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Utsports.Com 35 Outlook Pla Yers St Aff Review Resul Ts
OUTLOOK PLAYERS STAFF REVIEW 35 RESULTS RECORDS HONORS POSTSEASON VOLMANAC MEDIA INFO THE STAFF UTSPORTS.COM AMERICA’S TOP-SCORING COACHING STAFF Cuonzo Martin has more than 5,000 reasons to believe his Tennessee coaching staff is one of the finest in college basketball. 5,381 Reasons Actually. Martin began his tenure as UT head coach in March and immediately set to work formulating the assistant coaching staff. Within 10 days of taking over the Vols basketball program, Martin hired Jon Harris, Tracy Webster and Kent Williams as his assistant coaches. And he didn’t just hire a trio of energetic young assistants; he inadvertently built the highest-scoring In his first two seasons at Purdue, Cuonzo Martin went 0-for-7 from 3-point range. But prior to staff in major college hoops this season. his junior year, he spent countless hours in the gym honing his long-range shot, and he finished his four-year career as Purdue’s all-time leader in 3-pointers made (179-397, .451). Tennessee’s four-man coaching staff scored 5,381 through this; we know what you’re going through.’ are thinking. We’re not too far removed. We can talk points during their Division I playing days to lead To hear words like that is different but it’s great. They about guys in the NBA who we played against and the country. understand.” who they can relate to.” “This staff is full of guys who have been high-level Williams says while many different types of indi- players in Division I basketball,” Martin said. -
Broadcasting Decision CRTC 2013-6
Broadcasting Decision CRTC 2013-6 PDF version Route reference: 2012-370 Ottawa, 9 January 2013 Novus Entertainment Inc. Metro Vancouver, British Columbia Application 2012-0528-7, received 27 April 2012 Public hearing in Montréal, Quebec 10 September 2012 Video-on-demand service The Commission approves an application for a broadcasting licence to operate a regional video-on-demand service. The application 1. Novus Entertainment Inc. (Novus) filed an application for a broadcasting licence to operate a regional video-on-demand (VOD) programming undertaking to serve Metro Vancouver, British Columbia. The Commission did not receive any interventions in connection with this application. 2. Novus is controlled by Terrence C. Hui. 3. The applicant indicated that the new VOD service would consist primarily of feature films, but would also include other types of programs, such as television series, documentaries, children’s programs, animation, music, sports, adult programming and community programming. 4. Novus confirmed that it would make its VOD program offering available to customers in both official languages. While the programming would be predominantly in English, the applicant made a commitment to offer approximately 5% of all programming in French. In addition, the applicant indicated that approximately 5% of the service’s programming would be in either Mandarin or Cantonese. 5. In its application, Novus indicated that it would abide by the standard requirements for VOD services, set out in the appendix to Broadcasting Regulatory Policy 2011- 59-1, and proposed to abide by an additional condition of licence requiring it to allocate exclusively to the production of community programming all revenues generated by a subscriber fee for the distribution of community programming offered on the service. -
Submission Regarding Competition Bureau Market Study Notice: Competition in Broadband Services
Submission Regarding Competition Bureau Market Study Notice: Competition in Broadband Services August 31, 2018 Executive Summary ES1 The Canadian broadband market is extremely competitive. Driven primarily by facilities-based competitors, Canada is one of the few countries in the world where almost every consumer across the country enjoys the choice between competing physical broadband networks. This choice in turn has continuously driven network investment, amongst the highest in the world, as the carriers have competed by evolving from twisted pair and co-axial cable to DSL and cable/fibre hybrids to fibre to the home. ES2 Competition has driven facilities-based competitors to invest $69.2 billion over the past 10 years to satisfy consumer demand for faster and higher capacity wireline services. Demand increased ten-fold over the 10-year period. These investments now provide world-leading networks to 92% of Canadian households. At the same time, this level of competition has reduced the price of higher speed services by 3% per year since the CRTC started tracking these plans. In short, the facilities-based providers in Canada have delivered more internet to Canadians for a lower price. ES3 Resellers, on the other hand, while making inroads, have had a very modest impact on the market and industry. Since their inception, they have won a 13% market share of a very capital-intensive industry despite only having invested less than one-half of one percent the investment facilities-based providers have made in new and innovative services. After 15 years of mandated wholesale resale, resellers have not moved up the Ladder of Investment. -
Liste Des Finalistes En Télévision
Liste des finalistes en télévision MONTRÉAL | TORONTO, 19 janvier 2016 Best Dramatic Series Sponsor | Innovate By Day 19-2 Bravo! (Bell Media) (Sphere Media Plus, Echo Media) Jocelyn Deschenes, Virginia Rankin, Bruce M. Smith, Luc Chatelain, Greg Phillips, Saralo MacGregor, Jesse McKeown Blackstone APTN (Aboriginal Peoples Television Network) (Prairie Dog Film + Television) Ron E. Scott, Jesse Szymanski, Damon Vignale Motive CTV (Bell Media) (Motive Productions III Inc., Lark Productions, Foundation Features) Daniel Cerone, Dennis Heaton, Louise Clark, Rob Merilees, Erin Haskett, Rob LaBelle, Lindsay Macadam, Brad Van Arragon, Kristin Lehman, Sarah Dodd Saving Hope CTV (Bell Media) (Entertainment One, ICF Films) Ilana Frank, David Wellington, Adam Pettle, Morwyn Brebner, John Morayniss, Margaret O'Brien, Lesley Harrison X Company CBC (CBC) (Temple Street Productions) Ivan Schneeberg, David Fortier, Andrea Boyd, Mark Ellis, Stephanie Morgenstern, Bill Haber, Denis McGrath, Rosalie Carew, John Calvert Best Comedy Series Mr. D CBC/City (CBC / Rogers Media) (Mr. D S4 Productions Ltd., Mr. D S4 Ontario Productions Ltd.) Michael Volpe, Gerry Dee PRIX ÉCRANS CANADIENS 2016 | Liste des finalistes en télévision | 1 Mohawk Girls APTN (APTN) (Rezolution Pictures Inc.) Catherine Bainbridge, Christina Fon, Linda Ludwick, Ernest Webb, Tracey Deer, Cynthia Knight Schitt's Creek CBC (CBC) (Not A Real Company Productions Inc.) Eugene Levy, Daniel Levy, Andrew Barnsley, Fred Levy, Ben Feigin, Mike Short, Kevin White, Colin Brunton Tiny Plastic Men Super -
Annual Report 2010 Annual Report 2010
Score Score Score Together is We, the leading entertainment and communications Amazing. company, deliver exceptional customer experience through Amazing. outstanding people sharing Shaw Values. ACCOUNTABLE BALANCE CUSTOMER FOCUSED INTEGRITY LOYALTY POSITIVE, CAN DO ATTITUDE TEAM PLAYER Annual Report 2010 Score Score Score Score 1 Report to Shareholders 4 Management’s Discussion and Analysis 64 Management’s Responsibility for Financial Statements and Report on Internal Control over Financial Reporting 66 Independent Auditors’ Reports 68 Consolidated Financial Statements 72 Notes to Consolidated Financial Statements 119 Five Years in Review 120 Shareholders’ Information 121 Corporate Information The Annual General Meeting of Shareholders will be held on January 13 , 201 1 at 11:00 am (Mountain Time) at the Shaw Barlow Trail Building, 2400 – 32 Avenue NE, Calgary, Alberta. When we work together, we can achieve amazing things. We have never been more committed to providing exceptional customer service while creating best in class products and services. We are committed to the communities where we live and work and to our 13,000 employees who make it possible. We are working together, one team – one Shaw, towards an amazing future. 06 265 07 356 08 455 09 506 10 515 FREE CASH FLOW 06 103 06 265 07 201 07 356 08 304 08 455 09 352 09 506 10 372 10 515 DVIDENDS FREE CASH FLOW 06 103 06 1.1 07 201 07 1.2 08 304 08 1.4 09 352 09 1.5 10 372 10 1.8 DVIDENDS EBITDA (in billions) 06 265 07 356 06 2.5 06 1.1 08 455 07 2.8 07 1.2 09 506 08 3.1 08 1.4 -
Global Upfront New and Returning Series
GLOBAL ANNOUNCES STAR-STUDDED 2021/22 PRIMETIME LINEUP FILLED WITH THE MOST IN-DEMAND NEW PICK- UPS AND RETURNING HIT BLOCKBUSTERS New Global Original Family Law and Franchise Expansions CSI: Vegas, NCIS: Hawai’i, and FBI: International Lead Global’s Fall Schedule The Highly-Anticipated Return of Survivor Joins New Seasons of Hits The Equalizer, Tough As Nails, New Amsterdam, and More New Comedy Ghosts and Audience Favourite United States of Al Bring the Laughs to Global This Fall Stream Anytime with STACKTV or the Global TV App Additional photography and press kit material can be found here. Follow us on Twitter at @GlobalTV_PR To share this release: https://bit.ly/3w3lm3x #CorusUpfront For Immediate Release TORONTO, June 8, 2021 – Ahead of the #CorusUpfront on June 9, Global unveils its 2021/22 programming lineup loaded with exciting series pick-ups and returning established hits. Global’s fall offering promises to deliver a dynamic and diverse schedule filled with thrilling dramas, hilarious comedies, captivating reality television, and much more. Adding 10 new series, including five new primetime series debuting this fall, Global’s schedule features 18 hours of simulcast with four out of seven days entirely simulcast in primetime. Corus’ conventional network offers Canadians a full suite of options for TV lovers looking to stream its blockbuster franchises and hottest new shows in every genre, anytime they want on STACKTV and the Global TV App. “After an unprecedented year, Global is back in full force this fall with a jam-packed schedule of prestigious dramas, powerhouse franchises, and laugh-out-loud comedies,” said Troy Reeb, Executive Vice President, Broadcast Networks, Corus Entertainment. -
Access Agreements Surface Inlay Fibre: 2016 May
ADMINISTRATIVE REPORT Report Date: April 5, 2016 Contact: Al Luongo Contact No.: 604.873.-728 RTS No.: 11394 VanRIMS No.: 08-2000-20 Meeting Date: May 3, 2016 TO: Vancouver City Council FROM: General Manager of Engineering Services SUBJECT: Municipal Access Agreements for Surface Inlay Fibre and Micro-trenching RECOMMENDATION A. THAT the General Manager of Engineering Services and the Director of Legal Services be authorized to execute and deliver Municipal Access Agreements with Shaw Cablesystems Ltd., Urban Networks Inc., Allstream Inc., Novus Entertainment Inc., Vitreo Networks Ltd., and Lite Access Technologies Inc. to permit the companies to install and use micro-trenching and surface inlaid fibre optic cable technology in City streets, as set out in this report, and such other terms and conditions satisfactory to the General Manager of Engineering Services and the Director of Legal Services. B. THAT no legal rights or obligations will arise or be created by Council’s adoption of Recommendation A or B unless and until all legal documentation has been executed and delivered by the respective parties. REPORT SUMMARY This report seeks Council’s approval to enter into Municipal Access Agreements with Shaw Cablesystems Ltd. (“Shaw”), Urban Networks Inc. (“Urban”), Allstream Inc. (“Allstream”), Novus Entertainment Inc. (“Novus”) Vitreo Networks Ltd. (“Vitreo”) and Lite Access Technologies Inc. (“Lite Access”). Utility companies are typically permitted to build using conventional construction trenching methods and operate telecommunications networks within the City streets under the Street Utilities By-law, or terms and conditions established in a Municipal Access Agreement (“MAA”). While the City’s preference is to grant access under the Street’s Utilities By-law, this type of non-conventional construction process is not covered under the By-law. -
Court File No. CV-16-11257-00CL ONTARIO SUPERIOR COURT of JUSTICE COMMERCIAL LIST
Court File No. CV-16-11257-00CL ONTARIO SUPERIOR COURT OF JUSTICE COMMERCIAL LIST IN THE MATTER OF THE COMPANIES’ CREDITORS ARRANGEMENT ACT, R.S.C. 1985, c. C-36, AS AMENDED AND IN THE MATTER OF A PLAN OF COMPROMISE OR ARRANGEMENT OF PT HOLDCO, INC., PRIMUS TELECOMMUNICATIONS CANADA, INC., PTUS, INC., PRIMUS TELECOMMUNICATIONS, INC., AND LINGO, INC. (Applicants) APPROVAL AND VESTING ORDER SERVICE LIST GENERAL STIKEMAN ELLIOTT LLP Samantha Horn 5300 Commerce Court West Tel: (416) 869- 5636 199 Bay Street Email: [email protected] Toronto, ON M5L 1B9 Maria Konyukhova Tel: (416) 869-5230 Email: [email protected] Kathryn Esaw Tel: (416) 869-6820 Email: [email protected] Vlad Calina Tel: (416) 869-5202 Lawyers for the Applicants Email: [email protected] FTI CONSULTING CANADA INC. Nigel D. Meakin TD Waterhouse Tower Tel: (416) 649-8100 79 Wellington Street, Suite 2010 Fax: (416) 649-8101 Toronto, ON M5K 1G8 Email: [email protected] Steven Bissell Tel: (416) 649-8100 Fax: (416) 649-8101 Email: [email protected] Kamran Hamidi Tel: (416) 649-8100 Fax: (416) 649-8101 Monitor Email: [email protected] 2 BLAKE, CASSELS & GRAYDON LLP Linc Rogers 199 Bay Street Tel: (416) 863-4168 Suite 4000, Commerce Court West Fax: (416) 863-2653 Toronto, ON M5L 1A9 Email: [email protected] Aryo Shalviri Tel: (416) 863- 2962 Fax: (416) 863-2653 Lawyers for the Monitor Email: [email protected] DAVIES WARD PHILLIPS VINEBERG LLP Natasha MacParland 155 Wellington Street West Tel: (416) 863 5567 Toronto, ON M5V 3J7 Fax: (416) 863 0871 Email: [email protected] Lawyers for the Bank of Montreal, as Administrative Agent for the Syndicate FOGLER, RUBINOFF LLP Gregg Azeff 77 King Street West Tel: (416) 365-3716 Suite 3000, P.O. -
Canadian Canada $7 Summer 2015 Vol.17, No.3 Screenwriter Film | Television | Radio | Digital Media
CANADIAN CANADA $7 SUMMER 2015 VOL.17, NO.3 SCREENWRITER FILM | TELEVISION | RADIO | DIGITAL MEDIA The 2015 WGC Screenwriting Awards – The Screenwriters Take The Spotlight ‘To Banff’ Or ‘Not To Banff’ The State Of Canadian Comedy Writing For Youth X Company Stephanie Morgenstern and Mark Ellis Reveal Canada’s Secret Spy School PM40011669 CTV_WGCmag_AD_flpg_final.pdf 1 2015-05-01 11:13 AM CANADIAN SCREENWRITER The journal of the Writers Guild of Canada Vol. 17 No. 3 Summer 2015 Contents ISSN 1481-6253 Features Publication Mail Agreement Number Stephanie Morgenstern and Mark Ellis: 400-11669 Spies Who Came From The Cold 6 Publisher Maureen Parker Stephanie Morgenstern and Mark Ellis and their team of Editor Tom Villemaire screenwriters tell the story of Canada’s X Company spy [email protected] school and the kind of people who trained there. Director of Communications Li Robbins By Matthew Hays Editorial Advisory Board Denis McGrath (Chair) To Banff Or Not To Banff 12 Michael MacLennan We asked the question of Canadian Screenwriters: Susin Nielsen Is Banff worth the time and money? For some, yes, Simon Racioppa for others, not so much. If Banff isn’t for you, President Jill Golick (Central) we have some alternative suggestions. Councillors By Diane Wild Michael Amo (Atlantic) Mark Ellis (Central) The 19th Annual Dennis Heaton (Pacific) WGC Screenwriting Awards 16 Denis McGrath (Central) Anne-Marie Perrotta (Quebec) The night just for screenwriters, a fun, feted evening, Andrew Wreggitt (Western) recognizing our best and brightest. Art Direction Studio Ours With photographs by Christina Gapic Design Studio Ours Printing Ironstone Media Writing For Youth: More Than A High School Confidential 30 Cover Photo: Christina Gapic There’s a skill required to write successfully for a young Canadian Screenwriter is audience. -
Producer Offset Page 33
King’s Research Portal Document Version Publisher's PDF, also known as Version of record Link to publication record in King's Research Portal Citation for published version (APA): Steemers, J. H., & Awan, F. (2016). Policy Solutions and International Perspectives on the Funding of Public Service Media Content for Children: A Report for Stakeholders. University of Westminster. Citing this paper Please note that where the full-text provided on King's Research Portal is the Author Accepted Manuscript or Post-Print version this may differ from the final Published version. If citing, it is advised that you check and use the publisher's definitive version for pagination, volume/issue, and date of publication details. And where the final published version is provided on the Research Portal, if citing you are again advised to check the publisher's website for any subsequent corrections. General rights Copyright and moral rights for the publications made accessible in the Research Portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognize and abide by the legal requirements associated with these rights. •Users may download and print one copy of any publication from the Research Portal for the purpose of private study or research. •You may not further distribute the material or use it for any profit-making activity or commercial gain •You may freely distribute the URL identifying the publication in the Research Portal Take down policy If you believe that this document breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. -
December 18, 2015 Filed Electronically Ms. Danielle May-Cuconato
December 18, 2015 Filed Electronically Ms. Danielle May-Cuconato Secretary General Canadian Radio-television and Telecommunications Commission Ottawa, Ontario K1A 0N2 Dear Ms. May-Cuconato: Re: Broadcasting Notice of Consultation CRTC 2015-467 Call for comments on the Commission’s policies relating to Certified Independent Production Funds The Writers Guild of Canada (WGC) is the national association representing more than 2,200 professional screenwriters working in English-language film, television, radio, and digital media production in Canada. The WGC is actively involved in advocating for a strong and vibrant Canadian broadcasting system containing high-quality Canadian programming. While the WGC’s mandate is to represent our members, in advocating a strong Canadian broadcasting system that offers Canadians a variety of programming, we also play a role in balancing competing interests in the broadcasting system. Executive Summary ES.1 The WGC would like to see the Canadian broadcasting system become more creator- and talent- driven, with a greater focus on creativity. This includes support for script and concept development, as one of the key opportunities for improvement in the system. The nature of development has changed significantly over the past 5-10 years, with increased pressure to develop materials before a broadcaster will financially commit to the project. This has in turn put pressure on screenwriters to work for free—something which is not sustainable and which contributes to poorer-quality programming, the withdrawal of good scripts and ideas from the Canadian system, or both. The WGC is pleased to see the Commission specifically identify this issue in the Notice of Consultation, and recommends that more Certified Independent Production Funds (CIPFs) create script and concept development funding programs. -
2008 Annual Report
2008 ANNUAL REPORT MESSAGE FROM THE CHAIR In 2008 we invested a record $12.3 Since its inception, the Shaw Rocket Fund has nurtured Canadian producers to million in diverse projects connecting a position of strength and confidence, supporting programming that inspires and unites Canadians, in particular Canadian youth who comprise 25% of our audiences across Canada and around overall population. the world. During these times of The viewers of today are the leaders of tomorrow. The Shaw Rocket Fund is economic uncertainty, the Shaw proud to be a voice for Canadian children’s production, fostering programming Rocket Fund believes more than that speaks our languages, celebrates the rich fabric of our communities, and ever in the necessity of our funding motivates our youth. initiatives. Coast to coast, we are united through our children and through our combined response to the challenges and possibilities facing our industry today. Together, we will continue working to secure a bright future for children’s programming across Canada. Annabel Slaight, Chair Mission The Shaw Rocket Fund is dedicated to investing in the Canadian children’s independent production industry as funder and as a champion of the best in children’s programming. 9% WEST COAST OF OVERALL FUNDING Canada’s rich first nation’s heritage plays a key role in our cultural identity. When the traditions of Aboriginal storytelling are applied to children’s and youth programming, wonderful things can happen, as witnessed by many of the projects coming out of Canada’s West Coast. The Shaw Rocket Fund has supported a wide range of productions in this region, including such innovative Aboriginal productions as MYTV, Nehiyawetan and Tiga Talk!.