Royal Exhibition Building and Carlton Gardens
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St Vincent's Hospital Melbourne
St Vincent’s Hospital Melbourne – Aikenhead Wing Proposed demolition Referral report and Heritage Impact Statement 27 & 31 Victoria Parade, Fitzroy July 2021 Prepared by Prepared for St Vincent’s Hospital Melbourne Quality Assurance Register The following quality assurance register documents the development and issue of this report prepared by Lovell Chen Pty Ltd in accordance with our quality management system. Project no. Issue no. Description Issue date Approval 8256.03 1 Draft for review 24 June 2021 PL/MK 8256.03 2 Final Referral Report and HIS 1 July 2021 PL Referencing Historical sources and reference material used in the preparation of this report are acknowledged and referenced as endnotes or footnotes and/or in figure captions. Reasonable effort has been made to identify and acknowledge material from the relevant copyright owners. Moral Rights Lovell Chen Pty Ltd asserts its Moral right in this work, unless otherwise acknowledged, in accordance with the (Commonwealth) Copyright (Moral Rights) Amendment Act 2000. Lovell Chen’s moral rights include the attribution of authorship, the right not to have the work falsely attributed and the right to integrity of authorship. Limitation Lovell Chen grants the client for this project (and the client’s successors in title) an irrevocable royalty- free right to reproduce or use the material from this report, except where such use infringes the copyright and/or Moral rights of Lovell Chen or third parties. This report is subject to and issued in connection with the provisions of the agreement between Lovell Chen Pty Ltd and its Client. Lovell Chen Pty Ltd accepts no liability or responsibility for or in respect of any use of or reliance upon this report by any third party. -
Fair Treatment? African-American Presence at International Expositions in the South, 1884 – 1902
FAIR TREATMENT? AFRICAN-AMERICAN PRESENCE AT INTERNATIONAL EXPOSITIONS IN THE SOUTH, 1884 – 1902 BY SARA S. CROMWELL A Thesis Submitted to the Graduate Faculty of WAKE FOREST UNIVERSITY GRADUATE SCHOOL OF ARTS AND SCIENCES in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS IN LIBERAL STUDIES December 2010 Winston-Salem, North Carolina Approved By: Anthony S. Parent, Ph.D., Advisor Jeanne M. Simonelli, Ph.D., Chair John Hayes, Ph.D. ACKNOWLEDGMENTS Many thanks to my friends, family, and coworkers for their support, encouragement, and patience as I worked on my thesis. A special thank you to the Interlibrary Loan Department of the Z. Smith Reynolds Library for their invaluable assistance in my research. And finally, thanks to Dr. Parent, Dr. Simonelli, and Dr. Hayes for their helpful advice throughout the process. ii TABLE OF CONTENTS LIST OF FIGURES ............................................................................................... iv ABSTRACT .......................................................................................................... v INTRODUCTION ................................................................................................. 1 CHAPTER ONE WORLD‘S INDUSTRIAL AND COTTON CENTENNIAL EXPOSITION AT NEW ORLEANS, 1884-85 .............................................................................. 17 CHAPTER TWO A DECADE OF CHANGES .................................................................................. 40 CHAPTER THREE COTTON STATES AND INTERNATIONAL EXPOSITION -
Jack B. Yeats
JACK B. YEATS Biography 1871 August 29, Jack Butler Yeats born at 23 Fitzroy Road, London, son of John Butler Yeats, artist, and Susan Pollexfen of Sligo 1879 Went to Sligo to live with his grandparents, William and Elizabeth Pollexfen. He went to school there, and stayed with them until 1887 1887 Rejoined his family in London in order to attend art school. His grandmother was strongly in favour of him following a career as an artist. Attended classes at South Kensington School of Art, Chiswick School of Art, Westminster School of Art. Season ticket for the American Exhibition at Earls Court, starring Buffalo Bill 1888 First black and white illustrations accepted for publication in The Vegetarian in April 1891 Illustrating for Ariel and Paddock Life . First book illustrations 1892 Designing posters for David Allen & Sons in Manchester. Illustrated Irish Fairy Tales by his brother W.B.Yeats 1894 Staff Artist on Lika Joko. In August he married Mary Cottenham White, who had been a student with him in Chiswick, and was eight years older that Jack. They rented a house called 'The Chestnuts' on the River Thames, at Chertsey 1895 First exhibited at the Royal Hibernian Academy in Dublin, a watercolour called Strand Races, West of Ireland 1897 Moved to Strete, Devon to live at 'Snail's Castle' (Cashlauna Shelmiddy). Began to concentrate on watercolour painting. Painted his first oil. First one-man show of watercolours in November, at the Clifford Gallery, Haymarket 1898 Jack and Cottie visited Northern Italy, on what seems to have been a belated honeymoon, combined with a celebration of the success of his first solo exhibition the previous year. -
University of Huddersfield Repository
University of Huddersfield Repository Walker, Martyn Solid and practical education within reach of the humblest means’: the growth and development of the Yorkshire Union of Mechanics’ Institutes 1838–1891 Original Citation Walker, Martyn (2010) Solid and practical education within reach of the humblest means’: the growth and development of the Yorkshire Union of Mechanics’ Institutes 1838–1891. Doctoral thesis, University of Huddersfield. This version is available at http://eprints.hud.ac.uk/9087/ The University Repository is a digital collection of the research output of the University, available on Open Access. Copyright and Moral Rights for the items on this site are retained by the individual author and/or other copyright owners. Users may access full items free of charge; copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational or not-for-profit purposes without prior permission or charge, provided: • The authors, title and full bibliographic details is credited in any copy; • A hyperlink and/or URL is included for the original metadata page; and • The content is not changed in any way. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. http://eprints.hud.ac.uk/ ‘A SOLID AND PRACTICAL EDUCATION WITHIN REACH OF THE HUMBLEST MEANS’: THE GROWTH AND DEVELOPMENT OF THE YORKSHIRE UNION OF MECHANICS’ INSTITUTES 1838–1891 MARTYN AUSTIN WALKER A thesis -
Exhibiting a Nation: Canada at the British Empire Exhibition, 1924–1925
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Histoire sociale / Social History (E-Journal, York University) Exhibiting a Nation: Canada at the British Empire Exhibition, 1924–1925 ANNE CLENDINNING* The British Empire Exhibition held in 1924 and 1925 presented a chance for Canada to assert a national identity and a prominent place, as a self-governing, “white” dominion, within the British imperial family of nations. Those responsible for the gov- ernment pavilion consciously sought to understate regional differences and to con- struct and project a unified, homogeneous image of the nation, despite its vast geographic distances and obvious differences of language and race. While their inten- tions were to attract investment and improve export markets for Canadian goods, the exhibition commissioners assembled a set of images intended to sum up the idea of Canada. The resulting national representation proved to be contested, fragmented, and sometimes controversial. But for Canadians who visited the exhibit, the pavilion seemed to speak on an emotional level, inspiring national identification and pride. L’Exposition de l’empire britannique de 1924 et de 1925 a permis au Canada d’affirmer son identité nationale et de se hisser au palmarès des dominions « blancs » du giron de l’Empire britannique. Les responsables du pavillon gouvernemental ont consciemment cherché à minimiser les différences régionales de même qu’à dépein- dre le Canada comme un pays homogène en dépit de son immensité géographique et de ses différences évidentes de langue et de race. Bien qu’ils cherchaient à séduire les investisseurs et à trouver des débouchés pour les produits canadiens à l’exportation, les commissaires à l’exposition ont assemblé un panorama d’images visant à résumer l’idée du Canada. -
Scènes De La Vie Australienne
PAULMAISTRE SCENES DE LA VIE AUSTRALIENNE "De mineur a ministre" Translated and introduced by C. B. Thornton-Smith Introduction "De mineur a ministre" appeared in the latter half of 1896 as the fourth in a series of five short stories set in Australia which Paul Maistre published in the Madrid-based Nouvelle Revue Internationale between 1894 and 1897. The fact that he was a vice- consul of France in Melbourne during this time made it essential that he use a pen- name, with his choice of "Paul le Franc" being particularly apt given his frank comments on the delusions and vagaries of the Anglo-Saxons, including according to him the Scots, against whom he seems to have had a particular animus. All five stories are written from a clearly French perspective, with some of them having a "beau role" for a French character. In this one, reacting to the assumed racial and moral superiority of Anglo-Saxons, he offers caustic comments on such matters as Sabbatarianism, temperance movements, long-winded and empty oratory, lack of commercial morality and obsession with symbols of status. As a consular official doing his best to assist French commercial interests in Victoria, he was particularly exercised by that colony's protectionist policies which artificially inflated the cost of French imports. Just over a century later, the climax of his story has considerable topicality given that, while not quite illustrating the "Plus ca change ..." principle, the excesses of "high-fliers" and financial crash of the 1980s have remarkable similarities in almost everything but scale to those of the 1890s, which brought about the demise of "Marvellous Melbourne". -
Paolo Giorza and Music at Sydney's 1879 International Exhibition
‘Pleasure of a High Order:’ Paolo Giorza and Music at Sydney’s 1879 International Exhibition Roslyn Maguire As Sydney’s mighty Exhibition building took shape, looking to the harbour from an elevated site above the Botanic Gardens, anxiety and excitement mounted. This was to be the first International Exhibition held outside Europe or America and musical entertainment was to be its greatest attraction.1 An average of three thousand people would attend each week day and as recent studies have shown, Sydney’s International Exhibition helped initiate reforms to education, town planning, technologies, photography, manufacturing and patronage of the arts, music and literature.2 Although under construction since January 1879, it was mid May before the Exhibition’s influential Executive Commissioner Patrick Jennings3 announced the appointment of his friend, Milanese composer Paolo Giorza4 as musical director: [H]is credentials are of such a nature both as a conductor, composer and artist, that I could not justly pass them over. I think that he should also be authorised to compose a march and cantata for the opening ceremony … Signor Giorza offers to give his exclusive services as composer and director and performer on the organ and to organise a competent orchestra of local artists for promenade concerts, and to conduct the same.5 The extent of Jennings’s personal interest in Exhibition music is evident in this report publicising Giorza’s appointment. It amounts to one of the colony’s most interesting cultural documents for the ideas, attitudes and objectives it reveals, including consideration of whether an ‘Australian School of Music, as distinguished from any of the well-defined schools’ existed. -
Exhibition Road Cultural Group (2123).Pdf
To: Sadiq Khan, Mayor of London New London Plan GLA City Hall London Plan Team Post Point 18 London SE1 2AA We welcome the opportunity to comment on the New London Plan and would be grateful if you could confirm receipt of this reponse. About us: The World’s First Planned Cultural Quarter Shared history and mission The Exhibition Road Cultural Group is a partnership of 18 leading cultural and educational organisations in and around Exhibition Road, South Kensington. Together these organisations comprise the world’s first planned cultural quarter, half of which falls within the Knightsbridge Neighbourhood Area. Created from the legacy of the Great Exhibition of 1851, and affectionately known as “Albertopolis”, this cultural quarter was established by the Royal Commission for the Great Exhibition of 1851 for the purpose of “increasing the means of industrial education and extending the influence of science and art upon productive industry”. Across its estate of 87 acres in South Kensington, the Royal Commission established three of the world’s most popular museums: The Natural History Museum, Victoria and Albert Museum, Science Museum and three colleges dedicated to arts, science and design: Imperial College London, the Royal College of Music and Royal College of Art and the most famous concert venue in the world, the Grade l listed Royal Albert Hall which was created originally as the Central Hall of Arts and Sciences. Over past century and a half, these institutions have been joined by other organisations that share the mission of promoting innovation and learning through the arts and science, including the Goethe Institut, Royal Geographical Society, Institute Français and the Ismaili Centre. -
Ifield Road, SW10 £1,725,000 Leasehold
Ifield Road, SW10 £1,725,000 Leasehold Ifield Road, SW10 A delightful four-bedroom, period maisonette boasting neutral decor with bright and spacious rooms throughout. Further comprising kitchen, double- reception, guest wc, two en-suites and family bathroom. Ifield Road is superbly positioned on a charming residential road and ideally situated moments from trendy Fulham Road with a wide selection of restaurants, cafes and multi screened cinema, while King's Road is nearby for more extensive shopping. Transport is provided by nearby Earl’s Court, West Brompton and Fulham Broadway stations. Benefitting from close proximity to a host of top performing schools, including Bousfield primary, The London Oratory and Servite RC. Offered with no onward chain. Lease: 125 years Current Service/Maintenance Charge: To be advised - £ per annum Ground Rent: To be advised - £ per annum EPC Rating: E Current: 40 Potential: 48 £1,725,000 Leasehold 020 8348 5515 [email protected] An overview of Kensington & Chelsea The Royal Borough of Kensington and Chelsea is a West London borough of Royal Borough status. It is an urban area, one of the most densely populated in the United Kingdom. The borough is immediately to the west of the City of Westminster and to the east of Hammersmith & Fulham. It contains major museums and universities in "Albertopolis", department stores such as Harrods, Peter Jones and Harvey Nichols and embassies in Belgravia, Knightsbridge and Kensington Gardens, and it is home to the Notting Hill Carnival, Europe's largest. It contains many of the most expensive residential districts in London and even in the world. -
In South Kensington, C. 1850-1900
JEWELS OF THE NATURAL HISTORY MUSEUM: GENDERED AESTHETICS IN SOUTH KENSINGTON, C. 1850-1900 PANDORA KATHLEEN CRUISE SYPEREK PH.D. HISTORY OF ART UCL 2 I, PANDORA KATHLEEN CRUISE SYPEREK confirm that the work presented in this thesis is my own. Where information has been derived from other sources, I confirm that this has been indicated in the thesis. ______________________________________________ 3 ABSTRACT Several collections of brilliant objects were put on display following the opening of the British Museum (Natural History) in South Kensington in 1881. These objects resemble jewels both in their exquisite lustre and in their hybrid status between nature and culture, science and art. This thesis asks how these jewel-like hybrids – including shiny preserved beetles, iridescent taxidermised hummingbirds, translucent glass jellyfish as well as crystals and minerals themselves – functioned outside of normative gender expectations of Victorian museums and scientific culture. Such displays’ dazzling spectacles refract the linear expectations of earlier natural history taxonomies and confound the narrative of evolutionary habitat dioramas. As such, they challenge the hierarchies underlying both orders and their implications for gender, race and class. Objects on display are compared with relevant cultural phenomena including museum architecture, natural history illustration, literature, commercial display, decorative art and dress, and evaluated in light of issues such as transgressive animal sexualities, the performativity of objects, technologies of visualisation and contemporary aesthetic and evolutionary theory. Feminist theory in the history of science and new materialist philosophy by Donna Haraway, Elizabeth Grosz, Karen Barad and Rosi Braidotti inform analysis into how objects on display complicate nature/culture binaries in the museum of natural history. -
In the Public Interest
In the Public Interest 150 years of the Victorian Auditor-General’s Office Peter Yule Copyright Victorian Auditor-General’s Office First published 2002 This book is copyright. Apart from any use permitted under the Copyright Act, no part may be reproduced, stored in a retrieval system or transmitted by any means or process whatsoever without prior written permission. ISBN 0 7311 5984 5 Front endpaper: Audit Office staff, 1907. Back endpaper: Audit Office staff, 2001. iii Foreword he year 2001 assumed much significance for the Victorian Auditor-General’s Office as Tit marked the 150th anniversary of the appointment in July 1851 of the first Victorian Auditor-General, Charles Hotson Ebden. In commemoration of this major occasion, we decided to commission a history of the 150 years of the Office and appointed Dr Peter Yule, to carry out this task. The product of the work of Peter Yule is a highly informative account of the Office over the 150 year period. Peter has skilfully analysed the personalities and key events that have characterised the functioning of the Office and indeed much of the Victorian public sector over the years. His book will be fascinating reading to anyone interested in the development of public accountability in this State and of the forces of change that have progressively impacted on the powers and responsibilities of Auditors-General. Peter Yule was ably assisted by Geoff Burrows (Associate Professor in Accounting, University of Melbourne) who, together with Graham Hamilton (former Deputy Auditor- General), provided quality external advice during the course of the project. -
The Great Exhibition Auction 1851 to Present Day Saturday 11 February 2012 10:00
The Great Exhibition Auction 1851 to Present Day Saturday 11 February 2012 10:00 Adam Partridge Auctioneers & Valuers The Cheshire Saleroom Withyfold Drive Macclesfield SK10 2BD Adam Partridge Auctioneers & Valuers (The Great Exhibition Auction 1851 to Present Day) Catalogue - Downloaded from UKAuctioneers.com Lot: 1 borders and central transfer decorated scene, inscribed 1851 The Great Exhibition; A 19th century Pratt type flask, the "Gratitude", two of "The Deliverer", "Massacre of the front decorated with a colour transfer scene of figures outside Innocents", "Boy with Broken Drum" and "Boy with Crystal Palace, the reverse with a sepia transfer of floral sprays Punchinello", diameter 20cm. within a mottled main body, height 17cm. Estimate: £30.00 - £50.00 Estimate: £40.00 - £60.00 Lot: 8 Lot: 2 1851 The Great Exhibition; Two Pratt type Staffordshire pot 1851 The Great Exhibition; A collection of seven mid 19th lids, both inscribed for "The Exhibition of Art and Industry of All century Staffordshire plates, each with relief moulded border Nations", one depicting an interior view of the Grand and central transfer decorated scene relating to The Great International Building and the second depicting the exterior, Exhibition, two by J Moses, a small coloured plate by Meakin both decorated in colour, diameter 13.75cm. etc, various sizes (7). Estimate: £40.00 - £60.00 Estimate: £30.00 - £50.00 Lot: 8A Lot: 3 1851 The Great Exhibition; A Pratt type pot lid decorated with a 1851 The Great Exhibition; A mid 19th century Pratt type plate coloured view of Crystal Palace with figures in the foreground, with floral moulded border and central puce transfer depicting in ebonised frame, with another similar inscribed "The Grand boy with Punchinello (purchased at Bonhams as part of the Sir International Building of 1851, for The Exhibition of Art & Lincoln Hallinan of Cardiff Collection), also a similar blue and Industry of All Nations", in ebonised frame, diameter 12cm and white decorated Carr & Co circular plate, a brown and white 13.5cm.