an art teacher in China: The 18th Biennale of Sydney at Cockato... http://anartteacherinchina.blogspot.ca/2012/07/18th-biennale-of...
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Musings about China, Chinese art and art education by an Australian art teacher
A continuing diary about my travels in China, and thoughts about China and Chinese art from home and abroad
Wednesday, July 11, 2012 Facebook Share
The 18th Biennale of Sydney at Cockatoo Island - mist, mystery and even some Share magic
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1 of 6 13-01-10 12:43 PM an art teacher in China: The 18th Biennale of Sydney at Cockato... http://anartteacherinchina.blogspot.ca/2012/07/18th-biennale-of...
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Liu Zhuoquan learning Chinese Gao Ping Shi Zhi Ying White Rabbit Chen Hangfeng Gao Rong Hu Qinwu Huang Yong Ping Carol Lee Mei-kuen Chu Haina Jin Sha Li Jin Liang Yuanwei Lin Tianmiao Ray Hughes Gallery Shi Qing Wu Meng Yang Zhenzong 'The Art Life' 18th Biennale of Sydney Chang Xugong Cui Guotai Dong Installation View 'Source', Ed Pien with Tanya Tagiq, Cockatoo Island, 18th Biennale of Sydney Yuan Hanison Hok Shing Lau Jaffa Lam I spent a cold winter's day wandering all over Cockatoo Island seeking out the works Jin Nu Lam Tung-pang Li Tingting Liu that I thought would be the most interesting / engaging / beautiful / exciting. Initially I Xiaodong Luo Brothers Monika Lin Pu was a little underwhelmed by Fujiko Nakaya's 'Fog' installation, first encountering it Jie Red Gate Gallery Shen Shaomin from the top of the hill and looking down into the crevice from which the clouds of Three Shadows Yao Lu Zhou Siwei song mist emerge. However, at the end of the day, as I dragged myself wearily towards the dong wang qingsong zxerokool wharf, I was engulfed in clouds of mist and fog, and the effect was quite magical. As expected, Li Hongbo's extraordinary folded paper installation, with brightly coloured AK47 machine guns, bullets and weaponry was a highlight. His gigantic 'paper man' was one of the most engaging works shown at the White Rabbit Gallery last year and the Biennale work didn't disappoint.
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Li Hongbo, Ocean of Flowers, 2012 (detail), paper, dimensions variable The Art Life - published articles
From Paper and Silk
New York Postcard - Lin Tianmiao
Yasser Arafat has Escaped Twice Today
Double Take at White Rabbit
Chart: works by Tony Scott and Anne Graham
The Price of War
2 of 6 13-01-10 12:43 PM an art teacher in China: The 18th Biennale of Sydney at Cockato... http://anartteacherinchina.blogspot.ca/2012/07/18th-biennale-of...
The Whole Thing: Hu QInwu and Angelina Pwerle
Centre of the Known World
Still Life - Girls: Presence and Absence in the Art of Gao Ping
Falling Down the Rabbit Hole
Drifting Clouds: Two Views of Chinese Art
Traditions, Tensions and Transformations: 4 artists in Hong Kong
Beyond the Frame: a review of White Rabbit's exhibition
Intergalactic Ninjas: contemporary art in Singapore
Child exploring 'Source' by Ed Pien withTanya Tagaq at Cockatoo Island, 18th Biennale of Sydney
Some of the most wonderful things, though, I discovered serendipitously, having had daily serving - published articles no idea what they would be like beyond the (rather poor in some instances) Holding Up Half the Sky: an interview catalogue photographs. The Ed Pien installation was one of those. The small child in with L:in Tianmiao the photograph above was walking through the maze, her eyes shining in the dim light. As our paths crossed she looked at me and said, "This is magic!" And it was. I What the Birds Knew also loved the works by Cal Lane (as well as the lace patterns made of sand on the Double Take at the White Rabbit ground, a shipping container cut into flowery domestic lacy patterns) and the giant polystyrene machinery parts by Peter Robinson. All Our Relations
The 18th Biennale of Sydney - Cockatoo Island
marking time at the MCA
He Xiangyu and the Cola Project
down the rabbit hole
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arts journal
artspace china
australia china art foundation
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Cal Lane, Sand Lace, installation view, Cockatoo Island expatriate games
leap the international art magazine of contemporary china
randian china
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the art life
white rabbit gallery
yishu journal of contemporary chinese art
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The 18th Biennale of Sydney at Cockatoo Island - mist, mystery and even some magic Installation View 'Source', Ed Pien with Tanya Tagiq, Cockatoo Island, 18th Biennale of Jin Nu, 'Exuviate 2: Where Have All the Children Gone?' installation view at Cockatoo Island Sydney I spent a cold winter's day wandering all... Of course in 49 works on the island - often quite widely dispersed and sometimes hard to locate - there are misses as well as hits. And, frankly, I felt the shows at the leviathanation excites Year 8 Art Gallery of New South Wales and the Museum of Contemporary Art were better, Huang Yong Ping, more consistently engaging and at times quite wondrous. Yet overall this Biennale Leviathanation, Tang has made me feel optimistic about contemporary art. It was not a Eurocentric Galleries, Beijing My Year Biennale in any way, and the most exciting works were, unsurprisingly, from Asia - 8 students today were particularly works by Thai, Vietnamese and Chinese artists. fascinated by Huang Yong Ping's gigantic insta... I have written 2 reviews of this Biennale for Dailyserving where I have talked about all my favourite works, including the fabulous embroidered installation by Gao Rong at the Art Gallery of New South Wales. I hope to visit her at her studio in Total Pageviews Songzhuang Artist Village in December. When she spoke about her practice at the White Rabbit Gallery I asked her how her fabric and embroidery works were viewed 20,519 whilst she was studying in the Sculpture Department at the Beijing Central
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Academy of Fine Arts (which may, I suspect, be rather heavy on the testosterone). About Me She very charmingly deflected the question, but I would love to know more! Luise Guest Sydney, NSW, Australia Luise Guest is a Sydney based art teacher, writer and blogger who has been writing about Chinese contemporary art since her trip to China early in 2011 on a NSW Premier’s research scholarship. Spending time in Beijing, Shanghai, Guangzhou and Hong Kong she met and interviewed more than 20 artists, curators, academics and art writers. She is now an obsessive Sinophile attempting to learn Mandarin and impatiently planning more trips to China, and following Chinese and, more broadly, Asian contemporary art everywhere. She will take up a Redgate Monika Grzymala and Euraba Artists and Papermakers at the 18th Biennale of Sydney Gallery writer's residency in October -November 2013 to continue her researches. View my complete profile
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