image Source “The Chalukyas of Kalyani revived their fortunes in 973 A.D after over two Inscriptions and Literatures hundred years of dormancy when much form main source of the study of the South India was under the rule of the Rashtrakutas.” A hero stone with of the Kalyani Chalukyas old Kannada script (1115 A.D) during the rule of Vikramadhitya VI “Administration and socio- economic life under the Kalachuris Inscriptions and monuments confirmed in general to the Chalukyan give details on the cultural pattern except for the social and religious history of the Kalachuris ferment caused by the Lingayat Royal Emblem of movement” the Kalachuris 5.2 Timeline Timelines Image Description 973-997 CE Taila II, founded the Kalyani Chalukya dynasty 1007-15 CE Typical Western Period of the king Vikramaditya V Chalukya Vimana at Siddhesvara Temple in Haveri, Karnataka 1042-68 CE Period of the Chalukya ruler Somesvara I 1068-76 CE Period of the Chalukya king Somesvara II Period of the Somesvara IV, the king of the Kalyani 1184-1200 CE Chalukyas 1130-1184 CE The period of southern Kalachuri dynasty 1145 & 1152-67 Period of the Kalachuri ruler Tribhuvanamalla Bijjale CE Elephanta Caves 1177-81 CE Period of the Kalachuri king Sankama Nissanka Malla 5.3 Glossary Staring Related Term Definition Character Term A Anjuvannam A Trade Guild of south India nanadesi A Angadi-dere Tax on shops domba- dere B Bhatta-vritti Free land donated for the teacher of Sastras kumara- -
(Disambiguation). Bengaluru ???????? Metropolis Cl
Bangalore From Wikipedia, the free encyclopedia For other uses, see Bangalore (disambiguation). Bengaluru ???????? Metropolis Clockwise from top: UB City, Infosys, Glass house at Lal Bagh, Vidhana Soudha, S hiva statue, Bagmane Tech Park Clockwise from top: UB City, Infosys, Glass house at Lal Bagh, Vidhana Soudha, S hiva statue, Bagmane Tech Park Nickname(s): Silicon valley of India, Garden City of India. Bengaluru is located in Karnataka Bengaluru Bengaluru Location in Karnataka Coordinates: 12°58'N 77°34'ECoordinates: 12°58'N 77°34'E Country India State Karnataka Region Bayaluseeme District Bangalore Urban Native Language Kannada Established 1537 Founded by Kempegowda I Government Type MayorCouncil Body BBMP Mayor B S Satyanarayana Commissioner Lakshminarayana[1] Area Metropolis 741 km2 (286 sq mi) Elevation[2] 920 m (3,020 ft) Population (2014)[3] Rank 3rd Metro[4] 10,178,146 Demonym Bangalorean Time zone IST (UTC+5:30) Pincode(s) 560 xxx Area code(s) 91-(0)80-XXXX XXXX Vehicle registration KA-01, 02, 03, 04, 05, 41, 50, 51, 53, 58,59,60,61 Official language Kannada and English Climate Aw (Köppen) Website www.bbmp.gov.in Bengaluru (Bengaluru, ['be?g??u??u] ( listen)) also known as Bangalore, is the t hird largest city in India and is the center of India's fifth-largest metropolit an area. Located in southern India on the Deccan Plateau, it is the capital of t he southern Indian state of Karnataka. Bangalore is known as the "Silicon Valley of India" because of its role as the nation's leading information technology (I T) exporter.[5][6][7] -
Historical Perspectives of Memorial Stones in Karnataka – an Analysis *Dr.Thippeswamy.H
Science, Technology and Development ISSN : 0950-0707 Historical Perspectives of Memorial Stones in Karnataka – An Analysis *Dr.Thippeswamy.H. Associate Professor of History, Dept of History and Archaeology, Vijayanagara Sri Krishnadevaraya University, Ballari. Abstract This paper attempts to study memorial stones with Historical perspectives that were erected in Karnataka to immortalise those who selflessly pledged their life for the protection of women, village men and property. Best of inscriptions found in Karnataka are Memorial Stones. They are very unique to Karnataka and the varieties in them are stupendous. And are found nowhere else in whole of Karnataka with such abundance. Some of them are also found outside the state, in territories which were part of dynasties of Karnataka. Here are some of the very unique and best memorial stones found in the state. Memorial inscriptions, engraved on memorials to the dead, are a major category of epigraphs in India. These memorials can be broadly categorised as hero stones, sati stones and memorials to those who died observing a religious vow. Principally in the third category, we have Jain memorials, nishidhis, to their monks and nuns as well as laity who died observing the vow of sallekhanaor sanyasana, which means a graduated fasting unto death. The practice of setting up hero stones to commemorate warriors who had died in battle is one that was probably connected to the funerary practices of the Megalithic period. Megalithic burials in earthenware jars or marked by menhirs, stone circles, dolmens, etc., are to be found in a large area of the peninsula and can be dated to the second half of the first millennium BCE. -
Hinduism-And-The-Religious-Arts.Pdf
RELIGION AND THE ARTS Series Editor: John Hinnells, University of Derby The arts have always been one of the primary means of communicating religious traditions; indeed, visual or performing arts may complement, predate or supplant many scriptural sources. This series explores how the visible has been used to express the invisible, and is designed to provide an understanding of the world's religions through the various art forms associated with religious practice and experience. Already published Art and Religion in Africa by Rosalind I. J. Hackett Arts in the Religions of the Pacific by Albert C. Moore Ganesa, Orissa, thirteenth century. Hinduism and the Religious Arts Heather Elgood CASSELL London and New York Cassell Wellington House, 125 Strand, London WC2R OBB 370 Lexington Avenue, New York, NY 10017-6550 First published 1999 First published in paperback 2000 © Heather Elgood 1999 All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical including photocopying, recording or any information storage or retrieval system, without prior permission in writing from the publishers. British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library. ISBN 0-304-70739-2 (paperback) ISBN 0-304-33820-6 (hardback) Library of Congress Cataloging-in-Publication Data Elgood, Heather, 1950- Hinduism and the religious arts / Heather Elgood. p. cm.—(Religion and the arts) Includes bibliographical references and index. ISBN 0-304-33820-6 (hardcover) 1. Art, Hindu—India. 2. Art, Indie-India. 3. Hindu symbolism. 4. Art patronage-India. -
A Study of Regional Organization at Banavasi, C. 1 St
Complexity on the Periphery: A study of regional organization at Banavasi, c. 1st – 18th century A.D. by Uthara Suvrathan A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Anthropology) in the University of Michigan 2013 Doctoral Committee: Professor Carla Sinopoli, Chair Emeritus Professor Thomas R. Trautmann Professor Henry T. Wright Emeritus Professor Norman Yoffee © Uthara Suvrathan 2013 Dedication For Amma and Acha ii Acknowledgements I have been shaped by many wonderful scholars and teachers. I would first like to thank Carla Sinopoli for the mentorship she has given me throughout my time in Graduate school, and even earlier, from that steep climb up to Kadebakele and my very first excavation. She has read several drafts of this dissertation and discussions with her always strengthened my research. My dissertation was greatly enriched by comments from my other committee members. Chats with Henry Wright left me filled with new ideas. Norm Yoffee’s long-distance comments were always thought provoking. Tom Trautmann’s insights never failed to suggest new lines of thought. Although not committee members, I would also like to thank Dr. Upinder Singh for initiating my love of all things ‘Ancient’, Dr. H. P. Ray for fostering my interest in archaeology, and Dr. Lisa Young for giving me opportunities to teach. My field work in India was made possible by grants from the National Science Foundation, Rackham Graduate School, the Museum of Anthropology and the Trehan Foundation supporting South Asian Research at the University of Michigan. I would especially like to thank the American Institute of Indian Studies, and Dr. -
International Journal of Multidisciplinary Educational Research
Volume 2, Issue 3, February 2013 International Journal of Multidisciplinary Educational Research Published by Dr.Victor Babu Koppula Department of Philosophy Andhra University, Visakhapatnam – 530 003 Andhra Pradesh – India Email: [email protected] website : www.ijmer.in Editorial Board Editor-in-Chief Dr. Victor Babu Koppula Department of Philosophy Andhra University – Visakhapatnam -530 003 Andhra Pradesh – India EDITORIAL BOARD MEMBERS Prof. S.Mahendra Dev Prof. (Dr.) Sohan Raj Tater Vice Chancellor Former Vice Chancellor Indira Gandhi Institute of Development Research Singhania University , Rajasthan Mumbai Prof. G.Veerraju Prof.K.Sreerama Murty Department of Philosophy Department of Economics Andhra University Andhra University - Visakhapatnam Visakhapatnam Prof. K.R.Rajani Prof.G.Subhakar Department of Philosophy Department of Education Andhra University – Visakhapatnam Andhra University, Visakhapatnam Prof. A.B.S.V.Rangarao Dr.B.S.N.Murthy Department of Social Work Department of Mechanical Engineering Andhra University – Visakhapatnam GITAM University –Visakhapatnam Prof.S.Prasanna Sree N.Suryanarayana (Dhanam) Department of English Department of Philosophy Andhra University – Visakhapatnam Andhra University – Visakhapatnam Prof. P.Sivunnaidu Dr.Ch.Prema Kumar Department of History Department of Philosophy Andhra University – Visakhapatnam Andhra University – Visakhapatnam Prof. P.D.Satya Paul Dr. E.Ashok Kumar Department of Anthropology Department of Education Andhra University – Visakhapatnam North- Eastern Hill University, Shillong Dr. K. John Babu Dr.K.Chaitanya Department of Journalism & Mass Comm. Postdoctoral Research Fellow Acharya Nagarjuna University, Guntur Department of Chemistry Nanjing University of Science and Prof. Roger Wiemers Technology Professor of Education Xialingwei 200, Nanjing, 210094 Lipscomb University, Nashville, USA People’s Republic of China Dr.Merina Islam Dr. Zoran Vujisiæ Department of Philosophy Rector Cachar College, Assam St. -
History and Culture of Karnataka (From Early Times to 1336)
History and Culture of Karnataka (From Early Times to 1336) Programme ಕಾರ್ಯ响ರ ಮ BA Subject 풿ಷರ್ History and Archaeology Semester �ಕ್ಷ貾ವ鲿 V University 풿ಶ್ವ 풿ದ್ಯಾ ಲರ್ Karnatak University, Dharwad Session ಅವ鲿 3 Title : Sources: Literary and Archaeological Sub Title: Archaeological Sources: Important Inscriptions Learning Objectives Students will learn about the Archaeological sources, their importance in writing the history and few important inscriptions throw light on the History of Karnataka. Session Out Comes • Students learnt about the role of inscriptions in reconstructing the history of Karnataka • They learnt about different types of inscriptions, • They know few important inscriptions on Karnataka history • They realize the importance of inscriptions Introduction • Inscriptions are the earliest writings on stone or copper plates to record the important information by the Kings • They are the most authentic sources, because they are issued by the administrative authorities • They are classified as administrative , commercial, hero stones, donatives, Importance of Inscriptions 1. Inscriptions throw light on 2. The extent of the empire 3. Social customs, administration, religious condition, 4. The growth of scripts, languages & Literature 5. The evolution of sculpture and art 6. Chronology of ruling dynasties 7. Foreign trade & commerce Importance of Inscriptions 9.Inscriptions enables in spreading information. 10. In addition to all these they throw light on the existence of group of scholars and scribers (writers ) in the kingdoms. 11. Scholars received royal patronage. They are issued only with the consent of the kings, hence the information they carry are most authentic. Types of Inscriptions • Donative Inscriptions- gives information about donations by the kings, Queens, ministers, merchants etc. -
Aesthetics of Sovereignty: the Poetic and Material Worlds of Medieval Jainism
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2016 Aesthetics of Sovereignty: The Poetic and Material Worlds of Medieval Jainism Sarah Pierce Taylor University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the Asian Studies Commons, Comparative Literature Commons, Religion Commons, and the South and Southeast Asian Languages and Societies Commons Recommended Citation Taylor, Sarah Pierce, "Aesthetics of Sovereignty: The Poetic and Material Worlds of Medieval Jainism" (2016). Publicly Accessible Penn Dissertations. 2052. https://repository.upenn.edu/edissertations/2052 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/2052 For more information, please contact [email protected]. Aesthetics of Sovereignty: The Poetic and Material Worlds of Medieval Jainism Abstract "Aesthetics of Sovereignty" explores how premodern religious communities employed narrative as a site to imagine ideal political worlds in ways that exceeded the capacity of formal philosophical and politico- theoretical discourse. Taking the Digambara Jain community of the ninth and tenth-century western Deccan as my primary focus, I argue that Jains theorized, modeled, and continually revised what it meant to be both a king and a Jain through literary and material improvisations with the narrative of the first Tīrthaṅkara Ādinātha (a genre known as the Ādipurāṇa). From the proposition that worldly sovereignty culminates in renunciation in Jinasēna’s Ādipurāṇa (c. 860 C.E.) and the devolution of courtly erotic love into devotional affect in Pampa’s Ādipurāṇaṃ (941 C.E.), to the vision of an ideal king as Jain devotee in the Cāvuṇḍarāya Purāṇaṃ (978 C.E.), my dissertation tracks shifting Jain experiments with language, genre, and artistic mediums that reflect broader attempts to imagine ideal worlds structured around perfected notions of worldly and spiritual sovereignty. -
International Journal of Academic Research
Volume 3, Issue-7(2), July, 2016 International Journal of Academic Research Published by Office Address Sucharitha Publications Dr.T.V.Ramana Visakhapatnam – 530 017 46-8-10-B/1,Near. Aditya Public School Andhra Pradesh – India Jagannaickpur, Kakinada- 533002 website :www.ijar.org.in Andhra Pradesh-India [email protected] [email protected] Design by SS Xerox, Visakhapatnam Special issue on “STUDIES OF SOCIETY IN TRANSITION” (SKETCHES OF MEDIEVAL SOUTH INDIAN HISTORY) EDITOR DR. VIDYA .H .N. HOD & Associate Professor Department of History Government Arts College Hassan - Karnataka CO -EDITOR & AUTHOR DR.PUTTARAJU. K. Lecturer in History Post Graduate Department of History Sir M. V. Post Graduate Center University Of Mysore Toobinakere- Mandya District Karnataka July 2016 About the Editor Dr. Vidya H N, is working as HOD in the department of history government arts college Hassan . She has put up 20 years of service. She has been guiding m. Phil & ph. D students of various universities.. She has published more than 50 articles on a variety of issues in newspapers & published two books & published research articles in various journals. She has been conducting annual exhibitions in historical artifacts & rare coins. She has delivered lectures on different topics. She is utilizing ICT to form edu cds on a new light on Harappan Excavations, Asoka– The King Of Universe, Nalanda University- The Seat Of Knowledge , Dr. Vidya .H .N. Tajmahal – The Myths & Reality , South Indian Inscriptions, Etc. She Has Edited Special Issue Journals on She Has Edited Special Issue Journals on : 1. Some reflections on Gandhian thoughts , vol.1issue 4(1)October December 2014 2. -
Rashtrakuta Culture Religion
STUDY MATERIAL FOR SEMESTER II Indrajit Biswas Part 6 RASHTRAKUTA CULTURE Religion The Rashtrakuta kings supported the popular religions of the day in the traditional spirit of religious tolerance. Scholars have offered various arguments regarding which specific religion the Rashtrakutas favoured, basing their evidence on inscriptions, coins and contemporary literature. Some claim the Rashtrakutas were inclined towards Jainism since many of the scholars who flourished in their courts and wrote in Sanskrit, Kannada and a few in Apabhramsha and Prakrit were Jains. The Rashtrakutas built well-known Jain temples at locations such as Lokapura in Bagalkot district and their loyal feudatory, the Western Ganga Dynasty, built Jain monuments at Shravanabelagola and Kambadahalli. Scholars have suggested that Jainism was a principal religion at the very heart of the empire, modern Karnataka, accounting for more than 30% of the population and dominating the culture of the region. King Amoghavarsha I was a disciple of the Jain acharya Jinasena and wrote in his religious writing, Prashnottara Ratnamalika, "having bowed to Varaddhamana (Mahavira), I write Prashnottara Ratnamalika". The mathematician Mahaviracharya wrote in his Ganita Sarasangraha, "The subjects under Amoghavarsha are happy and the land yields plenty of grain. May the kingdom of King Nripatunga Amoghavarsha, follower of Jainism ever increase far and wide." Amoghavarsha may have taken up Jainism in his old age. However, the Rashtrakuta kings also patronized Hinduism's followers of the Shaiva, Vaishnava and Shakta faiths. Almost all of their inscriptions begin with an invocation to god Vishnu or god Shiva. The Sanjan inscriptions tell of King Amoghavarsha I sacrificing a finger from his left hand at the Lakshmi temple at Kolhapur to avert a calamity in his kingdom.