ABU GHRAIB and the COMMEMORATIVE VIOLENCE of WAR TROPHY PHOTOGRAPHY by Joey Brooke Jakob Master of Arts, University of Manitob
ABU GHRAIB AND THE COMMEMORATIVE VIOLENCE OF WAR TROPHY PHOTOGRAPHY by Joey Brooke Jakob Master of Arts, University of Manitoba, Manitoba, Canada, 2008 Bachelor of Arts, University of Winnipeg, Winnipeg, Canada, 2004 A Dissertation presented to Ryerson University and York University in partial fulfilment of the requirements for the degree of Doctor of Philosophy in the joint program in Communication and Culture Toronto, Ontario, Canada, 2017 ©Joey Brooke Jakob 2017 AUTHOR’S DECLARATION AUTHOR'S DECLARATION FOR ELECTRONIC SUBMISSION OF A DISSERTATION I hereby declare that I am the sole author of this dissertation. This is a true copy of the dissertation, including any required final revisions, as accepted by my examiners. I authorize Ryerson University to lend this dissertation to other institutions or individuals for the purpose of scholarly research. I further authorize Ryerson University to reproduce this dissertation by photocopying or by other means, in total or in part, at the request of other institutions or individuals for the purpose of scholarly research. I understand that my dissertation may be made electronically available to the public. ii ABSTRACT ABU GHRAIB AND THE COMMEMORATIVE VIOLENCE OF WAR TROPHY PHOTOGRAPHY Joey Brooke Jakob Doctor of Philosophy Communication and Culture Ryerson University and York University, 2017 The photographs from the Abu Ghraib scandal are horrific, but they are also understandable. Simply put, the Abu Ghraib photos are purposeful compositions that highlight victory over the enemy Other in war. The photos illustrate sexual and racial violence, founded upon postcolonial narratives, but this is only a starting point for their significance. I address how meaning is made for the U.S.
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