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Memorial on Annexation of Feudal States and Memorial on the Burning of Books, by Li Si (As Recorded by Sima Qian)
Primary Source Document with Questions (DBQs) M E M O R I A L O N A N N E X A T I O N O F F E U D A L S T A T E S A N D M E M O R I A L O N T H E B U R N I N G O F B O O K S B y L i S i ( a s r e c o r d e d b y S i m a Q i a n ) Introduction Li Si (d. 208 BCE) was, along with the Legalist philosopher Han Fei (d. 233 BCE), a student of Xunzi (c. 310-c. 219 BCE) and an official for the kingdom of Qin. When Qin conquered the remaining feudal states of the Zhou dynasty and built a new, centralized empire, Li Si was prime minister to the first emperor, Qin Shihuang. As prime minister, Li Si had the opportunity to bring Legalist political philosophy to bear on the task of uniting and ruling the patchwork of now-conquered feudal states of the former Zhou kingdom. The memorials below are two examples of the policies that Li Si successfully urged Qin Shihuang to follow. The memorials, in the form that we have them, are recorded by the Han dynasty historian Sima Qian (145?-86? BCE). They may, therefore, reflect Han bias in either the choice made or the accuracy of the record. However, we have no alternative sources from which to compare the record and investigate the nature and extent of whatever bias may be present. -
Third Series • Volume Xxiii Part 1 • Third Series Third
part 1 volume xxiii • academia sinica • taiwan • 2010 INSTITUTE OF HISTORY AND PHILOLOGY third series asia major • third series • volume xxiii • part 1 • 2010 xiao tong’s preface to tao yuanming ji ping wang Between Reluctant Revelation and Disinterested Disclosure: Reading Xiao Tong’s Preface to Tao Yuanming ji iao Tong 蕭統 (501–531), posthumously the Crown Prince of Re- X .splendent Brilliance (Zhaoming taizi 昭明太子) of the Liang dynasty (502–557), is most famous for his compilation of the Wen xuan 文選, one of the most important anthologies in the Chinese literary tradi- tion.1 Yet the Liang prince made another contribution to the world of letters, namely, his fervent praise of Tao Yuanming 陶淵明 (365–427) that serves as a crucial link in the reception history of one of the great- est poets in China. The prince’s promotion of Tao Yuanming is seen in three interrelated activities: rewriting Tao Yuanming’s biography, collecting Tao’s works, and composing for the collection a long pref- ace (referred to here as the Preface). While the biography has proved a useful point of comparison for studying the canonization history of Tao Yuanming as a poet,2 the Preface attracts scholarly attention for a I would like to thank David R. Knechtges, Paul W. Kroll, Martin Kern, Susan Naquin, Ben- jamin Elman, Willard Peterson, and Paul R. Goldin, who read and commented on this paper. Their feedback has benefited me greatly in the process of revision. I also owe thanks to the editors and anomymous readers at Asia Major for comments and suggestions. -
Chinese Collection: a Closer Look at Designs
Chinese Collection: A closer look at designs Ritual covered wine vessel, fangyi, Bronze, late Shang dynasty, c.1250-1050 BC © Compton Verney Taking time to make close observations, make sketches and collect images you are drawn to is a great starting point for your own design and art work. Take a really close look at the intricate patterns found on the objects and ritual bronze vessels in the Chinese Collection. Follow this link to look closely it will take you to the gallery guide which includes lots of fascinating images. Don’t forget to double click on the images to enlarge them Spend some time looking at the different objects, what do you notice? What shapes and pattern stand out to you? Are they just patterns or do they resemble something? Share your observations with someone at home Challenge: Focus on 2 or 3 objects Try to recreate the patterns you can see, sketch them onto paper or a notepad Really try to copy the detail and shapes Make a variety of sketches, they can be of a whole design or of a detail Keep them safe, you can use these sketches to help with the next activity! You will need: Paper or sketch book Pencils, pens Focus and concentration! Compton Verney ART GALLERY & PARK Chinese Collection: A closer look at designs Some examples to get started. But take a close look at the images on our website. Ritual wine vessel, zhi, Bronze, early Western Zhou dynasty, Ritual wine vessel, hu, Bronze, late Western Zhou dynasty, c.1050-950 BC © Compton Verney c.850-771 BC © Compton Verney Ritual wine vessel and cover, you (detail) © Compton Verney Compton Verney ART GALLERY & PARK . -
Imprints FINAL 15Dec2016.Indd
ls ia er at M ed ht ig yr op C : ss re P ity rs ve ni U se Newest Sources of Western Zhou History: ne hi Inscribed Bronze Vessels, 2000–2010 C he T Edward L. SHAUGHNESSY The University of Chicago In 2002, I published a survey of inscribed bronze vessels of the Western Zhou period that had appeared in the course of the preceding decade. timing was appropriate for at least a couple of reasons. First, the 1990s marked the first flowering of the new Chinese economic expansion; with the dramatic increase in construction activity and with newfound wealth in China came a concomitant rise in the number of ancient bronze vessels taken out of China’s earth. Although much of this excavation was unfor- tunately undertaken by tomb robbers, and the individual bronzes thus lost their archaeological context, nevertheless many of them appeared on the antiques markets and eventually made their way into museums and/or the scholarly press. Second, the decade also witnessed the five-year long Xia- Shang-Zhou Chronology Project (1995–2000). This multidisciplinary inquiry into ancient China’s political chronology was funded by the Chinese government at levels hitherto unimagined for humanistic and social science research, and it resulted in numerous discoveries and publi- cations. The chronology of the Western Zhou period, based to a very large extent on the inscriptions in bronze vessels of the period, was perhaps the most important topic explored by this project. The decade witnessed extensive archaeological excavations at several major Zhou states, as well as the discovery of several fully-dated bronze inscriptions that were the subject of much discussion in the context of the “Xia-Shang-Zhou Chro- nology Project.” 1 The sive archaeologicalThe ten years campaigns, that have severaljust passed of them have unearthing brought several sites and more ceme- exten- teries of heretofore unknown states within the Zhou realm, as well as many, many more bronze vessels from throughout the Western Zhou period, some of them with truly 2startling inscriptions. -
Inscriptional Records of the Western Zhou
INSCRIPTIONAL RECORDS OF THE WESTERN ZHOU Robert Eno Fall 2012 Note to Readers The translations in these pages cannot be considered scholarly. They were originally prepared in early 1988, under stringent time pressures, specifically for teaching use that term. Although I modified them sporadically between that time and 2012, my final year of teaching, their purpose as course materials, used in a week-long classroom exercise for undergraduate students in an early China history survey, did not warrant the type of robust academic apparatus that a scholarly edition would have required. Since no broad anthology of translations of bronze inscriptions was generally available, I have, since the late 1990s, made updated versions of this resource available online for use by teachers and students generally. As freely available materials, they may still be of use. However, as specialists have been aware all along, there are many imperfections in these translations, and I want to make sure that readers are aware that there is now a scholarly alternative, published last month: A Source Book of Ancient Chinese Bronze Inscriptions, edited by Constance Cook and Paul Goldin (Berkeley: Society for the Study of Early China, 2016). The “Source Book” includes translations of over one hundred inscriptions, prepared by ten contributors. I have chosen not to revise the materials here in light of this new resource, even in the case of a few items in the “Source Book” that were contributed by me, because a piecemeal revision seemed unhelpful, and I am now too distant from research on Western Zhou bronzes to undertake a more extensive one. -
Studies in Central & East Asian Religions Volume 9 1996
Studies in Central & East Asian Religions Volume 9 1996 CONTENTS Articles Xu WENKAN: The Tokharians and Buddhism……………………………………………... 1 Peter SCHWEIGER: Schwarze Magie im tibetischen Buddhismus…………………….… 18 Franz-Karl EHRHARD: Political and Ritual Aspects of the Search for Himalayan Sacred Lands………………………………………………………………………………. 37 Gabrielle GOLDFUβ: Binding Sūtras and Modernity: The Life and Times of the Chinese Layman Yang Wenhui (1837–1911)………………………………………………. 54 Review Article Hubert DECLEER: Tibetan “Musical Offerings” (Mchod-rol): The Indispensable Guide... 75 Forum Lucia DOLCE: Esoteric Patterns in Nichiren’s Thought…………………………………. 89 Boudewijn WALRAVEN: The Rediscovery of Uisang’s Ch’udonggi…………………… 95 Per K. SØRENSEN: The Classification and Depositing of Books and Scriptures Kept in the National Library of Bhutan……………………………………………………….. 98 Henrik H. SØRENSEN: Seminar on the Zhiyi’s Mohe zhiguan in Leiden……………… 104 Reviews Schuyler Jones: Tibetan Nomads: Environment, Pastoral Economy and Material Culture (Per K. Sørensen)…………………………………………………………………. 106 [Ngag-dbang skal-ldan rgya-mtsho:] Shel dkar chos ’byung. History of the “White Crystal”. Religion and Politics of Southern La-stod. Translated by Pasang Wangdu and Hildegard Diemberger (Per K. Sørensen)………………………………………… 108 Blondeau, Anne-Marie and Steinkellner, Ernst (eds.): Reflections of the Mountains. Essays on the History and Social Meaning of the Cult in Tibet and the Himalayas (Per K. Sørensen)…………………………………………………………………………. 110 Wisdom of Buddha: The Saṃdhinirmocana Mahāyāna Sūtra (Essential Questions and Direct Answers for Realizing Enlightenment). Transl. by John Powers (Henrik H. Sørensen)………………………………………………. 112 Japanese Popular Deities in Prints and Paintings: A Catalogue of the Exhibition (Henrik H. Sørensen)…………………………………………………………………………. 113 Stephen F. Teiser, The Scripture on the Ten Kings and the Making of Purgatory in Medieval Chinese Buddhism (Henrik H. -
Piece Mold, Lost Wax & Composite Casting Techniques of The
Piece Mold, Lost Wax & Composite Casting Techniques of the Chinese Bronze Age Behzad Bavarian and Lisa Reiner Dept. of MSEM College of Engineering and Computer Science September 2006 Table of Contents Abstract Approximate timeline 1 Introduction 2 Bronze Transition from Clay 4 Elemental Analysis of Bronze Alloys 4 Melting Temperature 7 Casting Methods 8 Casting Molds 14 Casting Flaws 21 Lost Wax Method 25 Sanxingdui 28 Environmental Effects on Surface Appearance 32 Conclusion 35 References 36 China can claim a history rich in over 5,000 years of artistic, philosophical and political advancement. As well, it is birthplace to one of the world's oldest and most complex civilizations. By 1100 BC, a high level of artistic and technical skill in bronze casting had been achieved by the Chinese. Bronze artifacts initially were copies of clay objects, but soon evolved into shapes invoking bronze material characteristics. Essentially, the bronze alloys represented in the copper-tin-lead ternary diagram are not easily hot or cold worked and are difficult to shape by hammering, the most common techniques used by the ancient Europeans and Middle Easterners. This did not deter the Chinese, however, for they had demonstrated technical proficiency with hard, thin walled ceramics by the end of the Neolithic period and were able to use these skills to develop a most unusual casting method called the piece mold process. Advances in ceramic technology played an influential role in the progress of Chinese bronze casting where the piece mold process was more of a technological extension than a distinct innovation. Certainly, the long and specialized experience in handling clay was required to form the delicate inscriptions, to properly fit the molds together and to prevent them from cracking during the pour. -
Chinese Herbal Medicine for Endometriosis (Review)
Chinese herbal medicine for endometriosis (Review) Flower A, Liu JP, Chen S, Lewith G, Little P This is a reprint of a Cochrane review, prepared and maintained by The Cochrane Collaboration and published in The Cochrane Library 2009, Issue 3 http://www.thecochranelibrary.com Chinese herbal medicine for endometriosis (Review) Copyright © 2009 The Cochrane Collaboration. Published by John Wiley & Sons, Ltd. TABLE OF CONTENTS HEADER....................................... 1 ABSTRACT ...................................... 1 PLAINLANGUAGESUMMARY . 2 SUMMARY OF FINDINGS FOR THE MAIN COMPARISON . ..... 2 BACKGROUND .................................... 3 OBJECTIVES ..................................... 4 METHODS ...................................... 4 RESULTS....................................... 5 Figure1. ..................................... 7 Figure2. ..................................... 8 DISCUSSION ..................................... 10 AUTHORS’CONCLUSIONS . 10 ACKNOWLEDGEMENTS . 11 REFERENCES ..................................... 11 CHARACTERISTICSOFSTUDIES . 17 DATAANDANALYSES. 27 Analysis 1.1. Comparison 1 CHM versus gestrinone, Outcome 1 Symptomatic relief. 28 Analysis 1.2. Comparison 1 CHM versus gestrinone, Outcome 2 Symptomatic relief rate (intention-to-treat). 29 Analysis 1.3. Comparison 1 CHM versus gestrinone, Outcome 3 Pregnant rate (accumulated from 3-24 months of follow- up)...................................... 29 Analysis 2.1. Comparison 2 CHM versus danazol, Outcome 1 Symptomatic relief. 30 Analysis 2.2. Comparison 2 -
The Eurasian Transformation of the 10Th to 13Th Centuries: the View from Song China, 906-1279
Haverford College Haverford Scholarship Faculty Publications History 2004 The Eurasian Transformation of the 10th to 13th centuries: The View from Song China, 906-1279 Paul Jakov Smith Haverford College, [email protected] Follow this and additional works at: https://scholarship.haverford.edu/history_facpubs Repository Citation Smith, Paul Jakov. “The Eurasian Transformation of the 10th to 13th centuries: The View from the Song.” In Johann Arneson and Bjorn Wittrock, eds., “Eurasian transformations, tenth to thirteenth centuries: Crystallizations, divergences, renaissances,” a special edition of the journal Medieval Encounters (December 2004). This Journal Article is brought to you for free and open access by the History at Haverford Scholarship. It has been accepted for inclusion in Faculty Publications by an authorized administrator of Haverford Scholarship. For more information, please contact [email protected]. Medieval 10,1-3_f12_279-308 11/4/04 2:47 PM Page 279 EURASIAN TRANSFORMATIONS OF THE TENTH TO THIRTEENTH CENTURIES: THE VIEW FROM SONG CHINA, 960-1279 PAUL JAKOV SMITH ABSTRACT This essay addresses the nature of the medieval transformation of Eurasia from the perspective of China during the Song dynasty (960-1279). Out of the many facets of the wholesale metamorphosis of Chinese society that characterized this era, I focus on the development of an increasingly bureaucratic and autocratic state, the emergence of a semi-autonomous local elite, and the impact on both trends of the rise of the great steppe empires that encircled and, under the Mongols ultimately extinguished the Song. The rapid evolution of Inner Asian state formation in the tenth through the thirteenth centuries not only swayed the development of the Chinese state, by putting questions of war and peace at the forefront of the court’s attention; it also influenced the evolution of China’s socio-political elite, by shap- ing the context within which elite families forged their sense of coorporate identity and calibrated their commitment to the court. -
Law Based on Local Customs: Law and Local Order Under the Yuan Dynasty Through the Example of Marriage Customs and Matrimonial Law
]NòϥΩƕ εȖͼɠó HƧDζgͼȖζñʇ! 95 Law based on Local Customs: Law and Local Order under the Yuan Dynasty through the Example of Marriage Customs and Matrimonial Law Hung, Li-chu* Abstract Law under the Yuan dynasty is most commonly characterized as a system with legal provisions that were formulated based on local customs. Due to this view, much of the scholarship to date has focused on non-Han customs, such as levirate marriage. However, it is much less common to study what Han custom actually meant and how it developed. This study analyzes the historical background and development of Yuan marriage laws, and focuses on the competition and negotiation between Confucian norms and local customs under the said principle of formulating legal provisions based on local customs. Examining these issues help to correct the notion that Yuan law was lax and minimally restrictive. Institutionally the judicial power of Yuan local officials was quite limited, and for a long time they did not have legal codes to adhere to. Therefore they reported numerous trivial civil conflicts to government agencies for resolution, including the Central Secretariat (zhongshu sheng), Bureau of Military Affairs (shumi yuan), the Censorate (yushi tai), and the Six Ministries. The Yuan central government expected to make marriage certificates (hunshu) contractual. Under the marriage code that it issued, betrothal gifts were increasingly standardized so the legal disputes that * Associate Researcher, School of History & Culture, Sichuan University. 96 :ΊʱIJɘ;Ù)&Ȑ arose from marriages were limited. Also, Han officials in local offices performed their duties in observing local customs, and put forward discussions of what the original customs of Han people actually meant. -
Studies on the Inscriptions on the Three Bronzes of Diaosheng
Chinese Archaeology 11 (2011): 160–164 © 2011 by Walter de Gruyter, Inc.· Boston · Berlin. DOI 10.1515/CHAR–2011–020 Studies on the inscriptions on the three bronzes of Diaosheng Shi Feng* the King [an unnamed king of the Zhou Dynasty], the Duke of Shao summoned Diaosheng to discuss * Institute of Archaeology, Chinese Academy of Social his participation in the management of the land and Sciences, Beijing 110710 retainers of the Shao lineage, and Shao Bo Hu came to join them. Diaosheng was self-confident on account of Abstract his good virtue. Dame Shao [later referred to as Fu Shi; the Duke of Shao’s wife] held a District Symposium Based on the ritual background of Xiang Yinjiu Li (District ceremony for this internal lineage meeting, and two Symposium), this paper re-examined the inscriptions of vases of wine were ceremonially displayed. Fu Shi the bronze gui of Diaosheng (the owner’s name marked told the people attending the meeting: “Now let me in the inscriptions) with dates of “the fifth year” and “the convey the personal message of the Duke of Shao, the sixth year” discovered in the past, and that of bronze xi- head of our lineage, to you. He says, ‘I am becoming vessel with date of “the fifth year” recently unearthed old. At present, the retainers of our lineage often raise in Fufeng County, Shaanxi Province, and revealed the complaints, accusations and disturbances. I require connotation of the inscriptions and the patriarchal rules, Bo Hu and Diaosheng to promise me not to let these ritual systems and social life and customs of the Western retainers flee and leave the Shao lineage. -
The Khitans: Corner Stone of the Mongol Empire
ACTA VIA SERICA Vol. 6, No. 1, June 2021: 141–164 doi: 10.22679/avs.2021.6.1.006 The Khitans: Corner Stone of the Mongol Empire GEORGE LANE* The Khitans were a Turco-Mongol clan who dominated China north of the Yangtze River during the early mediaeval period. They adopted and then adapted many of the cultural traditions of their powerful neighbours to the south, the Song Chinese. However, before their absorption into the Mongol Empire in the late 13th century they proved pivotal, firstly in the eastward expansion of the armies of Chinggis Khan, secondly, in the survival of the Persian heartlands after the Mongol invasions of the 1220s and thirdly, in the revival and integration of the polity of Iran into the Chinggisid Empire. Da Liao, the Khitans, the Qara Khitai, names which have served this clan well, strengthened and invigorated the hosts which harboured them. The Liao willingly assimilated into the Chinggisid Empire of whose formation they had been an integral agent and in doing so they also surrendered their identity but not their history. Recent scholarship is now unearthing and recognising their proud legacy and distinct identity. Michal Biran placed the Khitans irrevocably and centrally in mediaeval Asian history and this study emphasises their role in the establishment of the Mongol Empire. Keywords: Khitans, Liao, Chinggids, Mongols, Ilkhanate * Dr. GEORGE LANE is a Research Associate at the School of History, Religion & Philosophy, SOAS University of London. 142 Acta Via Serica, Vol. 6, No. 1, June 2021 The Khitans: Corner Stone of the Mongol Empire The Turco-Mongol tribe that first settled the lands of northern China, north of the Huai River and adopted and adapted the cultural traditions of their domineering neighbour to the south, has only recently been acknowledged for their importance to the evolution of mediaeval Asian history, due in large part to the work of Michal Biran of the Hebrew University of Jerusalem.