Passive Ability: Rocket Resilience Hurrying to the Slipgate Located in the Center of the Facility He Materialized in the Domain of His Newly Found Nemesis

Total Page:16

File Type:pdf, Size:1020Kb

Passive Ability: Rocket Resilience Hurrying to the Slipgate Located in the Center of the Facility He Materialized in the Domain of His Newly Found Nemesis V 2.7 Manual 1 TABLE OF CONTENTS The Basics Caleb 19 GZDoom Shortcuts 40 What is this? 2 Menelkir 20 Server Settings 40-41 Main Features 2 Nyx 21 Other Champions Overview 2 Durandal 22 Elder’s Soul gamemode 41 Health and Armor 3 Lo Wang 23 FAQ 41 Starting Weapons 3 Eleena 24 Known Bugs 42 Weapons in Singleplayer / Lucienne 25 Contact Us 42 Coop 3-5 Hunter 26 Credits 42 Weapons in Deathmatch 6 Postal Dude 27 Champions: Medium Champions: Heavy Ranger 7 Terminator 28 Doom Slayer 8 Zedek 29 Corvus 9 Inquisitor 30 Painkiller 10 Sorgaul 31 Galen 11 Keel 32 Duke Nukem 12 Eradicator 33 Sarge 13 Vormatur 34 Grayson 14 Major 35 Blazkowicz 15 Serious Sam 36 Freeman 16 Bitterman 37 Intruder 17 Options Champions: Light QCDE Options 38 Kane 18 Advanced Settings 38-40 2 Q An awesome Discord community, were you team up, duel, meme and partake in events. 1. WHAT IS THIS? Light Medium Heavy QC: Doom Edition” is a mod that brings the weapons from the latest Quake game Q Damage numbers, speedometer, in-game champion info screens, and into Doom, with a delicious pixelated flavor. More than just the weapons, it also tons of customization with very sane defaults. Kane Ranger Terminator brings the “Champions” mechanic - many different player classes, each one with its unique status, speed, active and passive abilities. Q Lootboxes! For free! Caleb Doomslayer Zedek Q And more! Menelkir Corvus Inquisitor Nyx Bitterman Sorgaul 2. MAIN FEATURES 3. CHAMPIONS Durandal Galen Keel Q All weapons from Quake Champions, with faithful firing times for best transferable experience. OVERVIEW Lo Wang Duke Nukem Eradicator Q Weapon upgrades that give each weapon a whole new role. Eleena Sarge Vormatur Q 31 champions to play, each with unique abilities. There are three main types of champions: Light (AKA squishies): Smaller than average hitbox, low stack, generally fast. Lucienne Grayson Major Q Play Singleplayer, Coop, Survival Coop. Medium Standard Doom hitbox, medium stack, medium speed. Heavy (AKA tanks): Big hitbox, large stack, slower movement. Q Monster sets to mix and match: Doom, Doom 4, Quake, Quake 2, Hunter Blazkowicz Serious Sam Quake 4. All champions have health/armor caps (stack). The stacks are “lower” compared to Doom, and light champions seem rather fragile, since they have low caps for health Q Play Deathmatch, Duel, Capture the Flag, Domination, Elder’s Postal Dude Freeman and armor. However, this is balanced by their abilities. Light champions have ways Soul (and more!) of healing or escaping dangerous situations (as opposed to tanks which are more Intruder about dealing with danger face to face). Q Compatible with GZDoom from 1.9.1 to 4.x+ (for Singleplayer + fancy effects) The fact that stacks are relatively low overall, is compensated by the fact that Q Compatible with Zandronum 3.0 (for SP and all types of multiplayer) healing items give more health than in Doom, and armor is much more common. DISCLAIMERS Therefore, you might lose health quickly, but as long as you have an escape route, For Singleplayer, “Medium” champs are recommended. Light champs are very small Q Compatible with Delta Touch and (for Quakin’ on the go!) you can gain it back in a heartbeat. and can sometimes fit through places players aren’t supposed to fit. Heavy champs are considerably bigger and won’t fit in places you’d expect the default Doom marine Q Enhanced Deathmatch bots for both local and public use. to fit. You can play with any class, but keep in mind that you may break maps or get Q AeonQCDE: a dedicated version of AeonDM (33 maps, Cacoward) stuck. with custom spawn points for a better Quake-like experience. Despite the difference in stacks between light/medium /heavy champions, the Q QCDEmaps: a set of 43 QCDE-specific maps, including both original game automatically adjusts the damage dealt by monsters, so that the experience and demakes from QC, Q1, Q3, Q4, QL and Doom 4. between different champion sizes remains challenging without being unfair. Q Optional soundtrack by Michael Markie with original songs and If you’re playing with GZDoom 4.x (Zscript capable), the game will automatically covers of well-known favorites. make all champions the same size as a regular doom player to prevent breaking maps as mentioned above. Q More Official addons likeVoxels and HD Portraits all of which can be found here 3 4. HEALTH, ARMOR Powerups: 5. STARTING WEAPONS Mega Sphere: +100 hp and +100 ap, overstacks to a max of AND POWERUPS When you start a game, you’ll see a message about pressing a key to select your starting health/ap cap +75. weapon. You can bind a key to change starting weapon in game under QCDE OPTIONS > QCDE Health pickups exist in 4 varieties: Specific Bindings > Select Starting Weapon. The opportunity to select a starting weapon is only available in the following scenarios: Pentagram: Invulnerability. - Singleplayer: At the beginning of a new game. Once you select your starting weapon, you can’t Green: “Health Bonus”, +3 hp, overstacks. change it. - Multiplayer: Every time you join a game, or respawn after death. The starting weapons for Singleplayer / Coop are a Machinegun or Nailgun. Yellow: Medium health, +25 hp, doesn’t overstack. Quad Damage: All damage you do is 4 times as deadly. The starting weapons for Deathmatch or other DM-derived modes are either a Machinegun, Shotgun or Nailgun. Orange: Big health, +50 hp, doesn’t overstack. When you press the “Select Starting Weapon” key, you’ll get a popup with the available starting Protection: All damage you take is reduced by 50%. weapons, represented by cardinal directions. Press “forward” to select the weapon on top, “strafe left” or “strafe right” to select the weapon in the corresponding side. Mega Health: +100 hp, overstacks to a max of health cap +75. Elder Soul: Makes the player the terminator, details are on The starting weapons will be automatically upgraded by their page 39. upgraded versions when those weapons are picked up. Armor exists in 4 varieties: You can also directly select the starting weapons in QCDE OPTIONS > Starting weapon and this will be applied in all subsequent games. Hourglass: Decreases your ability cooldown by 10%. Shard (SP/Coop only): +2 armor, overstacks. MenelkirHourglass: Decreases your ability cooldown by 15%. Shard (DM only): +5 armor, overstacks. 6. WEAPONS IN Big Hourglass Decreases your ability cooldown by 33%. Shield: +50 armor, doesn’t overstack. SINGLEPLAYER /Coop In singleplayer and Coop you have access to an extensive arsenal. While playing some enemies will drop upgrades for your weapons, an active one and a passive. One for each firearm which has them available. Once picked up, the passive upgrades are automatically Heavy Armor: +100 armor, overstacks to a max of armor cap +75. Heart(Caleb only): Restores health activated whenever you use the weapons. The active upgrades can be toggled on/off with the “alt fire” key. The following pages contain an overview of all the ingame weapons. Morph Souls: Collecting 6 in PvP or 66 in PvE will transform painkiller into his powerful demon form. 4 6. WEAPONS IN SINGLEPLAYER / Coop Machinegun Nailgun Tribolt Rocket Launcher Lightning Gun Shotgun Starter weapon. Rapid fire, not too Starter weapon. Fires nails. Kinda Fires three bolts in quick succession. This is another classic. Fast rockets, Lightning, gun. It fires lightning. It’s Good reliable boomstick. Deals a damaging. Somewhat useful, but weak. They are affected by gravity, but nice explosion damage. What else also a gun! Medium or close range considerable amount of damage nothing you’d consider reliable. travel fast. And they explode too! Yes, would you want? only. It fires really fast though. with decent spread. Great for dealing it really fires three bolts and uses one with weak monsters or to attack at single point of ammo. Who would’ve medium range. thought this could be a good weapon in Singleplayer. Upgrades Upgrades Upgrades Upgrades Passive: Longer Barrel Passive: Stable Gunpowder Passive: Cluster Munitions Passive: Residual Charge Drastically reduces the spread of the prevents the bolt from exploding mid- When detonating the rocket shoots After firing the LG for about a second, shots, allowing full damage at much air, giving them a very long range of four additional rockets that slightly it leaves a bolt of residual electricity longer range. effectiveness. home toward the nearest target. on the spot. It will automatically damage nearby enemies. Be careful, it can hurt you too. Altfire: Explosive Shot Altfire: Bouncy Shell Altfire: Controlled Rocket Altfire: Static Field Pellets move slower, but when they Allows the bolts to bounce around Fires a user-controlled rocket. Each When hitting a surface or enemy, it hit a surface only, they will explode walls and surfaces. Long live the rocket deals massive damage. The will create a AoE damaging field. dealing massive damage. Hitting grenade launcher. user takes much less damage while monsters directly is only slightly controlling the rocket. Upgrades stronger than regular shot. Upgrades boost each other’s benefits. boost each other’s benefits. Slot 2 Slot 3 Slot 4 Slot 5 Slot 5 Slot 6 5 6. WEAPONS IN SINGLEPLAYER / Coop Heavy Machinegun Super Shotgun Super Nailgun Railgun BFG Gauntlet Upgraded version of the Machinegun. Twice the damage, twice the ammo Upgraded version of the Nailgun. Press “fire” and things Rare weapon, tons of potential Simple. Slice your enemies. Rapid Much stronger, and the alt fire scope cost, a bit slower than the regular No longer weak. No longer wimpy. instantaneously die where your damage. Each projectile deals a lot fire melee weapon with decent range.
Recommended publications
  • ABSTRACT LOHMEYER, EDWIN LLOYD. Unstable Aesthetics
    ABSTRACT LOHMEYER, EDWIN LLOYD. Unstable Aesthetics: The Game Engine and Art Modifications (Under the direction of Dr. Andrew Johnston). This dissertation examines episodes in the history of video game modding between 1995 and 2010, situated around the introduction of the game engine as a software framework for developing three-dimensional gamespaces. These modifications made to existing software and hardware were an aesthetic practice used by programmers and artists to explore the relationship between abstraction, the materiality of game systems, and our phenomenal engagement with digital media. The contemporary artists that I highlight—JODI, Cory Arcangel, Orhan Kipcak, Julian Oliver, and Tom Betts—gravitated toward modding because it allowed them to unveil the technical processes of the engine underneath layers of the game’s familiar interface, in turn, recalibrating conventional play into sensual experiences of difference, uncertainty, and the new. From an engagement with abstract forms, they employed modding techniques to articulate new modes of aesthetic participation through an affective encounter with altered game systems. Furthermore, they used abstraction, the very strangeness of the mod’s formal elements, to reveal our habitual interactions with video games by destabilizing conventional gamespaces through sensory modalities of apperception and proprioception. In considering the imbrication of technics and aesthetics in game engines, this work aims to resituate modding practices within a dynamic and more inclusive understanding
    [Show full text]
  • 'Villiam Faulkner: the Importance of Love
    Lawrence Edward Bowli.ng 'VILLIAM FAULKNER: THE IMPORTANCE OF LOVE S1l\CE WJLLIAM FAULK i\iER has been generally considered the greatest American novel­ ist of the twentieth century and since love has always been the most universal subject in literature, we may very appropriately ask: what contribution did Faulkner make to the most universal of literary subjects? If asked to name Faulkner's greatest love story, most readers would probably think first of The Wild Palm.1. As originally published, this book contains two sep­ arate stories. The story of Charlotte Rittenmeyer and Harry Wilbourne may be said to deal more with sex th:m with love, and the story of the tall co nvict ends with the hero's refusing to accept any responsibility for either love or sex. Do these bets imply that Faulkner chose to ignore or to flout the m uM uni· versa I of liter:1.ry subjects) Faulkner 's own explicit answer to this question is con­ tained in "The Stockholm Address'', delivered on the occasion of his accepting the Nobel Prize in liter:nure for 1950. The writer today, Faulkner stated, must leave ·'no room in his workshop for anything but the old verities and truths of the heart. the old universal truths lacking which :1ny srory is ephemeral and doomed-love and honor and pity and pride and compassion and sacrifice." Not only is love here listed first among the universal truths; it is repeated and amplified in three of the other five terms, ''pity" :lncl ·'compassion" <~nd "s:1crifice". which are merely different as.
    [Show full text]
  • Fanfiction and Imaginative Reading a Dissertation
    "I Opened a Book and in I Strode": Fanfiction and Imaginative Reading A dissertation presented to the faculty of the College of Arts and Sciences of Ohio University In partial fulfillment of the requirements for the degree Doctor of Philosophy Ashley J. Barner April 2016 © 2016 Ashley J. Barner. All Rights Reserved. 2 This dissertation titled "I Opened a Book and in I Strode": Fanfiction and Imaginative Reading by ASHLEY J. BARNER has been approved for the Department of English and the College of Arts and Sciences by Robert Miklitsch Professor of English Robert Frank Dean, College of Arts and Sciences 3 ABSTRACT BARNER, ASHLEY J., Ph.D., April 2016, English "I Opened a Book and in I Strode": Fanfiction and Imaginative Reading Director of Dissertation: Robert Miklitsch This dissertation studies imaginative reading and its relationship to fanfiction. Imaginative reading is a practice that involves engaging the imagination while reading, mentally constructing a picture of the characters and settings described in the text. Readers may imaginatively watch and listen to the narrated action, using imagination to recreate the characters’ sensations and emotions. To those who frequently read this way, imagining readers, the text can become, through the work of imagination, a play or film visualized or entered. The readers find themselves inside the world of the text, as if transported to foreign lands and foreign eras, as if they have been many different people, embodied in many different fictional characters. By engaging imaginatively and emotionally with the text, the readers can enter into the fictional world: the settings seem to them like locations they can visit, the many characters like roles they can inhabit or like real people with whom they can interact as imaginary friends and lovers.
    [Show full text]
  • The Tristan Legend: a Barometer of Love and Art in the Victorian Period
    Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1976 The rT istan Legend: a Barometer of Love and Art in the Victorian Period. James Alton Cowan Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Cowan, James Alton, "The rT istan Legend: a Barometer of Love and Art in the Victorian Period." (1976). LSU Historical Dissertations and Theses. 3009. https://digitalcommons.lsu.edu/gradschool_disstheses/3009 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS This material was produced from a microfilm copy of the original document. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the original submitted. The following explanation of techniques is provided to help you understand markings or patterns which may appear on this reproduction. 1. The sign or "target” for pages apparently lacking from the document photographed is "Missing Page(s)". If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting thru an image and duplicating adjacent pages to insure you complete continuity. 2. When an image on the film is obliterated with a large round black mark, it is an indication that the photographer suspected that the copy may have moved during exposure and thus cause a blurred image.
    [Show full text]
  • Me Against My Brother
    ME AGAINST MY BROTHER ME AGAINST MY BROTHER AT WAR IN SOMALIA, SUDAN, AND RWANDA A JOURNALIST REPORTS FROM THE BATTLEFIELDS OF AFRICA SCOTT PETERSON Routledge New York London Published in 2000 by Routledge 29 West 35th Street New York, NY 10001 Published in Great Britain by Routledge 11 New Fetter Lane London EC4P 4EE This edition published in the Taylor & Francis e-Library, 2002. Copyright © 2000 by Routledge All rights reserved. No part of this book may be reprinted or reproduced or utilized in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. Library of Congress Cataloging-in-Publication Data ISBN 0-203-90290-4 Master e-book ISBN ISBN 0-203-90294-7 (Glassbook Format) Portmann, John. When bad things happen to other people / John Portmann. p. cm. Includes bibliographical references. ISBN 0-415-92334-4 (alk. paper). — ISBN 0-415-92335-2 (pbk.: alk. paper) 1. Suffering—Moral and ethical aspects. 2. Pleasure—Moral and ethical aspects. 3. Sympathy—Moral and ethical aspects. I. Title BJ1409.P67 1999 248.4—dc21 99-26106 CIP For those Africans at war, that their courage and spirit may one day be put to better use building peace; and for Willard S. Crow, my friend, grandfather and traveling companion in China and the Arctic, whose adventures set the precedent CONTENTS ACKNOWLEDGMENTS ix INTRODUCTION xi MAPS xxiii PART I SOMALIA: Warlords Triumphant 1 LAWS OF WAR
    [Show full text]
  • The Vehicle, Fall 2004
    Eastern Illinois University The Keep The Vehicle Student Theses & Publications Fall 2004 The Vehicle, Fall 2004 Ryan Maney Megan Rankin Anthony Travis Shoot Clementine Jonathan M. Cook See next page for additional authors Follow this and additional works at: https://thekeep.eiu.edu/vehicle Recommended Citation Maney, Ryan; Rankin, Megan; Shoot, Anthony Travis; Clementine; Cook, Jonathan M.; Dwiggins, Katy; Johnson, Sarah; Apodaca, Kitty; Carlin, Annette; Lyons, Greg; Habel, Alisa; Doughty, C. Alan; and Anderson, Joshua D., "The Vehicle, Fall 2004" (2004). The Vehicle. 81. https://thekeep.eiu.edu/vehicle/81 This Book is brought to you for free and open access by the Student Theses & Publications at The Keep. It has been accepted for inclusion in The Vehicle by an authorized administrator of The Keep. For more information, please contact [email protected]. Authors Ryan Maney, Megan Rankin, Anthony Travis Shoot, Clementine, Jonathan M. Cook, Katy Dwiggins, Sarah Johnson, Kitty Apodaca, Annette Carlin, Greg Lyons, Alisa Habel, C. Alan Doughty, and Joshua D. Anderson This book is available at The Keep: https://thekeep.eiu.edu/vehicle/81 Archives LH 1 .V4x 2004 Fall Fall20 + ... The poet's voice need not merel~ be the record of man, it can be one of the props, the pillars to help him endure and prevail. The _young man or woman writing toda_y has forgotten the problems ot the human heart in conRict with itself which alone can make good writing because onl_y that Is worth writing about, worth the agon_y and the sweat. He must learn them again. He must teach himself that the basest ot all things is to be atraid: and, teaching himself that, target It forever, leaving no room In his workshop tor an_ythlng but the old verities and truths ot the heart, the universal truths lacking which an_y stor_y Is ephemeral and doomed - love and honor and plt_y and pride and compassion and sacrltlce.
    [Show full text]
  • Jewish Reality in Germany and Its Reflection in Film Europäisch-Jüdische Studien Beiträge European-Jewish Studies Contributions
    Contemporary Jewish Reality in Germany and Its Reflection in Film Europäisch-jüdische Studien Beiträge European-Jewish Studies Contributions Edited by the Moses Mendelssohn Center for European-Jewish Studies, Potsdam, in cooperation with the Center for Jewish Studies Berlin-Brandenburg Editorial Manager: Werner Treß Volume 2 Contemporary Jewish Reality in Germany and Its Reflection in Film Edited by Claudia Simone Dorchain and Felice Naomi Wonnenberg An electronic version of this book is freely available, thanks to the support of libra- ries working with Knowledge Unlatched. KU is a collaborative initiative designed to make high quality books Open Access. More information about the initiative can be found at www.knowledgeunlatched.org An electronic version of this book is freely available, thanks to the support of libra- ries working with Knowledge Unlatched. KU is a collaborative initiative designed to make high quality books Open Access. More information about the initiative can be found at www.knowledgeunlatched.org ISBN 978-3-11-021808-4 e-ISBN (PDF) 978-3-11-021809-1 e-ISBN (EPUB) 978-3-11-021806-2 ISSN 0179-0986 e-ISSN 0179-3256 This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivs 3.0 License, as of February 23, 2017. For details go to http://creativecommons.org/licenses/by-nc-nd/3.0/. Library of Congress Cataloging-in-Publication Data A CIP catalog record for this book has been applied for at the Library of Congress. Bibliografische Information der Deutschen Nationalbibliothek Die Deutsche Nationalbibliothek verzeichnet diese Publikation in der Deutschen Nationalbibliogra- fie; detaillierte bibliografische Daten sind im Internet über http://dnb.dnb.de abrufbar.
    [Show full text]
  • Act I Prologue Act 1, Scene 1
    No Fear Shakespeare – Romeo and Juliet (by SparkNotes) -1- Original Text Modern Text Act I Prologue Enter The enters. CHORUS CHORUS CHORUS CHORUS Two households, both alike in dignity In the beautiful city of Verona, where our story (In fair Verona, where we lay our scene), takes place, a long-standing hatred between two From ancient grudge break to new mutiny, families erupts into new violence, and citizens Where civil blood makes civil hands unclean. stain their hands with the blood of their fellow 5 From forth the fatal loins of these two foes citizens. Two unlucky children of these enemy A pair of star-crossed lovers take their life, families become lovers and commit suicide. Their Whose misadventured piteous overthrows unfortunate deaths put an end to their parents' Doth with their death bury their parents' strife. feud. For the next two hours, we will watch the The fearful passage of their death-marked love story of their doomed love and their parents' 10 And the continuance of their parents' rage, anger, which nothing but the children’s deaths Which, but their children’s end, naught could remove, could stop. If you listen to us patiently, we’ll make Is now the two hours' traffic of our stage— up for everything we’ve left out in this prologue The which, if you with patient ears attend, onstage. What here shall miss, our toil shall strive to mend. Exit The CHORUS exits. Act 1, Scene 1 Enter SAMPSON and GREGORY of the house of SAMPSON and GREGORY, servants of the Capulet, with swords and bucklers Capulet family, enter carrying swords and small shields.
    [Show full text]
  • University of California Santa Cruz the Stabilization
    UNIVERSITY OF CALIFORNIA SANTA CRUZ THE STABILIZATION, EXPLORATION, AND EXPRESSION OF COMPUTER GAME HISTORY A dissertation submitted in partial satisfaction of the requirements for the degree of DOCTOR OF PHILOSOPHY in COMPUTER SCIENCE by Eric Kaltman September 2017 The Dissertation of Eric Kaltman is approved: Noah Wardrip-Fruin, Chair Michael Mateas Henry Lowood Tyrus Miller Vice Provost and Dean of Graduate Studies Copyright © by Eric Kaltman 2017 Table of Contents List of Figures vi List of Tables viii Abstract ix Dedication xi Acknowledgments xii 1 Introduction 1 1.1 On the history of technology . .4 1.2 On the history of software . 10 1.3 On the history of computer games in the history of software in the history of technology . 12 1.4 On preservation . 13 1.5 On knowledge accumulation, exploration and expression in the his- tory of technology . 15 1.6 On an intermediary perspective for the history of games as software 20 1.7 Stabilization . 25 1.8 Exploration . 27 1.9 Expression . 29 2 Appraisal 31 2.1 Compiling the Record . 31 2.2 Appraisal . 33 2.2.1 Related Work . 38 2.3 Prom Week .............................. 41 2.3.1 Choice of Prom Week ..................... 42 2.3.2 Process . 43 2.3.3 Context . 57 2.3.4 Documentary Enumeration . 62 iii 2.4 Conclusion . 79 3 Description 82 3.1 Introduction . 82 3.1.1 A Brief on Controlled Vocabularies . 84 3.1.2 A Course Through the Thicket . 86 3.2 Controlled Vocabularies . 90 3.2.1 A Brief Record Example . 92 3.2.2 Vocabulary and Ontology Best Practices .
    [Show full text]
  • THE COWL Gaffney, Who Was Instrumental in the Home on 33 Eaton St
    TheVol. LXXX No. 21 @thecowl • thecowl.com Celebrating 80 Years CowlProvidence College April 7, 2016 of Publication All Safe After Eaton Street Fire Agape Latte Displaced Students Relocate to 02908 Club Properties Series Brews Reflections on Faith by Daria Purdy ’19 News Staff lectures “Agape” is the Greek word Jesus used in his teachings to mean selfless love for God and for one’s neighbor. The word and the ideas it conveys have been a fundamental part of Christian tradition. Agape is being incorporated on the Providence College campus through a series of events called Agape Latte. The Agape Latte events feature a series of speakers that describe their experience and understanding of faith. The events are student organized, and a student planning board selects the speakers for each Agape Latte talk. Dean Tiffany KRISTINA HO ’18 / THE COWL Gaffney, who was instrumental in The home on 33 Eaton St. housed no Providence College students but displaced 19 PC students living in the surrounding homes. bringing these events to fruition, says the students on the board by Zak Harvey ’16 “identify faculty and staff members News Staff in the community who have really inspiring personal stories and who community are willing to share themselves and be vulnerable with students.” On the afternoon of Thursday, March 31, multiple firehouses across AGAPE/ Page 3 the city of Providence received a call that a house fire had broken out on Eaton Street. The fire broke out at 33 Eaton St., a house not owned by the 02908 Club and that was not inhabited by Providence College students.
    [Show full text]
  • Newstuff on Doomworld … 26 • Pictures Gallery … 27 • Special Thanks … 42
    1 The MASTER #2 PRODUCED BY: The best, the ugliest, the bloodiest and the doomest of Doom! Issue #2 2 I N D E X • Doom Master Wadazine Introduction … 4 • Writers … 5 • Articles Section… 6 • WADs Section… 15 • Master recommendation of this issue! … 24 • Newstuff on doomworld … 26 • Pictures gallery … 27 • Special Thanks … 42 3 The D O O M Master Wadazine Presents: The second edition of the DMW, a magazine project full of enthusiasm and passion! Now with the support of the community and with its own cover! Enjoy this reading and welcome to Issue #2 of the DMW! 4 Writers of this Edition: Endless: The Doom vs Doom article, the WADs and the essentials of the DMW. InDOOMnesia: Our first article contributor! Please, a big round of applause for our friend! With its great knowledge of Doom console-ports, InDOOMnesia gift us the deep and fascinating Year of Retro Console Doom: How the Old Console Doom Ports Make a Return in 2020 article! Roebloz: Our first interviewer! Another master of the console-ports and a passionate enthusiast. Full of desire to help and start with excellency in his contributions, Roebloz brings us the first ever interview with Randy Linden! Ant1: Our first reviewer! Ant1 dust off his writing skills to bring us one special WAD that you should try for some good wholesome fun, Magic Doom. A big applause for our man and may he keep up the great work! TheEvilGrin: Following the path of reviewing, I welcome TheEvilGrin! The man gave us his awesome recommendation for Phobos Revisited.
    [Show full text]
  • Rising Eighth Grade
    7th into 8th Grade 2021 Summer Reading List ============================ Prepared by Liz Perry, SFWS Librarian for Class Teacher Mary Barhydt Adamson, Joy Born Free: A Lioness of Two Joy Adamson brings to the world the story of her life alongside Elsa the lioness, whom she rescued as Worlds an orphaned cub, and raised at her home in Kenya. But as Elsa had been born free, Joy made the heartbreaking decision that she must be returned to the wild when she was old enough to fend for herself. Alcott, Louisa May Double Life: Newly Discovered The five stories in this collection, published in serial form in the 1860s, were recently found to have Thrillers of Louisa May Alcott been written anonymously by Alcott. Set against florid, romantic Victorian backdrops are plots that mine popular themes of the day: mesmerism, Indian cults, death vows, doomed love. Written to hold the attention of a newspaper audience, the tales move along briskly. Readers will be immediately drawn into "A Pair of Eyes," about a painter spellbound by his model for Lady Macbeth. "The Fate of the Forrests," which hinges on a family curse, and "A Double Tragedy: An Actor's Story," a story of jealousy and revenge set in a theatrical company. Based on The Tempest, "Ariel, A Legend of the Lighthouse" has an evocative, stormy coastal setting, and a familiar plot of love lost and then refound on the brink of death. "Taming the Tartar" has lively characters and an offbeat ending, where its irrepressible heroine gets the last word. Alcott, Louisa May Little Women Grown-up Meg, tomboyish Jo, timid Beth, and precocious Amy.
    [Show full text]