DOCSLIB.ORG

University Microfilms International 300 N

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
University Microfilms International 300 N INFORMATION TO USERS This reproduction was made from a copy of a document sent to us for microfilming. While the most advanced technology has been used to photograph and reproduce this document, the quality of the reproduction is heavily dependent upon the quality of the material submitted. The following explanation of techniques is provided to help clarify markings or notations which may appear on this reproduction. 1.The sign or “target” for pages apparently lacking from the document photographed is “Missing Page(s)”. If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting through an image and duplicating adjacent pages to assure complete continuity. 2. When an image on the film is obliterated with a round black mark, it is an indication of either blurred copy because of movement during exposure, duplicate copy, or copyrighted materials that should not have been filmed. For blurred pages, a good image of the page can be found in the adjacent frame. If copyrighted materials were deleted, a target note will appear listing the pages in the adjacent frame. 3. When a map, drawing or chart, etc., is part of the material being photographed, a definite method of “sectioning” the material has been followed. It is customary to begin filming at the upper left hand corner of a large sheet and to continue from left to right in equal sections with small overlaps. If necessary, sectioning is continued again—beginning below the first row and continuing on until complete. 4. For illustrations that cannot be satisfactorily reproduced by xerographic means, photographic prints can be purchased at additional cost and inserted into your xerographic copy. These prints are available upon request from the Dissertations Customer Services Department. 5. Some pages in any document may have indistinct print. In all cases the best available copy has been filmed. University M icrofilm s International 300 N. Zeeb Road Ann Arbor, Ml 48106 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 1318943 BENSCH, CHRISTOPHER LYNN CINCINNATI'S 1888 CENTENNIAL EXPOSITION AND THE CIRCUS. UNIVERSITY OF DELAWARE (WINTERTHUR PROGRAM), M.A., 1982 COPR, 1982 BENSCH, CHRISTOPHER LYNN University Microfilms International 300 N. ZEEB BO., ANN ARBOR, Ml 48106 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. PLEASE NOTE: In all cases this material has been filmed in the best possible way from the available copy. Problems encountered with this document have been identified here with a check mark V . 1. Glossy photographs or pages ^ 2. Colored illustrations, paper or print____ 3. Photographs with dark background ^ 4. Illustrations are poor copy______ 5. Pages with black marks, not original copy_ 6. Print shows through as there is text on both sides of page______ 7. Indistinct, broken or small print on several pages__ 8. Print exceeds margin requirements______ 9. Tightly bound copy with print lost in spine_____ 10. Computer printout pages with indistinct print_____ 11. Page(s)___________ lacking when material received, and not available from school or author. 12. Page(s)___________ seem to be missing in numbering only as text follows. 13. Two pages numbered____________ . Text follows. 14. Curling and wrinkled pages_____ 15. Other__________________________________ ,___________________________________ University Microfilms International Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. CINCINNATI'S 1888 CENTENNIAL EXPOSITION AND THE CIRCUS By Christopher Lynn Bensch A thesis submitted to the Faculty of the University of Delaware in partial fulfillment of the requirements for the degree of Master of Arts in Early American Culture. June 5, 1982 Copyrigiht Christopher Lynn Bensch 1982 All Rights Reserved Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. CINCINNATI'S 1888 CENTENNIAL EXPOSITION AND THE CIRCUS By Christopher Lynn Bensch Approved; Kermdth L. Arad'S*, Ph.D. Professor in charge of thesis Approved: Stephanie G. Wblf, Ph.T). T’ ---- Coordinator of the Winterthur Program in Early American Culture Approved:______ ______ R. B. Murray, Ph.iT University Coordinator for Graduate Studies Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. TABLE OF CONTENTS INTRODUCTION.............................................. 1 Chapter I. CINCINNATI AND THE CIR C U S.............................. 8 II. THE PUBLICITY CAMPAIGN ..................................18 III. AN EXPOSITION IN CIRCUS STYLE .......................... 30 IV. THE GREATEST SHOWS ON EA R T H .............................. 42 V. A WORLD OF ENTERTAINMENT............................... 55 NOTES ........................................................ 70 BIBLIOGRAPHY................ • ............................... 78 iii Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. TABLE OF ILLUSTRATIONS Figure 1. Newspaper Advertisement for the Cincinnati Centennial E x p o s i t i o n ........................................... 14 2. Overview of the Exposition Grounds on Opening Day ........ 23 3. View Down Elm Street Toward Music Hall and Washington Park Hall ........................................... 27 4. The Fountain and Central Rotunda in Washington Park H a l l ................................................. 35 5. View of Horticultural H a l l .............................. 38 6. Tne Canal in Machinery H a l l .............................. 50 iv Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. INTRODUCTION Cincinnati is not a city known for its glamor. Longfellow saw the city in its best light when he called it "The Queen of the West in her garlands drest / By the banks of the beautiful river." More typical were references to the city as "Porkopolis." Guidebooks described how "the smoke of hundreds of factories, locomotives, and steamboats arises and unites to form this dismal pall, which obscures the sunlight, and gives a sickly cast to the moonbeams. But Cin­ cinnati was more than a dingy river town, It shared with London, Philadelphia, Paris, and Chicago the distinction of being the site of a significant 19th-century exposition, Cincinnati's 1888 Centennial Exposition of the Ohio Valley and Central States was much smaller than any of the more famous fairs, yet over a million visitors sampled its exotic and electrical delights during the sunnier and fall of 1888. Today, the Cincinnati Centennial has faded from view and from memory in ways that London's Great Exposition and Chicago's World's Columbian Exposition have not. Nevertheless, the Cincinnati Cen­ tennial merits its share of attention, not only as a portion of expo­ sition history, but also as an indicator of the character of its age. The Cincinnati Centennial grew out of numerous forces at work in Victorian America. After the success of London's 1851 Great 1 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Exposition, fairs were held with increasing frequency throughout the western world, In the years following the Civil War, America's industrial production--particularly of consumer goods— increased and fairs were well-suited for publicizing technological advances and new products, Cincinnati began its series of annual Industrial Exposi­ tions in 1870. The expanding railroads both facilitated the indus­ trial success which produced the goods on display at expositions and enabled people to travel to distant expositions at reasonable rates. But the western world's spate of expositions celebrated historical events and cultural heritages as well as the latest developments of science and industry, Americans were swept up in this consciousness of the past and a "monument mania" possessed the nation, inspiring all manner of commemorations. Memorial obelisks were erected, historic sites like Mount Vernon were restored, and expositions were held to celebrate a wide variety of anniversaries. At the same time, the growing cities produced urban audiences which needed amusement, and the industrial and office work schedules gave people more free time to spend on entertainments. Meanwhile, non-farm wages rose in the 1880s despite the period's deflationary tendency, multiplying the nunber of people with money for leisure activities. The exposition was one of the new institutions which responded to these conditions,^ The last quarter of the 19th century produced numerous— and often simultaneous— expositions in various styles and sizes. The Cincinnati Centennial was part of this Victorian sequence of fairs. Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. It was likewise the culmination of a lengthy series of industrial expositions in Cincinnati. But to understand the Cincinnati Cen­ tennial , it must be separated from exposition stereotypes. Neil Harris, describing the 1893 Columbian Exposition, noted, "Animal
Load more

Recommended publications
  • Fair Treatment? African-American Presence at International Expositions in the South, 1884 – 1902
    FAIR TREATMENT? AFRICAN-AMERICAN PRESENCE AT INTERNATIONAL EXPOSITIONS IN THE SOUTH, 1884 – 1902 BY SARA S. CROMWELL A Thesis Submitted to the Graduate Faculty of WAKE FOREST UNIVERSITY GRADUATE SCHOOL OF ARTS AND SCIENCES in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS IN LIBERAL STUDIES December 2010 Winston-Salem, North Carolina Approved By: Anthony S. Parent, Ph.D., Advisor Jeanne M. Simonelli, Ph.D., Chair John Hayes, Ph.D. ACKNOWLEDGMENTS Many thanks to my friends, family, and coworkers for their support, encouragement, and patience as I worked on my thesis. A special thank you to the Interlibrary Loan Department of the Z. Smith Reynolds Library for their invaluable assistance in my research. And finally, thanks to Dr. Parent, Dr. Simonelli, and Dr. Hayes for their helpful advice throughout the process. ii TABLE OF CONTENTS LIST OF FIGURES ............................................................................................... iv ABSTRACT .......................................................................................................... v INTRODUCTION ................................................................................................. 1 CHAPTER ONE WORLD‘S INDUSTRIAL AND COTTON CENTENNIAL EXPOSITION AT NEW ORLEANS, 1884-85 .............................................................................. 17 CHAPTER TWO A DECADE OF CHANGES .................................................................................. 40 CHAPTER THREE COTTON STATES AND INTERNATIONAL EXPOSITION
    [Show full text]
  • CIRCULAR NO. 54 April 2002
    CIRCULAR NO. 54 April 2002 STATE ARCHIVES OF MICHIGAN Michigan Historical Center PO Box 30740 702 W. Kalamazoo St. Lansing, MI 48909-8240 Phone: 517-373-1408 E-mail: [email protected] FAIRS AND EXPOSITIONS AGENCY RG NO. LOT BOX SUBJECT Administration 54-07 2 B2 State Fairs, 1948-1949 B2 State Fairs, 1949-1950 B2 State Fairs Grounds Study Committee, 1949-1950 58-16 6 B3 State Fairs, 1949-1950 B3 State Fairs Grounds Study Committee, 1950 60-21 8 B6 State Fairs, 1950-1951 B6 State Fair Grounds Study Committee, 1950-1951 B13 State Fairs, 1951-1952 B13 State Fair Grounds Study Committee, 1951-1952 62-01 9 B7 State Fairs, 1952-1953 62-08 10 B5 State Fair, 1953-1954 B11 State Fair, 1954-1955 B17 State Fairs, 1955-1956 62-36 12 B6 State Fairs, 1956-1957 63-39 18 B1 State Fair, 1946-1948 B3 State Fair, 1948-1949 B5 State Fair, 1949-1950 B8 State Fairs, 1950-1951 B12 State Fairs, 1951-1952 63-40 19 B7 State Fairs, 1957-1958 64-33 21 B9 State Fairs, 1952-1953 64-44 22 B6 State Fairs, 1958-1959 65-42 23 B6 State Fairs, 1959-1960 65-43 24 B5 State Fairs, 1954-1955 66-46 25 B8 State Fairs, 1960-1961 B22 State Fairs, 1954-1956 B28 State Fairs, 1954-1956 B34 State Fairs, 1956-1958 B36 State Fairs, 1955-1957 67-66 26 B9 State Fairs, 1961-1962 68-110 33 B9 State Fairs, 1962-1963 70-39 35 B7 State Fairs, 1964-1965 70-122 36 B14 State Fairs, 1957-1960 B21 State Fairs, 1957-1960 72-25 40 B68 State Fairs, 1962-1963 1 AGENCY RG NO.
    [Show full text]
  • Newspaper Clippings: Subject Headings List
    1 Newspaper Clippings: Subject Headings List A Academy See: Schools – Kentucky Adoption Ads – Courier Journal and other papers Advertising – Ombudsman See: Newspapers – Louisville, Kentucky – Courier Journal Aeronautics - Aviation week - Bowman Field Air Show - Powder Puff Derby Agricultural Machinery Agriculture – Kentucky See also: Bibb lecture See also: Strawberry growers – Kentucky and Indiana See also: Tobacco – Kentucky Agriculture – UK Experimental Station 1912, etc. See also: Tobacco – Kentucky Airdrie Furnace – Paradise – Muhlenberg County, Kentucky See: Iron Furnaces – Kentucky – Muhlenberg County Airports – Kentucky Airports – Kentucky – Louisville – Bowman Airports – Kentucky – Louisville – Standiford Airports – Kentucky – Proposed Jetport Air Raid Shelters Alamo – siege of Alaska - New Town – land donated by Craig Hazelet Alcoholism and drug abuse – Treatment – Jefferson County All Kentucky City Awards All Prayer Foundling’s Home See: Orphans – Homes Almanacs – Kentucky America, Discovery of American Legion Last updated 2/21/2013 2 American Party – Kentucky American Party – Know Nothing Party American Printing House for the Blind American Turners Association Amish – the Amish in Kentucky and Indiana, etc. See: Mennonites in KY and IN Anthropology – Kentucky Anti-Slavery – Kentucky Antiques See also: Hobbies and Collections See also: Textile Industry and Fabric Apartment Houses Appalachia - DRA - “Kentucky’s still ravaged land” by John Fetterman - Music - Vista Appalachian Region Appalachian Regional Commission Arch – Main
    [Show full text]
  • Royal Exhibition Building and Carlton Gardens
    World Heritage Scanned Nomination File Name: 1131.pdf UNESCO Region: ASIA AND THE PACIFIC __________________________________________________________________________________________________ SITE NAME: Royal Exhibition Building and Carlton Gardens DATE OF INSCRIPTION: 7th July 2004 STATE PARTY: AUSTRALIA CRITERIA: C (ii) DECISION OF THE WORLD HERITAGE COMMITTEE: Excerpt from the Report of the 28th Session of the World Heritage Committee Criterion (ii): The Royal Exhibition Building and the surrounding Carlton Gardens, as the main extant survivors of a Palace of Industry and its setting, together reflect the global influence of the international exhibition movement of the 19th and early 20th centuries. The movement showcased technological innovation and change, which helped promote a rapid increase in industrialization and international trade through the exchange of knowledge and ideas. BRIEF DESCRIPTIONS The Royal Exhibition Building and its surrounding Carlton Gardens were designed for the great international exhibitions of 1880 and 1888 in Melbourne. The building and grounds were designed by Joseph Reed. The building is constructed of brick and timber, steel and slate. It combines elements from the Byzantine, Romanesque, Lombardic and Italian Renaissance styles. The property is typical of the international exhibition movement which saw over 50 exhibitions staged between 1851 and 1915 in venues including Paris, New York, Vienna, Calcutta, Kingston (Jamaica) and Santiago (Chile). All shared a common theme and aims: to chart material and moral progress through displays of industry from all nations 1.b State, Province or Region: Melbourne, Victoria 1.d Exact location: S37 48 22.0 E144 58 13.0 Nomination of ROYAL EXHIBITION BUILDING AND CARLTON GARDENS, MELBOURNE by the Government of Australia for Inscription on the World Heritage List.
    [Show full text]
  • Chadbourn Thesis
    A HISTORICAL COMPARATIVE ANALYSIS OF THE NORWAY AND MAINE STATE BUILDINGS FROM THE 1893 COLUMBIAN EXPOSITION A THESIS SUBMITTED TO THE GRADUATE SCHOOL IN PARTIAL FULFILLMENT OF THE REQUIREMENTS For the degree MASTER OF SCIENCE IN HISTORIC PRESERVATION By KAYTE ANN CHADBOURN Committee Approval: _______________________________________________ ________________ Committee Chairman – Francis Parker, Ph.D. Date _______________________________________________ ________________ Committee Member – Susan Lankford Date _______________________________________________ ________________ Committee Member – David Kroll Date Departmental Approval: _______________________________________________ ________________ Department of Architecture – Mahesh Senagala Date Graduate Office Check: _______________________________________________ ________________ Dean of the Graduate School – Robert Morris, Ph.D. Date BALL STATE UNIVERSITY MUNCIE, INDIANA JULY 2009 A HISTORICAL COMPARATIVE ANALYSIS OF THE NORWAY AND MAINE STATE BUILDINGS FROM THE 1893 COLUMBIAN EXPOSITION A THESIS SUBMITTED TO THE GRADUATE SCHOOL IN PARTIAL FULFILLMENT OF THE REQUIREMENTS for the degree MASTER OF SCIENCE IN HISTORIC PRESERVATION by KAYTE ANN CHADBOURN ADVISOR – FRANCIS PARKER BALL STATE UNIVERSITY MUNCIE, INDIANA JULY 2009 Acknowledgements There are a few people that I would like to thank for their contributions to this thesis. First of all, I would like to thank my committee members: David Kroll, Susan Lankford, and especially my chair, Dr. Francis Parker. I can’t thank them enough for their guidance, willingness, and ability to help me make this thesis the best it can be. Furthermore, I would like to recognize Randy Richter, Founder and Co-President of the World’s Fair Preservation Society based in Wheat Ridge, Colorado. I was fortunate enough to meet with him in the summer of 2008, when he gave me initial information and the encouragement to pursue this topic.
    [Show full text]
  • Utopian Whiteness, Black Resistance, and the National Imaginary in Nineteenth-Century America
    Graduate Theses, Dissertations, and Problem Reports 2016 Spectacular Struggles: Utopian Whiteness, Black Resistance, and the National Imaginary in Nineteenth-Century America Courtney L. Novosat Follow this and additional works at: https://researchrepository.wvu.edu/etd Recommended Citation Novosat, Courtney L., "Spectacular Struggles: Utopian Whiteness, Black Resistance, and the National Imaginary in Nineteenth-Century America" (2016). Graduate Theses, Dissertations, and Problem Reports. 6331. https://researchrepository.wvu.edu/etd/6331 This Dissertation is protected by copyright and/or related rights. It has been brought to you by the The Research Repository @ WVU with permission from the rights-holder(s). You are free to use this Dissertation in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you must obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Dissertation has been accepted for inclusion in WVU Graduate Theses, Dissertations, and Problem Reports collection by an authorized administrator of The Research Repository @ WVU. For more information, please contact [email protected]. Spectacular Struggles: Utopian Whiteness, Black Resistance, and the National Imaginary in Nineteenth-Century America Courtney L. Novosat Dissertation submitted to the Eberly College of Arts and Sciences at West Virginia University in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English Tim Sweet, Ph.D., Chair John Ernest, Ph.D. Gwen Bergner, Ph.D. Michael Germana, Ph.D. Paul Gilmore, Ph.D. Department of English Morgantown, West Virginia 2016 Keywords: American Literature, African American Literature; Nineteenth Century; Utopia; World’s Fairs; Critical Race Theory Copyright 2016 Courtney L.
    [Show full text]
  • LOUISVILLE, KENTUCKY Edward Bennett and Carolyn Gatz1
    A RESTORING PROSPERITY CASE STUDY LOUISVILLE, KENTUCKY Edward Bennett and Carolyn Gatz1 BROOKINGS September 2008 May, 2007 Brookings Institution report, “Restoring Prosperity: The State Role in Re- vitalizing American’s Older Industrial Cities” examined how 302 U.S. cities fared on A eight indicators of economic health and vitality. Based on this research, we identi- fied 65 underperforming cities, most of which are older industrial communities in the North- east and Midwest, relative to their peers nationwide. The report describes why the moment is ripe for the revitalization of these communities, and lays out a comprehensive agenda for how states can—and must—assist in the process. While the central focus of the “Restoring Prosperity” report was on cities facing the steepest economic challenges, analysis of the 302 database cities also revealed that a number were able to raise their economic status over time. In fact, 17 of the 302 would have been in the lower tier of cities in 1990, but by 2000 had moved off the “list,” including: AKRON, OH CHICAGO, IL LOUISVILLE, KY SPOKANE, WA AKIMA, WA ANDERSON, IN DULUTH, MN MOBILE, AL ST. JOSEPH, MO BATTLE CREEK, MI LAFayETTE, LA MONROE, LA, TOLEDO, OH CHATTANOOGA, TN LAKE CHARLES, LA PUEBLO, CO WACO, TX To be sure, these cities’ relative performance improved for a wide array of reasons, some of which may be difficult to fully pinpoint. But to better understand the extent of recovery, and, importantly, some of the chief drivers behind it, Brookings commissioned in-depth case stud- ies of three on the list—Akron, Chattanooga, and Louisville.
    [Show full text]
  • Rare Books and Manuscripts World's Fairs And
    Rare Books and Manuscripts World’s Fairs and International Expositions Collection Accession Number: SC 18:60; SC: 19:25; SC 21:09 Location: RB-M Dates: 1883-1940 Size: 2 record cartons, 1 flat box; 1 oversize folder, 3.5 cubic feet Creator/Collector: Unknown Acquisition info: Unknown first accession; second donated by Jennifer Ohzourk; Third donation likely part of first and collected by SLPL staff Accruals: No accruals expected Custodial history: Found in Map Room, Central Library Third accession transferred from Fine Arts, 2021 Language: English Processed by: Amanda Bahr-Evola, August 2018; Amanda Bahr-Evola, April 2021 Conservation notes: No notes Scope and Content: The collection contains brochures, official reports, and publications of various World’s Fairs and International Expositions. Arrangement: Chronological Restrictions: No restrictions. Permission required to reproduce images. Remarks: No remarks August 2018 Rare Books and Special Collections Series: RB-M Acc. # SC 18:60 World’s Fairs and International Expositions Collection 1883-1940 2 record cartons, 1 flat box, 1 oversize folder; 3.5 cubic feet Box/Folder Description 1/1 Finding Aid 1- Great Exhibition--London, England 1851 The United States Department. Interior of the Medieval Court. Crystal Palace. The Diamond Jubilee of the Crystal Palace. The Graphic, May 13, 1911. Southern Entrance to the Transept. Interior of the Transept, As Seen from the South Entrance. The Opening of the Great Exhibition, May 1st, 1851. Mighty Spectacles of Yesteryear, London 1851. 1862 International Exposition--London, England 1862 1862 London Exhibition. St. Louis Post-Dispatch, May 5, 1964. Southern Exposition--Louisville, KY 1883 Visitor’s Guide to Southern Exposition.
    [Show full text]
  • ~Ll the Worlds a Fair '
    - "' U IV"'i ~ HIf ,e.... ""» · f'Tr"' •'' 1 INDIANA .'~~ t..~'\. ...l~ u J ">...,. \ SOUTH ROBERT W. RYDELL BEND -:;;:::::- ' THE liBRAJ{Y ~ll the WorldS a Fair ' Visions of Empire at American International Expositions, 1876-1916 I T 3Cf5.5 . u.~ r<.q~ 11 f>Lf ! i I The University of Chicago Press Chicago and London i ~;, Robert W. Rydell is associate professor of His­ tory at Montana State University. His dissertation, on which this study is based, won the Allan Nev­ ins Prize of the Society of American Historians. The University of Chicago Press, Chicago 60637 The University of Chicago Press, Ltd., London © 1984 by The University of Chicago All rights reserved. Published 1984 Printed in the United States of America 93 92 91 90 89 88 87 86 85 84 5 4 3 2 1 Library of Congress Cataloging in Publication Data Rydell, Robert W. All the world's a fair. Bibliography: p. Includes index. l. Exhibitions--History. I. Title. T395.5.U6R93 1984 909.81'074'013 84-2674 ISBN 0-226-73239-8 Contents Acknowledgments Vlll Introduction 1 l. The Centennial Exhibition, Philadelphia, 1876 The Exposition as a "Moral Influence" 9 2. The Chicago World's Columbian Exposition of 1893 "And Was Jerusalem Builded Here?" 38 3. The New Orleans, Atlanta, and Nashville Expositions New Markets, "New Negroes," and a New South 72 4. The Trans-Mississippi and International Exposition, Omaha, 1898: "Concomitant to Empire " 105 I 5. The Pan-American Exposition, Bnffalo "Pax 1901" 126 I' 6. The Lonisiana Purchase Exposition, Saint Lonis, 1904 "The Coronation of Civilization" 154 7.
    [Show full text]
  • Information to Users
    INFORMATION TO USERS This manuscript has been reproduced fiom the microfilm master. UMI fihns file text directty fi'om the original or copy submitted. Thus, some theds and dissertation copies are in typewriter 6ce, \ ^ e others may be from aigr type of conqmter printer. The quality of this reproduction is dependent upon the qualiQr of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photogre>h% print bleedthrough, substandard margins, and improper alignment can adversely affect reproductioiL In the unükdy event that the author did not send UMI a conqilete manuscript and there are misang pages, these will be noted. Also, if unauthorized copyrigjht material had to be removed, a note wiH indicate the dddion. Overaze materials (e.g., mqis, drawings, charts) are reproduced by sectioning the orignal, banning at the upper left-hand comer and continmng fi'om Idt to right in equal sections wdth small overlaps. Each original is also photographed in one eqiosure and is included in reduced fiarm at fiie back of the book. Photogr^hs included in the orignal manuscript have been reproduced xerogr^hically in this copy. Higher quality 6” x 9” black and white photographic prints are available fi)r airy photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI A Bell & IfoweQ Infbimation ConqeiQr 300 North Zeeb Road, Ann Arbor MI 48106-1346 USA 313/761-4700 800/521-0600 UNIVERSITY OF OKLAHOMA GRADUATE COLLEGE NEGOTIATING THE "NEW COUNTRY:" THE CULTURAL POLITICS OF EXCHANGE IN THE KIOWA^ COMANCHE AND APACHE RESERVATION AND ALLOTMENT PERIODS, 1867-1910 A Dissertation SUBMITTED TO THE GRADUATE FACULTY in partial fulfillment of the requirements for the degree of Doctor of Philosophy By JACKI THOMPSON RAND Norman, Oklahoma 1998 UMI Number: 9905633 UMI AGcroform 9905633 Copyright 1998, by UMI Company.
    [Show full text]
  • Exposition Records of the Smithsonian Institution and the United States National Museum, 1867-1940
    Exposition Records of the Smithsonian Institution and the United States National Museum, 1867-1940 Finding aid prepared by Smithsonian Institution Archives Smithsonian Institution Archives Washington, D.C. Contact us at [email protected] Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Historical Note.................................................................................................................. 1 Descriptive Entry.............................................................................................................. 2 Names and Subjects ...................................................................................................... 3 Container Listing ............................................................................................................. 4 Series 1: International Exhibition (Centennial Exhibition of 1876, Philadelphia), 1873-1878, 1882...................................................................................................... 4 Series 2: International Fishery Exhibition (Berlin, Germany, 1880), 1880................ 8 Series 3: Great International Fisheries Exhibition (London, 1883), 1880-1886...... 10 Series 4: Southern Exposition (Louisville, 1884), 1884-1885................................. 15 Series 5: Cincinnati Industrial Exposition (1884), 1884-1885................................
    [Show full text]
  • An Enlarging Influence: Women of New Orleans, Julia Ward Howe
    University of New Orleans ScholarWorks@UNO University of New Orleans Theses and Dissertations Dissertations and Theses 5-20-2011 An Enlarging Influence: omenW of New Orleans, Julia Ward Howe, and the Woman's Department at the Cotton Centennial Exposition, 1884-1885 Miki Pfeffer University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/td Recommended Citation Pfeffer, Miki, "An Enlarging Influence: omenW of New Orleans, Julia Ward Howe, and the Woman's Department at the Cotton Centennial Exposition, 1884-1885" (2011). University of New Orleans Theses and Dissertations. 1339. https://scholarworks.uno.edu/td/1339 This Dissertation is protected by copyright and/or related rights. It has been brought to you by ScholarWorks@UNO with permission from the rights-holder(s). You are free to use this Dissertation in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Dissertation has been accepted for inclusion in University of New Orleans Theses and Dissertations by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. An „Enlarging Influence‟: Women of New Orleans, Julia Ward Howe, and the Woman‟s Department at the Cotton Centennial Exposition, 1884-1885 A Dissertation Submitted to the Graduate Faculty of the University of New Orleans in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Urban Studies Urban History by Miki Pfeffer B.
    [Show full text]