The Team: Gil Grissom (William Petersen); Catherine Willows (Marg
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Literariness.Org-Mareike-Jenner-Auth
Crime Files Series General Editor: Clive Bloom Since its invention in the nineteenth century, detective fiction has never been more pop- ular. In novels, short stories, films, radio, television and now in computer games, private detectives and psychopaths, prim poisoners and overworked cops, tommy gun gangsters and cocaine criminals are the very stuff of modern imagination, and their creators one mainstay of popular consciousness. Crime Files is a ground-breaking series offering scholars, students and discerning readers a comprehensive set of guides to the world of crime and detective fiction. Every aspect of crime writing, detective fiction, gangster movie, true-crime exposé, police procedural and post-colonial investigation is explored through clear and informative texts offering comprehensive coverage and theoretical sophistication. Titles include: Maurizio Ascari A COUNTER-HISTORY OF CRIME FICTION Supernatural, Gothic, Sensational Pamela Bedore DIME NOVELS AND THE ROOTS OF AMERICAN DETECTIVE FICTION Hans Bertens and Theo D’haen CONTEMPORARY AMERICAN CRIME FICTION Anita Biressi CRIME, FEAR AND THE LAW IN TRUE CRIME STORIES Clare Clarke LATE VICTORIAN CRIME FICTION IN THE SHADOWS OF SHERLOCK Paul Cobley THE AMERICAN THRILLER Generic Innovation and Social Change in the 1970s Michael Cook NARRATIVES OF ENCLOSURE IN DETECTIVE FICTION The Locked Room Mystery Michael Cook DETECTIVE FICTION AND THE GHOST STORY The Haunted Text Barry Forshaw DEATH IN A COLD CLIMATE A Guide to Scandinavian Crime Fiction Barry Forshaw BRITISH CRIME FILM Subverting -
Ncis Judgment Day Part Ii
Ncis Judgment Day Part Ii Middle-distance and introrse Reggie slight so intuitively that Rawley disgusts his worksheets. Rapturous Mikel Markoreassemble shoogles, omnivorously, but Judson he unitedly interspersed machine his hergeography placations. very contemporaneously. Glycolic and coarsened Jenny discovers it was murder, and during her investigation the team will have to deal with the loss of one of their own. Do you like this video? After her death, Ducky eventually reveals the news of her illness to Gibbs. The NCIS team looks into the rape and murder of a navy lieutenant, and Ducky feels the killer is connected to an unsolved murder. And many, many yummy pictures. Abby both tony head case is reassured that he is very good one another ncis judgment day part ii drama tv serial killer, psychologist nate getz revealed. Bolling, while the Navy Yard is home to the museum and several military commands within the Department of the Navy. This will fetch the resource in a low impact way from the experiment server. One day ever don lives are ncis team look. Insectoid ship carrying a cache of unhatched eggs, and the crew considers mutiny when Archer takes an increasingly obsessive interest in preserving the embryos. While investigating the murder of a coast guard officer aboard an abandoned cargo vessel, the NCIS team find a Lebanese family seeking refuge in the US. Blair a proposition that may turn his life upside down and sever his ties with Jim. Anyway, there were occasional episodes where Kate was decent. You want the car. However, Shepard refuses his plea for asylum out of pure spite and devotion to her late father. -
CSI Wanted to Set a Story in a Pro Dungeon, They Knew Just Who to Call
special UPDATE Top: Gil Grissom (William Petersen) masks his interest from Lady Heather (Melinda Clarke). Left: Melinda on set with consultant pro dom Mistress Juliana. Bottom: Catherine Willows (Marg Images courtesy of Alliance Atlantis Communications Inc Helgenberger), Grissom and Jim Brass (Paul Guilfoyle) about to enter Lady Heather’s Dominion CRIME AND PUNISHMENT When top TV drama CSI wanted to set a story in a pro dungeon, they knew just who to call. LIZ TRAY handled the enquiry, and here she reports on how it all turned out emember that episode of the popular TV crime drama series the episode – called Slaves of Las Vegas – the CSI production CSI:Crime Scene Investigation about the pro dom who was team contacted us for advice on the typical demographic make-up Rmurdered while working ‘off the books’? Well, SKIN TWO of a fetish club. We did our best to help them out. Only after the had a part to play in the way the story panned out. episode aired here (in March) did we discover that they were using Much of the episode’s action took place on the premises of the term ‘fetish club’ to describe what the rest of us would call a a wonderfully equipped domination establishment called Lady professional dungeon. Whoops! Such a basic error was even more Heather’s Dominion – a gothic mansion, supposedly somewhere in surprising considering that the programme also employed a “real Las Vegas, whose facilities included a fabulous sunken ‘classroom’ dominatrix”, Mistress Juliana, as a consultant on the episode. presided over by a Lucy Liu-style oriental headmistress. -
Stemming the Tide: the Presentation of Women Scientists in CSI
http://genderandset.open.ac.uk Stemming the Tide: The Presentation of Women Scientists in CSI Shane Warren1, Mark Goodman1, Rebecca Horton1, Nate Bynum2 1Mississippi State University, 2University of Nevada Las Vegas, USA ABSTRACT This paper evaluates the role of Sara Sidle played by Jorja Fox in CSI: Crime Scene Investigation (CSI) for 15 years, and her female co-stars, allowing us to discuss specific rewards and punishments (Fiske, 1987) assigned over the course of many episodes. We reviewed three of the 15 years of CSI: Crime Scene Investigation to understand the media presentation of women scientists. We found that CSI did present stereotypical views of the female investigators and that the female characters playing these roles were often punished by the script. However, we also found that the show provided an opportunity for the story of women to be told by these female characters. Accordingly, our examination of the character of Sara Sidle and the other forensic scientists found that the portrayal was more complex than previously literature suggests. KEYWORDS STEM; CSI; female scientists; media representation This journal uses Open Journal Systems 2.4.8.1, which is open source journal management and publishing software developed, supported, and freely distributed by the Public Knowledge Project under the GNU General Public License. International Journal of Gender, Science and Technology, Vol.8, No.3 Stemming the Tide: The Presentation of Women Scientists in CSI This paper evaluates the role of Sara Sidle played by Jorja Fox in CSI: Crime Scene Investigation (CSI) for 15 years, and her female co-stars, allowing us to discuss specific rewards and punishments (Fiske, 1987) assigned over the course of many episodes. -
“Tell-Tale Hearts”
“Tell - Tale Hearts ” Episode #1202 Story by Larry Mitchell Teleplay by Joe Pokaski Dir.: Brad Tanenbaum C S I: Crime Scene Investigation “Tell-Tale Hearts” Episode #1202 Story by Larry Mitchell Teleplay by Joe Pokaski Dir.: Brad Tanenbaum The persons and events portrayed in this film are fictitious. Any Shooting Script similarity to actual persons, living or dead, or any events is unintentional. August 1, 2011 ! MMXI CBS Broadcasting Inc. and Entertainment AB Funding LLC All Rights Reserved. CBS BROADCASTING INC. AND ENTERTAINMENT AB FUNDING LLC ARE THE AUTHORS OF THIS PROGRAM FOR THE PURPOSES OF COPYRIGHT AND OTHER LAWS. No portion of this material may be copied or distributed without the prior consent of CBS Broadcasting Inc. and Entertainment AB Funding LLC. 8/1/2011 “Tell-Tale Hearts” Episode #1202 CAST D.B. RUSSELL CATHERINE WILLOWS NICK STOKES CAPT. JIM BRASS SARA SIDLE GREG SANDERS DR. ROBBINS MORGAN BRODY DAVID HODGES DAVID PHILLIPS CONRAD ECKLIE OFFICER MITCHELL HENRY ANDREWS OFFICER METCALF OFFICER ANDI CANTELVO ALISON MATT JOHN LEE REPORTER #1 REPORTER #2 LESLIE GITIG XIOMARA GARCIA * LONNY GALLOWS MAURICE GALLOWS Featured, Non-Speaking N.D. Uniforms & Detectives N.D. CSIs & N.D. Coroner’s Assistant Anita Chambliss Susan Chambliss Cal Chambliss Fiona Chambliss Reporters and Cameramen Forest Green Lookiloos Construction Workers * REVISED 8/1/2011 “Tell-Tale Hearts” Episode #1202 SETS INTERIORS EXTERIORS CSI Las Vegas Skyline (Stock) Hallway Layout Room Forest Green Sustainable Community Ballistics Empty Street Evidence Locker -
Stereotyping and Counterstereotyping on Five Seasons of CSI: Miami
FIU Law Review Volume 3 Number 2 Article 9 Spring 2008 Latino Masculinities Under the Microscope: Stereotyping and Counterstereotyping on Five Seasons of CSI: Miami Diane J. Klein University of La Verne College of Law, Ontario Follow this and additional works at: https://ecollections.law.fiu.edu/lawreview Part of the Other Law Commons Online ISSN: 2643-7759 Recommended Citation Diane J. Klein, Latino Masculinities Under the Microscope: Stereotyping and Counterstereotyping on Five Seasons of CSI: Miami, 3 FIU L. Rev. 395 (2008). DOI: https://dx.doi.org/10.25148/lawrev.3.2.9 This Symposium is brought to you for free and open access by eCollections. It has been accepted for inclusion in FIU Law Review by an authorized editor of eCollections. For more information, please contact [email protected]. Latino Masculinities Under the Microscope: Stereotyping and Counterstereotyping on Five Seasons of CSI: Miami ∗ Diane J. Klein I. INTRODUCTION:LATCRIT AND/AS CULTCRIT Between its premiere in the fall of 2002 and the summer of 2007, more than 125 hour-long episodes of CSI: Miami aired on CBS in the United States, and on many other stations worldwide. It is now entering its seventh season, and has been, at times, the most-watched television program on the planet.1 This top-rated show brings images of Miami, Florida, and its inha- bitants—men and women of all races, ethnicities, national origins, immigra- tion statuses, and linguistic competencies—to many North Americans who live in communities almost devoid of Latina/o inhabitants, to the great Lati- na/o population centers in the U.S., and to millions of non-U.S. -
Tracing Bloodlines: Kinship and Reproduction Under Investigation in CSI: Crime Scene Investigation
This is a pre-copy edited version of an article accepted for publication in Journal of Popular Television (Volume 2, Issue 2, October 2014) following peer-review. The definitive publisher authenticated version is available from: http://www.intellectbooks.co.uk/journals/view-Article,id=18491/ Tracing Bloodlines: Kinship and Reproduction Under Investigation in CSI: Crime Scene Investigation SOFIA BULL ABSTRACT This article examines discourses on kinship and reproduction in the forensic crime drama CSI: Crime Scene Investigation (2000–). I argue that the programme stages a visual materialization of genetic kinship in order to assert its importance as a crucial type of forensic evidence, which evokes the traditional Darwinian framework of genealogy for understanding biological kinship as a substantial and enduring trace between generations. However, I show that CSI also participates in contemporary bioethical debates about new genetic and biomedical technologies that increasingly allow us to interfere in the human reproduction process. I conclude that while the programme engages with an emergent post-genomic respatialization of genealogy and acknowledges that the concept of kinship is increasingly being redefined, CSI is still heavily invested in a normative understanding of sexual reproduction as a ‘natural fact of life’ and inadvertently constructs the nuclear family structure as an ideal framework for procreation. KEYWORDS TV; kinship; family; reproduction; genetics; forensic science It is well known that the ties between the television medium and the concept of the family are close and enduring. On the one hand, the family has long been understood as a crucial cultural context for television reception. As Lynn Spigel’s research has shown, the medium quickly became associated with family life and domestic ideals after the Second World War. -
TV Medical Dramas for Dummies by Dr Oh Jen Jen, Editorial Board Member
Personally Speaking 9 TV Medical Dramas for Dummies By Dr Oh Jen Jen, Editorial Board Member doctor’s life is often busy and two other bimbos. The producers and a college degree and becoming a crime stressful, with little free time writers may have tried to make the show scene investigator. Sara Sidle (Jorja Fox) A left for proper relaxation. So an equal-opportunity workplace crawling is pretty but tomboyish, with a degree whenever we get a few hours to ourselves, with beautiful, sexy and talented female in physics from Harvard University, and we make full use of them to do what we doctors, but with the exception of Lahti – a special interest in materials and love best – in my case, catching up with a fine actress in her own right – the other element analysis. The other piece of eye my favourite TV series. I’m an avid follower women failed to bring any intelligence, candy is Nick Stokes (George Eads), who of a large number of TV shows, but derive wit or glamour to their roles, despite combines brains with brawn, and shows the greatest enjoyment from watching spewing medical jargon, wearing short, remarkable insight when analysing crime medical dramas in particular. Surprisingly, tight skirts and way too much make-up. scenes, making you forget the fact that I’ve discovered that not many local In contrast, the writers of “ER” quickly he looks like a Chippendales dancer. doctors are aware of these high-calibre gained momentum, churning out one Bringing up the rear are Warrick Brown programmes. Perhaps I may pique your great episode after another. -
CSI and Forensic Realism
CSI and Forensic Realism By Sarah Keturah Deutsch University of Wisconsin Law School Gray Cavender Arizona State University School of Justice & Social Inquiry CSI has consistently been among the top rated television programs since its debut in 2000. What is the secret to its popularity? Our analysis reveals that CSI combines the traditions of television's crime genre, especially the police procedural, with a creative sense of forensic realism. CSI constructs the illusion of science through its strategic web of forensic facticity. Ironically, although CSI depicts unrealistic crimes in a melodramatic fashion, this crime drama does so in a manner that suggests that its science is valid, that the audience understands science and can use it to solve crimes. Keywords: forensic facticity; TV crime genre; police procedural INTRODUCTION CSI: Crime Scene Investigation (CSI) has enjoyed an enviable status in television. Having completed its eighth season, a longevity that is rare in prime time television, this crime drama consistently has been the top rated program in its time slot both in its first run and rerun incarnations (see Nielsen Ratings, June 20-26, 2005; Toff, 7 April 2007: A16). Not only has CSI generated two successful spin-off series (CSI: Miami and CSI: NY), it has pushed forensic science terms and concepts into the popular discourse. Accompanying this diffusion has been the sense that science and the police are virtually infallible. Crime genre programs have been a staple since television's inception. The success of programs from Dragnet to NYPD Blue has evidenced the audience's fascination with crime dramas. In one sense, CSI has been another program in a long line of television crime dramas, and it has exhibited features common to the genre, for example, plots that were driven by violent crimes and the search for the criminal. -
New on Video &
New On Video & DVD The Little Rascals: The Complete Collection The hunt for those seemingly countless Little Rascals releases is over. For the first time ever, all 80 of Hal Roach's original 1929-1938 classic shorts featuring Buckwheat, Spanky, Alphalpha, and the rest of Our Gang--from the era before Roach sold the rights to MGM--are available here in one package. Included among this complete collection of uncut, remastered, and restored episodes are numerous contributions of various types from noted film historians, an addi- tional 10 silent shorts from Hal Roach's personal library, several documentaries including a look at racism as it pertains to the show, a special "where are they now" update featuring some of the surviving cast members, and much more. Disc1 includes the following episodes: "Small Talk," "Railroadin'," "Lazy Days," "Boxing Gloves," "Bouncing Babies," "Moan and Groan, Inc.," "Shivering Shakespeare," "The First Seven Years," "When the Wind Blows" and "Bear Shooters." Disc 2 includes the following episodes: "A Tough Winter," "Pups is Pups," "Teacher's Pet," "School's Out," "Helping Grandma," "Love Business," "Little Daddy," "Bargain Days," "Fly My Kite" and "Big Ears." Disc 3 includes the following episodes: "Shiver My Timbers," "Dog is Dogs," "Readin' and Writin'," "Free Eats," "Choo Choo," "Spanky," "The Pooch," "Hook and Ladder," "Free Wheeling" and "Birthday Blues." Disc 4 includes the following episodes: "Lad an' a Lamp," "Fish Hooky," "Forgotten Babies," "The Kid from Borneo," "Mush and Milk," "Bedtime Worries," -
For More Than Eight Seasons, William Petersen's Tireless
THE By Jim Colucci DEADLYFOR MORE THAN EIGHT SEASONS, WILLIAM PETERSEN’S TIRELESS CSI FORENSICS INVESTIGATOR GIL GRISSOM HELPED BRING JUSTICE TO THE WEARY, SATISFACTION TO THE FANS—AND RATINGS TO CBS. TO MARK THE OCCASION, WE’VE TRACKED DOWN GRISSOM’S 12 MOST UNFORGETTABLE MOMENTS ON CSI. Opposite Page: Robert Voets; Clock wise from top left: Ron Tom, Ron P. Jaff e, Ron Jaff e, Robert Voets, Richard Cartwright, Robert Voets Robert Cartwright, Richard Voets, e, Robert Jaff e, Ron Jaff P. Ron Tom, left: Ron top Clock wise from Voets; Robert Page: Opposite FdCW0209_68-70_GrissomV2.indd DOZEN 68 12/15/08 3:11:37 PM PILOT AIR DATE: 10/6/00 WHO ARE YOU? AIR DATE: 11/10/00 We first meet Gil Grissom, the leader of the No. 2 forensics lab in the When a wronged wife and killer pulls a gun on Nick Stokes, Grissom draws country—or as Vegas cops derisively call them, the “Nerd Squad.” But his own weapon—which we later learn is a historic first for the lab man—and when Grissom “rescues” newbie Holly Gribbs from the morgue, yelling talks the homicidal gal away from his co-worker. at the corpses for scaring her, we see that this is one nerd with a sense of paternalistic playfulness under his ever-shedding epidermis. ELLIE AIR DATE:12/6/01 Lady HEATHEr’s BOX AIR DATE: 2/13/03 While having a fatherly chat with his “apprentice” Warrick, Grissom waxes In this super-sized and adult-themed episode, Grissom nearly kisses poetic about the nature of mankind—and his apparent emotional discon- dominatrix and suspect Lady Heather. -
Identity Construction in the Furry Fandom
ANGLIA RUSKIN UNIVERSITY IDENTITY CONSTRUCTION IN THE FURRY FANDOM JESSICA RUTH AUSTIN A dissertation in fulfilment of the requirements of Anglia Ruskin University for the degree of Doctor of Philosophy Submitted: September 2018 Acknowledgments I would like to begin this acknowledgment by thanking my primary supervisor Prof. Patricia MacCormack for her constant help over the course of this PhD. She encouraged me with my studies and supported me emotionally along the process as well. I would like to thank Prof. Farah Mendlesohn for being my secondary supervisor for the first year of my study and Dr. Marieke Jenner for supervising me in the final stages of my PhD. Thank you both for helping me get this thesis finished! I would like to thank the Norwich French Church for providing me with an educational grant in my first year of study. I would also like to thank Anglia Ruskin University for providing me with two separate grants over the course of my studies. I would like to thank the Anglia Ruskin student body for electing me as their postgraduate research representative in 2015/16 and also for the 2017/2018 year. I would like to extend my gratitude to Julie Scott, Michael McMillian and all the other members of the Research Ethics Sub-Committee. Serving on the board this year has helped bolster the ethical framework in this thesis and also helped improve my academic CV. I would like to thank my friends, in no particular order, Paolo Albertella, Jackie Braithwaite, Liam Davison, Rebecca Herod, Chris Hayward, Abi Miller, Leo Rogers, Holly Chatburn, Natasha Banks, Dr.