The B-G News April 17, 1968
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If You Like My Ántonia, Check These Out!
If you like My Ántonia, check these out! This event is part of The Big Read, an initiative of the National Endowment for the Arts in partnership with the Institute of Museum and Library Services and Arts Midwest. Other Books by Cather About Willa Cather Alexander's Bridge (CAT) Willa Cather: The Emerging Voice Cather's first novel is a charming period piece, a love by Sharon O'Brien (920 CATHER, W.) story, and a fatalistic fable about a doomed love affair and the lives it destroys. Willa Cather: A Literary Life by James Leslie Woodress (920 CATHER, W.) Death Comes for the Archbishop (CAT) Cather's best-known novel recounts a life lived simply Willa Cather: The Writer and her World in the silence of the southwestern desert. by Janis P. Stout (920 CATHER, W.) A Lost Lady (CAT) Willa Cather: The Road is All This Cather classic depicts the encroachment of the (920 DVD CATHER, W.) civilization that supplanted the pioneer spirit of Nebraska's frontier. My Mortal Enemy (CAT) First published in 1926, this is Cather's sparest and most dramatic novel, a dark and oddly prescient portrait of a marriage that subverts our oldest notions about the nature of happiness and the sanctity of the hearth. One of Ours (CAT) Alienated from his parents and rejected by his wife, Claude Wheeler finally finds his destiny on the bloody battlefields of World War I. O Pioneers! (CAT) Willa Cather's second novel, a timeless tale of a strong pioneer woman facing great challenges, shines a light on the immigrant experience. -
Willa Cather and American Arts Communities
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Dissertations, Theses, and Student Research: Department of English English, Department of 8-2004 At the Edge of the Circle: Willa Cather and American Arts Communities Andrew W. Jewell University of Nebraska - Lincoln Follow this and additional works at: https://digitalcommons.unl.edu/englishdiss Part of the English Language and Literature Commons Jewell, Andrew W., "At the Edge of the Circle: Willa Cather and American Arts Communities" (2004). Dissertations, Theses, and Student Research: Department of English. 15. https://digitalcommons.unl.edu/englishdiss/15 This Article is brought to you for free and open access by the English, Department of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Dissertations, Theses, and Student Research: Department of English by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. AT THE EDGE OF THE CIRCLE: WILLA CATHER AND AMERICAN ARTS COMMUNITIES by Andrew W. Jewel1 A DISSERTATION Presented to the Faculty of The Graduate College at the University of Nebraska In Partial Fulfillment of Requirements For the Degree of Doctor of Philosophy Major: English Under the Supervision of Professor Susan J. Rosowski Lincoln, Nebraska August, 2004 DISSERTATION TITLE 1ather and Ameri.can Arts Communities Andrew W. Jewel 1 SUPERVISORY COMMITTEE: Approved Date Susan J. Rosowski Typed Name f7 Signature Kenneth M. Price Typed Name Signature Susan Be1 asco Typed Name Typed Nnme -- Signature Typed Nnme Signature Typed Name GRADUATE COLLEGE AT THE EDGE OF THE CIRCLE: WILLA CATHER AND AMERICAN ARTS COMMUNITIES Andrew Wade Jewell, Ph.D. University of Nebraska, 2004 Adviser: Susan J. -
Baize Craft Accessory Brochure 2016
PERADON - CUES OF QUALITY Founded in 1885 Peradon are the world’s oldest cue manufacturing company who were responsible for the introduction and manufacture of the handspliced cue, setting the standards for others to follow. Our cues have been used by the game’s greatest players and continue to be used by high-ranking professionals. Probably the game’s most famous player, Joe Davis, also favoured a Peradon cue and gave the company sole rights to use his name. Peradon cues are made in England using unrivalled historical knowledge and skills Jointed cues are then cut at the appropriate position and a brass joint is carefully to produce cues that have the desired ‘feel’ that distinguishes our quality cues from fitted taking great care to ensure that the grain of the shaft timber lines up either the rest. We use the traditional cue making techniques developed by our company side of the joint. This shows that the cue is made from one piece of shaft timber, with the advantages of some modern techniques. The utmost care and attention to which is imperative to the performance of the cue, because it ensures that the detail throughout manufacture ensures that the standards of quality we maintain timber is consistent in strength throughout the length of the cue. are unbeaten by any other manufacturer in the world. The joint positions provide different styles of cue. Two piece cues have the joint Our company purchases more timber than any other English cue manufacturer fitted in the centre whilst ¾ jointed cues are available with the joint located 12", enabling us to select a higher quality of Ash or Maple for the production of the shaft. -
Edna Ferber Last
EDNA FERBER’S WOMEN CHARACTERS, 1911 – 1930, AND THE REINTERPRETATION OF THE AMERICAN DREAM THROUGH A FEMALE LENS A Thesis Submitted to the Faculty of The School of Continuing Studies And the Graduate School of Arts and Sciences In partial fulfillment of the requirements for the degree of Master of Arts In Liberal Studies By Anne Efman Abramson, B.A. Georgetown University Washington, D.C. April 30, 2010 EDNA FERBER’S WOMEN CHARACTERS, 1911 – 1930, AND THE REINTERPRETATION OF THE AMERICAN DREAM THROUGH A FEMALE LENS Anne E. Abramson, B.A. Mentor: Michael Collins, Ph. D. ABSTRACT Edna Ferber (1885‐1963) was a Pulitzer Prize‐winning author and one of the most popular writers of her time. Today, however, she is rarely read in schools or colleges, although her plays are still produced, and the films based on her novels, plays and short stories continue to be appreciated by classic film lovers. This thesis demonstrates how Edna Ferber created female characters in the early years of the twentieth century who struggled against the constraints of society’s traditional female roles, who were the first in their nontraditional professions, and who achieved their own version of the American Dream. Edna Ferber also revisited American history with stories that highlighted women’s contributions to America. This thesis first introduces Edna Ferber, her background and her early years drawing from Ferber’s two autobiographies, A Peculiar Treasure, 1939, and ii A Kind of Magic, 1963. Second, it discusses the New Woman at the turn of the century; the American Dream, historically and in relation to Ferber’s female characters; and Edna Ferber as a middlebrow modern writer whose literary output had powerful cultural agency. -
Notes to the Introduction
Notes Notes to the Introduction 1. Two biographies encapsulate the impact of feminism on the critical study of American women's writing: Sharon O'Brien, Willa Cather: The Emerging Voice (New York and Oxford: Oxford University Press, 1987) and Cynthia Griffin Wolff, A Feast of Words: The Triumph of Edith Wharton (New York: Oxford University Press, 1977). Wolff, for instance, argues that Wharton had been emotionally starved as a child, and that her 'feast of words' provided compensation for this trauma. Both Wolff and O'Brien write a feminist psychobiography of their subject. 2. On the various paradigm shifts in American literary studies see Philip Fisher, l\.merican Literary and Cultural Studies since the Civil War', in Stephen Greenblatt and Giles Gunn (eds), Redrawing the Boundaries: The Transformation of English and American Literary Studies (New York: MLA, 1992), pp. 232-50. Nina Baym's essay 'Melodramas of Beset Manhood - How Theories of American Fiction Exclude Women Authors' remains the classic feminist attack on the theoreti cal structuring of the American canon (see Elaine Showalter (ed.), The New Feminist Criticism (London: Virago, 1986), pp. 63-80). 3. Elaine Showalter, Sister's Choice: Tradition and Change in American Women's Writing (Oxford and New York: Oxford University Press, 1994), p. 146. 4. Annette Kolodny, l\. Map for Rereading: Or, Gender and the Interpretation of Literary Texts', New Literary History, 11 (1980), pp. 451-67. Two other important essays on this subject are: Carla Kaplan, 'Reading Feminist Readings: Recuperative Reading and the Silent Heroine of Feminist Criticism', in Elaine Hedges and Shelley Fisher Fishkin (eds), Listening to Silences: New Essays in Feminist Criticism (New York and Oxford: Oxford University Press, 1994), pp. -
Famous People from Michigan
APPENDIX E Famo[ People fom Michigan any nationally or internationally known people were born or have made Mtheir home in Michigan. BUSINESS AND PHILANTHROPY William Agee John F. Dodge Henry Joy John Jacob Astor Herbert H. Dow John Harvey Kellogg Anna Sutherland Bissell Max DuPre Will K. Kellogg Michael Blumenthal William C. Durant Charles Kettering William E. Boeing Georgia Emery Sebastian S. Kresge Walter Briggs John Fetzer Madeline LaFramboise David Dunbar Buick Frederic Fisher Henry M. Leland William Austin Burt Max Fisher Elijah McCoy Roy Chapin David Gerber Charles S. Mott Louis Chevrolet Edsel Ford Charles Nash Walter P. Chrysler Henry Ford Ransom E. Olds James Couzens Henry Ford II Charles W. Post Keith Crain Barry Gordy Alfred P. Sloan Henry Crapo Charles H. Hackley Peter Stroh William Crapo Joseph L. Hudson Alfred Taubman Mary Cunningham George M. Humphrey William E. Upjohn Harlow H. Curtice Lee Iacocca Jay Van Andel John DeLorean Mike Illitch Charles E. Wilson Richard DeVos Rick Inatome John Ziegler Horace E. Dodge Robert Ingersol ARTS AND LETTERS Mitch Albom Milton Brooks Marguerite Lofft DeAngeli Harriette Simpson Arnow Ken Burns Meindert DeJong W. H. Auden Semyon Bychkov John Dewey Liberty Hyde Bailey Alexander Calder Antal Dorati Ray Stannard Baker Will Carleton Alden Dow (pen: David Grayson) Jim Cash Sexton Ehrling L. Frank Baum (Charles) Bruce Catton Richard Ellmann Harry Bertoia Elizabeth Margaret Jack Epps, Jr. William Bolcom Chandler Edna Ferber Carrie Jacobs Bond Manny Crisostomo Phillip Fike Lilian Jackson Braun James Oliver Curwood 398 MICHIGAN IN BRIEF APPENDIX E: FAMOUS PEOPLE FROM MICHIGAN Marshall Fredericks Hugie Lee-Smith Carl M. -
Arguing Their World: the Representation of Major Social and Cultural Issues in Edna Ferber’S and Fannie Hurst’S Fiction, 1910-1935
1 ARGUING THEIR WORLD: THE REPRESENTATION OF MAJOR SOCIAL AND CULTURAL ISSUES IN EDNA FERBER’S AND FANNIE HURST’S FICTION, 1910-1935 A dissertation presented By Kathryn Ruth Bloom to The Department of English In partial fulfillment of the reQuirements for the degree of Doctor of Philosophy In the field of English Northeastern University Boston, Massachusetts April 2018 2 ARGUING THEIR WORLD: THE REPRESENTATION OF MAJOR SOCIAL AND CULTURAL ISSUES IN EDNA FERBER’S AND FANNIE HURST’S FICTION, 1910-1935 A dissertation presented By Kathryn Ruth Bloom ABSTRACT OF DISSERTATION Submitted in partial fulfillment of the reQuirements for the degree of Doctor of Philosophy in English in the College of Social Sciences and Humanities of Northeastern University April 2018 3 ABSTRACT BetWeen the early decades of the twentieth-century and mid-century, Edna Ferber and Fannie Hurst were popular and prolific authors of fiction about American society and culture. Almost a century ago, they were writing about race, immigration, economic disparity, drug addiction, and other issues our society is dealing with today with a reneWed sense of urgency. In spite of their extraordinary popularity, by the time they died within a feW months of each other in 1968, their reputations had fallen into eclipse. This dissertation focuses on Ferber’s and Hurst’s fiction published betWeen approximately 1910 and 1935, the years in Which both authors enjoyed the highest critical and popular esteem. Perhaps because these realistic narratives generally do not engage in the stylistic experimentation of the literary world around them, literary scholars came to undervalue their Work. -
Canonicity and the American Public Library: the Case of American Women Writers
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Illinois Digital Environment for Access to Learning and... Canonicity and the American Public Library: The Case of American Women Writers Sarah Wadsworth Abstract Beginning with an overview of the debate over American women writers and the academic canon, this essay inventories four clusters of American women writers—domestic novelists, regionalists, mod- ernists, and writers of diverse ethnicities—within a representative sampling of small-town public libraries across the Midwest from the late nineteenth to the mid-twentieth century. The survey reveals some surprising disjunctures that run counter to trends in the academy. It also highlights the role publishers and bibliographers have played in establishing favored texts for a general readership and demon- strates that publishers of literary classics and bibliographies geared toward librarians have not always promoted the same texts as their academic counterparts. On the whole, it concludes, women writ- ers fared quite well in the hands of publishers and public libraries promoting “the classics” at the same time that they suffered at the hands of major textbook publishers and scholarly editors intent on defining “the canon.” At the 1981 Modern Language Association annual convention, a “New American Literary History” forum sponsored a special session on the topic “A New American Literature Anthology.” Led by Judith Fetterley and Joan Schulz of the MLA’s Commission on the Status of Women, the session sparked a lively dialogue on the neglect of women writers in Amer- ican literature. The commission had recently undertaken a study of the representation of works by women in standard classroom anthologies, and the results were discouraging. -
Jim Crow, Jett Rink, and James Dean: Reconstructing Ferber's Giant
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Biodiversity Informatics Jim Crow, Jett Rink, and James Dean 5 Jim Crow, Jett Rink, and James Dean: Reconstructing Ferber’s Giant (1952-1956) J. E. Smyth In December 1954, America’s best-selling historical novelist, Edna Ferber, wrote to director George Stevens emphasizing her continued interest in his production of her latest book, Giant. She believed that Giant’s value lay in its exposure of racial prejudice against Mexican Americans in Texas, and that its racial themes had become “more vital, more prevalent today in the United States than . when I began to write the novel.”1 Ferber hoped that one day Anglo oil millionaires like Bick Benedict and Jett Rink, the originators and perpetu- ators of these inequalities in the economic and social hierarchies of America’s new West, would be “anachronisms like the dear old covered wagons and the California gold-rush boys.”2 Later in May 1955, when shooting first began on the film, Ferber wrote to Henry Ginsberg, producer and co-founder of the inde- pendent film company, Giant Productions, “I don’t quite know why the motion picture presentation of Giant interests and fascinates me much more than the screen career of any of my other novels or plays. That goes for Show Boat, So Big, Cimarron, and many others. Perhaps it is because behind the characters and events in Giant there stands a definite meaning, a purpose.”3 Although Ferber had considered writing a historical novel about Texas as early as 1939, she only started to research the topic seriously after the war. -
The Pulitzer Prize for Fiction Honors a Distinguished Work of Fiction by an American Author, Preferably Dealing with American Life
Pulitzer Prize Winners Named after Hungarian newspaper publisher Joseph Pulitzer, the Pulitzer Prize for fiction honors a distinguished work of fiction by an American author, preferably dealing with American life. Chosen from a selection of 800 titles by five letter juries since 1918, the award has become one of the most prestigious awards in America for fiction. Holdings found in the library are featured in red. 2017 The Underground Railroad by Colson Whitehead 2016 The Sympathizer by Viet Thanh Nguyen 2015 All the Light we Cannot See by Anthony Doerr 2014 The Goldfinch by Donna Tartt 2013: The Orphan Master’s Son by Adam Johnson 2012: No prize (no majority vote reached) 2011: A visit from the Goon Squad by Jennifer Egan 2010:Tinkers by Paul Harding 2009:Olive Kitteridge by Elizabeth Strout 2008:The Brief and Wondrous Life of Oscar Wao by Junot Diaz 2007:The Road by Cormac McCarthy 2006:March by Geraldine Brooks 2005 Gilead: A Novel, by Marilynne Robinson 2004 The Known World by Edward Jones 2003 Middlesex by Jeffrey Eugenides 2002 Empire Falls by Richard Russo 2001 The Amazing Adventures of Kavalier & Clay by Michael Chabon 2000 Interpreter of Maladies by Jhumpa Lahiri 1999 The Hours by Michael Cunningham 1998 American Pastoral by Philip Roth 1997 Martin Dressler: The Tale of an American Dreamer by Stephan Milhauser 1996 Independence Day by Richard Ford 1995 The Stone Diaries by Carol Shields 1994 The Shipping News by E. Anne Proulx 1993 A Good Scent from a Strange Mountain by Robert Olen Butler 1992 A Thousand Acres by Jane Smiley -
Pub Games: Will Bar Billiards Make a Comeback? the WHITE HORSE 1 Market Street
Cambridge & District Branch Newsletter Issue 391 February 2019 Pub Games: Will Bar Billiards Make a Comeback? THE WHITE HORSE 1 Market Street. SWAVESEY, CB24 4QG 01954 231665 Tuesday – Sunday Open All Day From Midday, Monday – Open From 5pm Branch Diary Pub News Don’t forget that all Branch members are very Welcome to Ale 391 and to 2019! Let’s hope it is welcome to attend the monthly business a happy and prosperous new year for all of us! meetings, as well as our socials. Sat 9-Feb: Noon-02:30pm. Good Beer Guide CAMRA senior officers have started on a good Shortlist Marking, Castle Inn, Castle Street. note by announcing the appointment of Tom Tue 12-Feb: 8.00pm, Open Branch Meeting, Stainer as our Chief Executive Officer. Mr Royal Standard, Mill Road Stainer, who joined CAMRA as editor of the national newsletter What’s Brewing in 2006, has Sat 16-Feb: From noon. Branch Strolling held a number of senior roles within the Social around Mitcham’s Corner area. organisation. We have every reason to believe Tue 12-Mar: 08:00pm, Open Branch Meeting, his promise to work more closely with CAMRA Greyhound, Sawston. officers and to offer greater support to CAMRA Tue 26-Mar. 08:00pm, Branch Gala Night. volunteers. We wish him well. Invitation only. Still being in a festive mood, I thought I might Tue 9-Apr: 08:00pm. Open Branch Meeting, begin this edition of Pub News with only good Hoops, Barton. news items. Sat 13-Apr: From noon. Branch Campaigning Coach Tour. In spite of some Tue 14-May: 08:00pm. -
Campbellcv2018-02-02.Pdf
2/2/2018 Research-Donna Campbell, WSU Donna M. Campbell Home Curriculum Vitae Courses (selected information) American Literature Site Writing Bitter Tastes: Literary Naturalism and Early Cinema in American Women's Writing Graduate Resources (University of Georgia Press, 2016) Classroom Resources Donna M. Campbell Professor of English and Director of Graduate Studies WSU Links 202G Avery Hall Washington State University About this site 509.335.4831 About the author [email protected] ACADEMIC EMPLOYMENT Washington State University 2015 Professor of English Director of Graduate Studies 2017 Vice Chair and Scheduler, 20132016 Associate Series Editor, Complete Works of Edith Wharton , a 30volume series under contract at Oxford University Press 200415 Associate Professor of English (Tenure granted: 2005) 201011 Editor, ESQ: A Journal of the American Renaissance 200710 Lewis and Stella Buchanan Distinguished Associate Professor 200809 Interim Director of Graduate Studies Gonzaga University 200005 Associate Professor of English (Tenure granted: 2000) 199599 Assistant Professor of English Director of the Writing Lab, 19962003 Acting Director of Composition, 199697 Buffalo State College: Instructor, Department of English, 199195; Computer Lab Coordinator and Assistant to the Chair, 199295; Lecturer, 198591 PUBLICATIONS Books Bitter Tastes: Literary Naturalism and Early Cinema in American Women’s Writing. University of Georgia Press, September 2016. Reviewed in Choice, April 2017: “Campbell's analysis of the interplay between women authors (including screenwriters) and the medium of cinema is nothing less than astounding. The author covers a broad scope, including neglected writers such as Evelyn Scott as well as famous novelists such as Edith Wharton.