An Empirical Study of Public Art in Urban Regeneration – a Comparative Study of Liverpool and Dalian
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ART NORTH WEST July 2019 Open Call for Artists Based in North West England Application Deadline: 10 September, 12:00 Tate Liver
ART NORTH WEST July 2019 Open call for artists based in north west England Application deadline: 10 September, 12:00 Tate Liverpool Royal Albert Dock Liverpool L3 4BB United Kingdom Website <http://www.tate.org.uk> Twitter <https://www.twitter.com/tateliverpool> Facebook <https://www.facebook.com/tateliverpool> Instagram<http://www.instagram.com/tateliverpool> Tate Liverpool is launching a new programme for artists living and working in the north west of England (Cheshire, Cumbria, Greater Manchester, Lancashire and Merseyside), offering the opportunity for one selected artist or artist collective to have their work represented at the internationally renowned art museum in spring 2021. We invite artists to respond to this open call for a new commission or exhibition of new or existing work. The selected artist will work closely with Tate Liverpool staff throughout an 18-month period between November 2019 and March 2021 to develop a presentation of their work in Spring 2021 (exact dates tbc), in either the ground floor Wolfson gallery or part of the 4th floor galleries. The exhibition or project will be free and open to all our visitors. The artist will receive a fee and production/presentation budget of up to £30,000 and will have the opportunity to spend time with Tate Liverpool staff across Curatorial, Learning, Development, Communications and Art Handling as required, in support of their artistic development and project planning. A schedule will be agreed with the artist depending on their other commitments. Tate Liverpool is the most visited gallery of modern and contemporary art outside of London, showing the Tate Collection alongside ambitious temporary exhibitions. -
Portof Liverpool
PORT OF LIVERPOOL BUILDING CONTEMPORARY OFFICE SPACE IN LIVERPOOL’S ICONIC WATERFRONT OFFICE BUILDING ENTER > PORT OF LIVERPOOL HOME | DESCRIPTION | ACCOMMODATION | FLOOR PLANS / SPEC | AMENITIES | GALLERY | LOCATION | CONTACT BUILDING CLASSIC EXTERIOR / MODERN INTERIOR The Port of Liverpool Building is one of A fine example of classic architecture the historic Three Graces occupying a and exceptional craftsmanship, there is prime position along Liverpool’s stunning more to this building than meets the eye. waterfront. It has been extensively remodelled and Designed in an Edwardian Baroque future-proofed to meet the demands style it was constructed between 1904 of today’s office occupiers, providing and 1907. Today it forms part of the exceptional office accommodation in an UNESCO World Heritage Maritime unrivalled environment with exceptional Mercantile City. views of the City and the Mersey Riverscape. PORT OF LIVERPOOL HOME | DESCRIPTION | ACCOMMODATION | FLOOR PLANS / SPEC | AMENITIES | GALLERY | LOCATION | CONTACT BUILDING The first floor has recently been sympathetic to the original architectural comprehensively refurbished to provide features of the building, some of which contempory, efficient, open plan office have been retained and the space accommodation to meet with modern provides a large open plan office area, occupiers standards. The comprehensive meeting room and a feature board room refurbishment works have been with views across the Strand. 7,038 sq ft (653.9 sq m) PORT OF LIVERPOOL HOME | DESCRIPTION | ACCOMMODATION -
[Wirral] Seacombe Ferry Terminal
Pier Head Ferry Terminal [Liverpool] Mersey Ferries, Pier Head, Georges Parade, Liverpool L3 1DR Telephone: 0151 227 2660 Fax: 0151 236 2298 By Car Leave the M6 at Junction 21a, and take the M62 towards Liverpool. Follow the M62 to the end, keeping directly ahead for the A5080. Continue on this road until it merges into the A5047, following signs to Liverpool City Centre, Albert Dock and Central Tourist Attractions. Pier Head Ferry Terminal is signposted from the city centre. Parking Pay and display parking is available in the Albert Dock and Kings Dock car parks. Pier Head Ferry Terminal is approximately 5-10 minutes walk along the river. By Public Transport Using Merseyrail’s underground rail service, alight at James Street Station. Pier Head Ferry Terminal is a 5- minute walk from James Street. For further information about bus or rail links contact Merseytravel on: 0870 608 2 608 or log onto: www.merseytravel.gov.uk By National Rail Lime Street Station is Liverpool’s main national rail terminus, with main line trains to and from Manchester, London, Scotland and the rest of the UK. Pier Head Ferry Terminal is a 20-minute walk from Lime Street [see tourist information signs]. Enquire at Queen Square Tourist Information Centre for details of bus services to Pier Head. Woodside Ferry Terminal [Wirral] Mersey Ferries, Woodside, Birkenhead, Merseyside L41 6DU Telephone: 0151 330 1472 Fax: 0151 666 2448 By Car From the M56 westbound, turn right onto the M53 at Junction 11. Follow the M53 motorway to Junction 1, and then take the A5139 [Docks Link/ Dock Road]. -
Liverpool Cancer Community Update
Liverpool Cancer Community Update May 2011 Welcome to the latest edition of the Cancer Community Update from the Liverpool Cancer Research UK Centre. This update is designed to keep you in- formed of research news, engagement activities and news from the cancer commu- nity in Merseyside and Cheshire. Please contact Local Engagement and Development Manager Emma Squibb to contribute or comment. [email protected] 0151 794 8823 or 07770 597 185 BBC features Telovac Trial The Liverpool Cancer Research UK Centre fea- tured on the BBC news on 14th April, with Professor Neoptolemos and patient Rhona Longworth speaking about the Telovac Trial. More The trial is also fea- tured in an online article by BBC Medical Correspondent Fergus Walsh here. A number of online articles about the trial have since been published including the Daily Mail and Marie Claire. Liverpool welcomes Prof Dan Palmer The Centre is delighted to introduce Professor Dan Palmer, Liverpool University’s new Chair of Medical Oncology. Pro- fessor Palmer took up post in April 2011 and is based in the Dept of Surgery and Oncology. “ My research interests relate to HPB cancers (pancreas, liver and biliary tract) and incorporate basic laboratory sci- ence, translational research and clinical trials. The rele- vance of this to Liverpool is that my research maps on to the already hugely successful pancreas cancer research portfolio that Professor Neoptolemos and the team have established here. In terms of the ‘added value’ my research brings, this will largely be in the form of the development of novel drug and immunotherapies for these cancers, with pre-clinical laboratory testing followed by an active early phase clinical trial programme, again taking advantage of the already excel- lent infrastructure here in terms of labs, the Pancreas Biomedical Research Unit, the Liverpool ECMC, the Liverpool Cancer Trials Unit and, of course, the CRUK Centre. -
The Value of Distance: Art’S Cultural Identity Amidst Technology’S Transformations of Space
THE VALUE OF DISTANCE: ART’S CULTURAL IDENTITY AMIDST TECHNOLOGY’S TRANSFORMATIONS OF SPACE By David Hadlow Ogle Submitted in accordance with the requirements for the degree of Doctor of Philosophy The University of Liverpool School of the Arts May 2018 II ABSTRACT THE VALUE OF DISTANCE: ART’S CULTURAL IDENTITY AMIDST TECHNOLOGY’S TRANSFORMATIONS OF SPACE By David Hadlow Ogle This study explores technology’s propensity to transform our comprehensions of space, considering the implications of this for our understandings of the work of art and the value that we ascribe to it. With our encounters increasingly a by-product of technological interface, the central question of this work is posed as follows: In what ways (and to what degree) may we regard the contemporary conditions facing the art object (and the values that these elicit) as a consequence of our prevailing technological landscape and its capacity to re-configure our conceptions of space and place? In confronting this, the study begins by surveying recent public justifications made for the arts and the criteria by which their value is ascertained. A trend is recognised, in the growing prevalence of instrumental qualifiers for art’s worth (its quantifiable impacts as a social utility) and a shift away from intrinsic measures. In response to this, I propose the concept of Accumulative Value, arguing that the totality of an art object’s intellectual considerations and explorations (over historical time) are an intrinsic attribute of the object itself and a qualifier of its objective worth. The notion of value itself (with its varying interpretations) is then explored, followed by a contemporary re-evaluation of Walter Benjamin’s concept of the aura, arguing that in our present circumstances this notion may be used in description of an object’s fixed spatial locality. -
Impacts 08 Evaluation
Impacts 08 Team Dr Beatriz García, Director Ruth Melville and Tamsin Cox, Programme Managers Ann Wade, Programme Coordinator Document Reference: Impacts 08 – Miah & Adi (2009) Liverpool 08 – Centre of the Online Universe Liverpool 08 Centre of the Online Universe The impact of the Liverpool ECoC within social media environments October 2009 Report by Prof Andy Miah and Ana Adi Faculty of Business & Creative Industries Impacts 08 is a joint programme of the University of Liverpool and Liverpool John Moores University Commissioned by Liverpool City Council Impacts 08 – Miah & Adi | Liverpool 08 – Centre of the Online Universe | 2009 Executive Summary Background to the study One of the major topics of debate in media research today is whether the Internet should be treated as the dominant form of information distribution, outstripping the impact of other media, such as television, radio or print. Opinions vary about this, but numerous examples of successful online media campaigns abound, such as Barack Obama‟s use of social media during the US Presidential campaign. Today, other governments are quick to utilise similar environments, and 10 Downing Street has accounts with both YouTube and Flickr, the popular websites used for video and photo sharing respectively. Additionally, marketing and communications departments in business, industry, the arts and the media are rapidly re-organising their strategies around the rise of digital convergence and in light of evidence that demonstrates the decline (or fragmentation) of mass media audiences. These circumstances are pertinent to the hosting of European Capital of Culture by Liverpool in 2008. In short, if we want to understand how audiences were engaged during 2008, we need to complement a range of surveys and reporting with analyses of online activity, which have the potential to reflect both broader media perspectives and the views of people on the street. -
Guide to Liverpool Waterfront
Guide to Liverpool Waterfront “Three Graces” – Together the Royal Liver Building, Cunard Building and the Port of Liverpool Building make up the Mersey’s ‘Three Graces’ and are at the architectural centre of Liverpool’s iconic waterfront. A massive engineering project has recently extended the canal in front of these three buildings, adding beautifully landscaped seating areas and viewpoints along the canal and the river. Museum of Liverpool – this brand new museum, opened in 2011 is a magnificent addition to Liverpool’s waterfront. Celebrating the origins and heritage of the city, it features collections from National Museums Liverpool that have never been seen before. Otterspool Promenade – The construction of Otterspool Promenade (1950) provided both a new amenity for Liverpool and an open space dividend from the disposal of Mersey Tunnel spoil and household waste; a project repeated three decades later to reclaim the future International Garden Festival site. A favourite with kite fliers this often overlooked wide open space is perfect for views of the river and picnics Antony Gormley’s “Another Place” - These spectacular sculptures by Antony Gormley are on Crosby beach, about 10 minutes out of Liverpool. Another Place consists of 100 cast-iron, life-size figures spread out along three kilometres of the foreshore, stretching almost one kilometre out to sea. The Another Place figures - each one weighing 650 kilos - are made from casts of the artist's own body standing on the beach, all of them looking out to sea, staring at the horizon in silent expectation. Mersey Ferry - There's no better way to experience Liverpool and Merseyside than from the deck of the world famous Mersey Ferry listening to the commentary. -
Mersey Tunnels Long Term Operations & Maintenance
Mersey Tunnels Long Term Operations & Maintenance Strategy Contents Background ............................................................................................................................................. 1 Strategic Overview .................................................................................................................................. 2 Supporting Economic Regeneration ................................................................................................... 3 Key Route Network ............................................................................................................................. 6 National Tolling Policy ......................................................................................................................... 8 Legislative Context .................................................................................................................................. 9 Mersey Crossing Demand ..................................................................................................................... 12 Network Resilience ........................................................................................................................... 14 Future Demand ................................................................................................................................. 14 Tunnel Operations ................................................................................................................................ 17 Supporting Infrastructure -
Mersey Ferries Group Guide Experience the Essence of Group Travel
Mersey Ferries group guide experience the essence of group travel Visit merseyferries.co.uk or call 0151 330 1444 COME ABOARD 4–5 6–7 8–9 FOR THE GREATEST GROUP DAYS OUT Mersey Ferries sail to Liverpool. Wirral. wider horizons A world class city of A wonderfully We can take your group a culture and fun different contrast lot further than you might Liverpool is putting on a Over on the other side of For every kind of group, great days out begin think. Our River Explorer whole new look with its the river, Wirral offers a Cruises give a unique view historic waterfront legacy complete contrast to all on the banks of the Mersey – with more reasons of Liverpool and Wirral, just a short walk away from that urban excitement. while our Manchester Ship the shopping paradise of Famed for its natural to visit than ever before. From the moment Canal Cruises take the scenic the smart new Liverpool beauty, it’s where visitors route right into the heart One centre. they arrive and the whole day through there’s of Manchester. flock to the landscaped Plus, all the attractions acres of Ness Botanic more to see, more to do and more to enjoy on that make this famous city gardens, and the an unforgettable trip. With so much to please such a tourist magnet for picturesque delights of Port visitors from all over the Sunlight garden village. everyone, no wonder it’s such a popular choice world – lots of lively streets And, where they discover to explore with a wealth of surprises like the unique for groups. -
Welcome Guide to the Walker Art Gallery
Welcome guide 1 Welcome to the Walker Art Gallery Welcome to the Walker Art Gallery This guide will help you find your way around the gallery, if you have any questions please ask a member of staff to help you. • The Gallery ground floor entrance is up the flight of steps shown in the Entrance building pictured above. • You can use a ramp to enter the building which can be found to the right of the steps. • The main entrance takes you straight to the gallery information desk via two sets of automatic glass doors. Ramp entrance Ramp view from the main entrance 2 Getting into the Walker Art Gallery There are two pairs of large doors. Outside doors Automated doors 3 2 1 3 4 15 5 14 13 8 SPECIAL EXHIBITION Stairs 6 GALLERIES 12 Stairs Lift 7 9Staff 10 Staff wear blue shirts and name badges. ENTRANCE Fire alarms 11 TO SPECIAL EXHIBITIONS If the fire alarm sounds please follow staff instructions and ask for assistance if required. Fire alarm tests are planned, if unexpected loud noises are a concern to you please call in advance to check when the next test will take place. Floor plan Member of staff You can see the gallery is made up of lots of small rooms. You can walk a round the rooms in any order. Ground Floor A Big Art for Little Artists B Sculpture Gallery C Craft & Design Gallery Stairs A CAFE Lift SHOP Stairs C B ENTRANCE 4 GROUND FLOOR As you enter you will be faced with the Information Desk. -
Kensıngton News
K NEWS ISSUE 32 PAGE 1:K NEWS ISSUE 32 PAGE 1 28/8/09 12:13 Page 1 kensıngtonApril 2009 Issue 32 Local views, local issues news INSIDE THIS ISSUE Reports on crime are ‘misleading’ PAGE 2 Paula heads for Number 10 Paula Nolan (second left) who manages HEAT, one of Kensington Regeneration’s flagship projects, was recently Twin celebrations invited to a reception at 10 Downing Street by Prime Minister Gordon Brown. See page four for full story. for local school PAGE 4 Creating change for the better of poor housing in the area. 10 per cent rise in the proportion of In terms of community safety, residents who feel safe walking home there was a 22.6 per cent reduction after dark. in the number of reported crimes in The survey also highlights the Kensington in 2008 compared with progress that is being made in local the previous year. Because of this, schools. Attendance is now higher MORI’s assessment is that than the Liverpool average and the ‘significant improvements are being number of pupils achieving five A*-C achieved in the area’. passes at GCSE has risen by 17 Spotlight on This view is backed up by per cent since 2002. our local wardens residents. Since 2002 there has been Overall performance in English a 20 per cent drop in the number of and maths at Key Stage 2 level 4 PAGE 5 people concerned about vandalism, has also improved significantly, graffiti and other criminal damage. with 28 and 31 per cent Concerns about car crime and increases respectively. -
Design & Empire [Working Title]
Design & Empire [working title] 24 – 26 November 2017 Liverpool, various venues Design & Empire [working title] is a weekend of events exploring the power structures embedded within contemporary and historical design, visual art, and consumer culture. Presented by Liverpool Biennial and Liverpool John Moores University and curated by Prem Krishnamurthy, Emily King, and Joasia Krysa, Design & Empire brings together practitioners from the fields of art, design, architecture, and fashion. Framed by guided city tours exploring Liverpool’s architectural past and a cooking event serving a colonial-style Christmas, the weekend presents a series of talks from leading creative voices. These conversations touch upon topics ranging from national identity and the display of museum collections, copying within creative manufacturing, distributed models of property ownership, postcolonial approaches to contemporary fashion, reuse and revaluation of bio-industrial materials, the politics of computer interfaces, and beyond. With Liverpool as both the subject and stage, Design & Empire will collaborate with its citizens in challenging aspects of Liverpool’s imperial legacy whilst reflecting on current practices within design and visual culture. All events are free with booking required via www.biennial.com Delivered in partnership with RIBA North and The Serving Library at Liverpool John Moores University’s Exhibition Research Lab. Funded by Arts Council England. Organised with support from Jana Lukavečki. Thanks to Ian Mitchell, Mike O'Shaughnessy and