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CSI Wanted to Set a Story in a Pro Dungeon, They Knew Just Who to Call
special UPDATE Top: Gil Grissom (William Petersen) masks his interest from Lady Heather (Melinda Clarke). Left: Melinda on set with consultant pro dom Mistress Juliana. Bottom: Catherine Willows (Marg Images courtesy of Alliance Atlantis Communications Inc Helgenberger), Grissom and Jim Brass (Paul Guilfoyle) about to enter Lady Heather’s Dominion CRIME AND PUNISHMENT When top TV drama CSI wanted to set a story in a pro dungeon, they knew just who to call. LIZ TRAY handled the enquiry, and here she reports on how it all turned out emember that episode of the popular TV crime drama series the episode – called Slaves of Las Vegas – the CSI production CSI:Crime Scene Investigation about the pro dom who was team contacted us for advice on the typical demographic make-up Rmurdered while working ‘off the books’? Well, SKIN TWO of a fetish club. We did our best to help them out. Only after the had a part to play in the way the story panned out. episode aired here (in March) did we discover that they were using Much of the episode’s action took place on the premises of the term ‘fetish club’ to describe what the rest of us would call a a wonderfully equipped domination establishment called Lady professional dungeon. Whoops! Such a basic error was even more Heather’s Dominion – a gothic mansion, supposedly somewhere in surprising considering that the programme also employed a “real Las Vegas, whose facilities included a fabulous sunken ‘classroom’ dominatrix”, Mistress Juliana, as a consultant on the episode. presided over by a Lucy Liu-style oriental headmistress. -
Stemming the Tide: the Presentation of Women Scientists in CSI
http://genderandset.open.ac.uk Stemming the Tide: The Presentation of Women Scientists in CSI Shane Warren1, Mark Goodman1, Rebecca Horton1, Nate Bynum2 1Mississippi State University, 2University of Nevada Las Vegas, USA ABSTRACT This paper evaluates the role of Sara Sidle played by Jorja Fox in CSI: Crime Scene Investigation (CSI) for 15 years, and her female co-stars, allowing us to discuss specific rewards and punishments (Fiske, 1987) assigned over the course of many episodes. We reviewed three of the 15 years of CSI: Crime Scene Investigation to understand the media presentation of women scientists. We found that CSI did present stereotypical views of the female investigators and that the female characters playing these roles were often punished by the script. However, we also found that the show provided an opportunity for the story of women to be told by these female characters. Accordingly, our examination of the character of Sara Sidle and the other forensic scientists found that the portrayal was more complex than previously literature suggests. KEYWORDS STEM; CSI; female scientists; media representation This journal uses Open Journal Systems 2.4.8.1, which is open source journal management and publishing software developed, supported, and freely distributed by the Public Knowledge Project under the GNU General Public License. International Journal of Gender, Science and Technology, Vol.8, No.3 Stemming the Tide: The Presentation of Women Scientists in CSI This paper evaluates the role of Sara Sidle played by Jorja Fox in CSI: Crime Scene Investigation (CSI) for 15 years, and her female co-stars, allowing us to discuss specific rewards and punishments (Fiske, 1987) assigned over the course of many episodes. -
“Tell-Tale Hearts”
“Tell - Tale Hearts ” Episode #1202 Story by Larry Mitchell Teleplay by Joe Pokaski Dir.: Brad Tanenbaum C S I: Crime Scene Investigation “Tell-Tale Hearts” Episode #1202 Story by Larry Mitchell Teleplay by Joe Pokaski Dir.: Brad Tanenbaum The persons and events portrayed in this film are fictitious. Any Shooting Script similarity to actual persons, living or dead, or any events is unintentional. August 1, 2011 ! MMXI CBS Broadcasting Inc. and Entertainment AB Funding LLC All Rights Reserved. CBS BROADCASTING INC. AND ENTERTAINMENT AB FUNDING LLC ARE THE AUTHORS OF THIS PROGRAM FOR THE PURPOSES OF COPYRIGHT AND OTHER LAWS. No portion of this material may be copied or distributed without the prior consent of CBS Broadcasting Inc. and Entertainment AB Funding LLC. 8/1/2011 “Tell-Tale Hearts” Episode #1202 CAST D.B. RUSSELL CATHERINE WILLOWS NICK STOKES CAPT. JIM BRASS SARA SIDLE GREG SANDERS DR. ROBBINS MORGAN BRODY DAVID HODGES DAVID PHILLIPS CONRAD ECKLIE OFFICER MITCHELL HENRY ANDREWS OFFICER METCALF OFFICER ANDI CANTELVO ALISON MATT JOHN LEE REPORTER #1 REPORTER #2 LESLIE GITIG XIOMARA GARCIA * LONNY GALLOWS MAURICE GALLOWS Featured, Non-Speaking N.D. Uniforms & Detectives N.D. CSIs & N.D. Coroner’s Assistant Anita Chambliss Susan Chambliss Cal Chambliss Fiona Chambliss Reporters and Cameramen Forest Green Lookiloos Construction Workers * REVISED 8/1/2011 “Tell-Tale Hearts” Episode #1202 SETS INTERIORS EXTERIORS CSI Las Vegas Skyline (Stock) Hallway Layout Room Forest Green Sustainable Community Ballistics Empty Street Evidence Locker -
Tv Shows Trivia Questions #18
TV SHOWS TRIVIA QUESTIONS #18 ( www.TriviaChamp.com ) 1> In which century is the animated sci-fi sitcom "Futurama" set? a. 74th b. 22nd c. 100th d. 31st 2> The Netflix exclusive TV series "Orange is the New Black" is based on a memoir by whom? a. Piper Kermin b. Erica Peters c. Martha Mews d. Philippa Houston 3> On the TV show "Charmed", what is the surname of the three witch sisters (The Charmed Ones)? a. Rosa b. Halliwell c. Bayley d. Franklin 4> In the medical drama series "House", Dr. Gregory House uses Vicodin to control pain that emanates from which of his muscles? a. Tricep b. Bicep c. Hamstring d. Quadricep 5> What kind of demon is Anya Jenkins on the sci-fi TV series "Buffy the Vampire Slayer"? a. Blood Demon b. Prince Demon c. Vengeance Demon d. High Demon 6> Which of these characters appeared in the first 15 seasons of CSI? a. Gil Grissom b. Catherine Willows c. Nick Stokes d. Warwick Brown 7> What is the name of the theme song for the crime drama series "Boardwalk Empire"? a. Straight Round and Round b. Straight Left and Right c. Straight Here and There d. Straight Up and Down 8> What is the name of Mort's wife in the adult animated sitcom "Family Guy"? a. Meg b. Muriel c. Lois d. Thelma 9> What is the profession of "Frasier"? a. Surgeon b. Psychiatrist c. Podiatrist d. Dentist 10> What is the name of the fast food chain "cover" restaurant owned by Gus in "Breaking Bad"? a. -
TV Medical Dramas for Dummies by Dr Oh Jen Jen, Editorial Board Member
Personally Speaking 9 TV Medical Dramas for Dummies By Dr Oh Jen Jen, Editorial Board Member doctor’s life is often busy and two other bimbos. The producers and a college degree and becoming a crime stressful, with little free time writers may have tried to make the show scene investigator. Sara Sidle (Jorja Fox) A left for proper relaxation. So an equal-opportunity workplace crawling is pretty but tomboyish, with a degree whenever we get a few hours to ourselves, with beautiful, sexy and talented female in physics from Harvard University, and we make full use of them to do what we doctors, but with the exception of Lahti – a special interest in materials and love best – in my case, catching up with a fine actress in her own right – the other element analysis. The other piece of eye my favourite TV series. I’m an avid follower women failed to bring any intelligence, candy is Nick Stokes (George Eads), who of a large number of TV shows, but derive wit or glamour to their roles, despite combines brains with brawn, and shows the greatest enjoyment from watching spewing medical jargon, wearing short, remarkable insight when analysing crime medical dramas in particular. Surprisingly, tight skirts and way too much make-up. scenes, making you forget the fact that I’ve discovered that not many local In contrast, the writers of “ER” quickly he looks like a Chippendales dancer. doctors are aware of these high-calibre gained momentum, churning out one Bringing up the rear are Warrick Brown programmes. Perhaps I may pique your great episode after another. -
Formalizing TV Crime Series: Application and Evaluation of the Doxastic Preference Framework
Formalizing TV Crime Series: Application and Evaluation of the Doxastic Preference Framework Kevin M. van Andel 5686199 Bachelor thesis Credits: 9 EC Bachelor Opleiding Kunstmatige Intelligentie University of Amsterdam Faculty of Science Science Park 904 1098 XH Amsterdam Supervisor Prof. dr. Benedikt Löwe Institute for Logic, Language and Computation (ILLC) Faculty of Science University of Amsterdam Science Park 904 1098 XH Amsterdam June 25th, 2010 Abstract We aim at capturing the human notion of story understanding in a formal system. We apply a formal system, the Doxastic Preference Framework (DPF), to seven narratives from four episodes of CSI: Crime Scene In- vestigationTM. From an analysis of the formalizations we reach similar conclusions as in previous work. That is, all the formalizations of this commercial TV crime series consist of a small number of specific struc- tures called building blocks, and we identify a number of deficiencies and missing features in DPF. To illustrate the difficulty of proposing an experimental setup for human story understanding, we present a small experiment to verify whether two stories that are different in their formal structure, are also perceived as different by human subjects. Ideally, we want to know how well DPF captures the notion of human story under- standing. For this we refer to an existing proposal for an empirical eval- uation on the basis of comparison of two formal frameworks. Finally, we discuss future work on this subject. Keywords — formal frameworks, formalization, isomorphism, -
For More Than Eight Seasons, William Petersen's Tireless
THE By Jim Colucci DEADLYFOR MORE THAN EIGHT SEASONS, WILLIAM PETERSEN’S TIRELESS CSI FORENSICS INVESTIGATOR GIL GRISSOM HELPED BRING JUSTICE TO THE WEARY, SATISFACTION TO THE FANS—AND RATINGS TO CBS. TO MARK THE OCCASION, WE’VE TRACKED DOWN GRISSOM’S 12 MOST UNFORGETTABLE MOMENTS ON CSI. Opposite Page: Robert Voets; Clock wise from top left: Ron Tom, Ron P. Jaff e, Ron Jaff e, Robert Voets, Richard Cartwright, Robert Voets Robert Cartwright, Richard Voets, e, Robert Jaff e, Ron Jaff P. Ron Tom, left: Ron top Clock wise from Voets; Robert Page: Opposite FdCW0209_68-70_GrissomV2.indd DOZEN 68 12/15/08 3:11:37 PM PILOT AIR DATE: 10/6/00 WHO ARE YOU? AIR DATE: 11/10/00 We first meet Gil Grissom, the leader of the No. 2 forensics lab in the When a wronged wife and killer pulls a gun on Nick Stokes, Grissom draws country—or as Vegas cops derisively call them, the “Nerd Squad.” But his own weapon—which we later learn is a historic first for the lab man—and when Grissom “rescues” newbie Holly Gribbs from the morgue, yelling talks the homicidal gal away from his co-worker. at the corpses for scaring her, we see that this is one nerd with a sense of paternalistic playfulness under his ever-shedding epidermis. ELLIE AIR DATE:12/6/01 Lady HEATHEr’s BOX AIR DATE: 2/13/03 While having a fatherly chat with his “apprentice” Warrick, Grissom waxes In this super-sized and adult-themed episode, Grissom nearly kisses poetic about the nature of mankind—and his apparent emotional discon- dominatrix and suspect Lady Heather. -
Journal of Research on Women and Gender March 1, 2010
Journal of Research on Women and Gender March 1, 2010 Choice or Chance? Gender, Victimization, and Responsibility in CSI: Crime Scene Investigation Katherine Foss, Middle Tennessee State University In nine seasons of the television program CSI: Crime Scene Investigation, five out of the six original Crime Scene Investigators become crime victims themselves. Nick Stokes is kidnapped and buried alive. Catherine Willows is drugged, abducted, and left naked in a motel. A street gang assaults Greg Sanders after he interrupts their beating up a tourist. The “miniature killer” abducts Sara Sidle and pins her under a car in the desert. And finally, CSI Warrick Brown is murdered in a dark alley by a corrupt police officer. When CSIs become victims, the Las Vegas police force focuses all of its efforts on solving the crime, except in the abduction of Catherine, which goes unreported. In season eight, Catherine accepts a drink from an unknown patron at a local bar. A few scenes later, she wakes up naked and alone in a discount motel. Instead of calling the police, Catherine processes her body for physical evidence and calls Sara Sidle for assistance. Sara asks Catherine why she contaminated the evidence, making it “inadmissible” in court. Catherine replies, “I didn‟t want an official investigation. I just want to know what happened.” By knowingly covering up her crime, Catherine‟s actions suggest that she feels embarrassed and ashamed. The connection between Catherine‟s initial actions (accepting a drink from a stranger) to her desire to cover up the crime, particularly when the other CSIs themselves had reported their victimizations in other situations, suggests that she believes she should have protected herself from becoming victimized. -
Jason J. Jung (정재은)
Smart Synchronization on Social Collaboration Jason J. Jung (정재은) http://intelligent.pe.kr/ [email protected] ETRI@Korea Jan 15th, 2016 Background • Large scale organization (a number of users & a large amount of data) Collaboration tools in enterprise computing environment Agenda • Contextual Synchronization • Social contextualization • Social media communication • Examples • Conclusion Agenda • Contextual Synchronization • Social contextualization • Social media communication • Examples • Conclusion What is contextual synchronization? Synchronization • happening, existing, or arising at precisely the same time • recurring or operating at exactly the same periods • [Merriam-Webster] Synchronization Synchronization • (cont.) Data synchronization refers to the idea of keeping multiple copies of a dataset in coherence with one another, or to maintain data integrity. Process synchronization primitives are commonly used to implement data synchronization. http:// en.wikipedia.org/wiki/ Synchronization_(computer_science) Synchronization • A set of communication actions in proper order 1. Send(a, b) 2. Ack(b, a) 3. Send(b, c) 4. Ack(c, b), Ack(c, a) .... Contextual Synchronization • Contextual synchronization refers to the idea of keeping multiple USERS in coherence with one another, or to maintain data integrity by considering their contexts. Information Propagation Behavior Mimicry Tagoole • Understanding various features of information propagation • How quickly a certain information is propagated? Xuan Hau Pham, Jason J. Jung, Dosam Hwang, -
Media Effects and the Criminal Justice System: an Experimental Test of the CSI Effect Ryan Tapscott Iowa State University
Iowa State University Capstones, Theses and Graduate Theses and Dissertations Dissertations 2011 Media effects and the criminal justice system: An experimental test of the CSI effect Ryan Tapscott Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/etd Part of the Psychology Commons Recommended Citation Tapscott, Ryan, "Media effects and the criminal justice system: An experimental test of the CSI effect" (2011). Graduate Theses and Dissertations. 10254. https://lib.dr.iastate.edu/etd/10254 This Dissertation is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. Media effects and the criminal justice system: An experimental test of the CSI effect by Ryan Luke Tapscott A dissertation submitted to the graduate faculty In partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY Major: Psychology Program of Study Committee Douglas Gentile, Major Professor Kevin Blankenship Matthew DeLisi David Vogel Gary Wells Iowa State University Ames, Iowa 2011 Copyright © Ryan Luke Tapscott, 2011. All rights reserved. ii TABLE OF CONTENTS LIST OF TABLES iv LIST OF FIGURES vii ABSTRACT viii CHAPTER 1. INTRODUCTION 1 CHAPTER 2. CORRELATIONAL STUDY METHODS AND PROCEDURE 33 CHAPTER 3. CORRELATIONAL STUDY RESULTS 49 CHAPTER 4. CORRELATIONAL STUDY SUMMARY AND DISCUSSION 71 CHAPTER 5. EXPERIMENTAL STUDY METHODS AND PROCEDURE 74 CHAPTER 6. EXPERIMENTAL STUDY RESULTS 86 CHAPTER 7. -
The Team: Gil Grissom (William Petersen); Catherine Willows (Marg
The Team: Gil Grissom (William Petersen); Catherine Willows (Marg Helgenberger); Warrick Brown (Gary Dourdan); Nick Stokes (George Eads); Jim Brass (Paul Guilfoyle); Sara Sidle (Jorja Fox); Greg Sanders (Eric Szmanda); Al Robbins (Robert David Hall); Sofia Curtis (Louise Lombard); David Hodges (Wallace Langham); Riley Adams (Lauren Lee Smith); Raymond Langston (Laurence Fishburne); Wendy Simms (Liz Vassey); David Phillips (David Berman); D.B. Russell (Ted Danson); Morgan Brody (Elisabeth Harnois); Julie Finlay (Elisabeth Shue); Henry Andrews (Jon Wellner) The Episodes (2000 – 2015): Season 1 Episode 10 Episode 19 Episode 01 Sex, Lies and Larvae Gentle, Gentle Pilot 22 December 2000 12 April 2001 6 October 2000 Episode 11 Episode 20 Episode 02 I-15 Murders Sounds of Silence Cool Change 12 January 2001 19 April 2001 13 October 2000 Episode 12 Episode 21 Episode 03 Fahrenheit 932 Justice is Served Crate 'n Burial 1 February 2001 26 April 2001 20 October 2000 Episode 13 Episode 22 Episode 04 Boom Evaluation Day Pledging Mr. Johnson 8 February 2001 10 May 2001 27 October 2000 Episode 14 Episode 23 Episode 05 To Halve and to Hold Strip Strangler Friends & Lovers 15 February 2001 17 May 2001 3 November 2000 Episode 15 Season 2 Episode 06 Table Stakes Episode 01 Who Are You? 22 February 2001 Burked 10 November 2000 Episode 16 27 September 2001 Episode 07 Too Tough to Die Episode 02 Blood Drops 1 March 2001 Chaos Theory 17 November 2000 Episode 17 4 October 2001 Episode 08 Face Lift Episode 03 Anonymous 8 March 2001 Overload 24 November 2000 Episode 18 11 October 2001 Episode 09 $35K O.B.O. -
Seeing Is Believing: CSI, Serial Mortality, and the Discourse of True Vision
Concentric: Literary and Cultural Studies 38.1 March 2012: 125-144 Seeing is Believing: CSI, Serial Mortality, and the Discourse of True Vision Aviva Dove-Viebahn Program of Film Studies University of Northern Colorado, USA Abstract This essay considers the fascination and seduction of death as it is portrayed in the long-running American crime show CSI: Crime Scene Investigation (CBS, 2000-present), exploring the relatively recent trend in and popularity of crime procedurals in which death, dying, and violence are repetitively enacted. CSI’s narrative and visual form both suggest that the more investigators repeat, the closer they arrive to truth and justice. As with the episodic imperative of narrative television more generally, CSI’s repetitive drive offers eventual visual gratification for its viewers while situating them in a discourse of true vision—or, vision as truth—in which the show’s investigators also circulate. This essay ties these specific interrogations of CSI to an articulation of the concept of the televisual gaze, a scopic function that derives its meaning from the subject imagining herself as part of a field of other gazers and gazes. Keywords television, the gaze, crime, truth, repetition, visual pleasure, spectatorship 126 Concentric 38.1 March 2012 Introduction Rendering truths is part and parcel of television’s modus operandi, whether these “truths” are fictionalized self-contained narratives (i.e., episodic television) or so-called reality. We need not look only to the example of reality television to consider the ways in which contemporary television handles truth in representation. That these televisual representations are incomplete or deceptive is no small wonder, as part of television’s appeal is its ability to hold up a shiny, self-contained mirror on the world, offering a fantasy version of reality more appealing, more exciting, more adventurous, more entertaining, more humorous, more erotic, or simply more compelling than the ostensibly humdrum lived reality of the day-to-day.