May 12, 1993 TEDD D. WOODS B.A. San Diego State College Speech

Total Page:16

File Type:pdf, Size:1020Kb

May 12, 1993 TEDD D. WOODS B.A. San Diego State College Speech HARVARD-WESTLAKE SCHOOL May 12, 1993 TEDD D. WOODS B.A. San Diego State College 1949 Speech-Arts Major English minor M. A. UCLA Theatre Arts 1954 U. S. Air Force Graduate studies: Denver University Boston College Professor Los Angeles College 2 years Teacher English, History, Economics Black-Foxe School 10 years Teacher Speech/Debate Harvard School 24 years Membership: American Association of University Professors National Forensic League California High School Speech Association San Fernando Valley Forensic League Honors: Life Member California Hall of Fame (CHSSA) NFL Hall of Fame (inducted June 1991) National Harvard School's Greatest Teachers enshrined at Harvard Chapel Memorial Stained Glass Window At retirement banquet 1991 plaques from: Mayor Tom Bradley City of LosAngeles Governor Pete Wilson President George Bush 4 Diamond Coach in the National Forensic League (Holds the Nation ' s record for most points earned as a coach) . 3700 Coldwater Canyon. ''forth Hollywood. California 91604, Telerhone (8 18) 980-6692 700 '\orch Faring Road. Lo~ Angele,, California 90077. Telephone (213) 274-7281 .~. , ~~ HARVARD DEBATE UNION 3700 Coldwater Canyon Road North Hollywood, California 91604 (213) 980-6692 -2- TEDD D. WOODS (Con't) At Harvard and Black-Foxe Schools have taught the son 's of: Jerry Lewis, Gregory Peck, George Peppard, Sally Field, Peter O'Malley, Bob Cummings, Randolph Scott, Loretta Young, Angela Langsbury, Loretta Young, Bette Davis, Warren Christopher, Ronald Reagan, Gower Champion, Michael Kidd, Peter Fonda, Joel Grey, Gordon Davidson, Michael Eisner, Walter Matthau, Kirk Douglas, Tony Perkins, Nanette Fabray, Edgar Bergen, Charlton Heston, Dick Clark, David Schine, Alex Olmedo, Roger Cormam, Eugene Roddenberry, Lalo Schifrin, Richard D. Zanuck, Alan Rothenberg, Ross Porter, Howard Ahmanson, Tom Poston, Don Buford, John Severino, Lee J. Cobb, Jack Warden, Dennis O'Keefe, Harry Cohn & Robert Aldrich. Notable ex-students include: Mark Harmon, Salley Kellerman Joe (Gamsky) Hunt. Have directed the folg shows 6194 Rodgerton Drive for Mormon Church: Hollywood, California 90068 "Good News", "Plain and Fancy" "Meet Me In St Louis", Oklahoma, 1~213-464-1067 "The Boy Friend", "The Curious Savage" At SDSC was classmate ~f Marian Ross (both in "The Hasty Heart") - TEDD D. WOODS Black-Foxe 1958-68 Harvard School 1968-91 The Tedd D. Woods Fund Tedd Wo ods is responsible for my fondest memories of Haroard School. He related to us not only as students but as peers. Our achievements were not only individual - they belonged to Tedd, to the speech and debate program, to the School. We were a team, and that made everything a bit less intimidating. And we all learned from the experience. We learned self-confidence. We practice what Tedd taught us every day. And that is a sign of a very special teacher. - Robert Beyer '77 The Tedd D. Woods Fund is being established to honor T edd Woods and to memori alize his dedication to his students and his enthusiasm for teaching. The Woods Fund·will support scholarships, excellence in teaching, and community outreach programs. This fund will allow the School to venture into the community and provide opportunities for those less fortunate to benefit from the confidence and competitive spirit that our students receive through the speech and debate program. The Woods Fund seeks substantial gifts in order that its effect can be felt immediately . and endowed for the future benefit of Harvard-Westlake students. T he School has received a $25,000 challenge to initiate the Woods Fund. Of course participation, regardless of size, is always encouraged. The Headmaster and Board of Trostees of Harvard-Westlake School cordially invite you to the Retirement Dinner honoring TEDD D. WOODS Tuesday, the twenty-eighth of May 6:00 in the evening Sportsmen's Lodge Annual Forensics Banquet Black-Foxe Reunion Send Tedd your personal wishes. Your Words for Woods will be presented to him ot the dinner. .
Recommended publications
  • Script Sample
    At the Movies with Kenneth and Asher a one-act play © 2019 by the author Draft 5-31-19 Cast Kenneth boy fourteen or fifteen any ethnicity a Raymond Babbit/Salieri/Chief Bromden/etc. type Asher boy fourteen or fifteen any ethnicity a Charlie Babbit/Mozart/Randle McMurphy/etc. type Olivia de Havilland* woman eighty-six any ethnicity the Olivia de Havilland—more specifically, the Olivia de Havilland from her interview on the special features of the Gone With The Wind DVD Naomi* woman thirties/forties Kenneth’s and Asher’s theatre teacher any ethnicity a Carolyn Burnham/Jenny Curran/Annie Hall/etc. type *May be played by the same actor Setting Winter 2003/2004. The exterior of a movie theatre in a shopping center in South Florida, the part of it that leads to the back of the shopping center, close to the theaters’ emergency exit doors and the dumpsters. Past this area is some parking, followed by a large collection of trees, dark, illuminated only by a tall yellow streetlamp—the closest thing South Florida has to a forest. Production Design There’s a bench. There are a few “Now Playing” and/or “Coming Soon” movie posters in light boxes on the wall of the building. It’s Oscar season. The sun is beginning to set. It’s hot. It’s so hot. It’s so unbelievably hot. And muggy. At the Movies with Kenneth and Asher 1 Asher storms on, coming from the main entrance of the movie theatre. He has a sweatshirt tied around his waist.
    [Show full text]
  • Summer Classic Film Series, Now in Its 43Rd Year
    Austin has changed a lot over the past decade, but one tradition you can always count on is the Paramount Summer Classic Film Series, now in its 43rd year. We are presenting more than 110 films this summer, so look forward to more well-preserved film prints and dazzling digital restorations, romance and laughs and thrills and more. Escape the unbearable heat (another Austin tradition that isn’t going anywhere) and join us for a three-month-long celebration of the movies! Films screening at SUMMER CLASSIC FILM SERIES the Paramount will be marked with a , while films screening at Stateside will be marked with an . Presented by: A Weekend to Remember – Thurs, May 24 – Sun, May 27 We’re DEFINITELY Not in Kansas Anymore – Sun, June 3 We get the summer started with a weekend of characters and performers you’ll never forget These characters are stepping very far outside their comfort zones OPENING NIGHT FILM! Peter Sellers turns in not one but three incomparably Back to the Future 50TH ANNIVERSARY! hilarious performances, and director Stanley Kubrick Casablanca delivers pitch-dark comedy in this riotous satire of (1985, 116min/color, 35mm) Michael J. Fox, Planet of the Apes (1942, 102min/b&w, 35mm) Humphrey Bogart, Cold War paranoia that suggests we shouldn’t be as Christopher Lloyd, Lea Thompson, and Crispin (1968, 112min/color, 35mm) Charlton Heston, Ingrid Bergman, Paul Henreid, Claude Rains, Conrad worried about the bomb as we are about the inept Glover . Directed by Robert Zemeckis . Time travel- Roddy McDowell, and Kim Hunter. Directed by Veidt, Sydney Greenstreet, and Peter Lorre.
    [Show full text]
  • Choreography for the Camera: an Historical, Critical, and Empirical Study
    Western Michigan University ScholarWorks at WMU Master's Theses Graduate College 4-1992 Choreography for the Camera: An Historical, Critical, and Empirical Study Vana Patrice Carter Follow this and additional works at: https://scholarworks.wmich.edu/masters_theses Part of the Art Education Commons, and the Dance Commons Recommended Citation Carter, Vana Patrice, "Choreography for the Camera: An Historical, Critical, and Empirical Study" (1992). Master's Theses. 894. https://scholarworks.wmich.edu/masters_theses/894 This Masters Thesis-Open Access is brought to you for free and open access by the Graduate College at ScholarWorks at WMU. It has been accepted for inclusion in Master's Theses by an authorized administrator of ScholarWorks at WMU. For more information, please contact [email protected]. CHOREOGRAPHY FOR THE CAMERA: AN HISTORICAL, CRITICAL, AND EMPIRICAL STUDY by Vana Patrice Carter A Thesis Submitted to the Faculty of The Graduate College in partial fulfillment of the requirements for the Degree of Master of Arts Department of Communication Western Michigan University Kalamazoo, Michigan April 1992 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. CHOREOGRAPHY FOR THE CAMERA: AN HISTORICAL, CRITICAL, AND EMPIRICAL STUDY Vana Patrice Carter, M.A. Western Michigan University, 1992 This study investigates whether a dance choreographer’s lack of knowledge of film, television, or video theory and technology, particularly the capabilities of the camera and montage, restricts choreographic communication via these media. First, several film and television choreographers were surveyed. Second, the literature was analyzed to determine the evolution of dance on film and television (from the choreographers’ perspective).
    [Show full text]
  • Famous People from Michigan
    APPENDIX E Famo[ People fom Michigan any nationally or internationally known people were born or have made Mtheir home in Michigan. BUSINESS AND PHILANTHROPY William Agee John F. Dodge Henry Joy John Jacob Astor Herbert H. Dow John Harvey Kellogg Anna Sutherland Bissell Max DuPre Will K. Kellogg Michael Blumenthal William C. Durant Charles Kettering William E. Boeing Georgia Emery Sebastian S. Kresge Walter Briggs John Fetzer Madeline LaFramboise David Dunbar Buick Frederic Fisher Henry M. Leland William Austin Burt Max Fisher Elijah McCoy Roy Chapin David Gerber Charles S. Mott Louis Chevrolet Edsel Ford Charles Nash Walter P. Chrysler Henry Ford Ransom E. Olds James Couzens Henry Ford II Charles W. Post Keith Crain Barry Gordy Alfred P. Sloan Henry Crapo Charles H. Hackley Peter Stroh William Crapo Joseph L. Hudson Alfred Taubman Mary Cunningham George M. Humphrey William E. Upjohn Harlow H. Curtice Lee Iacocca Jay Van Andel John DeLorean Mike Illitch Charles E. Wilson Richard DeVos Rick Inatome John Ziegler Horace E. Dodge Robert Ingersol ARTS AND LETTERS Mitch Albom Milton Brooks Marguerite Lofft DeAngeli Harriette Simpson Arnow Ken Burns Meindert DeJong W. H. Auden Semyon Bychkov John Dewey Liberty Hyde Bailey Alexander Calder Antal Dorati Ray Stannard Baker Will Carleton Alden Dow (pen: David Grayson) Jim Cash Sexton Ehrling L. Frank Baum (Charles) Bruce Catton Richard Ellmann Harry Bertoia Elizabeth Margaret Jack Epps, Jr. William Bolcom Chandler Edna Ferber Carrie Jacobs Bond Manny Crisostomo Phillip Fike Lilian Jackson Braun James Oliver Curwood 398 MICHIGAN IN BRIEF APPENDIX E: FAMOUS PEOPLE FROM MICHIGAN Marshall Fredericks Hugie Lee-Smith Carl M.
    [Show full text]
  • 744 101St Chase and Sandborn Show Anniversary Show
    744 101ST CHASE AND SANDBORN SHOW ANNIVERSARY SHOW NBC 60 EX COM 5008 10-2-4 RANCH #153 1ST SONG HOME ON THE RANGE CBS 15 EX COM 5009 10-2-4 RANCH #154 1ST SONG UNTITLED SONG CBS 15 EX COM 5010 10-2-4 RANCH #155 1ST SONG BY THE SONS OF THE PIONEERS CBS 15 EX COM 5011 10-2-4 RANCH #156 1ST SONG KEEP AN EYE ON YOUR HEART CBS 15 EX COM 2951 15 MINUTES WITH BING CROSBY #1 1ST SONG JUST ONE MORE CHANCE 9/2/1931 8 VG SYN 4068 1949 HEART FUND THE PHIL HARRIS-ALICE FAYE SHOW 00/00/1949 15 VG COM 588 20 QUESTIONS 4/6/1946 30 VG- 246 20 QUESTIONS #135 12/1/48 AFRS 30 VG AFRS 247 20 QUESTIONS #137 1/8/1949 AFRS 30 VG AFRS 592 20 QUESTIONS WET HEN MUT. 30 VG- 2307 2000 PLUS THE ROCKET AND THE SKULL 30 VG- SYN 2308 2000 PLUS A VETRAN COMES HOME 30 VG- SYN 4069 A & P GYPSIES 1ST SONG IT'S JUST A MEMORY 00/00/1933 NBC 37 VG+ 1017 A CHRISTMAS PLAY #325 THESE THE HUMBLE (SCRATCHY) 30 G-VG SYN 2003 A DATE WITH JUDY WITH JOSEPH COTTON 2/6/1945 NBC 30 VG COM 938 A DATE WITH JUDY #86 WITH CHARLES BOYER AFRS 30 VG AFRS 2488 ABBOTT AND COSTELLO WITH MARLENA DETRICH 10/15/1942 NBC 30 VG+ COM 2489 ABBOTT AND COSTELLO WITH LUCILLE BALL 11/18/1943 NBC 30 VG+ COM 4071 ABBOTT AND COSTELLO WITH LYNN BARI 12/16/1943 NBC 30 VG COM 4072 ABBOTT AND COSTELLO WITH THE ANDREW SISTERS 12/26/1943 NBC 30 VG COM 2490 ABBOTT AND COSTELLO WITH BERT GORDON 12/30/1943 NBC 30 VG+ COM 2491 ABBOTT AND COSTELLO WITH JUDY GARLAND 1/6/1944 NBC 30 VG+ COM 2492 ABBOTT AND COSTELLO WITH HAROLD PERRY 1/20/1944 NBC 30 VG+ COM 4073 ABBOTT AND COSTELLO WITH THE GREAT GILDERSLEEVE 1/20/1944 NBC
    [Show full text]
  • Kay Baden Collection
    TITLE: Kay Baden Collection DATE RANGE: 1922-2012 CALL NUMBER: PP-MS 252 PHYSICAL DESCRIPTION: 33 linear feet (64 boxes) PROVENANCE: Donated by niece, Glenda Garrard, 2015. COPYRIGHT: The Arizona Historical Society owns the copyright to this collection. RESTRICTIONS: This collection is unrestricted. CREDIT LINE: Kay Baden Collection, PP-MS 252, Arizona Historical Society-Papago Park PROCESSED BY: Ashley Hinshaw, 2016 BIOGRAPHICAL NOTE: Kay Baden (originally Kathryn Badeen) was born on January 27, 1916 of Syrian immigrants Charlie and Sadie Badeen. She was one of ten children who grew up in McAlester, Oklahoma. Baden studied interior decorating at University of California, Los Angeles and made her way to Arizona as a salesperson and decorator for Montgomery Ward. In 1949, she opened her first studio, Kay Baden Interiors with partner Nancy Stillman. This launched her 50-year career as a prominent interior designer. In 1963 she opened a new studio, Kay Baden Decorators - one of the first occupants of Biltmore Fashion Park. As an active and passionate representative of her field, Baden was an influential member and former president of the prestigious American Society of Interior Designers. In 1959 Baden married Paul Sexson who served as secretary and aid to Governor Howard Pyle, President Herbert Hoover, and former brother-in-law of Senator Barry Goldwater. Throughout her career Kay Baden and her company provided interior design services for many high profile clients including Philip and Helen Wrigley, Kemper and Ethel Marley, and Loretta Young. Her commercial clients included The Biltmore Hotel, Valley National Bank, Westward Ho, and Gardiner Tennis Ranch. She died July 2, 2015 in Prescott, Arizona at age 99.
    [Show full text]
  • Quentin Tarantino Retro
    ISSUE 59 AFI SILVER THEATRE AND CULTURAL CENTER FEBRUARY 1– APRIL 18, 2013 ISSUE 60 Reel Estate: The American Home on Film Loretta Young Centennial Environmental Film Festival in the Nation's Capital New African Films Festival Korean Film Festival DC Mr. & Mrs. Hitchcock Screen Valentines: Great Movie Romances Howard Hawks, Part 1 QUENTIN TARANTINO RETRO The Roots of Django AFI.com/Silver Contents Howard Hawks, Part 1 Howard Hawks, Part 1 ..............................2 February 1—April 18 Screen Valentines: Great Movie Romances ...5 Howard Hawks was one of Hollywood’s most consistently entertaining directors, and one of Quentin Tarantino Retro .............................6 the most versatile, directing exemplary comedies, melodramas, war pictures, gangster films, The Roots of Django ...................................7 films noir, Westerns, sci-fi thrillers and musicals, with several being landmark films in their genre. Reel Estate: The American Home on Film .....8 Korean Film Festival DC ............................9 Hawks never won an Oscar—in fact, he was nominated only once, as Best Director for 1941’s SERGEANT YORK (both he and Orson Welles lost to John Ford that year)—but his Mr. and Mrs. Hitchcock ..........................10 critical stature grew over the 1960s and '70s, even as his career was winding down, and in 1975 the Academy awarded him an honorary Oscar, declaring Hawks “a giant of the Environmental Film Festival ....................11 American cinema whose pictures, taken as a whole, represent one of the most consistent, Loretta Young Centennial .......................12 vivid and varied bodies of work in world cinema.” Howard Hawks, Part 2 continues in April. Special Engagements ....................13, 14 Courtesy of Everett Collection Calendar ...............................................15 “I consider Howard Hawks to be the greatest American director.
    [Show full text]
  • Hello, Dolly! from Wilder to Kelly Julie Vatain-Corfdir, Emilie Rault
    Harmony at Harmonia? Glamor and Farce in Hello, Dolly! from Wilder to Kelly Julie Vatain-Corfdir, Emilie Rault To cite this version: Julie Vatain-Corfdir, Emilie Rault. Harmony at Harmonia? Glamor and Farce in Hello, Dolly! from Wilder to Kelly. Sorbonne Université Presses. American Musicals: Stage and Screen / La Scène et l’écran, 2019. hal-02443099 HAL Id: hal-02443099 https://hal.sorbonne-universite.fr/hal-02443099 Submitted on 16 Jan 2020 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Harmony at Harmonia? Glamor and farce in Hello, Dolly!, from Wilder to Kelly Julie Vatain-Corfdir & Émilie Rault When Hello, Dolly! opened on Broadway in January 1964, immediately to be hailed as “a musical shot through with enchantment,”1 New York audiences were by no means greeting Dolly for the first time. Through a process of recycling which probably owed as much to the potential of the original story as it did to a logic of commercial security, the story of Mrs. Dolly Levi – the meddling matchmaker who sorts out everyone’s love lives and contrives to marry her biggest client herself – had been prosperous on stage and screen for the previous ten years, and would continue to attract audiences to this day.2 Not unlike My Fair Lady, which previously held the record for longest-running Broadway musical, Hello, Dolly! trod on the “surer road to success,”3 with a book based on a popular play by an acclaimed playwright – Thornton Wilder’s The Matchmaker –, and one which had already been famously adapted to the screen with a cast starring, among others, Shirley Booth and Shirley MacLane.
    [Show full text]
  • Guys and Dolls Short
    media contact: erica lewis-finein brightbutterfly pr brightbutterfly[at]hotmail.com BERKELEY PLAYHOUSE CONTINUES FIFTH SEASON WITH “GUYS AND DOLLS” March 21-April 28, 2013 Music and Lyrics by Frank Loesser Book by Jo Swerling and Abe Burrows Based on “The Idyll of Miss Sarah Brown” and “Blood Pressure” by Damon Runyon Berkeley, CA (February 11, 2013) – Berkeley Playhouse continues its fifth season with the Tony Award- winning GUYS AND DOLLS. Jon Tracy (Berkeley Playhouse, Aurora Theatre Company, Shotgun Players, San Francisco Playhouse, Magic Theatre) helms this musical from the Golden Age of Broadway, featuring a cast of 22, and choreography by Chris Black (Berkeley Playhouse, Aurora Theatre Company). GUYS AND DOLLS plays March 21 through April 28 (Press opening: March 23) at the Julia Morgan Theatre in Berkeley. For tickets ($17-60) and more information, the public may visit berkeleyplayhouse.org or call 510-845-8542x351. This oddball romantic comedy, about which Newsweek declared, “This is why Broadway was born!,” finds gambler Nathan Detroit desperate for money to pay for his floating crap game. To seed his opportunity, he bets fellow gambler Sky Masterson a thousand dollars that Sky will not be able to make the next girl he sees, Save a Soul Mission do-gooder Sarah Brown, fall in love with him. While Sky eventually convinces Sarah to be his girl, Nathan fights his own battles with Adelaide, his fiancé of 14 years. Often called “the perfect musical,” GUYS AND DOLLS features such bright and brassy songs as “A Bushel and a Peck” “Luck Be a Lady,” and “Adelaide's Lament.” GUYS AND DOLLS premiered on Broadway in 1950; directed by renowned playwright and director George S.
    [Show full text]
  • Ronald Davis Oral History Collection on the Performing Arts
    Oral History Collection on the Performing Arts in America Southern Methodist University The Southern Methodist University Oral History Program was begun in 1972 and is part of the University’s DeGolyer Institute for American Studies. The goal is to gather primary source material for future writers and cultural historians on all branches of the performing arts- opera, ballet, the concert stage, theatre, films, radio, television, burlesque, vaudeville, popular music, jazz, the circus, and miscellaneous amateur and local productions. The Collection is particularly strong, however, in the areas of motion pictures and popular music and includes interviews with celebrated performers as well as a wide variety of behind-the-scenes personnel, several of whom are now deceased. Most interviews are biographical in nature although some are focused exclusively on a single topic of historical importance. The Program aims at balancing national developments with examples from local history. Interviews with members of the Dallas Little Theatre, therefore, serve to illustrate a nation-wide movement, while film exhibition across the country is exemplified by the Interstate Theater Circuit of Texas. The interviews have all been conducted by trained historians, who attempt to view artistic achievements against a broad social and cultural backdrop. Many of the persons interviewed, because of educational limitations or various extenuating circumstances, would never write down their experiences, and therefore valuable information on our nation’s cultural heritage would be lost if it were not for the S.M.U. Oral History Program. Interviewees are selected on the strength of (1) their contribution to the performing arts in America, (2) their unique position in a given art form, and (3) availability.
    [Show full text]
  • Includes Our Main Attractions and Special Programs 215 348 3456
    County Theater 91 PreviewsMARCH – JUNE 2015 Clark Gable and Claudette Colbert in IT HAPPENED ONE NIGHT INCLUDES OUR MAIN ATTRACTIONS AND SPECIAL PROGRAMS C OUNTYT HEATER.ORG 215 348 3456 Welcome to the nonprofit County Theater The County Theater is a nonprofit, tax-exempt 501(c)(3) organization. COUNTY THEATER How can you support MEMBER ADMISSION the County Theater? General ............................................................$10.50 Be a member. MEMBER Become a member of the Members ...........................................................$6.00 nonprofit County Theater and Seniors (62+) & Students ..................................$8.00 show your support for good films and a cultural landmark. See Matinees back panel for a membership form or join online. Your financial Mon, Tues, Thurs & Fri before 4:30 support is tax-deductible. Sat & Sun before 2:30 .....................................$8.00 Make a gift. Wed Early Matinee before 2:30 ........................$7.00 Your additional gifts and support make us even better. Your Affiliated Theaters Members ...............................$6.00 donations are fully tax-deductible. Contact our Business Office at 215 348 1878 x117 or at [email protected]. You must present your membership card to obtain membership discounts. Be a sponsor. Receive prominent recognition for your business in exchange Member tickets are $6. That’s a 43% discount from the for helping our nonprofit theater. Recognition comes in a variety general admission price of $10.50, which is the same of ways – on our movie screens, in our brochures, and on our discount as when we opened in 1993. And membership website. Contact us at 215 348 1878 x112 or at entitles you to a $6 ticket at all Renew theaters (County, [email protected].
    [Show full text]
  • The Silent Film Project
    e t 02-28-2018 Films that have completed scanning:Th Silen Film Project TITLE YEAR STUDIO DIRECTOR STAR e 13AdventuresWashington of BillSquare and [1921]1928 UniversalPathegram MelvilleRobert N.W. BradburyBrown JeanBob SteeleHersholt Alic Joyce Bob, The (Skunk, The) After the Storm (Poetic [1935] William Pizor Edgar Guest, Al Shayne Gems) African Dreams [1922] Agent (AKA The Yellow 1922 Vitagraph Larry Semon Larry Semon Fear), The Aladdin And The 1917 Fox Film C. M. Franklin Francis Carpenter Wonderful Lamp (Aladdin) Alexandria 1921 Burton Burton Holmes Holmes An Evening With Edgar A. [1938] Jam Handy Louis Marlowe Edgar A. Guest Guest Animals of the Cat Tribe 1932 Eastman Teaching Films Arizona Cyclone, The 1934 Imperial Prod. Robert E. Tansey Wally Wales Aryan, The 1916 Triangle William S. Hart William S. Hart At First Sight 1924 Hal Roach J A. Howe Charley Chase Auntie's Portrait 1914 Vitagraph George D. Baker Ethel Lee, Sideny Drew Autumn (nature film) 1922 Babies Prohibited 1913 Thanhouser Lila Chester Barbed Wire 1927 Paramount Rowland V. Lee Pola Negri Barnyard Cavalier 1922 Christie Bobby Vernon Barnyard Wedding [1920] Hal Roach Battle of the Century 1927 Hal Roach Clyde Bruckman Oliver Hardy, Stan Laurel Bebe Daniels & Ben Lyon 1931- Bebe Daniels, Ben Lyon home movies 1935 Bell Boy 13 1923 Thomas Ince William Seiter Douglas Maclean Below The Deadline 1929 Chesterfield J. P. McGowan Frank Leigh Big Pal 1925 William John G. Adolfi William Russell Russell Blackhawk Silent Tailers / 1920- Blackhawk [Our Next Attraction] 1927 Black Sambo's Escape [1925] Keystone e al f e e f , e e f Th go o th Silent Film Project at th Library o Congress is to borrow catalog, digitally preserve, and ensur th availability o silent (and selected sound era) films for public viewing and research.
    [Show full text]